Songs like Main Title: Prelude (from "Shane", 1953 Film Score) by Victor Young
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Maya Badian
Multi-Music Canada for Orchestra: IV. An...
84 bpm • C# min • 01:19 • -16.14db
11% Popularity • 31% Danceability • 20% Energy • 16% Liveness
70% Instrumentalness • 18% Positiveness
11% Popularity • 31% Danceability • 20% Energy • 16% Liveness
70% Instrumentalness • 18% Positiveness
► Preview
Cole Porter (composer), The MGM Studio Orchestra
High Heeled Shoes
84 bpm • G min • 01:20 • -22.02db
23% Popularity • 11% Danceability • 15% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 11% Danceability • 15% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Carmine Coppola
Vincent's Theme
84 bpm • A min • 01:49 • -24.92db
26% Popularity • 11% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
26% Popularity • 11% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Cliff Eidelman
Act 1 - Spain: The Great Sea
84 bpm • B min • 01:38 • -17db
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Pino Donaggio
John's Theme (Laura Leaves Venice)
84 bpm • G Maj • 01:00 • -16.25db
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Jack Haley
If I Were King of the Forest
84 bpm • D# Maj • 04:16 • -4.14db
6% Popularity • 48% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 48% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Gene Kelly
The Pirate: Love of My Life
84 bpm • D min • 03:07 • -13.75db
2% Popularity • 24% Danceability • 18% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
2% Popularity • 24% Danceability • 18% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
► Preview
Victor Young
Main Title: Prelude
84 bpm • F Maj • 02:10 • -10.28db
15% Popularity • 17% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
15% Popularity • 17% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Carmine Coppola
Country Suite
84 bpm • C# Maj • 04:59 • -22.35db
9% Popularity • 20% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Burt Bacharach
Come Touch The Sun
83 bpm • G Maj • 02:31 • -19.79db
28% Popularity • 28% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
28% Popularity • 28% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
► Preview
Living Strings
The Sound Of Music
85 bpm • A Maj • 02:34 • -11.55db
23% Popularity • 17% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
23% Popularity • 17% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
► Preview
Georges Auric
Main Title
83 bpm • A# Maj • 01:41 • -7.8db
11% Popularity • 12% Danceability • 62% Energy • 65% Liveness
95% Instrumentalness • 47% Positiveness
11% Popularity • 12% Danceability • 62% Energy • 65% Liveness
95% Instrumentalness • 47% Positiveness
► Preview
Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Alfred Newman
Come Share My Life
83 bpm • E Maj • 02:21 • -19.29db
11% Popularity • 11% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
11% Popularity • 11% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Victor Young
Love Scene (The Stream; The Graveyard)
85 bpm • D Maj • 04:24 • -25.68db
6% Popularity • 9% Danceability • 9% Energy • 7% Liveness
16% Instrumentalness • 10% Positiveness
6% Popularity • 9% Danceability • 9% Energy • 7% Liveness
16% Instrumentalness • 10% Positiveness
► Preview
Burt Bacharach
Not Goin' Home Anymore - Reprise / From ...
83 bpm • G min • 01:02 • -22.97db
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
► Preview
Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Carlo Rustichelli
Buffalo Bill - Titoli
83 bpm • D# Maj • 02:08 • -21.63db
8% Popularity • 32% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Luciano Lombardi
Notte Quieta
85 bpm • G min • 03:12 • -17.1db
24% Popularity • 15% Danceability • 17% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 17% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
Londonderry Air
86 bpm • E Maj • 03:36 • -14.89db
8% Popularity • 18% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Peter Hamilton Orchestra
Morte a Venezia - Adagietto From the 5th...
83 bpm • F Maj • 03:37 • -18.6db
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Judy Garland
Till The Clouds Roll By: Look For the Si...
82 bpm • G# Maj • 03:17 • -18.15db
11% Popularity • 19% Danceability • 12% Energy • 18% Liveness
89% Instrumentalness • 22% Positiveness
11% Popularity • 19% Danceability • 12% Energy • 18% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Alexandre Desplat
La Solitude D'Amoretti
82 bpm • D# min • 02:35 • -22db
8% Popularity • 20% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
► Preview
Orchestra Sinfonica Di Milano
The Museum - Excerpt from Dressed to Kil...
86 bpm • F min • 06:43 • -17.37db
7% Popularity • 12% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Victor Young
Down by the Glen Side (Traditional) [Fro...
