Songs like Make Me an Island - 1969 Recording by Joe Dolan
Based on a tempo of (+/- 10%) and a similar genre
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Springbok
Schlick Schlack Boom Boom
96 bpm • A# Maj • 02:39 • -18.13db
9% Popularity • 61% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Ann Breen
If I Had My Life To Live Over
96 bpm • G Maj • 02:51 • -17.12db
17% Popularity • 42% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 42% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Joe Dolan
The Answer To Everything
96 bpm • C# Maj • 02:39 • -5.18db
22% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Peter And Gordon
To Know You Is to Love You
96 bpm • E Maj • 02:37 • -6.27db
24% Popularity • 31% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 31% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Julie Rogers
The Wedding
96 bpm • G# Maj • 02:29 • -9.76db
37% Popularity • 32% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 32% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Buffoons
My Girl Donna
96 bpm • E Maj • 02:54 • -8.82db
30% Popularity • 49% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 49% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Bobby Goldsboro
Honey
96 bpm • G Maj • 03:49 • -19db
37% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
37% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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The Sandpipers
The French Song
96 bpm • G Maj • 03:13 • -15db
40% Popularity • 31% Danceability • 34% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 31% Danceability • 34% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Dolan
Make Me an Island
96 bpm • D# Maj • 03:00 • -7.81db
38% Popularity • 47% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 47% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Cilla Black
You're My World - 2003 Remaster
96 bpm • C# Maj • 02:59 • -8db
45% Popularity • 39% Danceability • 37% Energy • 4% Liveness
1% Instrumentalness • 47% Positiveness
45% Popularity • 39% Danceability • 37% Energy • 4% Liveness
1% Instrumentalness • 47% Positiveness
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Kathy Durkin
Working Man
97 bpm • D Maj • 04:25 • -18.51db
28% Popularity • 53% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 53% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Julie Rogers
The Wedding
96 bpm • G# Maj • 02:25 • -4db
35% Popularity • 36% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 36% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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George Baker Selection
Baby Blue
95 bpm • C Maj • 04:08 • -11.15db
36% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jody Wayne
Patches
95 bpm • G Maj • 03:11 • -10.85db
29% Popularity • 50% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 50% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Scott English
Brandy - Rerecorded 1972
97 bpm • A# Maj • 02:58 • -13db
29% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
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George Baker
Baby Blue
97 bpm • C Maj • 04:04 • -11.61db
17% Popularity • 61% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 61% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Cilla Black
You're My World (Il Mio Mondo) - Alterna...
97 bpm • C# Maj • 02:59 • -6.96db
37% Popularity • 39% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
37% Popularity • 39% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Rita MacNeil
Working Man
97 bpm • F Maj • 04:24 • -11db
33% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Kongos and the G-Men
Tulips for Toinette
97 bpm • E Maj • 02:35 • -10.03db
10% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Frances Black
All the Lies That You Told Me
95 bpm • E Maj • 04:22 • -14db
36% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Julie Rogers
The Wedding
97 bpm • G# Maj • 03:42 • -8.08db
27% Popularity • 27% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 27% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Barry & Eileen
If You Go
98 bpm • G Maj • 04:19 • -15.82db
39% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Cilla Black
Surround Yourself with Sorrow - 2003 Rem...
97 bpm • F Maj • 02:35 • -9.32db
22% Popularity • 55% Danceability • 82% Energy • 25% Liveness
2% Instrumentalness • 87% Positiveness
22% Popularity • 55% Danceability • 82% Energy • 25% Liveness
2% Instrumentalness • 87% Positiveness
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Joe Dolan
Good Looking Woman
98 bpm • D Maj • 02:51 • -6.57db
30% Popularity • 43% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 43% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Shelley
Gee Baby
98 bpm • E min • 02:55 • -8.66db
28% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Sydney Devine
She Wears My Ring
98 bpm • E Maj • 02:28 • -7.33db
24% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Julie Rogers
The Wedding
97 bpm • G# Maj • 02:26 • -10db
29% Popularity • 38% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 38% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Brian Coll
Green Fields Of Ireland
98 bpm • G# Maj • 02:49 • -12.02db
30% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Jody Wayne
Heartbeat
98 bpm • D Maj • 02:57 • -9.03db
13% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Joe Dolan
You're Such a Good Looking Woman
98 bpm • D min • 02:57 • -7.12db
42% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Frank McCaffrey
The Wedding Song
98 bpm • A Maj • 03:42 • -7.71db
25% Popularity • 50% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 50% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Clive Bruce
Sally Sunshine
98 bpm • D Maj • 02:55 • -14.12db
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dave Berry
Mama
94 bpm • A# min • 02:50 • -12.28db
27% Popularity • 60% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 76% Positiveness
27% Popularity • 60% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 76% Positiveness
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Randy VanWarmer
Just When I Needed You Most
98 bpm • G# Maj • 03:35 • -18db
36% Popularity • 61% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 61% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Renée
