Songs like Make em Laugh by Angela Mocanu
Based on a tempo of (+/- 10%) and a similar genre
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Ariana Perlson
The Dad I Never Had (Reprise)
111 bpm • A Maj • 01:04 • -15.93db
9% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Marla Mindelle
My Simple Request
111 bpm • D Maj • 03:30 • -4.8db
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Angela Mocanu
Make em Laugh
111 bpm • C Maj • 02:37 • -11.65db
8% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Don Stephenson
Sit Down You're Rocking the Boat
111 bpm • F Maj • 02:34 • -12.09db
9% Popularity • 52% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 52% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
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Maya Sharpe
Last Song
111 bpm • A Maj • 01:36 • -13.38db
9% Popularity • 55% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 55% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Elena Tal
The Girl in 14G
112 bpm • C Maj • 04:02 • -9.47db
19% Popularity • 51% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 51% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Ellie Fishman
Connected (Pt. 1)
110 bpm • A Maj • 03:17 • -6.27db
13% Popularity • 48% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 48% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Stephanie J. Block
Something Beautiful
110 bpm • F# min • 03:58 • -13.67db
9% Popularity • 34% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 34% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Lake
Out There
110 bpm • F Maj • 02:58 • -11.74db
17% Popularity • 31% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 31% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 21% Positiveness
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Tom Fletcher
The Creaker Way
112 bpm • B Maj • 02:14 • -8.38db
12% Popularity • 70% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 70% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Debbie Gravitte
The Deadwood Stage
110 bpm • D# Maj • 05:53 • -13.76db
10% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Beat by Beat Press
Space Pirates
110 bpm • C min • 02:54 • -11.8db
8% Popularity • 81% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 81% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Ryan Scott Oliver
Girl in Camouflage
112 bpm • G Maj • 04:08 • -8.4db
10% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Faith Prince
The Burden of Life
112 bpm • A Maj • 02:49 • -13.95db
10% Popularity • 63% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 63% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Warren Casey
Lille Frøken Dripp
112 bpm • E Maj • 01:37 • -5.26db
9% Popularity • 77% Danceability • 62% Energy • 73% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 77% Danceability • 62% Energy • 73% Liveness
0% Instrumentalness • 74% Positiveness
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Farah Alvin
All I Have to Do Is Dream/Dream Lover
112 bpm • D# Maj • 03:42 • -7.32db
8% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Keith Ferguson & Bruce Greer
That's George Bailey
112 bpm • A# Maj • 02:43 • -6.4db
8% Popularity • 32% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 32% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Sashika Dias
Southside
113 bpm • D Maj • 02:58 • -11.09db
8% Popularity • 53% Danceability • 58% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 53% Danceability • 58% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan Vasquez
It’s Not Easy
109 bpm • G Maj • 01:21 • -11.55db
36% Popularity • 51% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 51% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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The Charlottetown Festival
Wond'rin' (Reprise)
113 bpm • A# Maj • 01:00 • -17.14db
11% Popularity • 30% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 30% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Kathy & Stella Solve A Murder!
Kathy and Stella's Murder Podcast
113 bpm • A Maj • 03:54 • -6.9db
20% Popularity • 71% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 71% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Michelle Knight
Big Tits
109 bpm • D Maj • 04:21 • -3.67db
9% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Kooman & Dimond
Lost in the Waves
108 bpm • A# Maj • 04:36 • -12.26db
11% Popularity • 39% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 39% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Kathryn Evans
Buddie, Beware
108 bpm • A Maj • 03:12 • -19.07db
8% Popularity • 48% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 48% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Patrick Clancy, Josh Wilmott, Ensemble
Hang Him Til He's Dead
108 bpm • A Maj • 01:49 • -9.56db
10% Popularity • 63% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 63% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
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Brad Alexander & Adam Mathias
Rock City
114 bpm • D Maj • 02:54 • -9db
11% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Leana Fonseca
Lighten Up Story
114 bpm • G Maj • 02:09 • -8db
7% Popularity • 76% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 76% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Cast of Oh What A Lovely War
This Means War
108 bpm • C Maj • 01:08 • -14.13db
11% Popularity • 64% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 64% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Shapera
Rainu & Mir 2
107 bpm • G Maj • 03:24 • -15.07db
9% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Priscilla Lopez
Opening
115 bpm • C Maj • 07:31 • -9.55db
12% Popularity • 55% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 55% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Stuart Zagnit
The Phone Call
115 bpm • A Maj • 02:39 • -12db
10% Popularity • 71% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 71% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Anna DeNoia
Familiar
107 bpm • C Maj • 02:12 • -4.3db
9% Popularity • 55% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 55% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Tasmanian Symphony Orchestra
And You’re Mine
107 bpm • C Maj • 02:48 • -16.67db
9% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Daphne Rubin-Vega
Martirio
115 bpm • F# min • 01:18 • -10.37db
8% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Jeff Blumenkrantz
Protocol Says
115 bpm • D Maj • 04:04 • -13.98db
8% Popularity • 73% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 73% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Makké
Rose Stopnick Can Cook
107 bpm • C Maj • 01:16 • -10.61db
11% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Barbara Rosenblat
Welcome Back, Mr. Witherspoon
115 bpm • G min • 03:07 • -8.27db
9% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Gaby Alter
If I Had a Stage
115 bpm • G Maj • 03:29 • -9.53db
13% Popularity • 41% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 41% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Sandi Patty
Beautiful Feet
116 bpm • G Maj • 03:12 • -12.93db
9% Popularity • 57% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 57% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Joy Woods
My Days
116 bpm • C Maj • 03:42 • -10.84db
44% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Luftens Helte
Into the Unknown
106 bpm • B min • 03:18 • -10.47db
12% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Sean Doherty
Everybody Else
116 bpm • A Maj • 05:59 • -9.64db
10% Popularity • 56% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 56% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Michelle Knight
A Happy Tune?
116 bpm • G Maj • 02:47 • -6.04db
10% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Rob Gardner
Crucifixion
106 bpm • F Maj • 03:06 • -28.39db
8% Popularity • 32% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 32% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gaby Alter
Get It Together
116 bpm • C# min • 05:28 • -7.16db
8% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Isabella Lundgren
I Feel a Song Coming on
106 bpm • F# Maj • 02:30 • -10.14db
11% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Rachel Bay Jones
Calle Santa Barbara
116 bpm • D Maj • 02:52 • -11db
11% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Scott Oliver
I Don't Want to Be Sad Anymore
116 bpm • G# Maj • 03:15 • -12.82db
10% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Williams
Bikini Beauty
116 bpm • D Maj • 00:54 • -6.01db
14% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Angela Teek
I'm Back in Circulation
106 bpm • A# min • 03:55 • -6.64db
8% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Shean Williams
Tomorrow
106 bpm • A min • 03:59 • -14.37db
7% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Loprest
I Could Listen To That
117 bpm • F# Maj • 04:13 • -10.66db
11% Popularity • 90% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 90% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Janet Metz
Something Funny's Going On
105 bpm • C Maj • 01:46 • -9db
13% Popularity • 80% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 80% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Mo Willems
Ode to Toy
105 bpm • E Maj • 01:25 • -7.61db
12% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Faith Prince
Tell Me Why
105 bpm • F min • 02:15 • -14db
10% Popularity • 49% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 49% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Stuart Matthew Price
Coming Back
117 bpm • B min • 02:35 • -12.49db
8% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Pulp Musicals
On the Roof
117 bpm • F min • 02:44 • -12.8db
9% Popularity • 46% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 46% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 36% Positiveness
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Hadley Fraser, Ross Noble, Lesley Joseph, Summer Strallen
It Could Work
105 bpm • C Maj • 04:54 • -10.83db
8% Popularity • 57% Danceability • 47% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 57% Danceability • 47% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Caroline O'Connor
We’re In The Money
105 bpm • G Maj • 04:05 • -9db
12% Popularity • 59% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 59% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Liv Andrusier
The World's Greatest Story
118 bpm • G Maj • 02:05 • -8.86db
18% Popularity • 68% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 68% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Jacobs
Never Never Land
118 bpm • F# Maj • 02:48 • -11.81db
16% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ryan Scott Oliver
A Ball of Gold in a Blood Sky
105 bpm • F Maj • 03:09 • -11.57db
11% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Barbra Streisand
A Piece Of Sky - Demo
104 bpm • D Maj • 04:31 • -12.69db
10% Popularity • 47% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 47% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Bibi and Tina
Chapter 05: The Race on the Hearth
104 bpm • A# min • 03:03 • -22.48db
8% Popularity • 69% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 69% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Stuart Matthew Price
As Long as You're There
104 bpm • A# Maj • 03:41 • -7.62db
11% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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David Green
Guys and Dolls
104 bpm • F Maj • 03:32 • -13.18db
10% Popularity • 70% Danceability • 41% Energy • 69% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 70% Danceability • 41% Energy • 69% Liveness
0% Instrumentalness • 51% Positiveness
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Kyle Mcarthur
My Dad, The Superhero
104 bpm • C Maj • 03:10 • -9db
7% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 8, Entrance of Ens...
104 bpm • D Maj • 00:58 • -18.73db
9% Popularity • 40% Danceability • 12% Energy • 54% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 40% Danceability • 12% Energy • 54% Liveness
0% Instrumentalness • 64% Positiveness
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Charles Keating
Books
119 bpm • D Maj • 02:32 • -21db
10% Popularity • 57% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 57% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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J. Elaine Marcos
Without the Guy
103 bpm • G Maj • 04:59 • -6db
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Sight & Sound Theatres
Roaring Lion
119 bpm • G# Maj • 01:48 • -7.21db
11% Popularity • 40% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 40% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Paul Williams
What I Dreamed Last Night (Reprise)
103 bpm • C# Maj • 02:08 • -6.36db
9% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
James Chapeskie
I think that our son has gone mad
120 bpm • F Maj • 01:23 • -13.07db
12% Popularity • 55% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 55% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Kooman & Dimond
The Heights of Mt. Olympus
120 bpm • C# Maj • 03:20 • -10.36db
10% Popularity • 43% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Original Cast of Aristos: The Musical
Who Is This Boy?
120 bpm • F Maj • 06:21 • -21.11db
8% Popularity • 51% Danceability • 7% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 51% Danceability • 7% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Seahorse Trash
Cat & Mouse Reprise
120 bpm • C min • 01:35 • -16.29db
10% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Paul Shapera
Jes
120 bpm • D Maj • 03:46 • -11.36db
10% Popularity • 76% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 76% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Norbert Leo Butz
You're Changing
120 bpm • C# Maj • 02:51 • -10.66db
21% Popularity • 70% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 70% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Aron Accurso
You Are Enough
103 bpm • C Maj • 02:55 • -6.69db
10% Popularity • 40% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 40% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Umay
Holding Back
120 bpm • D Maj • 03:12 • -9.4db
10% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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42 Balloons
Somebody's Story
120 bpm • D Maj • 04:23 • -5.69db
20% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Williams
Snap
120 bpm • F Maj • 02:45 • -5.47db
14% Popularity • 78% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 78% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Andrew Gerle
Paris Says Yes
120 bpm • G min • 05:21 • -7.33db
8% Popularity • 51% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 51% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Thomas
I Just Wanna Dance
103 bpm • F# Maj • 02:30 • -11.45db
8% Popularity • 32% Danceability • 33% Energy • 58% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 32% Danceability • 33% Energy • 58% Liveness
0% Instrumentalness • 43% Positiveness
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Isabella Lundgren
April Fooled me
120 bpm • C# Maj • 03:47 • -13.24db
14% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Brandon Sturiale
Returning the Favor
102 bpm • C# min • 03:59 • -8.09db
7% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Selena Ingersoll
A Very Good Princess
120 bpm • F Maj • 03:53 • -6.09db
24% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Patch the Pirate
A Logical Explanation
120 bpm • D Maj • 01:49 • -6.94db
9% Popularity • 68% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 68% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
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Leanne Connelly
I'm Feeling Fine
120 bpm • C Maj • 02:34 • -15db
8% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lili Thomas
Quinze Minutes
102 bpm • F min • 04:25 • -5.9db
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Michael John La Chuisa
Like Sally - Original Broadway Cast/2000
121 bpm • A# min • 01:46 • -14.04db
10% Popularity • 65% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 65% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Choi Jae Rim
I sing the body electric
121 bpm • B Maj • 02:38 • -6.89db
8% Popularity • 50% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 50% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Jones
She Used to Be Mine
121 bpm • D# Maj • 04:20 • -11.15db
8% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Pulp Musicals
Questions
102 bpm • F min • 02:32 • -13.14db
9% Popularity • 38% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 38% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Williams
Guys Like Us
102 bpm • E Maj • 01:58 • -6.44db
8% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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ARLO HILL
Marching Orders
121 bpm • A# min • 03:48 • -6.72db
12% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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Savannah-Lee Mumford
Barb's Turn
122 bpm • A min • 03:59 • -4.98db
12% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Kathy & Stella Solve A Murder!
Part Of The Story
122 bpm • F Maj • 04:49 • -11.6db
14% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness