Songs like Make You Feel My Love (feat. Helene Fischer) by Michael Bolton
Based on a tempo of (+/- 10%) and a similar genre
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Take That
Back for Good - Radio Mix
79 bpm • F Maj • 04:02 • -9.76db
72% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
72% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Bangles
Eternal Flame
79 bpm • E min • 03:58 • -12.57db
55% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Heart
These Dreams
79 bpm • B Maj • 04:14 • -9.87db
65% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Debbie Gibson
Didn't Have The Heart
79 bpm • F Maj • 04:45 • -6.3db
31% Popularity • 32% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 32% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Bread
Everything I Own
79 bpm • D Maj • 03:07 • -13.41db
72% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
72% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jim Diamond
I Should Have Known Better - Rerecorded
78 bpm • F Maj • 04:08 • -13.3db
52% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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John Lennon
Woman - Remastered 2010
80 bpm • D# Maj • 03:32 • -6.37db
71% Popularity • 59% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
71% Popularity • 59% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Ocean
There'll Be Sad Songs (To Make You Cry)
80 bpm • C Maj • 04:52 • -7.67db
50% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Vanessa Williams And Brian McKnight
Love Is
80 bpm • C# Maj • 04:44 • -10db
35% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Debbie Gibson
Foolish Beat
78 bpm • A# min • 04:22 • -11.16db
55% Popularity • 54% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 54% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Madonna
Take a Bow
80 bpm • G# Maj • 05:21 • -8.85db
57% Popularity • 57% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 57% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Young
Don't Dream It's Over
80 bpm • C Maj • 04:21 • -11.51db
39% Popularity • 53% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 53% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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The Jets
Make It Real
80 bpm • A Maj • 04:18 • -16.11db
50% Popularity • 74% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 74% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Corrs
What Can I Do
78 bpm • A Maj • 04:19 • -7.51db
58% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jim Diamond
I Should Have Known Better
78 bpm • F Maj • 03:38 • -10.94db
54% Popularity • 53% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
54% Popularity • 53% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Richard Marx
Now And Forever
78 bpm • G Maj • 03:34 • -11.23db
67% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
67% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Linda Ronstadt
Somewhere Out There
80 bpm • C Maj • 03:58 • -16.3db
52% Popularity • 32% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 32% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Debby Boone
You Light Up My Life
78 bpm • D Maj • 03:36 • -10.06db
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Gloria Estefan And Miami Sound Machine
Can't Stay Away from You
78 bpm • D Maj • 03:55 • -15.45db
41% Popularity • 58% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 58% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Giacomo Puccini
O soave fanciulla
78 bpm • E min • 04:23 • -17.18db
8% Popularity • 19% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Tiffany
Here In My Heart
78 bpm • C Maj • 04:08 • -9db
41% Popularity • 46% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 46% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Bolton
When I'm Back On My Feet Again
78 bpm • F Maj • 03:48 • -12.7db
46% Popularity • 43% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 43% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Maria McKee
Show Me Heaven - Acoustic Demo Version
80 bpm • A# min • 03:43 • -6.47db
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Lobo
I'd Love You to Want Me
78 bpm • A# Maj • 04:07 • -9.96db
67% Popularity • 43% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 43% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Roxette
It Must Have Been Love
81 bpm • F Maj • 04:18 • -6.66db
78% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
78% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Vanessa Williams
With You I'm Born Again (Duet with Georg...
81 bpm • D# min • 03:53 • -9.91db
37% Popularity • 22% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 22% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Heights
How Do You Talk To An Angel?
81 bpm • A Maj • 03:47 • -11.35db
49% Popularity • 40% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 40% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Bolton
Hallelujah
77 bpm • D Maj • 03:44 • -9.1db
36% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Jackson
Heal the World
81 bpm • A Maj • 06:24 • -8.05db
69% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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98º
I Do (Cherish You)
81 bpm • G# Maj • 03:46 • -9db
62% Popularity • 57% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 57% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Branigan
Show Me Heaven
77 bpm • G Maj • 04:10 • -12.2db
20% Popularity • 61% Danceability • 40% Energy • 7% Liveness
3% Instrumentalness • 18% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 7% Liveness
3% Instrumentalness • 18% Positiveness
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Glenn Lewis
Fall Again
77 bpm • E min • 04:18 • -6.51db
40% Popularity • 38% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 38% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Ricky Martin
She's All I Ever Had
81 bpm • B Maj • 04:55 • -6db
43% Popularity • 39% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 39% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Barry Gibb
Too Much Heaven
77 bpm • C# Maj • 03:39 • -8.17db
49% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Foreigner
I Want to Know What Love Is - 1999 Remas...
81 bpm • F# Maj • 05:04 • -10.04db
81% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
81% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Wilson Phillips
You Won't See Me Cry
77 bpm • A Maj • 03:53 • -11.14db
33% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Chris de Burgh
The Lady In Red
77 bpm • A# Maj • 04:16 • -17.11db
76% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
76% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Dayne
I Know the Feeling
82 bpm • A Maj • 04:46 • -6.81db
22% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Lobo
How Can I Tell Her
82 bpm • D Maj • 04:20 • -13.05db
60% Popularity • 51% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
60% Popularity • 51% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Michael Bolton
To Love Somebody
76 bpm • B Maj • 04:12 • -6.94db
22% Popularity • 44% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 44% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sheena Easton
For Your Eyes Only
82 bpm • G Maj • 03:04 • -7.78db
56% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
56% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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The Stylistics
You Make Me Feel Brand New
76 bpm • G Maj • 04:48 • -8.57db
61% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
61% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Billy Ocean
Here You Are
76 bpm • C# Maj • 04:35 • -8.38db
10% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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TOTO
I'll Be Over You
82 bpm • A# Maj • 03:49 • -17.85db
72% Popularity • 52% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 52% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Elton John
The One
76 bpm • A# Maj • 05:53 • -8.23db
58% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Madonna
This Used to Be My Playground
76 bpm • G min • 05:10 • -12db
51% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Peaches & Herb
Reunited
76 bpm • F min • 05:45 • -9.54db
59% Popularity • 56% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
59% Popularity • 56% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Milli Vanilli
I'm Gonna Miss You
76 bpm • A Maj • 03:58 • -19db
57% Popularity • 71% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
57% Popularity • 71% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Michael Bolton
When a Man Loves a Woman (2017 Version)
83 bpm • C Maj • 03:56 • -3.97db
26% Popularity • 46% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 46% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Ocean
The Colour of Love
83 bpm • A# Maj • 04:22 • -8db
41% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Patty Smyth
Sometimes Love Just Ain't Enough
83 bpm • A# Maj • 04:27 • -10.69db
62% Popularity • 56% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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James Ingram
I Believe In Those Love Songs
83 bpm • C Maj • 04:36 • -8.32db
32% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Jackson
Will You Be There - Single Version
83 bpm • F# min • 03:40 • -6.5db
58% Popularity • 41% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 41% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Barry White
Just The Way You Are
75 bpm • A Maj • 04:49 • -14.63db
63% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Bolton
Forever's Just A Matter Of Time
83 bpm • A# Maj • 04:27 • -6.19db
20% Popularity • 56% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 56% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Wet Wet Wet
Julia Says
75 bpm • D# Maj • 04:10 • -6.99db
44% Popularity • 49% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 49% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Cocker
You Are So Beautiful
83 bpm • C# Maj • 02:39 • -10.94db
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Mr. Big
To Be With You - 2021 Remastered
83 bpm • E Maj • 03:28 • -13.58db
69% Popularity • 69% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 69% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Rod Stewart
All for Love
75 bpm • D Maj • 04:41 • -11.02db
69% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
69% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Cars
Drive - 2017 Remaster
83 bpm • F# Maj • 03:54 • -7.87db
73% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Bolton
In the Arms of Love
82 bpm • C Maj • 04:47 • -9.36db
32% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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James Ingram
How Do You Keep The Music Playing
75 bpm • C Maj • 04:14 • -16.06db
50% Popularity • 36% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 36% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Bread
Make It with You
84 bpm • E Maj • 03:12 • -11.14db
71% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
71% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Tracy Chapman
Baby Can I Hold You
74 bpm • D Maj • 03:13 • -10.53db
77% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
77% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Vanessa Williams
Colors Of The Wind - End Title
84 bpm • G min • 04:17 • -18.07db
49% Popularity • 57% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
49% Popularity • 57% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Wet Wet Wet
Love is All Around
84 bpm • A# Maj • 04:16 • -9db
48% Popularity • 51% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 51% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Bolton
Soul Provider
84 bpm • C Maj • 04:27 • -10.88db
53% Popularity • 61% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 61% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Debbie Gibson
No More Rhyme
74 bpm • A Maj • 04:15 • -7.64db
49% Popularity • 56% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 56% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Chicago
You're the Inspiration - 2006 Remaster
74 bpm • B Maj • 03:49 • -6.36db
74% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
74% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Linda Ronstadt
All My Life - 1999 Remaster
74 bpm • D# Maj • 03:30 • -8.75db
50% Popularity • 60% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 60% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Norman
No Arms Can Ever Hold You
85 bpm • E Maj • 03:44 • -8.09db
45% Popularity • 56% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 56% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Wet Wet Wet
Love Is All Around
84 bpm • A# Maj • 04:06 • -6.58db
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Bolton
To Love Somebody
74 bpm • B Maj • 04:07 • -11.79db
61% Popularity • 37% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 37% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Natalie Cole
I Live For Your Love
85 bpm • F# Maj • 04:27 • -9.43db
41% Popularity • 34% Danceability • 36% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
41% Popularity • 34% Danceability • 36% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
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Savage Garden
I Knew I Loved You
85 bpm • A Maj • 04:10 • -9.88db
71% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
71% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Taylor Dayne
Love Will Lead You Back
73 bpm • C# Maj • 04:37 • -7.01db
61% Popularity • 55% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 55% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Bon Jovi
I'll Be There For You
73 bpm • D Maj • 05:46 • -5.43db
68% Popularity • 44% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
68% Popularity • 44% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Filippa Giordano
How Am I Supposed to Live Without You
86 bpm • G# Maj • 05:13 • -6.95db
20% Popularity • 26% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 26% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Michael Bolton
Stand Up for Love
85 bpm • D# Maj • 04:44 • -14.03db
33% Popularity • 52% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 52% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Natalie Cole
Unforgettable
86 bpm • F Maj • 03:30 • -13.37db
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Williams Brothers
Can't Cry Hard Enough
86 bpm • C Maj • 03:11 • -14.51db
55% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Dayne
I'll Always Love You
85 bpm • A# Maj • 04:30 • -6db
46% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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U.S.A. For Africa
We Are The World
73 bpm • E Maj • 07:07 • -15.26db
70% Popularity • 53% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 53% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Christopher Cross
Think of Laura
86 bpm • B Maj • 03:26 • -13db
62% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Bolton
Said I Loved You…But I Lied
85 bpm • A# Maj • 04:43 • -6.19db
27% Popularity • 44% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 44% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Don Henley
Taking You Home
72 bpm • E min • 05:31 • -6.63db
43% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Adrian Gurvitz
Classic
87 bpm • D Maj • 04:54 • -6db
56% Popularity • 47% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 47% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Quincy Jones
Just Once
72 bpm • C Maj • 04:33 • -17.25db
59% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Elton John
Nikita
87 bpm • G Maj • 05:43 • -9.29db
69% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
69% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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James Ingram
I Don't Have the Heart
89 bpm • D Maj • 04:13 • -8db
59% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dan Fogelberg
Rhythm of the Rain
87 bpm • G Maj • 04:22 • -9db
48% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Young
Wherever I Lay My Hat (That's My Home)
89 bpm • A# Maj • 04:10 • -12.96db
48% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Tina Turner
Two People
90 bpm • A# min • 04:09 • -6.56db
51% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Stephen Bishop
It Might Be You
90 bpm • G Maj • 04:18 • -16db
59% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Paula Abdul
Rush Rush
90 bpm • E Maj • 04:52 • -11.58db
61% Popularity • 71% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 71% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gary Barlow
Forever Love
90 bpm • G Maj • 04:50 • -16.27db
47% Popularity • 58% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 58% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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DeBarge
Who's Holding Donna Now?
90 bpm • D# min • 04:27 • -15db
63% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Patti Austin
Baby, Come To Me
90 bpm • G min • 03:35 • -12.08db
63% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
