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Make This Work
Songs like
Make This Work
by
James Davies
Based on a tempo of (+/- 10%) and a similar genre
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Portals
We Have Arrived
94 bpm • C# min • 03:35 • -8.58db
19% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
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James Davies
Make This Work
94 bpm • B Maj • 02:59 • -7.62db
9% Popularity • 69% Danceability • 72% Energy • 7% Liveness
5% Instrumentalness • 76% Positiveness
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Julian Emery
Walk Through The Fire
94 bpm • G Maj • 03:23 • -8.05db
13% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Dasmo & Mania
Back to Work
94 bpm • D# min • 01:02 • -13.61db
17% Popularity • 52% Danceability • 47% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Ian Post
On the Way
94 bpm • B min • 02:45 • -8db
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
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Tyler Bates
Warehouse Smack Down
94 bpm • A Maj • 02:43 • -6.03db
28% Popularity • 49% Danceability • 94% Energy • 9% Liveness
80% Instrumentalness • 77% Positiveness
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2WEI
Pushin On
94 bpm • C# Maj • 03:02 • -8.34db
42% Popularity • 40% Danceability • 86% Energy • 10% Liveness
12% Instrumentalness • 28% Positiveness
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Nima Fakhrara
Becky
94 bpm • C# Maj • 03:08 • -13.64db
8% Popularity • 33% Danceability • 64% Energy • 34% Liveness
96% Instrumentalness • 18% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
20% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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RAVN
Poison
95 bpm • D min • 02:21 • -11.17db
18% Popularity • 22% Danceability • 81% Energy • 3% Liveness
10% Instrumentalness • 9% Positiveness
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Harry Gregson-Williams
Enemy Territory
95 bpm • F min • 01:47 • -19.99db
15% Popularity • 18% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Andrew Michael Britton
Devil On The Rise
93 bpm • F min • 03:18 • -8.71db
9% Popularity • 49% Danceability • 53% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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Cornbread Compton
Race to the Cave
95 bpm • F min • 01:21 • -13.56db
20% Popularity • 56% Danceability • 65% Energy • 9% Liveness
78% Instrumentalness • 67% Positiveness
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Tom Griffiths
You're a Superstar
95 bpm • A Maj • 02:13 • -6.64db
8% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Lee Richardson
Keep This Going
93 bpm • C Maj • 02:19 • -6.93db
22% Popularity • 50% Danceability • 84% Energy • 13% Liveness
16% Instrumentalness • 64% Positiveness
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Ian Arber
This Is It, Rio!
93 bpm • C# min • 01:50 • -12.69db
10% Popularity • 62% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Ben Worley
Humanoids
95 bpm • G# min • 03:51 • -15.16db
10% Popularity • 32% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Kraddy
Mountain Climber
95 bpm • C Maj • 03:19 • -8.55db
9% Popularity • 61% Danceability • 71% Energy • 52% Liveness
87% Instrumentalness • 52% Positiveness
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AShamaluevMusic
Epic Sport Rock
96 bpm • A# min • 02:54 • -6.01db
16% Popularity • 53% Danceability • 93% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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MisterMickeys
Instrumental de Rap urbano 3
96 bpm • C Maj • 02:07 • -7.53db
10% Popularity • 58% Danceability • 60% Energy • 45% Liveness
82% Instrumentalness • 28% Positiveness
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Lee Richardson
Desert Sun
96 bpm • D Maj • 02:41 • -10db
16% Popularity • 53% Danceability • 73% Energy • 27% Liveness
21% Instrumentalness • 29% Positiveness
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Steven Price
What Do You Need to Know?
96 bpm • D min • 07:25 • -20.09db
10% Popularity • 40% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Grayson Voltaire
Because It’s Easy
92 bpm • D Maj • 02:51 • -5.38db
16% Popularity • 68% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Heather Christian
Mfrkn Reckoning
92 bpm • A# Maj • 01:40 • -10.21db
8% Popularity • 69% Danceability • 56% Energy • 9% Liveness
72% Instrumentalness • 38% Positiveness
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SLPSTRM
Roadside Rodeo
92 bpm • F# min • 02:47 • -11db
16% Popularity • 62% Danceability • 72% Energy • 41% Liveness
96% Instrumentalness • 59% Positiveness
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Simon Begg
Long Gone
92 bpm • C# Maj • 02:57 • -9.1db
21% Popularity • 56% Danceability • 78% Energy • 11% Liveness
32% Instrumentalness • 35% Positiveness
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Antonio Pinto
The Mosquito Coast Main Title
97 bpm • B Maj • 01:21 • -13.43db
14% Popularity • 32% Danceability • 67% Energy • 16% Liveness
76% Instrumentalness • 6% Positiveness
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Ex Makina
Dew
97 bpm • B Maj • 04:41 • -10db
12% Popularity • 18% Danceability • 64% Energy • 24% Liveness
1% Instrumentalness • 10% Positiveness
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Dumi Maraire
We up so High
97 bpm • A# Maj • 03:24 • -4.9db
10% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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The Flight
Speed Kills
91 bpm • A Maj • 03:08 • -12.96db
11% Popularity • 58% Danceability • 66% Energy • 6% Liveness
81% Instrumentalness • 4% Positiveness
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IN-IS
Broken Ones
91 bpm • F min • 03:48 • -14.45db
11% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Cliff Martinez
Fight Clubs Are Real
98 bpm • D Maj • 01:35 • -14.71db
18% Popularity • 50% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 2% Positiveness
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Haxhigeaszy
22
98 bpm • D Maj • 02:51 • -8.67db
8% Popularity • 75% Danceability • 57% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
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Universal Production Music
Can't Stop Me Now
98 bpm • C Maj • 03:26 • -7.46db
2% Popularity • 59% Danceability • 89% Energy • 12% Liveness
77% Instrumentalness • 48% Positiveness
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Magnets & Ghosts
I'm Not the Devil
98 bpm • A Maj • 02:59 • -6.71db
15% Popularity • 55% Danceability • 74% Energy • 15% Liveness
44% Instrumentalness • 18% Positiveness
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Ian Post
Five Spiral
98 bpm • G min • 03:53 • -9db
9% Popularity • 60% Danceability • 77% Energy • 7% Liveness
5% Instrumentalness • 42% Positiveness
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James Davies
Raising Hell
90 bpm • C Maj • 02:03 • -14.81db
0% Popularity • 38% Danceability • 34% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Colm R. McGuinness
Cybergeist
90 bpm • A# Maj • 03:01 • -10.87db
8% Popularity • 35% Danceability • 50% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Kristian Leo
Ride It Like You Mean It
90 bpm • C Maj • 02:22 • -4.74db
14% Popularity • 48% Danceability • 98% Energy • 36% Liveness
94% Instrumentalness • 30% Positiveness
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Jordan Gagne
Wheels Up
90 bpm • G Maj • 01:39 • -8.33db
19% Popularity • 67% Danceability • 68% Energy • 11% Liveness
80% Instrumentalness • 46% Positiveness
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Simon James
Battle in the City
90 bpm • B Maj • 02:53 • -8.33db
11% Popularity • 43% Danceability • 66% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
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FormantX
Storytime
90 bpm • A min • 02:35 • -9.15db
16% Popularity • 59% Danceability • 76% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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James Davies
Kill Switch
90 bpm • C# Maj • 02:03 • -15.65db
0% Popularity • 29% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Russell McKamey
Start 'Em Up
90 bpm • A Maj • 01:57 • -8.5db
11% Popularity • 50% Danceability • 61% Energy • 40% Liveness
76% Instrumentalness • 33% Positiveness
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Universal Production Music
Born Ready
90 bpm • D Maj • 01:52 • -7.39db
0% Popularity • 65% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Jordan Gagne
You Don't Even Know What You Do
90 bpm • C min • 02:17 • -11.19db
14% Popularity • 64% Danceability • 54% Energy • 15% Liveness
63% Instrumentalness • 31% Positiveness
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Moon
Go Cowboy
90 bpm • A# min • 02:10 • -6.2db
16% Popularity • 67% Danceability • 60% Energy • 6% Liveness
88% Instrumentalness • 80% Positiveness
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Tigerblood Jewel
Demon
90 bpm • G# Maj • 02:40 • -9db
20% Popularity • 59% Danceability • 79% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
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Atticus Ross
The Journey
90 bpm • A# min • 04:26 • -14.58db
25% Popularity • 34% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Deadly Avenger
Warriors Journey
89 bpm • F# min • 02:10 • -9.91db
9% Popularity • 26% Danceability • 65% Energy • 30% Liveness
96% Instrumentalness • 18% Positiveness
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Ian Post
Everybody Get Up
99 bpm • C Maj • 01:50 • -8.11db
22% Popularity • 76% Danceability • 86% Energy • 8% Liveness
81% Instrumentalness • 66% Positiveness
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Matthew Margeson
Damage Control
99 bpm • B Maj • 01:55 • -8db
9% Popularity • 47% Danceability • 95% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Evert Z
Down in the City of Sins
89 bpm • A min • 02:42 • -3.62db
8% Popularity • 57% Danceability • 89% Energy • 16% Liveness
90% Instrumentalness • 78% Positiveness
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James Davies
Little Pick Me Up
100 bpm • B min • 02:41 • -7.35db
0% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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OTE
I'm Indestructible (Tigerblood Jewel Rem...
