Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists
|
Pitch your song
|
<<
Back to
Making Things up Again
Songs like
Making Things up Again
by
Lewis Cleale
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Lewis Cleale
Making Things up Again
147 bpm • G# Maj • 04:16 • -11.25db
43% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Natalie Venetia Belcon
You Can Be as Loud as the Hell You Want ...
148 bpm • F min • 02:41 • -6.79db
9% Popularity • 57% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
James Monroe Iglehart
Somebody's Got Your Back
148 bpm • C Maj • 03:24 • -7.21db
31% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Stephen Schwartz
Thank Goodness
148 bpm • D# Maj • 06:23 • -9.41db
37% Popularity • 40% Danceability • 33% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Curtis Holbrook
Gee, Officer Krupke
148 bpm • G Maj • 04:12 • -11.61db
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Central Park Cast
Room to Grow
148 bpm • A Maj • 02:35 • -6.08db
8% Popularity • 44% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Bob Martin
Bride's Lament
149 bpm • F Maj • 05:12 • -7.35db
28% Popularity • 50% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Natalie Venetia Belcon
Schadenfreude
149 bpm • A Maj • 03:04 • -6.14db
15% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Lynn Ahrens
Oh, The Thinks You Can Think - Original ...
145 bpm • C Maj • 03:51 • -9.81db
39% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
51% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Tim Curry
Laker Girls Cheer - Original Broadway Ca...
144 bpm • C# Maj • 01:17 • -6.75db
29% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Fred Applegate
Please Send Me Someone
145 bpm • C Maj • 02:50 • -8.89db
18% Popularity • 33% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Stephen Flaherty
It's Possible (McElligot's Pool) - Origi...
150 bpm • D Maj • 02:37 • -10.73db
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
35% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Stephen Lynch
Today You Are a Man
144 bpm • D min • 01:24 • -5.91db
6% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
36% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Brian Gonzales
High Adventure
143 bpm • C Maj • 05:31 • -7db
37% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
26% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Luke Evans
The Mob Song
143 bpm • A# min • 02:28 • -7.1db
46% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Douglas Sills
The Scarlet Pimpernel
151 bpm • D Maj • 02:44 • -11.8db
22% Popularity • 71% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
David Hyde Pierce
You Won't Succeed On Broadway - Original...
151 bpm • G Maj • 05:06 • -6.21db
32% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
36% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
William Finn
Trouble in His Brain
151 bpm • A Maj • 01:20 • -5.84db
14% Popularity • 49% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Cody Green
Jet Song
143 bpm • A min • 02:06 • -12db
22% Popularity • 67% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Jeremy Jordan
Finale
151 bpm • C Maj • 02:34 • -10.36db
41% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
31% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Avenue Q Ensemble
The Avenue Q Theme
142 bpm • F Maj • 01:02 • -11db
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Nathan Lane
We Can Do It
142 bpm • D# Maj • 03:35 • -12.35db
28% Popularity • 50% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
33% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
45% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Ashley Park
Gossip
152 bpm • B Maj • 00:59 • -8.48db
17% Popularity • 58% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Danny Skinner
Super Sea Star Savior
142 bpm • A# Maj • 04:43 • -5.98db
37% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Jordan Gelber
There Is Life Outside Your Apartment
142 bpm • D Maj • 03:08 • -9.33db
8% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Lynnette Perry
The Crime of the Century
142 bpm • D# Maj • 02:52 • -7.77db
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Richard H. Blake
All About the Green
142 bpm • C Maj • 04:36 • -5.97db
11% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Original StarKid Cast of The Trail To Oregon!
Independence!
153 bpm • C Maj • 04:57 • -6.87db
33% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Tyler Maynard as Flotsam
Sweet Child (Reprise)
141 bpm • F min • 01:12 • -16.01db
31% Popularity • 51% Danceability • 23% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Ilana Levine
Little Known Facts
141 bpm • D# min • 02:22 • -11.94db
26% Popularity • 68% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
46% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Central Park Cast
Middle of It All
140 bpm • A# Maj • 01:26 • -6.66db
13% Popularity • 62% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
44% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Clark Johnsen
I Am Africa
154 bpm • D Maj • 02:21 • -8.65db
41% Popularity • 39% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
28% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Sutton Foster
Morning Person
140 bpm • B Maj • 03:24 • -8.55db
42% Popularity • 58% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Emily Blunt
Moments in the Woods
140 bpm • D Maj • 03:07 • -17.64db
38% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Josie de Guzman
I'll Know
139 bpm • G Maj • 04:55 • -20db
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Wilson Jermaine Heredia
Santa Fe
155 bpm • A Maj • 03:12 • -14db
33% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
45% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
47% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Gwen Verdon
My Own Best Friend
139 bpm • F Maj • 02:41 • -16.75db
24% Popularity • 40% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Company of The Prom: A New Musical
Tonight Belongs to You
156 bpm • C Maj • 05:20 • -5db
35% Popularity • 48% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
39% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Stark Sands
Step One
138 bpm • C# Maj • 02:48 • -5db
35% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Adam Godley
The Gypsy in Me
138 bpm • A# min • 03:43 • -10db
23% Popularity • 50% Danceability • 33% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
► Preview
Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
49% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
The Producers Ensemble
Opening Night
157 bpm • C Maj • 01:42 • -9.31db
27% Popularity • 51% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Joel Hatch
Screech In
138 bpm • G Maj • 04:03 • -6db
41% Popularity • 72% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
John Tartaglia
Fantasies Come True
138 bpm • F# min • 04:18 • -11.73db
8% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Stephen Flaherty
Finale / Oh, The Thinks You Can Think - ...
137 bpm • D Maj • 03:50 • -12.66db
29% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Sutton Foster
Listen To Your Heart
137 bpm • A# min • 02:51 • -11.54db
22% Popularity • 43% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Adam Pascal
Santa Fe
158 bpm • A Maj • 03:27 • -6.93db
42% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
43% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Central Park Cast
Why Bother?
137 bpm • G# Maj • 02:45 • -7db
28% Popularity • 69% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Beth Leavel
It's Not About Me
158 bpm • A min • 03:52 • -5.63db
33% Popularity • 52% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
The Abduction
158 bpm • C# Maj • 07:30 • -8.41db
36% Popularity • 38% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
45% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Central Park Cast
Awfully Beautiful
136 bpm • G# Maj • 01:07 • -9.79db
8% Popularity • 82% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Angela Christian
How the Other Half Lives
136 bpm • A Maj • 02:42 • -13.98db
24% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
<<
Back to
Making Things up Again