Songs like Main Tujhpe Kurbaan by Mohammed Aziz
Based on a tempo of (+/- 10%) and a similar genre
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Altaf Raja
Tumse Kitna
95 bpm • G min • 04:29 • -11.41db
42% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Mohammed Aziz
Main Tujhpe Kurbaan
95 bpm • G Maj • 06:18 • -6.55db
20% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Poornima
Hey Ooi Amma Ooi Amma
95 bpm • G# Maj • 05:05 • -6db
45% Popularity • 80% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 80% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Kanchan
Hum Tumhen Chahte Hain
96 bpm • F Maj • 07:16 • -11db
49% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Bappi Lahiri
Prithibi Hariye Gelo
94 bpm • G min • 05:21 • -8.5db
38% Popularity • 57% Danceability • 59% Energy • 56% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 57% Danceability • 59% Energy • 56% Liveness
0% Instrumentalness • 80% Positiveness
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Sonu Nigam
Ek Ladki Chahiye
96 bpm • G Maj • 04:00 • -3.55db
44% Popularity • 75% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 75% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Falguni Pathak
Saawan Mein
96 bpm • G Maj • 04:55 • -10db
52% Popularity • 75% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 75% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Mohammed Aziz
Aadmi Zindagi Aur Ye Aatma
94 bpm • C# Maj • 04:44 • -7.41db
8% Popularity • 49% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 49% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Asha Bhosle
Marne Ke Dar Se Mere Dil
96 bpm • G min • 06:13 • -7.78db
21% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Kishore Kumar
KOI HOTA JISKO APNA
93 bpm • A min • 03:28 • -12.71db
16% Popularity • 32% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 32% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Vinod Rathod
Pak Chik Pak Raja Babu
97 bpm • F min • 05:02 • -5db
43% Popularity • 80% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 80% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Sonu Nigam
Mujhse Naaraz Hoto Ho
93 bpm • E Maj • 05:25 • -6.04db
31% Popularity • 44% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 44% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Falguni Pathak
Kaise Aankh Milaun
97 bpm • A min • 06:07 • -14.52db
26% Popularity • 74% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 74% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Mohammed Aziz
Aadmi Zindagi
97 bpm • C# Maj • 03:31 • -6.36db
5% Popularity • 53% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
5% Popularity • 53% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Asha Bhosle
KATRA KATRA
97 bpm • B Maj • 06:03 • -5.46db
19% Popularity • 49% Danceability • 48% Energy • 22% Liveness
1% Instrumentalness • 41% Positiveness
19% Popularity • 49% Danceability • 48% Energy • 22% Liveness
1% Instrumentalness • 41% Positiveness
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Vipin Sachdeva
O Hare Dupattewali
93 bpm • F Maj • 05:24 • -7db
43% Popularity • 50% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 50% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Pankaj Udhas
Main Deewana Hoon
98 bpm • A# min • 05:06 • -12.67db
30% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Altaf Raja
Gham Ne Tere Jo Mujhko Sataya
92 bpm • F Maj • 05:10 • -8.78db
27% Popularity • 46% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 46% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Sonu Nigam
Woh Aankh Hi Kya - Sonu Nigam Version
92 bpm • E min • 07:42 • -8.01db
30% Popularity • 44% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 44% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Mohammed Aziz
Tera Gham Agar Na Hota
93 bpm • A min • 05:09 • -8.41db
50% Popularity • 48% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 48% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Sapna Awasthi
Banno Teri Ankhiyan Soorme
92 bpm • A Maj • 05:26 • -17db
14% Popularity • 50% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 50% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Anuradha Paudwal
Phool Gulab Ka
98 bpm • A Maj • 06:09 • -8.11db
46% Popularity • 48% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 48% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Vinod Rathod
Main Hoon No. Ek Gawaiya
98 bpm • G min • 04:16 • -7db
26% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Nitin Mukesh
Zindagi Ka Naam Dosti
92 bpm • F# min • 06:35 • -9.54db
46% Popularity • 51% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 51% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Bhupinder Singh
Karoge Yaad To
92 bpm • A min • 05:29 • -9.1db
26% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Sonu Nigam
Mera Dard Tum Na Samajh Sake
92 bpm • F Maj • 05:28 • -6.3db
33% Popularity • 42% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 42% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Salma Agha
Chale Aao... Chale Aao
98 bpm • D Maj • 08:17 • -10db
27% Popularity • 46% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 46% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Jolly Mukherjee
Chahe Meri Jaan Tu Le Le
98 bpm • A Maj • 05:37 • -10.74db
33% Popularity • 47% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 47% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jaspal Singh
Tumhein Geeton Mein Dhalonga
92 bpm • A Maj • 04:00 • -11db
14% Popularity • 37% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 37% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
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Anuradha Paudwal
Meri Jindadhi Tere Haathon Mein
92 bpm • G# Maj • 04:40 • -7.2db
31% Popularity • 41% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 41% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 87% Positiveness
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Nitin Mukesh
Zindagi Ka Naam Dosti
92 bpm • F# min • 06:27 • -9db
45% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Mohammed Aziz
Dum Dum Dholak Bajana
92 bpm • D Maj • 05:34 • -11.01db
22% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Pankaj Udhas
Dil Jab Se Toot Gaya
99 bpm • G min • 05:23 • -12.46db
55% Popularity • 36% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 36% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Jaspinder Narula
Sabki Baaratein Aayi
91 bpm • G Maj • 05:46 • -9.3db
55% Popularity • 67% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 67% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Manhar Udhas
Jai Shiv Omkara
91 bpm • G# Maj • 05:55 • -11.41db
38% Popularity • 52% Danceability • 69% Energy • 26% Liveness
3% Instrumentalness • 67% Positiveness
38% Popularity • 52% Danceability • 69% Energy • 26% Liveness
3% Instrumentalness • 67% Positiveness
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Anuradha Paudwal
Chhodenge Na Hum Tera Saath
91 bpm • F# min • 06:35 • -8.67db
46% Popularity • 44% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 44% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Mohammad Aziz
Mujhe Jeene Nahi Deti Hai
91 bpm • C Maj • 08:43 • -12.02db
42% Popularity • 41% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 41% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Mohammed Aziz
Tera Gham Agar Na Hota - Jhankar Beats
99 bpm • A# min • 04:46 • -2.2db
47% Popularity • 45% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 45% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Ram Shankar
Pyar Ho Na Jaaye
91 bpm • C Maj • 06:39 • -13db
45% Popularity • 58% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 58% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Abhijeet
Ek Chanchal Shokh Haseena
100 bpm • G Maj • 06:41 • -7.99db
47% Popularity • 50% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 50% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Vinod Rathod
Sundara Sundara
100 bpm • G Maj • 04:54 • -6db
53% Popularity • 73% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 73% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Anuradha Paudwal
Laila Ko Bhool Jayenge (Part 2)
91 bpm • A min • 06:22 • -10.71db
16% Popularity • 48% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 48% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Salma Agha
Teri Mohabbat Meri Jawani
100 bpm • C# Maj • 06:17 • -9.03db
49% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Mohammed Aziz
Been Bajaun Tujhe Bulaun
91 bpm • D min • 09:35 • -7.83db
27% Popularity • 39% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 39% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Devi
Yara O Yara Teri Adaon
100 bpm • A# min • 06:20 • -9.4db
40% Popularity • 57% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 57% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Anand-Milind
Hum Pyar Karne Wale (Instrumental)
90 bpm • G# Maj • 07:05 • -9.26db
27% Popularity • 33% Danceability • 61% Energy • 12% Liveness
12% Instrumentalness • 57% Positiveness
27% Popularity • 33% Danceability • 61% Energy • 12% Liveness
12% Instrumentalness • 57% Positiveness
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Abhijeet
Shahar Ki Ladki
100 bpm • A Maj • 05:53 • -7db
60% Popularity • 69% Danceability • 90% Energy • 3% Liveness
62% Instrumentalness • 94% Positiveness
60% Popularity • 69% Danceability • 90% Energy • 3% Liveness
62% Instrumentalness • 94% Positiveness
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Anuradha Paudwal
Tune Pyar Ki Been Bajai
90 bpm • A Maj • 06:30 • -10.96db
37% Popularity • 34% Danceability • 63% Energy • 24% Liveness
10% Instrumentalness • 84% Positiveness
37% Popularity • 34% Danceability • 63% Energy • 24% Liveness
10% Instrumentalness • 84% Positiveness
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Salma Agha
Mera Naam Salma
100 bpm • G min • 05:05 • -8db
24% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Mohammed Aziz
Bichada Yaar Milade
90 bpm • F# min • 05:01 • -4.71db
39% Popularity • 72% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 72% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 94% Positiveness
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Shankar Mahadevan
Meri Zindagi Ek Pyaas
89 bpm • G min • 05:10 • -7db
29% Popularity • 58% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 58% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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K. J. Yesudas
Chand Jaise Mukhde Pe
89 bpm • F# Maj • 04:07 • -10.35db
21% Popularity • 46% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 46% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Amit Kumar
Dont Say No
89 bpm • A Maj • 08:00 • -12db
51% Popularity • 56% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 56% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 86% Positiveness
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Anuradha Paudwal
Laila Ko Bhool Jayenge (Part 1)
90 bpm • A min • 06:24 • -9.32db
37% Popularity • 42% Danceability • 57% Energy • 35% Liveness
5% Instrumentalness • 68% Positiveness
37% Popularity • 42% Danceability • 57% Energy • 35% Liveness
5% Instrumentalness • 68% Positiveness
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Talat Mahmood
Ye Hawa Ye Raat Ye Chandni, From ''Sangd...
89 bpm • F min • 03:31 • -10.8db
44% Popularity • 46% Danceability • 32% Energy • 27% Liveness
91% Instrumentalness • 69% Positiveness
44% Popularity • 46% Danceability • 32% Energy • 27% Liveness
91% Instrumentalness • 69% Positiveness
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Mohammed Aziz
Phool Kabhi Jab
99 bpm • G min • 06:54 • -8.92db
26% Popularity • 40% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 40% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 60% Positiveness
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Shabbir Kumar
Tumse Milkar Na Jane (Male Version)
102 bpm • D# Maj • 04:32 • -10.87db
46% Popularity • 52% Danceability • 50% Energy • 30% Liveness
38% Instrumentalness • 63% Positiveness
46% Popularity • 52% Danceability • 50% Energy • 30% Liveness
38% Instrumentalness • 63% Positiveness
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K. J. Yesudas
Tere Bin Soona Mere Man Ka Mandir
102 bpm • F min • 03:03 • -6db
6% Popularity • 42% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
6% Popularity • 42% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Sonu Nigam
Hai Ajnabi
102 bpm • G min • 04:50 • -13db
24% Popularity • 61% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 61% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Altaf Raja
Ishq Aur Pyar Ka
89 bpm • A min • 05:55 • -5.02db
49% Popularity • 60% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 60% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Jagjit Singh
Main Kaise Kahoon Janeman
102 bpm • C# Maj • 06:38 • -12db
14% Popularity • 56% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
14% Popularity • 56% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Mohammed Aziz
Ae Mere Dost
91 bpm • G min • 07:42 • -9.87db
38% Popularity • 17% Danceability • 72% Energy • 24% Liveness
79% Instrumentalness • 48% Positiveness
38% Popularity • 17% Danceability • 72% Energy • 24% Liveness
79% Instrumentalness • 48% Positiveness
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S. Janaki
Gori Ka Sajan, Sajan Ki Gori
102 bpm • G# Maj • 05:52 • -9.25db
45% Popularity • 56% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 56% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Roop Kumar Rathod
Humko Mohabbat Dhoond Rahi Thi - Kitne D...
88 bpm • A min • 06:14 • -7.49db
49% Popularity • 52% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 52% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Bappi Lahiri
Khushir Joare Aaj
102 bpm • A min • 04:55 • -2db
23% Popularity • 54% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 54% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Kumar Sanu
Chaukhat Pe Tumhari Hum
88 bpm • G min • 06:51 • -11db
25% Popularity • 51% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 51% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Suresh Wadkar
Teri Meri Yaari
103 bpm • G# Maj • 05:10 • -5db
23% Popularity • 36% Danceability • 88% Energy • 90% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 36% Danceability • 88% Energy • 90% Liveness
0% Instrumentalness • 71% Positiveness
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Mohammed Aziz
Mitwa Bhool Na Jana
89 bpm • A Maj • 08:36 • -6.5db
39% Popularity • 30% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 30% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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S. Janaki
Pahle Padai Phir Pyar Hoga
88 bpm • A# Maj • 05:19 • -9db
27% Popularity • 54% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
27% Popularity • 54% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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Pankaj Udhas
Khuda Kare Ke Mohabbat Mein
88 bpm • B min • 05:00 • -12db
51% Popularity • 42% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 42% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jatin-Lalit
Jo Hona Hai
103 bpm • F Maj • 08:11 • -3.83db
25% Popularity • 52% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 52% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Kavita Krishnamurthy
Tu Mujhe Kabool
88 bpm • G# Maj • 08:06 • -13.2db
46% Popularity • 41% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 41% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Mahendra Kapoor
Dil Ki Yeh Arzoo Thi
103 bpm • D# Maj • 05:42 • -12.46db
25% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Mohammed Aziz
O Bahena
88 bpm • A Maj • 04:45 • -11db
25% Popularity • 63% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 63% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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S. Janaki
Pucho Na Kaisa Maza Aa Raha Hai
103 bpm • A# Maj • 05:18 • -10db
18% Popularity • 70% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 70% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Asha Bhosle
Tu Bhi Beqaraar
87 bpm • C# min • 06:42 • -9db
33% Popularity • 41% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 41% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Madhusmita
Aye Dil Tu Use Bhool Ja
87 bpm • F# min • 05:49 • -5db
40% Popularity • 50% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 50% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Geeta Dutt
Ae Dil Mujhe Bata De
87 bpm • D Maj • 04:50 • -6.17db
28% Popularity • 47% Danceability • 60% Energy • 20% Liveness
75% Instrumentalness • 82% Positiveness
28% Popularity • 47% Danceability • 60% Energy • 20% Liveness
75% Instrumentalness • 82% Positiveness
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Agam Kumar Nigam
Aye Dil Aye Dil
87 bpm • G min • 05:50 • -6.99db
41% Popularity • 56% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 56% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Mohammed Aziz
Mere Saamne Tu Din Raat Rahe
103 bpm • F# min • 05:45 • -10.19db
38% Popularity • 27% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 27% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Kishore Kumar
O Yaara
87 bpm • G min • 07:08 • -10.01db
33% Popularity • 31% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 31% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Shankar Mahadevan
Kahan Jaye Koi
104 bpm • C# Maj • 04:13 • -10db
41% Popularity • 52% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 52% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Vinod Rathod
Ek Yaad Ke Sahare
104 bpm • D min • 08:17 • -5db
30% Popularity • 46% Danceability • 85% Energy • 11% Liveness
6% Instrumentalness • 59% Positiveness
30% Popularity • 46% Danceability • 85% Energy • 11% Liveness
6% Instrumentalness • 59% Positiveness
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Bhupinder Singh
Dard To Rukne Ka Ab Naam Nahin Leta
105 bpm • E min • 05:44 • -11db
18% Popularity • 46% Danceability • 56% Energy • 32% Liveness
37% Instrumentalness • 50% Positiveness
18% Popularity • 46% Danceability • 56% Energy • 32% Liveness
37% Instrumentalness • 50% Positiveness
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Manna Dey
Ae Bhai Zara Dekh Ke Chalo
86 bpm • G# min • 06:02 • -8.69db
25% Popularity • 43% Danceability • 84% Energy • 19% Liveness
38% Instrumentalness • 42% Positiveness
25% Popularity • 43% Danceability • 84% Energy • 19% Liveness
38% Instrumentalness • 42% Positiveness
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Mohammed Aziz
Aate Aate Teri Yaad
87 bpm • E min • 06:25 • -8.06db
46% Popularity • 42% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 42% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Kishore Kumar
Aaj Unse Pehli Mulaqat Hogi
86 bpm • G Maj • 05:46 • -11db
24% Popularity • 50% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 50% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Nitin Mukesh
Sapna Sapna Apna Hai
105 bpm • G min • 07:29 • -10db
19% Popularity • 48% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 48% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Lata Mangeshkar
Naam Saare Mujhe Bhool Janey Lagey
86 bpm • G min • 06:17 • -7.28db
32% Popularity • 42% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 42% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Anuradha Paudwal
Saawan Ka Mahina Aaya
86 bpm • A min • 07:28 • -11.74db
42% Popularity • 50% Danceability • 55% Energy • 16% Liveness
7% Instrumentalness • 77% Positiveness
42% Popularity • 50% Danceability • 55% Energy • 16% Liveness
7% Instrumentalness • 77% Positiveness
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Altaf Raja
Mohabbat Ka Iraada
105 bpm • C Maj • 07:08 • -11db
36% Popularity • 66% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 66% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Mohammed Aziz
O Bahena - Sad Version
104 bpm • E min • 01:33 • -8.32db
24% Popularity • 34% Danceability • 68% Energy • 48% Liveness
5% Instrumentalness • 62% Positiveness
24% Popularity • 34% Danceability • 68% Energy • 48% Liveness
5% Instrumentalness • 62% Positiveness
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Haimanti Sukla
Kahan Se Aaye Badra
86 bpm • C# min • 07:39 • -12db
23% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Sonu Nigam
Kahan Raja Bhoj Kahan Gangu Teli
105 bpm • F Maj • 08:09 • -9.16db
43% Popularity • 53% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 53% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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Bappi Lahiri
Pyar Kabhi Kam Nahi Karna
86 bpm • G Maj • 07:12 • -8.89db
50% Popularity • 41% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 41% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Madhusmita
Thoda Sa Pyar Hua Hai (Female)
86 bpm • B Maj • 04:50 • -4.89db
39% Popularity • 30% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 30% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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K. J. Yesudas
Tujhe Dekh Kar Jagwale
105 bpm • C# Maj • 03:34 • -12.67db
8% Popularity • 63% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 63% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Mohammed Aziz
Mard Tangewala
105 bpm • G# Maj • 05:02 • -13.61db
26% Popularity • 55% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 75% Positiveness
