Songs like Majhya Raja Ra by Adarsh Shinde
Based on a tempo of (+/- 10%) and a similar genre
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Adarsh Shinde
Majhya Raja Ra
119 bpm • D Maj • 05:59 • -7.67db
50% Popularity • 53% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 53% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Asha Suresh Anturlikar
Khel zhala Jivacha (in Ajiwasan Studio)
120 bpm • F min • 04:52 • -8.26db
6% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Avadhoot Gandhi
Hechi Yel Deva Naka
120 bpm • A Maj • 04:28 • -6.2db
40% Popularity • 60% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 60% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Vaishali Samant
Dhin Tang
118 bpm • D Maj • 04:37 • -5.45db
18% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Anand Shinde
Patil Patil
120 bpm • F# Maj • 03:55 • -4.36db
4% Popularity • 44% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 44% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Abhay Jodhpurkar
Man Phiruni
120 bpm • F Maj • 06:08 • -9.57db
34% Popularity • 67% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 67% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Adarsh Shinde
Nazar Kadh Deva
120 bpm • D Maj • 06:02 • -4.78db
34% Popularity • 57% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 57% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Amit Saagar
Chaitwali
120 bpm • G Maj • 06:12 • -6.33db
44% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Praniket Khune
O Sheth
120 bpm • G Maj • 03:04 • -4.39db
46% Popularity • 79% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 79% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Ajay Gogavale
Malvat
120 bpm • C Maj • 04:11 • -7.96db
39% Popularity • 60% Danceability • 79% Energy • 52% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 60% Danceability • 79% Energy • 52% Liveness
0% Instrumentalness • 73% Positiveness
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Asha Suresh Anturlikar
Zhala Dusar Sapaan
120 bpm • D min • 04:53 • -10.53db
5% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Harshavardhan Wavare
Rubaab Pahije
120 bpm • F min • 03:26 • -6.48db
36% Popularity • 88% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 88% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Devdutta Manisha Baji
Aale Marathe Aale Marathe
120 bpm • B min • 04:39 • -7.19db
52% Popularity • 50% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 50% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Hrishikesh Kamerkar
Bawara
120 bpm • G Maj • 04:39 • -8.76db
40% Popularity • 70% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 70% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Lalita
Shree Swami Samarthacha
120 bpm • F# Maj • 04:08 • -5.23db
4% Popularity • 72% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 72% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Ajay Gogavale
Kevadyacha Paan Tu
120 bpm • F min • 05:04 • -9.39db
57% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Anand Shinde
Saat Daudale
120 bpm • G# Maj • 03:20 • -6.83db
42% Popularity • 66% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 66% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Priyanka Meher
Dhana
118 bpm • C# min • 03:51 • -9.84db
50% Popularity • 80% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 80% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Adarsh Shinde
Dhingana Dhingana
120 bpm • B Maj • 03:58 • -3db
41% Popularity • 76% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 76% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Aishwarya Majmudar
Asvaar
118 bpm • F# min • 04:05 • -3.9db
40% Popularity • 70% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 70% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Saurabh Salunke
Houn Jau De
120 bpm • A Maj • 05:04 • -6.69db
7% Popularity • 49% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 49% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Ajay Gogavale
Bring It On
120 bpm • F# min • 04:34 • -4.86db
42% Popularity • 74% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 74% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ajay
Ye Go Ye Ye Maina
120 bpm • F Maj • 05:23 • -6db
49% Popularity • 45% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 45% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 73% Positiveness
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Vaishali Samant
Krishna Janmala
120 bpm • F min • 06:30 • -8.66db
32% Popularity • 48% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 48% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Shekhar Ravjiani
Saang Na
120 bpm • G Maj • 05:14 • -7.8db
40% Popularity • 56% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 56% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Keval Walanj
Bawrya Mana
120 bpm • A Maj • 03:40 • -9db
27% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Nandesh Umap
Devicha Gondhal - Full Song
121 bpm • C# Maj • 06:09 • -6.58db
36% Popularity • 56% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 56% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Adarsh Shinde
Yelkot Devacha
117 bpm • G# Maj • 03:04 • -3.28db
34% Popularity • 75% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 75% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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B.K. Samant
Thal Ki Bazar
121 bpm • C Maj • 03:19 • -6.33db
46% Popularity • 88% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 88% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Aditya Gadhvi
Sapna Vinani Raat
121 bpm • F Maj • 05:37 • -6.2db
45% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Aarya Ambekar
Kitida Navyane
122 bpm • C# Maj • 03:45 • -7.74db
51% Popularity • 38% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 38% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Bela Shende
Priyatama Mashup
122 bpm • E min • 02:35 • -11.16db
5% Popularity • 70% Danceability • 73% Energy • 10% Liveness
31% Instrumentalness • 38% Positiveness
5% Popularity • 70% Danceability • 73% Energy • 10% Liveness