100 bpm • B min • 02:41 • -4.3db
22% Popularity • 64% Danceability • 86% Energy • 15% Liveness
18% Instrumentalness • 65% Positiveness
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DJ HF
Ice
100 bpm • C# Maj • 02:45 • -8.47db
10% Popularity • 69% Danceability • 67% Energy • 44% Liveness
70% Instrumentalness • 62% Positiveness
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Evgeny Bardyuzha
The Arrival
100 bpm • A min • 02:27 • -12db
17% Popularity • 47% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Tigerblood Jewel
Compadre
100 bpm • E min • 02:44 • -6.48db
18% Popularity • 91% Danceability • 74% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
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Nick Kingsley
Bad Acid Tastes Fantastic
100 bpm • D Maj • 02:40 • -5.4db
8% Popularity • 70% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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James Davies
Low Fi Guy
100 bpm • D Maj • 02:19 • -10.62db
0% Popularity • 58% Danceability • 43% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
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OTE
I'm Indestructible (Tigerblood Jewel Rem...
100 bpm • B min • 02:41 • -4.85db
11% Popularity • 74% Danceability • 77% Energy • 18% Liveness
85% Instrumentalness • 73% Positiveness
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Ryan Taubert
Thunderbird
100 bpm • C Maj • 03:29 • -7.14db
32% Popularity • 64% Danceability • 77% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
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Cavendish Music
Ultraworld
100 bpm • B min • 03:28 • -11db
12% Popularity • 62% Danceability • 59% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
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Deadly Avenger
C.H.U.G
100 bpm • G Maj • 02:49 • -9.35db
8% Popularity • 70% Danceability • 99% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Jordan Gagne
I'm In
100 bpm • F# Maj • 01:28 • -12.37db
8% Popularity • 74% Danceability • 30% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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James Davies
Twerk in Progress
100 bpm • C# Maj • 02:30 • -5.33db
9% Popularity • 71% Danceability • 92% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
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Top Dogz
Superbad
100 bpm • G# Maj • 03:25 • -7.65db
11% Popularity • 69% Danceability • 79% Energy • 33% Liveness
51% Instrumentalness • 62% Positiveness
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Tristan Clopet
Lightbulb
100 bpm • F# min • 01:18 • -12.57db
10% Popularity • 62% Danceability • 57% Energy • 51% Liveness
84% Instrumentalness • 50% Positiveness
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Cavendish Music
Let the Dust Settle
88 bpm • D min • 02:28 • -6.36db
7% Popularity • 19% Danceability • 63% Energy • 11% Liveness
78% Instrumentalness • 21% Positiveness
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Tim Despic
Summit
100 bpm • G# Maj • 01:33 • -12.05db
14% Popularity • 40% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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KOYOTIE
Give It To Me
88 bpm • C Maj • 02:53 • -6.84db
11% Popularity • 78% Danceability • 73% Energy • 10% Liveness
7% Instrumentalness • 24% Positiveness
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James Davies
Use It or Lose It
100 bpm • A# min • 02:31 • -8.02db
0% Popularity • 68% Danceability • 63% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Nima Fakhrara
Lou Sketch Book
101 bpm • G Maj • 06:31 • -19.06db
9% Popularity • 27% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Joseph Trapanese
Bridge
88 bpm • G Maj • 01:28 • -26.12db
12% Popularity • 31% Danceability • 23% Energy • 8% Liveness
69% Instrumentalness • 3% Positiveness
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Sune Rose Wagner
More Human Than Human
101 bpm • E min • 01:53 • -11.06db
27% Popularity • 42% Danceability • 54% Energy • 9% Liveness
47% Instrumentalness • 5% Positiveness
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Brian Tyler
Constantine End Titles
101 bpm • A# Maj • 02:39 • -14db
24% Popularity • 64% Danceability • 66% Energy • 16% Liveness
85% Instrumentalness • 20% Positiveness
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SLPSTRM
Giants Were Here
87 bpm • G Maj • 03:04 • -8.92db
18% Popularity • 52% Danceability • 84% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
