Songs like MAKEMEFEELALIVE by You Me At Six
Based on a tempo of (+/- 10%) and a similar genre
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Bring Me The Horizon
Run
135 bpm • B min • 03:42 • -4.76db
58% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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A Day To Remember
We Got This
135 bpm • A# Maj • 03:49 • -4db
45% Popularity • 36% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 36% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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The Spill Canvas
All over You
135 bpm • A# min • 03:22 • -3.16db
51% Popularity • 55% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 55% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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LostAlone
Hostages (Destiny)
135 bpm • C# Maj • 03:40 • -5db
14% Popularity • 42% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 42% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Trash Boat
Synthetic Sympathy
135 bpm • C# Maj • 03:34 • -4.28db
32% Popularity • 24% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 24% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Every Avenue
Whatever Happened To You
136 bpm • F# Maj • 02:48 • -4.6db
30% Popularity • 50% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 50% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Holding Absence
Afterlife
134 bpm • F min • 03:46 • -2.65db
68% Popularity • 48% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 48% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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There For Tomorrow
I Can't Decide
136 bpm • C# Maj • 04:50 • -7.6db
22% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Enter Shikari
Juggernauts
134 bpm • F Maj • 04:44 • -3.72db
44% Popularity • 42% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 42% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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You Me At Six
Lived a Lie
134 bpm • G Maj • 03:23 • -3.95db
50% Popularity • 47% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 47% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Broadside
Come & Go
133 bpm • C# Maj • 03:17 • -3.09db
32% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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I Prevail
My Heart I Surrender
133 bpm • D Maj • 03:27 • -6.92db
46% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Audition
My Temperature's Rising
137 bpm • B Maj • 02:59 • -5db
34% Popularity • 52% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 52% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Madina Lake
Statistics
133 bpm • A min • 03:02 • -3.23db
17% Popularity • 50% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 50% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Anarbor
If You Sing
133 bpm • F# Maj • 03:24 • -5.23db
21% Popularity • 49% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 49% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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You Me At Six
Brand New
137 bpm • C Maj • 03:20 • -4.09db
27% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Broadside
Paradise
133 bpm • C# Maj • 03:04 • -3.95db
36% Popularity • 55% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 55% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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We Are The Ocean
Chin up, Son
137 bpm • A min • 03:22 • -10.2db
17% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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I Prevail
My Heart I Surrender
133 bpm • D Maj • 03:27 • -6.63db
55% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Moose Blood
Knuckles
138 bpm • F# min • 03:44 • -6db
48% Popularity • 58% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 58% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Secrets
Sleep Well, Darling
132 bpm • D Maj • 03:49 • -6.53db
40% Popularity • 53% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 53% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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You Me At Six
Reckless
133 bpm • G# min • 04:30 • -4.92db
40% Popularity • 62% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 62% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Broadside
The Raging Sea
133 bpm • F# Maj • 03:00 • -5db
50% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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We Are The Ocean
Bleed
138 bpm • A Maj • 02:49 • -5db
22% Popularity • 54% Danceability • 96% Energy • 90% Liveness
22% Instrumentalness • 59% Positiveness
22% Popularity • 54% Danceability • 96% Energy • 90% Liveness
22% Instrumentalness • 59% Positiveness
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Dream State
New Waves
132 bpm • E min • 04:12 • -4.69db
27% Popularity • 50% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 50% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 29% Positiveness
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Against The Current
Paralyzed
132 bpm • G Maj • 03:16 • -3.34db
47% Popularity • 58% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 58% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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WSTR
See You In Hell
132 bpm • A# Maj • 03:35 • -8db
34% Popularity • 55% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 55% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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You Me At Six
Win Some, Lose Some
138 bpm • D Maj • 03:56 • -4.3db
31% Popularity • 56% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 56% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Hot Milk
Wide Awake
138 bpm • F# Maj • 03:13 • -4db
44% Popularity • 57% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 57% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Glass Tides
Everything I'm Not
139 bpm • F min • 03:22 • -5db
18% Popularity • 61% Danceability • 93% Energy • 13% Liveness
51% Instrumentalness • 69% Positiveness
18% Popularity • 61% Danceability • 93% Energy • 13% Liveness
51% Instrumentalness • 69% Positiveness
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Anarbor
Every High Has A Come Down
132 bpm • G# min • 03:17 • -2.36db
35% Popularity • 52% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 52% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Funeral For A Friend
Into Oblivion (Reunion)
131 bpm • E Maj • 04:22 • -3.6db
38% Popularity • 45% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 45% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Broadside
Laps Around A Picture Frame
131 bpm • F min • 03:11 • -4db
36% Popularity • 51% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 51% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Bowling For Soup
Girl All the Bad Guys Want
131 bpm • D Maj • 03:17 • -6db
64% Popularity • 58% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
64% Popularity • 58% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Beartooth
The Lines (Low Gain Mix)
131 bpm • F# Maj • 03:01 • -3.31db
40% Popularity • 31% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 31% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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You Me At Six
Loverboy
140 bpm • D min • 03:17 • -5db
42% Popularity • 52% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 52% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Yellowcard
With You Around
140 bpm • D Maj • 03:01 • -2.73db
43% Popularity • 51% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 51% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Every Avenue
Picture Perfect
140 bpm • E Maj • 02:55 • -2db
36% Popularity • 53% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 53% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Hands Like Houses
Introduced Species
140 bpm • C min • 04:04 • -5.9db
39% Popularity • 46% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 46% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Enter Shikari
THE GREAT UNKNOWN
140 bpm • F min • 03:25 • -6.43db
47% Popularity • 55% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 55% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Emarosa
People Like Me, We Just Don't Play
140 bpm • C min • 03:26 • -5.19db
39% Popularity • 46% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 46% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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You Me At Six
Cold Night
131 bpm • A Maj • 04:05 • -6.26db
34% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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blink-182
Remember To Forget Me
140 bpm • C min • 03:29 • -7.04db
44% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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PLTS
Astoria
140 bpm • D Maj • 03:25 • -4.52db
30% Popularity • 49% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 49% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Hands Like Houses
I Am
140 bpm • G# Maj • 04:19 • -3.11db
42% Popularity • 47% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 47% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Before Their Eyes
Sing To Me
140 bpm • A Maj • 03:03 • -3.95db
37% Popularity • 47% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 47% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Young Lions
Destroy Me
140 bpm • A# min • 03:56 • -4.16db
21% Popularity • 48% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 48% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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You Me At Six
heartLESS
140 bpm • A Maj • 03:27 • -4.22db
36% Popularity • 45% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 45% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Andy Black
Stay Alive
130 bpm • G Maj • 04:08 • -2.84db
44% Popularity • 51% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 51% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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FEVER 333
AM I HERE?
130 bpm • F# min • 02:48 • -5db
35% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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A Day To Remember
Over My Head (Cable Car)
130 bpm • C Maj • 03:31 • -5db
58% Popularity • 55% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 55% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Every Avenue
Mindset
130 bpm • G Maj • 03:26 • -3db
44% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Biffy Clyro
Howl
141 bpm • F Maj • 03:33 • -2.98db
44% Popularity • 52% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 52% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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You Me At Six
Too Young to Feel This Old
140 bpm • C# Maj • 04:12 • -3.96db
32% Popularity • 46% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 46% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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We Are The Ocean
Now & Then
141 bpm • C Maj • 03:59 • -4.73db
22% Popularity • 50% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 50% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Taking Back Sunday
MakeDamnSure
140 bpm • F# Maj • 03:28 • -5.61db
71% Popularity • 55% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 55% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Forever The Sickest Kids
Nikki
141 bpm • C# min • 03:44 • -5db
50% Popularity • 53% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 53% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Enter Shikari
Sorry You're Not a Winner
129 bpm • C# min • 04:14 • -6.04db
58% Popularity • 38% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 38% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Andy Black
When We Were Young
142 bpm • B Maj • 04:45 • -6.28db
47% Popularity • 41% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 41% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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There For Tomorrow
Hunt Hunt Hunt
128 bpm • F min • 03:07 • -3db
32% Popularity • 43% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 43% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Every Avenue
I Forgive You
142 bpm • F# Maj • 03:20 • -3db
38% Popularity • 59% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 59% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Go Radio
Goodnight Moon
142 bpm • C Maj • 05:06 • -5.84db
46% Popularity • 52% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 52% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Forever The Sickest Kids
She Likes (Bittersweet Love)
129 bpm • D Maj • 02:49 • -2db
34% Popularity • 53% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 53% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Yellowcard
The Deepest Well
142 bpm • F Maj • 03:57 • -5db
24% Popularity • 44% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 44% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Hands Like Houses
Degrees of Separation
142 bpm • C min • 03:41 • -3.55db
30% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Walking On Cars
Hand In Hand
142 bpm • F# Maj • 03:48 • -5db
35% Popularity • 49% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
35% Popularity • 49% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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The Amity Affliction
All Fucked Up
142 bpm • B min • 03:49 • -4.29db
54% Popularity • 51% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 51% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 29% Positiveness
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Every Avenue
There Tonight
142 bpm • D# Maj • 03:29 • -6db
29% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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You Me At Six
Stay With Me
142 bpm • D min • 03:14 • -5db
48% Popularity • 45% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 45% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 33% Positiveness
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Yellowcard
Light Up The Sky
142 bpm • C Maj • 03:37 • -4db
50% Popularity • 44% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 44% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Twin Atlantic
Edit Me
128 bpm • D Maj • 02:53 • -3.27db
26% Popularity • 43% Danceability • 98% Energy • 18% Liveness
2% Instrumentalness • 20% Positiveness
26% Popularity • 43% Danceability • 98% Energy • 18% Liveness
2% Instrumentalness • 20% Positiveness
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Beartooth
In Between
128 bpm • G min • 03:33 • -2.64db
66% Popularity • 46% Danceability • 97% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
66% Popularity • 46% Danceability • 97% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Avion Roe
Into the Rest
128 bpm • E Maj • 04:47 • -6db
16% Popularity • 46% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 46% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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A Day To Remember
Since U Been Gone
128 bpm • D# Maj • 03:18 • -5.21db
64% Popularity • 62% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 62% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Emarosa
Cloud 9
128 bpm • B min • 03:35 • -3db
37% Popularity • 35% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 35% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Go Radio
I Won't Lie
143 bpm • C Maj • 03:38 • -4.06db
39% Popularity • 51% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 51% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Twin Atlantic
Actions That Echo
128 bpm • D Maj • 03:17 • -3.42db
0% Popularity • 44% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
0% Popularity • 44% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
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WSTR
Crisis
143 bpm • A Maj • 03:16 • -4.5db
38% Popularity • 48% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 48% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Every Avenue
Tell Me I'm A Wreck
128 bpm • F Maj • 03:39 • -2.31db
59% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Crown The Empire
Millennia
143 bpm • D# Maj • 03:44 • -4.73db
47% Popularity • 46% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 46% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Forever The Sickest Kids
Whoa Oh! (Me vs Everyone)
143 bpm • D Maj • 03:24 • -4.17db
49% Popularity • 53% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 53% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Moose Blood
Honey
143 bpm • D Maj • 03:28 • -5.14db
41% Popularity • 49% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 49% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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You Me At Six
Room to Breathe
143 bpm • E Maj • 03:59 • -3.46db
50% Popularity • 42% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 42% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Bring Me The Horizon
Drown
143 bpm • C# min • 03:42 • -3.1db
72% Popularity • 40% Danceability • 94% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
72% Popularity • 40% Danceability • 94% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Grayscale
Just Right
127 bpm • B Maj • 03:18 • -4.47db
36% Popularity • 55% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 55% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Fightstar
A City On Fire
127 bpm • B Maj • 03:07 • -5.28db
29% Popularity • 33% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 33% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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A Day To Remember
I Surrender
127 bpm • F Maj • 03:34 • -4.32db
42% Popularity • 52% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 52% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Every Avenue
Girl Like That
144 bpm • F# Maj • 03:12 • -5db
39% Popularity • 65% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 65% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Emarosa
Don't Cry
144 bpm • F Maj • 03:11 • -5.25db
43% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Biffy Clyro
Tiny Indoor Fireworks
144 bpm • C Maj • 03:15 • -3.6db
43% Popularity • 52% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 52% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Hot Milk
Awful Ever After
144 bpm • G# Maj • 03:27 • -3db
41% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Bring Me The Horizon
Throne
144 bpm • C min • 03:11 • -3.72db
77% Popularity • 43% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
77% Popularity • 43% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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A Day To Remember
If It Means A Lot To You
127 bpm • A# Maj • 04:03 • -8.16db
69% Popularity • 58% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 58% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
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Madina Lake
Pandora
145 bpm • B min • 03:24 • -5.33db
24% Popularity • 44% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 44% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Twin Atlantic
Hold On
145 bpm • E Maj • 03:36 • -5db
4% Popularity • 49% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 49% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Anarbor
Passion For Publication
145 bpm • A Maj • 02:38 • -3.83db
42% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Fightstar
Mercury Summer
145 bpm • B Maj • 03:06 • -5.06db
2% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Every Avenue
Tie Me Down
145 bpm • G# Maj • 03:18 • -5db
30% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