82 bpm • G min • 02:05 • -14.05db
5% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Carlo Rustichelli
La collina degli stivali - Part 1
86 bpm • C# Maj • 01:42 • -12db
27% Popularity • 17% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
27% Popularity • 17% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Leonard Bernstein
West Side Story: Act II: End Credits
86 bpm • G Maj • 05:08 • -13.09db
28% Popularity • 15% Danceability • 22% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 22% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Lennie Niehaus
Burn His House Down
82 bpm • A min • 02:10 • -28.7db
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
Gerald Fried & Alexander Courage
Ruth
86 bpm • F Maj • 02:38 • -18.17db
15% Popularity • 18% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Randy Newman
Iris and Roy
82 bpm • G Maj • 01:01 • -29.41db
16% Popularity • 18% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Main Title: The Carousel Waltz
86 bpm • D Maj • 01:50 • -10.26db
19% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
19% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
► Preview
Original Soundtrack
Christine In Hotel Corridor
82 bpm • F min • 01:53 • -10.39db
10% Popularity • 49% Danceability • 32% Energy • 5% Liveness
57% Instrumentalness • 59% Positiveness
10% Popularity • 49% Danceability • 32% Energy • 5% Liveness
57% Instrumentalness • 59% Positiveness
► Preview
Leonard Bernstein
West Side Story: Overture
82 bpm • A Maj • 04:40 • -11.89db
36% Popularity • 22% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
36% Popularity • 22% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
► Preview
The Warner Bros. Studio Orchestra
Ilsa Demands The Letters
86 bpm • C# Maj • 03:39 • -15.02db
2% Popularity • 35% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 35% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Alfred Newman
The River Pirates
86 bpm • D# Maj • 01:46 • -23.76db
13% Popularity • 24% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
13% Popularity • 24% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Lennie Niehaus
Pony For The Lady
86 bpm • C# Maj • 01:31 • -23.17db
14% Popularity • 11% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Adolph Deutsch
Lovesick
86 bpm • G# Maj • 01:21 • -28.69db
19% Popularity • 27% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 27% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Cedar Lane Soundtrack Orchestra
Theme From To Kill A Mockingbird
81 bpm • A Maj • 03:20 • -13db
11% Popularity • 29% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
11% Popularity • 29% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Victor Young
When I Fall in Love
87 bpm • G Maj • 07:12 • -16.7db
12% Popularity • 19% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
12% Popularity • 19% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
41% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Gary Grant
Return To Villefranche
81 bpm • E Maj • 03:53 • -21db
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Original Soundtrack
Hotel Exterior
87 bpm • D# Maj • 03:25 • -10.11db
11% Popularity • 33% Danceability • 29% Energy • 16% Liveness
12% Instrumentalness • 23% Positiveness
11% Popularity • 33% Danceability • 29% Energy • 16% Liveness
12% Instrumentalness • 23% Positiveness
► Preview
Carmine Coppola
Coda: The Godfather Finale
87 bpm • F min • 02:27 • -22db
23% Popularity • 12% Danceability • 10% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 10% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Bill Conti
Orry's Odyssey
81 bpm • G Maj • 03:02 • -17.01db
10% Popularity • 12% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 7% Positiveness
► Preview
Victor Young
Main Title
87 bpm • A# Maj • 02:15 • -8.09db
17% Popularity • 12% Danceability • 48% Energy • 28% Liveness
92% Instrumentalness • 45% Positiveness
17% Popularity • 12% Danceability • 48% Energy • 28% Liveness
92% Instrumentalness • 45% Positiveness
► Preview
Dirk Brossé
Miller's Crossing End Credits
81 bpm • G Maj • 04:06 • -14.07db
11% Popularity • 18% Danceability • 24% Energy • 30% Liveness
83% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 24% Energy • 30% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Johnny Green
Globe Theatre Fanfare and Montage
81 bpm • F Maj • 00:47 • -17.76db
9% Popularity • 48% Danceability • 30% Energy • 21% Liveness
74% Instrumentalness • 88% Positiveness
9% Popularity • 48% Danceability • 30% Energy • 21% Liveness
74% Instrumentalness • 88% Positiveness
► Preview
Stanley Myers
Middlemarch
87 bpm • F Maj • 03:13 • -14.81db
8% Popularity • 22% Danceability • 19% Energy • 4% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 19% Energy • 4% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Luis Bacalov
La Corsa
81 bpm • A Maj • 01:41 • -13db
17% Popularity • 22% Danceability • 31% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 22% Danceability • 31% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
The Warner Bros. Studio Orchestra
Medley: At La Belle Aurore
81 bpm • G min • 04:43 • -10.98db
6% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
6% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Victor Young
Main Title
87 bpm • A# Maj • 02:17 • -8.06db
5% Popularity • 11% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 49% Positiveness
5% Popularity • 11% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 49% Positiveness
► Preview
Gary Grant
Villefranche / In The Chapel
81 bpm • G Maj • 03:37 • -22.31db
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ray Hamilton Orchestra
Per qualche dollaro in piu' - addio colo...