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James Davies
General's Command
100 bpm • E min • 02:27 • -10.17db
0% Popularity • 54% Danceability • 75% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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The Flight
Like A Ghost
87 bpm • G Maj • 03:36 • -19.85db
11% Popularity • 52% Danceability • 27% Energy • 9% Liveness
80% Instrumentalness • 27% Positiveness
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PINS
Bad Thing
102 bpm • D# Maj • 02:51 • -7.69db
13% Popularity • 57% Danceability • 73% Energy • 61% Liveness
0% Instrumentalness • 59% Positiveness
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Salino
Looking for Colors
102 bpm • C# min • 02:03 • -7.32db
9% Popularity • 53% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Benj Heard
Runaways
102 bpm • A Maj • 03:09 • -3.81db
9% Popularity • 57% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Black Lab
This Blood
102 bpm • E Maj • 03:09 • -6db
32% Popularity • 56% Danceability • 94% Energy • 7% Liveness
85% Instrumentalness • 44% Positiveness
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James Davies
Sky Hi
102 bpm • C# min • 02:00 • -8.39db
0% Popularity • 56% Danceability • 90% Energy • 32% Liveness
96% Instrumentalness • 52% Positiveness
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Richard Macklin
High Rize
103 bpm • B min • 03:24 • -10db
7% Popularity • 37% Danceability • 69% Energy • 17% Liveness
75% Instrumentalness • 12% Positiveness
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Daniel Pemberton
Take You Down
103 bpm • E Maj • 03:26 • -9.71db
39% Popularity • 51% Danceability • 78% Energy • 32% Liveness
76% Instrumentalness • 18% Positiveness
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Night Panda
Walk With A Bounce
103 bpm • E min • 03:20 • -8.01db
20% Popularity • 68% Danceability • 85% Energy • 6% Liveness
16% Instrumentalness • 42% Positiveness
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Ian Hultquist
3D Printing
103 bpm • G# Maj • 02:17 • -12.92db
8% Popularity • 59% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Kick Lee
A City's Call (Cincinnati Cinematic Them...
85 bpm • A# min • 03:14 • -8.06db
14% Popularity • 50% Danceability • 90% Energy • 15% Liveness
56% Instrumentalness • 45% Positiveness
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James Davies
Love to Loathe
86 bpm • G min • 03:05 • -8.33db
1% Popularity • 60% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Icarus
Lonely Earth
103 bpm • C# Maj • 05:09 • -9.7db
13% Popularity • 33% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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X-Ray Dog
The System
85 bpm • G# Maj • 02:03 • -7.94db
15% Popularity • 58% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 49% Positiveness
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Book
Hold On, I'm Coming
85 bpm • D# min • 03:16 • -5.86db
33% Popularity • 40% Danceability • 79% Energy • 14% Liveness
43% Instrumentalness • 12% Positiveness
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Hill
The Menace
85 bpm • C# Maj • 01:34 • -6.06db
10% Popularity • 59% Danceability • 68% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Nada Funk
What's on your Mind - UnoMas Remix
104 bpm • A# Maj • 03:13 • -5.45db
17% Popularity • 62% Danceability • 89% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
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Will Parnell
Shock the World
104 bpm • D Maj • 02:12 • -5.35db
11% Popularity • 71% Danceability • 92% Energy • 29% Liveness
2% Instrumentalness • 75% Positiveness
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Drum & Lace
Abandon All Hope
104 bpm • C# min • 01:57 • -12.96db
7% Popularity • 28% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Tristan Ivemy
I'm A Champion
85 bpm • A min • 02:21 • -8.29db
14% Popularity • 48% Danceability • 54% Energy • 15% Liveness
36% Instrumentalness • 61% Positiveness
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Esterly
Built for Pain - Instrumental
104 bpm • D# min • 03:25 • -8.22db
14% Popularity • 69% Danceability • 63% Energy • 29% Liveness
70% Instrumentalness • 33% Positiveness
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James Davies
Put Me in the Car
104 bpm • A# min • 02:22 • -7.18db
0% Popularity • 74% Danceability • 84% Energy • 6% Liveness
74% Instrumentalness • 92% Positiveness
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Make This Work