Songs like Mainframe by Pye Corner Audio
Based on a tempo of (+/- 10%) and a similar genre
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Pye Corner Audio
Mainframe
72 bpm • G min • 04:27 • -13db
26% Popularity • 36% Danceability • 14% Energy • 7% Liveness
46% Instrumentalness • 52% Positiveness
26% Popularity • 36% Danceability • 14% Energy • 7% Liveness
46% Instrumentalness • 52% Positiveness
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Ochre
Out of the Gyre
72 bpm • D min • 03:44 • -20.3db
15% Popularity • 19% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
15% Popularity • 19% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
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Bibio
CAPEL CELYN
72 bpm • D# min • 08:12 • -22.76db
26% Popularity • 22% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
26% Popularity • 22% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Andy Stott
Time Away
71 bpm • A min • 06:24 • -25db
29% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Iona Fortune
Xu
73 bpm • C# min • 04:25 • -13db
9% Popularity • 29% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 29% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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The House In the Woods
Quadratic
71 bpm • D# Maj • 08:45 • -37db
7% Popularity • 16% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Approach
72 bpm • A# Maj • 02:20 • -26db
33% Popularity • 19% Danceability • 6% Energy • 8% Liveness
100% Instrumentalness • 5% Positiveness
33% Popularity • 19% Danceability • 6% Energy • 8% Liveness
100% Instrumentalness • 5% Positiveness
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Deru
Black Beach - Tape Version
71 bpm • B min • 04:58 • -20.48db
26% Popularity • 26% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
26% Popularity • 26% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Bibio
09:13
72 bpm • C# min • 07:03 • -26.22db
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Secede
The King of Sanda
73 bpm • F min • 02:13 • -20.53db
39% Popularity • 18% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Clark
Simple Homecoming Loop
73 bpm • C# Maj • 02:24 • -15.37db
21% Popularity • 11% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
21% Popularity • 11% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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Bengalfuel
The Pier
71 bpm • C# min • 03:14 • -20.39db
23% Popularity • 16% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
23% Popularity • 16% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
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Pye Corner Audio
Continental Drfit
73 bpm • C Maj • 05:03 • -24db
8% Popularity • 6% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
8% Popularity • 6% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Max Cooper
Veil of Time 3D (Binaural Version - Head...
73 bpm • C# Maj • 02:45 • -17.02db
25% Popularity • 22% Danceability • 35% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 35% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Porya Hatami
Baun
70 bpm • F min • 04:08 • -24.59db
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Kelly Moran
Love Birds, Night Birds, Devil-Birds
74 bpm • C# min • 04:26 • -12.42db
13% Popularity • 14% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Robot Koch
Instructions for Time Travel - Deru Remi...
74 bpm • C min • 04:51 • -17.08db
13% Popularity • 24% Danceability • 15% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 15% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Abul Mogard
Half Light of Dawn
74 bpm • G min • 06:48 • -22db
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Pye Corner Audio
The Hidden City
71 bpm • C Maj • 01:27 • -19db
27% Popularity • 18% Danceability • 33% Energy • 38% Liveness
89% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 33% Energy • 38% Liveness
89% Instrumentalness • 3% Positiveness
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William Basinski
92982.3
74 bpm • D# min • 07:03 • -20.8db
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Rival Consoles
Melodica
70 bpm • F# min • 03:39 • -19.49db
34% Popularity • 9% Danceability • 14% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 14% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Alessandro Cortini
Iniziare
70 bpm • B Maj • 05:42 • -17.3db
22% Popularity • 8% Danceability • 8% Energy • 54% Liveness
51% Instrumentalness • 10% Positiveness
22% Popularity • 8% Danceability • 8% Energy • 54% Liveness
51% Instrumentalness • 10% Positiveness
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Bochum Welt
At Dawn
74 bpm • C Maj • 01:15 • -30.31db
36% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
36% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Mark Pritchard
Sad Alron
74 bpm • C# min • 02:36 • -21db
32% Popularity • 16% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 11% Positiveness
32% Popularity • 16% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 11% Positiveness
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Four Tet
Tremper
75 bpm • A Maj • 01:29 • -25.39db
36% Popularity • 22% Danceability • 53% Energy • 80% Liveness
18% Instrumentalness • 77% Positiveness
36% Popularity • 22% Danceability • 53% Energy • 80% Liveness
18% Instrumentalness • 77% Positiveness
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Pye Corner Audio
Written in Water
74 bpm • G# min • 03:18 • -21.33db
25% Popularity • 10% Danceability • 58% Energy • 36% Liveness
78% Instrumentalness • 31% Positiveness
25% Popularity • 10% Danceability • 58% Energy • 36% Liveness
78% Instrumentalness • 31% Positiveness
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Deru
Drink It In
75 bpm • G Maj • 04:10 • -17.99db
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Casino Versus Japan
Aquarium
75 bpm • C# Maj • 04:59 • -14.75db
31% Popularity • 61% Danceability • 37% Energy • 22% Liveness
95% Instrumentalness • 49% Positiveness
31% Popularity • 61% Danceability • 37% Energy • 22% Liveness
95% Instrumentalness • 49% Positiveness
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Sarah Davachi
Gilded
69 bpm • E min • 03:30 • -21.18db
34% Popularity • 24% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 24% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Abul Mogard
Slate-Coloured Storm
69 bpm • A# min • 05:31 • -26.11db
28% Popularity • 10% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Four Tet
Falls 2
76 bpm • G# min • 01:12 • -31.93db
34% Popularity • 29% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
34% Popularity • 29% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Bvdub
With Broken Wings and Giants Tall
69 bpm • F# min • 09:14 • -18.83db
24% Popularity • 10% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Vault
69 bpm • C# Maj • 02:16 • -22.29db
25% Popularity • 16% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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K. Leimer
Acquiescene - Mixed
76 bpm • D min • 04:28 • -17.21db
16% Popularity • 10% Danceability • 14% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 14% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Steve Hauschildt
The Nature Remaining
76 bpm • G# min • 02:34 • -23.96db
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Worriedaboutsatan
I'm Not Much, But I'm All I Have
68 bpm • C Maj • 03:58 • -23.4db
24% Popularity • 15% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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DjRUM
Projection
68 bpm • A min • 02:32 • -17.83db
44% Popularity • 28% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
44% Popularity • 28% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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alva noto
Xerrox Isola
76 bpm • F Maj • 08:07 • -20.23db
14% Popularity • 8% Danceability • 10% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 10% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Theme Number Five
76 bpm • A min • 04:11 • -23.03db
30% Popularity • 16% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
30% Popularity • 16% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Kelly Moran
Radian
77 bpm • F min • 02:50 • -21db
24% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Vtgnike
Zarubezh
77 bpm • F min • 02:30 • -11.02db
16% Popularity • 61% Danceability • 51% Energy • 17% Liveness
85% Instrumentalness • 24% Positiveness
16% Popularity • 61% Danceability • 51% Energy • 17% Liveness
85% Instrumentalness • 24% Positiveness
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Imaginary Softwoods
Yellow Calcite II
77 bpm • A min • 02:30 • -16.99db
38% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
38% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Secede
Born in a Tropical Swamp
68 bpm • F# min • 09:29 • -12.63db
22% Popularity • 33% Danceability • 58% Energy • 70% Liveness
92% Instrumentalness • 24% Positiveness
22% Popularity • 33% Danceability • 58% Energy • 70% Liveness
92% Instrumentalness • 24% Positiveness
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The House In the Woods
Information Dust
77 bpm • A# min • 10:17 • -21.19db
5% Popularity • 10% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
5% Popularity • 10% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Mark Pritchard
Mên-an-Tol
77 bpm • A min • 01:32 • -20.38db
40% Popularity • 22% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
40% Popularity • 22% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Steve Hauschildt
Time We Have
67 bpm • A min • 05:50 • -16db
28% Popularity • 19% Danceability • 32% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 32% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Huerco S.
Hear Me Out
67 bpm • D# min • 06:07 • -26db
24% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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SHXCXCHCXSH
Ss
77 bpm • A min • 02:31 • -14.46db
22% Popularity • 20% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
22% Popularity • 20% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Nathan Fake
CONNECTIVITY - Olga Wojciechowska Rework
67 bpm • E min • 02:56 • -13.99db
32% Popularity • 17% Danceability • 32% Energy • 9% Liveness
82% Instrumentalness • 9% Positiveness
32% Popularity • 17% Danceability • 32% Energy • 9% Liveness
82% Instrumentalness • 9% Positiveness
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Burial
State Forest
77 bpm • G Maj • 08:03 • -27.24db
25% Popularity • 15% Danceability • 23% Energy • 28% Liveness
91% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 23% Energy • 28% Liveness
91% Instrumentalness • 7% Positiveness
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GAS
Narkopop 1
78 bpm • F# min • 04:52 • -22.97db
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Bochum Welt
At Dawn
67 bpm • F Maj • 01:15 • -30.32db
35% Popularity • 21% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
35% Popularity • 21% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Deru
Pathologically Bored
66 bpm • D min • 03:54 • -17db
27% Popularity • 25% Danceability • 18% Energy • 30% Liveness
97% Instrumentalness • 5% Positiveness
27% Popularity • 25% Danceability • 18% Energy • 30% Liveness
97% Instrumentalness • 5% Positiveness
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Autechre
VLetrmx
78 bpm • C Maj • 08:27 • -15.86db
30% Popularity • 9% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Nature Reclaims the Town
78 bpm • C Maj • 01:26 • -23.8db
38% Popularity • 21% Danceability • 9% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 9% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Jeremy + Cos
Material Culture 9.19.15, Pt. 1
78 bpm • D Maj • 06:40 • -17.29db
9% Popularity • 52% Danceability • 30% Energy • 24% Liveness
89% Instrumentalness • 52% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 24% Liveness
89% Instrumentalness • 52% Positiveness
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DMX Krew
Shell Game
78 bpm • C min • 02:03 • -11.04db
26% Popularity • 26% Danceability • 11% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
26% Popularity • 26% Danceability • 11% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
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The House In the Woods
Grounded
78 bpm • D Maj • 09:38 • -27.5db
7% Popularity • 20% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Sky H1
Huit
79 bpm • F# Maj • 03:50 • -21db
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Lapalux
ABOVE
66 bpm • C# Maj • 07:28 • -26.84db
20% Popularity • 22% Danceability • 14% Energy • 16% Liveness
97% Instrumentalness • 5% Positiveness
20% Popularity • 22% Danceability • 14% Energy • 16% Liveness
97% Instrumentalness • 5% Positiveness
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Rival Consoles
Memory Arc
79 bpm • F# min • 02:13 • -21.01db
51% Popularity • 13% Danceability • 20% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 13% Danceability • 20% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Worriedaboutsatan
Blank Tape
79 bpm • F# min • 06:09 • -14.07db
9% Popularity • 9% Danceability • 44% Energy • 48% Liveness
80% Instrumentalness • 6% Positiveness
9% Popularity • 9% Danceability • 44% Energy • 48% Liveness
80% Instrumentalness • 6% Positiveness
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Telefon Tel Aviv
Something Akin to Lust
79 bpm • D Maj • 06:37 • -9db
23% Popularity • 16% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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DjRUM
Blood in My Mouth
79 bpm • D# min • 03:00 • -17.72db
40% Popularity • 31% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
40% Popularity • 31% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Nathan Fake
HoursDaysMonthsSeasons - Olga Wojciechow...
79 bpm • F min • 04:03 • -18db
29% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Pye Corner Audio
The Long Now
79 bpm • F# Maj • 01:05 • -24db
40% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
40% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Andy Bell
The Commune - Pye Corner Audio Remix
80 bpm • F# min • 05:35 • -10.91db
1% Popularity • 22% Danceability • 52% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 52% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Chris Hyson
Nocturne
65 bpm • F min • 08:25 • -27.35db
17% Popularity • 21% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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The House In the Woods
Spectral Corridor Part 4
80 bpm • D Maj • 08:31 • -19.46db
16% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Tennyson
Valse
65 bpm • D# min • 02:25 • -9.25db
11% Popularity • 32% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
11% Popularity • 32% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Luke Abbott
In Fields
80 bpm • D# Maj • 02:11 • -21.59db
10% Popularity • 21% Danceability • 10% Energy • 22% Liveness
44% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 22% Liveness
44% Instrumentalness • 4% Positiveness
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Bersarin Quartett
Verflossen ist das Gold der Tage
65 bpm • A# Maj • 03:33 • -17.37db
26% Popularity • 15% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Pye Corner Audio
The Awful Majesty
80 bpm • G Maj • 01:52 • -13.97db
30% Popularity • 18% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Indian Wells
In The Streets
80 bpm • A Maj • 03:35 • -9.67db
20% Popularity • 45% Danceability • 56% Energy • 27% Liveness
88% Instrumentalness • 31% Positiveness
20% Popularity • 45% Danceability • 56% Energy • 27% Liveness
88% Instrumentalness • 31% Positiveness
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Kaitlyn Aurelia Smith
When I Try, I'm Full
65 bpm • F# min • 03:56 • -17.48db
19% Popularity • 18% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
19% Popularity • 18% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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DjRUM
Creature, Pt. 1
80 bpm • C min • 04:43 • -19db
38% Popularity • 12% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
38% Popularity • 12% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Steve Hauschildt
Poinsettia
80 bpm • C# min • 01:01 • -12.38db
37% Popularity • 23% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 17% Positiveness
37% Popularity • 23% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 17% Positiveness
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Visible Cloaks
Screen
81 bpm • F# Maj • 03:21 • -18.81db
24% Popularity • 24% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Yesterday's Entertainment
80 bpm • D Maj • 02:12 • -25db
36% Popularity • 39% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 39% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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The House In the Woods
Spectral Corridor Part 2
64 bpm • C Maj • 09:03 • -23.29db
8% Popularity • 6% Danceability • 19% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 6% Danceability • 19% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Bibio
IVY CHARCOAL
82 bpm • G Maj • 02:03 • -21.38db
25% Popularity • 19% Danceability • 17% Energy • 12% Liveness
73% Instrumentalness • 8% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 12% Liveness
73% Instrumentalness • 8% Positiveness
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Floating Points
Sea-Watch
81 bpm • F min • 04:04 • -19db
33% Popularity • 14% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
33% Popularity • 14% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Gora Sou
Punta Alem
82 bpm • A min • 04:46 • -13.19db
12% Popularity • 55% Danceability • 45% Energy • 34% Liveness
84% Instrumentalness • 20% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 34% Liveness
84% Instrumentalness • 20% Positiveness
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Visible Cloaks
Wheel
81 bpm • F# Maj • 03:35 • -16.29db
24% Popularity • 19% Danceability • 24% Energy • 30% Liveness
62% Instrumentalness • 41% Positiveness
24% Popularity • 19% Danceability • 24% Energy • 30% Liveness
62% Instrumentalness • 41% Positiveness
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Pye Corner Audio
Lacunae
64 bpm • F Maj • 03:08 • -22.95db
28% Popularity • 15% Danceability • 9% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
28% Popularity • 15% Danceability • 9% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Luke Abbott
Dumb
63 bpm • F# Maj • 01:47 • -27.35db
23% Popularity • 24% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
23% Popularity • 24% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Arovane
Theme - 2022 Remaster
82 bpm • A# min • 03:40 • -6.12db
27% Popularity • 52% Danceability • 81% Energy • 6% Liveness
78% Instrumentalness • 51% Positiveness
27% Popularity • 52% Danceability • 81% Energy • 6% Liveness
78% Instrumentalness • 51% Positiveness
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Andy Bell
I Was Alone - Pye Corner Audio Remix
82 bpm • A# Maj • 06:05 • -10.38db
4% Popularity • 8% Danceability • 51% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
4% Popularity • 8% Danceability • 51% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Clark
Hiero-Bosch For Khalil
83 bpm • A# min • 02:59 • -14.6db
13% Popularity • 21% Danceability • 24% Energy • 9% Liveness
74% Instrumentalness • 10% Positiveness
13% Popularity • 21% Danceability • 24% Energy • 9% Liveness
74% Instrumentalness • 10% Positiveness
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Ochre
Null Island
82 bpm • B Maj • 02:36 • -16.8db
11% Popularity • 19% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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DjRUM
Unblocked
83 bpm • F min • 02:00 • -23.58db
42% Popularity • 13% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
42% Popularity • 13% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Natureboy Flako
Nebulous Garden
62 bpm • A min • 03:26 • -20.69db
19% Popularity • 50% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 36% Positiveness
19% Popularity • 50% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 36% Positiveness
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Pye Corner Audio
Prismatic Gateway
83 bpm • F Maj • 01:26 • -21.07db
14% Popularity • 17% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Freescha
Every Shiney Night
62 bpm • B Maj • 04:12 • -14db
23% Popularity • 54% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 54% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Four Tet
10 Midi
62 bpm • F# Maj • 01:25 • -24.61db
32% Popularity • 54% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 11% Positiveness
32% Popularity • 54% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 11% Positiveness
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Lusine
Tropopause
84 bpm • F Maj • 03:35 • -18.94db
15% Popularity • 19% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Benoît Pioulard
Compound, Echo
62 bpm • C Maj • 05:50 • -16.05db
11% Popularity • 19% Danceability • 18% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 18% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
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Secede
Hospital Requiem
84 bpm • C Maj • 04:22 • -22.21db
25% Popularity • 13% Danceability • 36% Energy • 12% Liveness
73% Instrumentalness • 5% Positiveness
25% Popularity • 13% Danceability • 36% Energy • 12% Liveness
73% Instrumentalness • 5% Positiveness