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Main Titles
by
Rachel Portman
Based on a tempo of (+/- 10%) and a similar genre
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Nick Laird-Clowes
The About Time Theme
93 bpm • C Maj • 02:22 • -13.38db
39% Popularity • 50% Danceability • 21% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Rachel Portman
Main Titles
93 bpm • G Maj • 02:10 • -17.43db
47% Popularity • 14% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 7% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
31% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Christopher Willis
David's Writings
92 bpm • C# min • 02:57 • -13.54db
50% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Isham
The Moment That Could Not Last
94 bpm • F Maj • 01:23 • -20db
27% Popularity • 37% Danceability • 14% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Hagood Hardy
Anne's Theme
94 bpm • G Maj • 04:34 • -21.19db
38% Popularity • 24% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
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Harry Gregson-Williams
Lucy Meets Mr. Tumnus
92 bpm • F Maj • 04:10 • -27db
45% Popularity • 16% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
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Kyle Eastwood
Invictus Theme
92 bpm • G# min • 04:09 • -19.38db
29% Popularity • 12% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Mark McKenzie
Those Arms Are For You
92 bpm • D Maj • 01:20 • -28db
38% Popularity • 13% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Rachel Portman
Theme
92 bpm • G Maj • 02:59 • -21.8db
45% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Mark Isham
Haunted by Waters - A River Runs Through...
94 bpm • D Maj • 04:21 • -12db
22% Popularity • 18% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Samuel Sim
Knightley's Walk
92 bpm • G Maj • 01:07 • -16db
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
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Jóhann Jóhannsson
A Brief History of Time
94 bpm • D Maj • 02:02 • -25db
48% Popularity • 39% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Rachel Portman
Ashes to the Wind / Roux Returns - Instr...
92 bpm • A min • 02:18 • -21db
31% Popularity • 23% Danceability • 4% Energy • 36% Liveness
45% Instrumentalness • 5% Positiveness
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Alan Silvestri
"Best Day Ever"
91 bpm • G Maj • 01:51 • -22db
31% Popularity • 21% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening
91 bpm • D min • 04:39 • -15.73db
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Michael Kamen
Open Range
96 bpm • C Maj • 02:36 • -16db
26% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Mädchenlieder, Op. 103: Madchenlieder, ...
90 bpm • G# Maj • 02:26 • -21.8db
17% Popularity • 17% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Rachel Portman
Some Things Too Late, Others Too Early
96 bpm • D min • 01:06 • -22.67db
29% Popularity • 16% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 5% Positiveness
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Alan Silvestri
They're Sending Me To Vietnam
91 bpm • A# Maj • 02:20 • -35.9db
30% Popularity • 19% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Philip Glass
Dreaming of Fiji
96 bpm • G min • 01:54 • -29.75db
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Carl Davis
Cranford: Cranford Theme
90 bpm • F Maj • 02:36 • -16db
23% Popularity • 24% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Abel Korzeniowski
Charms
90 bpm • G# min • 04:03 • -13.57db
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Rachel Portman
Tipping Points: VI. Epilogue
90 bpm • C Maj • 04:04 • -15.98db
35% Popularity • 10% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 3% Positiveness
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Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
46% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Alan Silvestri
Snow Scene
95 bpm • A# Maj • 01:32 • -18.98db
34% Popularity • 17% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Guy Farley
Elizabeth's Dance
97 bpm • F Maj • 02:10 • -18.22db
41% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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John Barry
The John Dunbar Theme (film version)
89 bpm • D# Maj • 02:21 • -28db
51% Popularity • 10% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Kris Bowers
Love is A Choice
98 bpm • G Maj • 02:20 • -18.38db
52% Popularity • 24% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
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Alexis Ffrench
Waterfalls
98 bpm • G min • 04:05 • -14.99db
44% Popularity • 23% Danceability • 25% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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John Lenehan
Chiquilin de Bachin (The Little Beggar B...
98 bpm • A min • 03:50 • -19.08db
29% Popularity • 17% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Alex Heffes
The Waterhole & Enter the Queen
89 bpm • D min • 02:22 • -20.18db
21% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
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Gerald Finzi
5 Bagatelles for Clarinet & Piano, Op. 2...
98 bpm • F# Maj • 03:09 • -27.55db
0% Popularity • 25% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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John Lunn
You Are The Best Of Me
88 bpm • D# Maj • 02:44 • -16db
28% Popularity • 13% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Gabriel Yared
Générique de fin
88 bpm • D Maj • 01:41 • -21db
48% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
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Rachel Portman
The Cider House - Instrumental
88 bpm • C Maj • 04:12 • -19.21db
31% Popularity • 10% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Conrad Pope
Such Stuff That Dreams Are Made of
88 bpm • E Maj • 03:37 • -23.98db
19% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
This Is Neverland - Finding Neverland/So...
88 bpm • A min • 04:01 • -17.11db
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
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Mark Knopfler
Morning Ride
88 bpm • G min • 01:34 • -11.43db
24% Popularity • 22% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 33% Positiveness
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Ivan Palomares
Creditos Finales
87 bpm • B Maj • 01:59 • -14.02db
21% Popularity • 30% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Craig Armstrong
Far from the Madding Crowd Love Theme
87 bpm • A min • 03:42 • -12db
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Rachel Portman
leaves and trees
98 bpm • C# min • 05:57 • -21.54db
40% Popularity • 43% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Danny Elfman
Main Titles
87 bpm • A min • 02:28 • -20.26db
36% Popularity • 11% Danceability • 10% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Peter Breiner
Kindred Spirits
87 bpm • G Maj • 01:12 • -17.2db
26% Popularity • 28% Danceability • 16% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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David Snell
Spending Spree
87 bpm • G Maj • 01:09 • -11.78db
3% Popularity • 61% Danceability • 42% Energy • 17% Liveness
69% Instrumentalness • 65% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Rachel Portman
We Were the Lucky Ones Theme
98 bpm • D min • 02:46 • -10.57db
40% Popularity • 27% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Bruno Coulais
Pépinot
100 bpm • F Maj • 01:50 • -21db
44% Popularity • 36% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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L'Orchestra Nazionale di Mendoni
O Mio Babbino Caro
100 bpm • G# Maj • 02:49 • -16db
33% Popularity • 14% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Panu Aaltio
Forgiveness
86 bpm • D min • 02:55 • -15db
37% Popularity • 22% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Breiner
Main Theme
86 bpm • C Maj • 01:54 • -18db
25% Popularity • 16% Danceability • 16% Energy • 15% Liveness
83% Instrumentalness • 8% Positiveness
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Andrea Guerra
Coco Chanel - Main Title
86 bpm • D# Maj • 01:27 • -32.04db
52% Popularity • 18% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Nicola Piovani
Buon giorno principessa
86 bpm • A Maj • 03:40 • -12.19db
42% Popularity • 19% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Nick Lloyd Webber
The Last Bus
86 bpm • C# Maj • 03:33 • -16.88db
32% Popularity • 35% Danceability • 30% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Rachel Portman
Proposal
86 bpm • G Maj • 04:22 • -21.37db
19% Popularity • 9% Danceability • 7% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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MÄ›lnÃk Philharmonic Orchestra
E Lucevan Le Stelle - Instrumental
86 bpm • A# min • 02:22 • -16db
28% Popularity • 9% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Lennie Niehaus
Kate's Theme
101 bpm • C Maj • 02:07 • -30db
41% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Debbie Wiseman
Wiseman : Fields of Hope - Theme from La...
102 bpm • D# Maj • 02:54 • -16.81db
16% Popularity • 47% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
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Isobel Waller-Bridge
Poor Miss Taylor
101 bpm • C Maj • 01:41 • -13.04db
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
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Rachel Portman
Homer and Candy on the Dock - Instrument...
86 bpm • G Maj • 02:21 • -19.26db
27% Popularity • 14% Danceability • 7% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
First Time Outside
102 bpm • B min • 01:25 • -18db
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Carl Davis
Pride and Prejudice Suite: III. Elizabet...
85 bpm • E Maj • 06:30 • -16db
31% Popularity • 21% Danceability • 12% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Randy Edelman
A Happy Ending
102 bpm • G Maj • 02:23 • -17db
32% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
48% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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FELIX MEAGHER
Life Begins Again
85 bpm • D Maj • 03:36 • -11.21db
19% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Rachel Portman
Flight
85 bpm • G min • 04:29 • -21.78db
14% Popularity • 14% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Rachel Portman
Three Women - Instrumental
85 bpm • G Maj • 01:01 • -29.18db
45% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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Edward Elgar
Nimrod
103 bpm • D# Maj • 03:27 • -9.99db
26% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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David Snell
The Oceans
84 bpm • G# Maj • 03:34 • -19.5db
3% Popularity • 12% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Andrea Guerra
Kalida
103 bpm • G Maj • 01:36 • -22db
52% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Rachel Portman
Guillaume's Confession - Instrumental
102 bpm • D# Maj • 01:29 • -27.32db
31% Popularity • 27% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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Johannes Bornlöf
When In Doubt
103 bpm • B min • 03:04 • -19.23db
29% Popularity • 37% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Lennie Niehaus
Doe Eyes - Love Theme from the Bridges o...
84 bpm • C Maj • 01:05 • -25.8db
49% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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William Joseph
Cinema Paradiso
84 bpm • C min • 04:57 • -16.64db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
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Rachel Portman
You Would Be My Wife
84 bpm • G Maj • 02:19 • -18.85db
30% Popularity • 8% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
The Piano Guys
Avatar (The Theme)
103 bpm • B Maj • 03:03 • -12.45db
34% Popularity • 15% Danceability • 38% Energy • 34% Liveness
90% Instrumentalness • 16% Positiveness
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Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Maurizio Malagnini
The Adventure of Life
83 bpm • G Maj • 03:23 • -13db
27% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Forces of Attraction
104 bpm • G Maj • 02:03 • -20.85db
61% Popularity • 51% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Rachel Portman
G and Grey Together in Bath
103 bpm • G Maj • 02:57 • -23db
23% Popularity • 18% Danceability • 5% Energy • 10% Liveness
69% Instrumentalness • 10% Positiveness
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Harry Gregson-Williams
Only The Beginning of The Adventure
83 bpm • G# Maj • 05:32 • -18.08db
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Main Titles