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Main Title And Calvera
Songs like
Main Title And Calvera
by
Elmer Bernstein
Based on a tempo of (+/- 10%) and a similar genre
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London Music Works
The Cantina Band
132 bpm • C Maj • 02:58 • -5.72db
28% Popularity • 70% Danceability • 50% Energy • 16% Liveness
22% Instrumentalness • 74% Positiveness
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Ernest Gold
Theme from Exodus
132 bpm • B min • 02:29 • -5db
27% Popularity • 19% Danceability • 43% Energy • 27% Liveness
90% Instrumentalness • 15% Positiveness
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Theodore Shapiro
Never Invited
132 bpm • B Maj • 01:23 • -23.53db
8% Popularity • 42% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 19% Positiveness
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Elmer Bernstein
Main Title and Calvera
132 bpm • F Maj • 03:56 • -9db
21% Popularity • 40% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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John Debney
A New Hope
132 bpm • D# Maj • 01:46 • -25.95db
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Barry Gray
Tracy Island and Thunderbirds Are Go!
132 bpm • A Maj • 03:16 • -11.11db
19% Popularity • 36% Danceability • 64% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
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Howard Shore
Tea Time With Mrs. Sellner
133 bpm • A Maj • 03:58 • -19.67db
11% Popularity • 40% Danceability • 14% Energy • 58% Liveness
59% Instrumentalness • 30% Positiveness
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Alexander Courage
The Ritual / Ancient Battle / 2nd Kroyka...
132 bpm • C Maj • 06:08 • -17db
15% Popularity • 44% Danceability • 18% Energy • 18% Liveness
52% Instrumentalness • 7% Positiveness
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Cliff Eidelman
Overture - Star Trek VI/Soundtrack Versi...
133 bpm • E min • 02:57 • -20db
26% Popularity • 19% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Franz Waxman
Main Title (Film Version With Effects)
131 bpm • A min • 02:14 • -10db
17% Popularity • 36% Danceability • 48% Energy • 24% Liveness
90% Instrumentalness • 22% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Julian Nott
Theme And Chase
131 bpm • F Maj • 03:30 • -9.57db
25% Popularity • 44% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 60% Positiveness
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Lennie Niehaus
The Medals
131 bpm • C Maj • 03:00 • -21.1db
20% Popularity • 27% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Howard Shore
Bridges Restaurant
131 bpm • C Maj • 06:14 • -23.25db
8% Popularity • 41% Danceability • 6% Energy • 13% Liveness
60% Instrumentalness • 9% Positiveness
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Los Angeles Philharmonic
The Cylon Base Ship (Imperious Leader)
133 bpm • A# Maj • 01:17 • -24db
12% Popularity • 31% Danceability • 2% Energy • 24% Liveness
88% Instrumentalness • 5% Positiveness
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Clint Eastwood
Theme from Mystic River
131 bpm • F Maj • 05:03 • -25.89db
27% Popularity • 17% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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The Intermezzo Orchestra
E.T. (Main Theme)
131 bpm • C Maj • 05:03 • -14db
13% Popularity • 25% Danceability • 30% Energy • 32% Liveness
88% Instrumentalness • 6% Positiveness
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Marcel Barsotti
Sektenwahn
131 bpm • F Maj • 01:27 • -19.66db
18% Popularity • 36% Danceability • 15% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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Mark Mancina
Twister
131 bpm • C Maj • 04:43 • -17db
23% Popularity • 16% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Where Is Mr. Barrie? - Finding Neverland...
134 bpm • C Maj • 03:32 • -18db
28% Popularity • 48% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Cedar Lane Soundtrack Orchestra
Theme From Jaws
134 bpm • G Maj • 07:10 • -23.69db
5% Popularity • 31% Danceability • 11% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
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Leigh Harline
Pinocchio: When You Wish Upon A Star (ar...
134 bpm • F Maj • 03:29 • -17.78db
29% Popularity • 16% Danceability • 15% Energy • 13% Liveness
40% Instrumentalness • 6% Positiveness
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Elmer Bernstein
Rooster And Runaway
134 bpm • F Maj • 02:57 • -11db
13% Popularity • 25% Danceability • 26% Energy • 14% Liveness
76% Instrumentalness • 28% Positiveness
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Barry Gray
Space: 1999
129 bpm • F min • 01:11 • -9db
25% Popularity • 32% Danceability • 82% Energy • 7% Liveness
84% Instrumentalness • 47% Positiveness
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Victor Young
Around the World – Part I
130 bpm • D# Maj • 02:58 • -15.1db
13% Popularity • 23% Danceability • 31% Energy • 14% Liveness
93% Instrumentalness • 28% Positiveness
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Eric Coates
The Dam Busters March
135 bpm • C Maj • 03:53 • -12.46db
19% Popularity • 32% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 28% Positiveness
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Marcel Barsotti
Over! Over! Over! Over! Game Over!
135 bpm • F Maj • 02:18 • -17.27db
18% Popularity • 28% Danceability • 26% Energy • 34% Liveness
82% Instrumentalness • 18% Positiveness
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John Powell
We Need A Miracle
129 bpm • C Maj • 02:03 • -15.83db
17% Popularity • 18% Danceability • 22% Energy • 19% Liveness
92% Instrumentalness • 10% Positiveness
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David Arnold
Aston Montenegro
136 bpm • E min • 01:03 • -17.87db
36% Popularity • 15% Danceability • 12% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Johnny Pearson
Country Fayre - 60 Second Edit
129 bpm • C Maj • 01:03 • -18db
32% Popularity • 60% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Daniel Caine Orchestra
Barnaby Jones
128 bpm • F Maj • 02:16 • -11.97db
8% Popularity • 35% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 54% Positiveness
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Leonard Rosenman
Chekov's Run
136 bpm • F min • 01:19 • -16db
18% Popularity • 38% Danceability • 28% Energy • 17% Liveness
76% Instrumentalness • 61% Positiveness
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John Powell
Lift Off
135 bpm • A# Maj • 03:42 • -9.25db
19% Popularity • 19% Danceability • 49% Energy • 37% Liveness
92% Instrumentalness • 10% Positiveness
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Brad Fiedel
True Lies
136 bpm • C Maj • 05:01 • -18db
8% Popularity • 28% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Rob Simonsen
Chess
136 bpm • G# min • 01:18 • -27db
18% Popularity • 20% Danceability • 5% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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DLG Orchestra
Gone With The Wind
136 bpm • C Maj • 03:55 • -9.73db
21% Popularity • 19% Danceability • 29% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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Daniel Caine Orchestra
The A-Team
128 bpm • F Maj • 03:15 • -6.75db
35% Popularity • 67% Danceability • 75% Energy • 17% Liveness
5% Instrumentalness • 72% Positiveness
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Leonard Rosenman
Hospital Chase
136 bpm • C Maj • 01:14 • -12db
19% Popularity • 44% Danceability • 55% Energy • 19% Liveness
54% Instrumentalness • 58% Positiveness
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Bruce Rowland
Main Theme
128 bpm • C Maj • 01:31 • -17.65db
32% Popularity • 32% Danceability • 27% Energy • 15% Liveness
55% Instrumentalness • 21% Positiveness
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National Philharmonic Orchestra
Licence Revoked - Licence To Kill/Soundt...
128 bpm • C Maj • 09:10 • -14.3db
16% Popularity • 28% Danceability • 39% Energy • 8% Liveness
28% Instrumentalness • 11% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
44% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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DLG Orchestra
Out Of Africa
136 bpm • C Maj • 03:14 • -12.04db
14% Popularity • 18% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Joel McNeely
The Shooting Lesson
137 bpm • G Maj • 02:16 • -10.44db
15% Popularity • 54% Danceability • 37% Energy • 61% Liveness
81% Instrumentalness • 53% Positiveness
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Thomas Newman
Breadcrumbs
137 bpm • C Maj • 02:02 • -20.09db
32% Popularity • 28% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Victor Young
Finale and End Title
127 bpm • A Maj • 02:09 • -14db
15% Popularity • 44% Danceability • 27% Energy • 21% Liveness
91% Instrumentalness • 51% Positiveness
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Edward Shearmur
The World Of Tomorrow
126 bpm • F Maj • 01:07 • -10db
24% Popularity • 51% Danceability • 39% Energy • 25% Liveness
50% Instrumentalness • 13% Positiveness
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Rob Simonsen
Lab Partners
137 bpm • G min • 02:02 • -18db
18% Popularity • 56% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 23% Positiveness
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Stu Phillips
Buck Roger's In The 25th Century
138 bpm • F Maj • 02:26 • -4.93db
28% Popularity • 46% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 50% Positiveness
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Elmer Bernstein
A Wishing Doll
126 bpm • B min • 06:13 • -24.44db
7% Popularity • 35% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 6% Positiveness
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Thomas Newman
The Axiom
138 bpm • F Maj • 02:24 • -11.73db
34% Popularity • 17% Danceability • 25% Energy • 23% Liveness
79% Instrumentalness • 4% Positiveness
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Victor Young
Around The World In 80 Days - Overture
126 bpm • D# Maj • 03:21 • -18.97db
22% Popularity • 25% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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John Powell
Into the Pie Machine
126 bpm • D min • 03:11 • -8.25db
18% Popularity • 36% Danceability • 57% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Rob Simonsen
Showdown
138 bpm • C Maj • 02:30 • -10.53db
20% Popularity • 18% Danceability • 39% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Bernstein
Dependable and Curtain
139 bpm • E Maj • 03:52 • -13.73db
2% Popularity • 19% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Daniel Caine Orchestra
St. Elsewhere
125 bpm • F# Maj • 02:29 • -11.91db
15% Popularity • 71% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 64% Positiveness
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Dennis McCarthy
Star Trek: Deep Space Nine: Main Title
125 bpm • C Maj • 02:17 • -21.59db
31% Popularity • 19% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
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John Philip Sousa
The Stars And Stripes Forever
125 bpm • C# Maj • 03:34 • -12.26db
18% Popularity • 39% Danceability • 46% Energy • 5% Liveness
86% Instrumentalness • 51% Positiveness
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Elmer Bernstein
Hello
139 bpm • C# min • 01:36 • -23.43db
21% Popularity • 38% Danceability • 4% Energy • 11% Liveness
6% Instrumentalness • 7% Positiveness
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Rob Simonsen
Summerville
126 bpm • B min • 01:41 • -20db
18% Popularity • 57% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Barry Gray
Thunderbirds - End Titles
125 bpm • D Maj • 01:22 • -9db
18% Popularity • 58% Danceability • 77% Energy • 9% Liveness
83% Instrumentalness • 65% Positiveness
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Howard Shore
Shore: Finale
140 bpm • D min • 04:51 • -15.26db
21% Popularity • 15% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Joel McNeely
Missing Louise
124 bpm • C Maj • 02:08 • -22.73db
17% Popularity • 23% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Alex North
Main Title
140 bpm • F# min • 01:24 • -13.78db
12% Popularity • 21% Danceability • 30% Energy • 33% Liveness
92% Instrumentalness • 24% Positiveness
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Elmer Bernstein
Overture
140 bpm • D# Maj • 02:06 • -11.98db
13% Popularity • 32% Danceability • 56% Energy • 30% Liveness
88% Instrumentalness • 59% Positiveness
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Harry Sukman
Alternate Main Title
140 bpm • G Maj • 01:29 • -14db
12% Popularity • 48% Danceability • 35% Energy • 25% Liveness
13% Instrumentalness • 84% Positiveness
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Barry Gray
The Hood and London Airport
124 bpm • G# Maj • 03:54 • -11.5db
16% Popularity • 27% Danceability • 34% Energy • 49% Liveness
78% Instrumentalness • 9% Positiveness
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The Intermezzo Orchestra
Saving Private Ryan (Main Theme)
124 bpm • G Maj • 06:12 • -16db
9% Popularity • 19% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Ernest Gold
Steiner's Theme
141 bpm • C# min • 02:42 • -10db
15% Popularity • 17% Danceability • 29% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Sean Callery
24 Symphonic Suite
124 bpm • D min • 04:48 • -22.5db
13% Popularity • 28% Danceability • 32% Energy • 11% Liveness
40% Instrumentalness • 13% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Super Heros Invasion
Hercules - The Legendary Journeys
141 bpm • C min • 03:05 • -9.59db
10% Popularity • 20% Danceability • 32% Energy • 5% Liveness
11% Instrumentalness • 25% Positiveness
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Elmer Bernstein
Strange Funeral / After the Brawl
123 bpm • D# Maj • 06:47 • -14.94db
8% Popularity • 45% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 19% Positiveness
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Richard Hageman
Stagecoach
141 bpm • G# Maj • 02:03 • -13db
13% Popularity • 37% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Ron Goodwin
Main Titles
123 bpm • F Maj • 02:59 • -10.75db
20% Popularity • 46% Danceability • 69% Energy • 35% Liveness
92% Instrumentalness • 41% Positiveness
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The Meridian Studio Ensemble
STRIPES: March
123 bpm • A# Maj • 02:29 • -11db
13% Popularity • 68% Danceability • 56% Energy • 25% Liveness
95% Instrumentalness • 57% Positiveness
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William Ross
Driving With Skip
123 bpm • C Maj • 01:04 • -15.32db
10% Popularity • 48% Danceability • 20% Energy • 28% Liveness
89% Instrumentalness • 37% Positiveness
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DLG Orchestra
The Great Escape
123 bpm • F Maj • 05:20 • -10db
16% Popularity • 44% Danceability • 36% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
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Elmer Bernstein
The Ten Commandments
141 bpm • F Maj • 05:37 • -14.79db
10% Popularity • 24% Danceability • 37% Energy • 15% Liveness
29% Instrumentalness • 13% Positiveness
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Joe Kraemer
Finale and Curtain Call
123 bpm • G min • 06:13 • -14db
23% Popularity • 36% Danceability • 21% Energy • 2% Liveness
84% Instrumentalness • 11% Positiveness
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Phoenix Symphony
The Magnificent Seven: Main Titles And C...
123 bpm • C min • 04:01 • -17.51db
29% Popularity • 35% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 53% Positiveness
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Jeff Russo
Main Title (Extended)
142 bpm • A# Maj • 02:10 • -13db
30% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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John Barry Orchestra
James Bond Theme
142 bpm • G Maj • 01:50 • -10.56db
47% Popularity • 39% Danceability • 63% Energy • 22% Liveness
13% Instrumentalness • 12% Positiveness
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John Powell
Flight Training
142 bpm • C Maj • 03:40 • -11.83db
20% Popularity • 36% Danceability • 48% Energy • 6% Liveness
52% Instrumentalness • 35% Positiveness
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Elmer Bernstein
The March From "Stripes"
123 bpm • A# Maj • 02:20 • -11.06db
13% Popularity • 80% Danceability • 73% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
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DLG Orchestra
Raiders Of The Lost Ark
122 bpm • F Maj • 04:43 • -9.12db
20% Popularity • 37% Danceability • 44% Energy • 17% Liveness
91% Instrumentalness • 20% Positiveness
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Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
45% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Harry Gregson-Williams
Ride The Dragon
142 bpm • E min • 01:36 • -13db
29% Popularity • 19% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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21st Century Symphony Orchestra
Theme from "Silverado" - Live
122 bpm • F Maj • 04:50 • -11.43db
13% Popularity • 27% Danceability • 43% Energy • 68% Liveness
96% Instrumentalness • 16% Positiveness
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Nino Rota
A New Carpet
143 bpm • F min • 01:58 • -10.16db
25% Popularity • 22% Danceability • 29% Energy • 9% Liveness
39% Instrumentalness • 42% Positiveness
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Luis Bacalov
La Corsa (2nd Version)
122 bpm • C Maj • 02:20 • -10db
34% Popularity • 19% Danceability • 38% Energy • 31% Liveness
87% Instrumentalness • 6% Positiveness
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Elmer Bernstein
Plan
144 bpm • C Maj • 01:26 • -19.77db
19% Popularity • 44% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 16% Positiveness
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Leonard Rosenman
Home Again: End Credits
121 bpm • C Maj • 05:37 • -15db
18% Popularity • 23% Danceability • 32% Energy • 35% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
David Bobrowitz
Whodunit?
121 bpm • A# min • 03:00 • -20db
16% Popularity • 66% Danceability • 14% Energy • 15% Liveness
46% Instrumentalness • 23% Positiveness
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DLG Orchestra
The James Bond Theme (Suite)
121 bpm • D min • 05:49 • -9.24db
20% Popularity • 28% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Gottfried Huppertz
Metropolis: I. Auftakt: Maschinen
144 bpm • E min • 03:31 • -15.15db
15% Popularity • 16% Danceability • 30% Energy • 38% Liveness
76% Instrumentalness • 7% Positiveness
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Alex North
Shane
145 bpm • E min • 04:30 • -11.17db
11% Popularity • 25% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Nino Rota
End Title
145 bpm • A min • 03:52 • -11.61db
26% Popularity • 16% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
David Arnold
African Rundown
120 bpm • E min • 06:52 • -11.81db
28% Popularity • 34% Danceability • 71% Energy • 8% Liveness
75% Instrumentalness • 17% Positiveness
► Preview
The Meridian Studio Ensemble
PATTON: Intermission
120 bpm • F Maj • 02:06 • -10.36db
19% Popularity • 58% Danceability • 66% Energy • 17% Liveness
84% Instrumentalness • 79% Positiveness
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Main Title And Calvera