Blue Serenade
98 bpm • C Maj • 03:40 • -11.8db
16% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Dolan
You're Such a Good Looking Woman
98 bpm • D Maj • 02:53 • -8.98db
27% Popularity • 53% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 53% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Tumbleweeds
Somewhere Between
94 bpm • E Maj • 02:56 • -12db
43% Popularity • 43% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 43% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Goombay Dance Band
Island in the Sun
99 bpm • G Maj • 03:27 • -11.05db
34% Popularity • 62% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 62% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Red Hurley
Hold Me Just One More Time
99 bpm • F Maj • 03:55 • -7.32db
16% Popularity • 41% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 41% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Isla Grant
Partners in Rhyme
99 bpm • A Maj • 03:57 • -9db
28% Popularity • 53% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 53% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Marmalade
Baby Make It Soon
93 bpm • G Maj • 03:03 • -11.79db
23% Popularity • 51% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 51% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Petula Clark
Sailor
99 bpm • A# Maj • 02:55 • -8.41db
40% Popularity • 41% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 41% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Ricky Nelson
Hello Mary Lou (Goodbye Heart)
99 bpm • A Maj • 02:44 • -12.38db
28% Popularity • 63% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 63% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Dolan
My Own Perculiar Way
99 bpm • C Maj • 02:22 • -7.87db
25% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Casuals
Jesamine
99 bpm • C Maj • 03:06 • -9db
26% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Ned Miller
From a Jack to a King
99 bpm • D# Maj • 02:11 • -8db
43% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Brian Hyland
Ginny Come Lately
99 bpm • A Maj • 02:47 • -17.04db
45% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Tillotson
Without You
99 bpm • D Maj • 02:08 • -5.69db
32% Popularity • 54% Danceability • 58% Energy • 16% Liveness
85% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 58% Energy • 16% Liveness
85% Instrumentalness • 70% Positiveness
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Rod McKuen
Soldiers Who Want to Be Heroes
100 bpm • G Maj • 02:55 • -11.35db
25% Popularity • 57% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 57% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Renée & Renato
Sing With Me
100 bpm • D Maj • 02:34 • -11.27db
20% Popularity • 66% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
20% Popularity • 66% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
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Virginia Lee
Goodbye My Love
100 bpm • A# Maj • 02:57 • -10.38db
16% Popularity • 50% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 30% Positiveness
16% Popularity • 50% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 30% Positiveness
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Petula Clark
Kiss Me Goodbye
100 bpm • G Maj • 03:54 • -10.34db
28% Popularity • 36% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 36% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Frank Ifield
Angry at the Big Oak Tree
100 bpm • D Maj • 02:47 • -8.73db
19% Popularity • 52% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 52% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
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David Soul
Going in with my eyes open
100 bpm • D Maj • 04:03 • -13.68db
28% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bagatelle
Jersey Girl
100 bpm • D Maj • 05:31 • -11.96db
27% Popularity • 60% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 60% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Dolan
Teresa
101 bpm • C Maj • 02:46 • -7.19db
20% Popularity • 40% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 40% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Virginia Lee
Darling It's Wonderful
101 bpm • A Maj • 02:28 • -8db
28% Popularity • 52% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Red Hurley
Don't Forget To Remember Me
91 bpm • C Maj • 03:35 • -7db
27% Popularity • 55% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 55% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Robin Gibb
Saved By The Bell
91 bpm • C Maj • 03:06 • -14db
46% Popularity • 16% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 16% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Donny Osmond
Young Love
101 bpm • E Maj • 02:29 • -7.21db
28% Popularity • 41% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 41% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Ifield
The Swiss Maid
91 bpm • C Maj • 02:19 • -9.02db
17% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Declan Nerney
You Gotta Get Up In The Morning
101 bpm • C Maj • 02:51 • -11.72db
22% Popularity • 82% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 82% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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J.Vincent Edwards
Thanks
102 bpm • D Maj • 03:02 • -10.32db
21% Popularity • 57% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 57% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Herman's Hermits
My Sentimental Friend - Mono
91 bpm • F Maj • 03:12 • -7.58db
15% Popularity • 50% Danceability • 73% Energy • 7% Liveness
2% Instrumentalness • 65% Positiveness
15% Popularity • 50% Danceability • 73% Energy • 7% Liveness
2% Instrumentalness • 65% Positiveness
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Danny Mirror
I Remember Elvis Presley
102 bpm • A Maj • 05:12 • -8.32db
30% Popularity • 40% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 40% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Long John Baldry
Let the Heartaches Begin
91 bpm • A Maj • 03:12 • -8.55db
34% Popularity • 46% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 46% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Bee Gees
Massachusetts - Stereo Version
102 bpm • G Maj • 02:26 • -7.95db