31% Instrumentalness • 38% Positiveness
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Nandesh Umap
Devicha Gondhal
121 bpm • C# Maj • 02:44 • -6.71db
39% Popularity • 53% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 53% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Adarsh Shinde
Chandana Dadlaya
117 bpm • G# Maj • 04:30 • -5.58db
35% Popularity • 44% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 44% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Prashant Nakti
Mi Udanchhoo
116 bpm • A# Maj • 04:31 • -8.14db
31% Popularity • 68% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 68% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Gaurav Dagaonkar
Reshami Reshami
123 bpm • C# Maj • 04:23 • -6.01db
30% Popularity • 42% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 42% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Shaan
Murli Ki Taanon Si
116 bpm • G min • 01:29 • -8.35db
47% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Ajay-Atul
Natarang Ubha
123 bpm • A# Maj • 04:19 • -8.58db
45% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Abhijeet
Tan Tana Tan Tan
123 bpm • C# min • 06:37 • -9.8db
51% Popularity • 79% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 79% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Roop Kumar Rathod
Bagh ughaduni dar
123 bpm • D min • 04:41 • -8db
42% Popularity • 38% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 38% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Adarsh Shinde
Fitoor
123 bpm • E Maj • 04:38 • -8.89db
26% Popularity • 40% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 40% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Arijit Singh
Na Re Na
115 bpm • B min • 04:06 • -5.3db
39% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Sanjay Londe
Shantabai
115 bpm • F# Maj • 03:28 • -4.15db
42% Popularity • 75% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 75% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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Inder Arya
Hey Madhu Mashakbeen
115 bpm • E min • 04:10 • -5.78db
46% Popularity • 77% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 77% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Rakesh Khanwal
Cream Paudara Mashakbeen - Uttrakhandi
115 bpm • A Maj • 04:42 • -7.08db
46% Popularity • 92% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 92% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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KK
Rafta Rafta
115 bpm • D min • 04:31 • -6.42db
50% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Prashant Nakti, Sneha Mahadik, Pranay Bansode, Naiteek Kharas
Gomu Maherla Jate Ho Nakhva
115 bpm • F# Maj • 03:54 • -5.73db
42% Popularity • 61% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 61% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
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Avinash Vishwajeet
Ka Kalena
124 bpm • C Maj • 04:03 • -4.71db
54% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Mohammed Aziz
Mujhko Peena Hain
114 bpm • A# min • 06:21 • -4.31db
51% Popularity • 61% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 61% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Jigardan Gadhavi
BHAJAN 3
124 bpm • B min • 04:16 • -8.45db
39% Popularity • 68% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 68% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Keval Walanj
Manacha Sutlay Taba Go
124 bpm • A Maj • 03:14 • -8db
48% Popularity • 70% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 70% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Mangesh Borgaonkar
Usavale Dhaage
124 bpm • C# Maj • 06:22 • -9db
30% Popularity • 61% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 61% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Pravin Kuwar
Nagin Dance
124 bpm • F# min • 03:26 • -4.54db
25% Popularity • 66% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 66% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Abhijeet
Yeh Jo Teri Payalon Ki Chan Chan Hai
124 bpm • C min • 05:49 • -10db
41% Popularity • 80% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 80% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Adarsh Shinde
Aali Bhim Jayanti
114 bpm • A Maj • 05:38 • -5.78db
13% Popularity • 74% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 74% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Dev Negi
Rangtaari
114 bpm • G Maj • 03:37 • -3.31db
44% Popularity • 51% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 51% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
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Keval Walanj
Ishq Pirman Ranglay - Acoustic Version
114 bpm • F Maj • 03:36 • -10.27db
29% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Rohit Raut
Khul Lagala
125 bpm • C# min • 03:27 • -11.52db
31% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Harshavardhan Wavare
Roop Sajar
114 bpm • B min • 03:43 • -8.89db
36% Popularity • 65% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 65% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Manish Rajgire
Gurupurnima
125 bpm • E Maj • 07:02 • -6.34db
34% Popularity • 34% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 34% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Adarsh Shinde
Ti Talwar
114 bpm • D# Maj • 05:28 • -9.1db
39% Popularity • 70% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 70% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Kailash Kher
Sinhasani Baisale Shambhu Raje
125 bpm • C# Maj • 05:15 • -6.7db
37% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Rohit Chauhan
Chori Chandra
125 bpm • A Maj • 03:34 • -5.91db
47% Popularity • 83% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 83% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Avadhoot Gupte
Navri Ni Navryachi Swari
125 bpm • C Maj • 03:28 • -7.84db
38% Popularity • 85% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 85% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Siddharth Mahadevan
Baghtos Kay Mujara Kar - The Promise Ti ...
125 bpm • F Maj • 04:11 • -5.33db
42% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Kunal-Karan
Pirmachi Lagan
125 bpm • G# Maj • 03:42 • -7.18db
49% Popularity • 68% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 68% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Adarsh Shinde
Tu Jogawa Wadh Mai
114 bpm • B Maj • 02:31 • -2.5db
25% Popularity • 69% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 69% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sagar Janardhan
Aai Shappat
113 bpm • F Maj • 05:17 • -7.39db
30% Popularity • 42% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 42% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Ajay Gogavale
Payee Fufata
125 bpm • E Maj • 04:08 • -9.31db
44% Popularity • 71% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 71% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Sachin Pilgaonkar
Zindagi Zindagi
113 bpm • D Maj • 04:42 • -5.81db
52% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Rohit Nanaware
Tu Majhi Radha
126 bpm • E Maj • 04:04 • -5db
45% Popularity • 53% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 53% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Dravesh Patil
Aai Mazhi Ekuli Ekuli - Original
112 bpm • G# Maj • 02:52 • -11.95db
41% Popularity • 45% Danceability • 46% Energy • 45% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 45% Danceability • 46% Energy • 45% Liveness
0% Instrumentalness • 47% Positiveness
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Adarsh Shinde
Dashing Maina
125 bpm • F# Maj • 05:07 • -7.64db
4% Popularity • 50% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 50% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Mukesh Choudhary
Kon Halave Limbadi
126 bpm • A Maj • 02:44 • -10.54db
40% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Hiral Kamble
Jo Bala Jo Jo Re Jo Bhm Angai
112 bpm • G# Maj • 04:46 • -1.08db
41% Popularity • 71% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 71% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Prashant Nakti
Couple Laybhari
126 bpm • F Maj • 04:10 • -8.46db
41% Popularity • 42% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 42% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Ajay-Atul
Jay Jay Maharashtra Majha
126 bpm • D Maj • 03:54 • -4.98db
39% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Amitraj
Tola Tola
126 bpm • E Maj • 03:27 • -5.64db
58% Popularity • 67% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 67% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Sonali Sonawane
Majhi Navri
126 bpm • C# Maj • 04:00 • -7.5db
36% Popularity • 82% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 82% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Swati Sharma
Chal Door Door
126 bpm • A# min • 04:08 • -6.58db
6% Popularity • 53% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 53% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Adarsh Shinde
Ararara
126 bpm • F min • 03:27 • -5.34db
27% Popularity • 71% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 71% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 64% Positiveness
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Vinod B Project
MANACHI CHORI
126 bpm • E min • 03:47 • -12.11db
5% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Avadhoot Gupte
Meri Madhubala
112 bpm • G# Maj • 03:58 • -6.07db
53% Popularity • 84% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 84% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Vijay Bhate
Saaj Tujha
112 bpm • G# Maj • 04:06 • -8.52db
37% Popularity • 49% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 49% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Shaan
Chain Aap Ko
112 bpm • A# Maj • 05:00 • -10.51db
41% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Divya Kumar
Gann Deva
127 bpm • F min • 04:01 • -5.22db
37% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Adarsh Shinde
Sundara
126 bpm • F min • 03:19 • -4.57db
20% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Amitraj
Marathi Pori
127 bpm • E min • 03:24 • -6.62db
31% Popularity • 74% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 74% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Avadhoot Gupte
Un Un vhatat
112 bpm • B Maj • 04:43 • -6.91db
33% Popularity • 55% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 55% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Devdutta Manisha Baji
Yugat Mandali
127 bpm • C# Maj • 04:21 • -4.95db
53% Popularity • 66% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 66% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Preet Bandre
Mumbai Chi Bay
127 bpm • D# min • 04:09 • -4.78db
52% Popularity • 66% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 66% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Shubhangi Kedar
Ishkkachi Nauka
128 bpm • F# Maj • 04:04 • -5.22db
53% Popularity • 59% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 59% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Adarsh Shinde
Jagadgant
127 bpm • G min • 03:29 • -4.62db
8% Popularity • 87% Danceability • 75% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 87% Danceability • 75% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Kirtidan Ghadhavi
Navalakhay Lobadiyaliyu
111 bpm • F# Maj • 02:26 • -3.66db
47% Popularity • 68% Danceability • 96% Energy • 43% Liveness
10% Instrumentalness • 85% Positiveness
47% Popularity • 68% Danceability • 96% Energy • 43% Liveness
10% Instrumentalness • 85% Positiveness
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Vaishali Samant
Gulabachi Kali
128 bpm • A Maj • 03:49 • -2.26db
50% Popularity • 53% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 53% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Onkarswaroop
Saaj Hyo Tuza
128 bpm • G Maj • 04:52 • -12.39db
56% Popularity • 62% Danceability • 41% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
56% Popularity • 62% Danceability • 41% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Prashant Nakti
Mi Single
128 bpm • G# Maj • 04:11 • -7.5db
32% Popularity • 85% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 85% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Avadhoot Gupte
Shankara Re Shankara
110 bpm • A# min • 03:30 • -5.22db
23% Popularity • 69% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 69% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