88 bpm • C Maj • 02:02 • -15.61db
17% Popularity • 12% Danceability • 16% Energy • 16% Liveness
44% Instrumentalness • 10% Positiveness
17% Popularity • 12% Danceability • 16% Energy • 16% Liveness
44% Instrumentalness • 10% Positiveness
► Preview
Richard Rodney Bennett
Four Weddings & A Funeral - Main Theme
88 bpm • G# Maj • 03:37 • -26.33db
14% Popularity • 10% Danceability • 4% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 4% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Otto Cesana
Enchantment
81 bpm • F Maj • 03:09 • -10db
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
The Warner Bros. Studio Orchestra
Medley: Paris Montage
88 bpm • C# Maj • 03:48 • -8.84db
14% Popularity • 17% Danceability • 35% Energy • 21% Liveness
64% Instrumentalness • 5% Positiveness
14% Popularity • 17% Danceability • 35% Energy • 21% Liveness
64% Instrumentalness • 5% Positiveness
► Preview
Alfred Newman
Climb A Higher Hill
80 bpm • A# Maj • 03:48 • -20.04db
7% Popularity • 8% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Piero Piccioni
Blue Sutura
88 bpm • C Maj • 02:26 • -25.42db
10% Popularity • 45% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
10% Popularity • 45% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Lennie Niehaus
Will Rides In
80 bpm • C Maj • 01:05 • -19.94db
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Richard Hageman
Stagecoach - Main Theme
88 bpm • G# min • 01:22 • -7.97db
16% Popularity • 24% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
16% Popularity • 24% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
► Preview
Geoff Love
The Virginian
80 bpm • F min • 01:43 • -7.77db
19% Popularity • 41% Danceability • 66% Energy • 30% Liveness
87% Instrumentalness • 78% Positiveness
19% Popularity • 41% Danceability • 66% Energy • 30% Liveness
87% Instrumentalness • 78% Positiveness
► Preview
Nora Orlandi
10.000 Dollari Per Un Massacro
88 bpm • D min • 02:18 • -10.86db
25% Popularity • 19% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
25% Popularity • 19% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Hanny Williams
Young Frankenstein - Theme
80 bpm • F# Maj • 02:37 • -14.38db
11% Popularity • 28% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Alfred Newman
Prelude and Overture
88 bpm • A# Maj • 03:11 • -13.37db
18% Popularity • 14% Danceability • 32% Energy • 35% Liveness
51% Instrumentalness • 33% Positiveness
18% Popularity • 14% Danceability • 32% Energy • 35% Liveness
51% Instrumentalness • 33% Positiveness
► Preview
Randy Newman
Make-Up
80 bpm • C Maj • 01:39 • -30.7db
8% Popularity • 8% Danceability • 3% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
► Preview
Adolph Deutsch
Kidnapped and Chase
80 bpm • F Maj • 05:04 • -17.55db
17% Popularity • 27% Danceability • 20% Energy • 16% Liveness
4% Instrumentalness • 14% Positiveness
17% Popularity • 27% Danceability • 20% Energy • 16% Liveness
4% Instrumentalness • 14% Positiveness
► Preview
Carmine Coppola
The Godfather Intermezzo
80 bpm • D min • 03:20 • -19.53db
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Original Soundtrack
Gardener's Suite
80 bpm • D# Maj • 02:18 • -15.66db
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Geoffrey Burgon
Venice Nocturne
88 bpm • A Maj • 01:49 • -29.58db
26% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
26% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Alfred Newman
Cheyennes
89 bpm • G# min • 02:45 • -15.21db
7% Popularity • 26% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
7% Popularity • 26% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
► Preview
Michel Legrand
Ice Station Zebra (Overture)
89 bpm • G# Maj • 02:27 • -18.62db
8% Popularity • 10% Danceability • 14% Energy • 36% Liveness
87% Instrumentalness • 16% Positiveness
8% Popularity • 10% Danceability • 14% Energy • 36% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Johnny Green
Making Faces
79 bpm • G Maj • 01:24 • -19.59db
12% Popularity • 22% Danceability • 16% Energy • 25% Liveness
94% Instrumentalness • 46% Positiveness
12% Popularity • 22% Danceability • 16% Energy • 25% Liveness
94% Instrumentalness • 46% Positiveness
► Preview
Gottfried Huppertz
Metropolis: I. Auftakt: Die Ewigen Garte...
89 bpm • B Maj • 02:22 • -19.83db
17% Popularity • 16% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
17% Popularity • 16% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Cole Porter (composer), The MGM Studio Orchestra
Cyd Leaves Paris
89 bpm • C Maj • 01:25 • -16.68db
18% Popularity • 21% Danceability • 16% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 16% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Victor Young (conductor), MGM Studio Orchestra
The Call Of the Faraway Hills
89 bpm • D Maj • 03:03 • -13.6db
14% Popularity • 15% Danceability • 29% Energy • 18% Liveness
88% Instrumentalness • 14% Positiveness
14% Popularity • 15% Danceability • 29% Energy • 18% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Luis Bacalov
Sulla spiaggia
89 bpm • G min • 01:08 • -18.63db
15% Popularity • 43% Danceability • 19% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
15% Popularity • 43% Danceability • 19% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
► Preview
George Fenton
Persuading Tommy
89 bpm • D Maj • 01:59 • -17.65db
9% Popularity • 33% Danceability • 10% Energy • 28% Liveness
14% Instrumentalness • 27% Positiveness
9% Popularity • 33% Danceability • 10% Energy • 28% Liveness
14% Instrumentalness • 27% Positiveness
► Preview
Johnny Green
Happy Easter - Reprise #2
79 bpm • A# Maj • 01:38 • -24.83db
24% Popularity • 24% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 31% Positiveness
24% Popularity • 24% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 31% Positiveness
► Preview
James Horner
Theme From Cocoon
89 bpm • E Maj • 06:10 • -16.62db
21% Popularity • 10% Danceability • 17% Energy • 7% Liveness
45% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 17% Energy • 7% Liveness
45% Instrumentalness • 4% Positiveness
► Preview
Laurent Hess
Why Do You Pass Me By (Vous Qui Passez S...
79 bpm • G Maj • 03:01 • -12.63db
11% Popularity • 22% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Franz Lehár
Merry Widow Waltz
79 bpm • F Maj • 02:55 • -11db
15% Popularity • 16% Danceability • 38% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 16% Danceability • 38% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Jerry Fielding
Song from "The Wild Bunch"
90 bpm • D Maj • 03:54 • -18db
14% Popularity • 10% Danceability • 15% Energy • 13% Liveness
78% Instrumentalness • 8% Positiveness
14% Popularity • 10% Danceability • 15% Energy • 13% Liveness
78% Instrumentalness • 8% Positiveness
► Preview
Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Johnny Green
New Amsterdam Roof - It Only Happens Whe...
79 bpm • D Maj • 02:01 • -19.65db
11% Popularity • 24% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
11% Popularity • 24% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
► Preview
Luis Bacalov
Il prezzo del potere
79 bpm • C Maj • 03:34 • -21db
11% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
► Preview
The Warner Bros. Studio Orchestra
Medley (Ilsa Returns / As Time Goes By /...
90 bpm • G min • 03:13 • -19.88db
5% Popularity • 17% Danceability • 19% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 19% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Gene Kelly
Broadway Melody Ballet
90 bpm • D# Maj • 06:51 • -9.41db
27% Popularity • 31% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 31% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Orchestra di Bruno Nicolai
Titoli finali - Dal film ''La resa dei c...
79 bpm • A min • 01:05 • -20db
25% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
25% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
Academy of St. Martin in the Fields
Why Picton?
79 bpm • E min • 01:09 • -20.64db
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Burt Bacharach
The Old Fun City (N.Y. Sequence)
79 bpm • D# Maj • 04:04 • -16.04db
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
► Preview
MGM Studio Orchestra
The Chase
90 bpm • E min • 03:49 • -14.77db
1% Popularity • 58% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 58% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Alicia Morote
Celebración
90 bpm • D Maj • 01:45 • -16.01db
14% Popularity • 25% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
14% Popularity • 25% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
► Preview
Luis Bacalov
The Man Called Noon - Lo chiamavano Mezz...
90 bpm • D Maj • 03:28 • -6.65db
11% Popularity • 18% Danceability • 37% Energy • 20% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 37% Energy • 20% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
ジョン・モーガン・オーケストラ
栄光への脱出のテーマ (映画�...
90 bpm • D min • 03:03 • -12.71db
12% Popularity • 16% Danceability • 24% Energy • 22% Liveness
89% Instrumentalness • 19% Positiveness
12% Popularity • 16% Danceability • 24% Energy • 22% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Original Soundtrack
Swimming
90 bpm • G Maj • 01:08 • -11.82db
12% Popularity • 36% Danceability • 16% Energy • 16% Liveness
67% Instrumentalness • 53% Positiveness
12% Popularity • 36% Danceability • 16% Energy • 16% Liveness
67% Instrumentalness • 53% Positiveness
► Preview
James Horner
Rose's Death
78 bpm • C Maj • 02:14 • -26.93db
10% Popularity • 28% Danceability • 5% Energy • 27% Liveness
89% Instrumentalness • 8% Positiveness
10% Popularity • 28% Danceability • 5% Energy • 27% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Victor Young
Main Theme: The Call of the Faraway Hill...
78 bpm • F Maj • 02:37 • -12.49db
14% Popularity • 7% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
14% Popularity • 7% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