56% Popularity • 48% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 48% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Barry & Eileen
Summerwine
90 bpm • F Maj • 03:32 • -9.52db
27% Popularity • 35% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 35% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Charlie Landsborough
Love You Every Second
90 bpm • A# Maj • 04:13 • -12db
29% Popularity • 54% Danceability • 38% Energy • 23% Liveness
1% Instrumentalness • 31% Positiveness
29% Popularity • 54% Danceability • 38% Energy • 23% Liveness
1% Instrumentalness • 31% Positiveness
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John Kennedy
The Wild Domer
102 bpm • C Maj • 03:05 • -7.93db
5% Popularity • 70% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 70% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Dolan
The Answer To Everything
102 bpm • C# Maj • 02:58 • -9.58db
30% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Ray Peterson
Tell Laura I Love Her (Alternate Take)
103 bpm • A# min • 02:54 • -10.26db
34% Popularity • 54% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 54% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Dave Mills
Love is a Beautiful Song
103 bpm • C Maj • 04:19 • -4.7db
22% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Brendan Shine
Catch Me If You Can
103 bpm • C Maj • 02:19 • -6db
27% Popularity • 59% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 59% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Philomena Begley
The Way Old Friends Do
103 bpm • D Maj • 02:44 • -8.91db
22% Popularity • 51% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 51% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Roly Daniels
I Will Love You All My Life
90 bpm • C Maj • 03:34 • -10db
35% Popularity • 21% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 21% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
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Joe Dolan
My First Love
90 bpm • F# Maj • 03:02 • -8.31db
12% Popularity • 30% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 30% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Petula Clark
The Song of My Life (C'est le Refrain de...
103 bpm • G Maj • 03:57 • -9.27db
11% Popularity • 29% Danceability • 62% Energy • 36% Liveness
25% Instrumentalness • 45% Positiveness
11% Popularity • 29% Danceability • 62% Energy • 36% Liveness
25% Instrumentalness • 45% Positiveness
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Sean Dunphy
Two Loves
89 bpm • A Maj • 03:47 • -14.32db
32% Popularity • 52% Danceability • 27% Energy • 18% Liveness
72% Instrumentalness • 38% Positiveness
32% Popularity • 52% Danceability • 27% Energy • 18% Liveness
72% Instrumentalness • 38% Positiveness
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Gilbert O'Sullivan
A Friend of Mine
104 bpm • F Maj • 03:17 • -7.04db
29% Popularity • 77% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 77% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Dave Sheriff
Best of Friends
104 bpm • G Maj • 03:39 • -8db
29% Popularity • 71% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 71% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Roly Daniels
A Woman’s Touch
89 bpm • D Maj • 03:32 • -9.52db
20% Popularity • 46% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 46% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Joe Dolan
It's You It's You It's You
89 bpm • B Maj • 03:49 • -19.26db
23% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Frank McCaffrey
O Mein Papa
104 bpm • A# Maj • 03:04 • -8db
30% Popularity • 54% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 54% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Leapy Lee
Little Arrows
104 bpm • B Maj • 02:43 • -9db
35% Popularity • 65% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 65% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Ann Breen
Save the Last Dance for Me
104 bpm • G Maj • 03:19 • -13db
29% Popularity • 74% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 74% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Lynn Anderson
Stand By Your Man
104 bpm • A Maj • 02:45 • -12.43db
33% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Barbara Ray
I Don't Wanna Play House
104 bpm • F# Maj • 02:33 • -16db
29% Popularity • 56% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 27% Positiveness
29% Popularity • 56% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 27% Positiveness
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Joe Dolan
Pretty Brown Eyes
89 bpm • A Maj • 02:52 • -4.91db
28% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Mark Wirtz
Grocer Jack (Excerpt From A Teenage Oper...
88 bpm • E Maj • 04:40 • -8.15db
29% Popularity • 39% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
29% Popularity • 39% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Donny Osmond
I'm Leaving It (All) Up To You
105 bpm • A# Maj • 02:52 • -6.9db
31% Popularity • 52% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 52% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Brendan Bowyer
Love Thee Dearest
105 bpm • G Maj • 02:52 • -19db
29% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Freddie & The Dreamers
I Understand - Stereo; 1999 Remaster
105 bpm • E Maj • 02:37 • -11.39db
31% Popularity • 47% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
31% Popularity • 47% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Roly Daniels
Part of Me
88 bpm • F Maj • 03:42 • -10.86db
34% Popularity • 41% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 41% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Ken Dodd
Tears
88 bpm • C Maj • 02:51 • -11db
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Sydney Devine
Legend in My Time
88 bpm • C# Maj • 03:07 • -5.57db
14% Popularity • 44% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 44% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Garrity
I Need Someone
88 bpm • A Maj • 02:34 • -13.64db
28% Popularity • 73% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 73% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Anka
Hello Jim
105 bpm • G Maj • 02:27 • -8db
29% Popularity • 56% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
29% Popularity • 56% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness