Songs like Malana Mawlan Siwallah by Mesut Kurtis
Based on a tempo of (+/- 10%) and a similar genre
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Humood AlKhudher
Khair AlAhilla (Ramadan)
144 bpm • G# Maj • 01:27 • -9.35db
40% Popularity • 54% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 54% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Ali Magrebi
Nefsi
144 bpm • A# min • 04:32 • -6.65db
20% Popularity • 58% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 58% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Hamada Helal
Salo 3la Rasol Allah
144 bpm • D min • 03:13 • -8.16db
38% Popularity • 48% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 48% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 33% Positiveness
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Mesut Kurtis
Malana Mawlan Siwallah
144 bpm • A# Maj • 04:27 • -9.19db
29% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Talib al Habib
La ilaha illalLah
145 bpm • A Maj • 06:06 • -7.27db
28% Popularity • 44% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 44% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Nasheed
Afraid Humming
143 bpm • F min • 04:02 • -11.35db
53% Popularity • 14% Danceability • 40% Energy • 18% Liveness
98% Instrumentalness • 18% Positiveness
53% Popularity • 14% Danceability • 40% Energy • 18% Liveness
98% Instrumentalness • 18% Positiveness
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Burdah Ensemble
As Salatu'l Badriyyah
143 bpm • C Maj • 06:25 • -5.56db
19% Popularity • 38% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 38% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Castillo Nasheeds
Heaven
142 bpm • A min • 04:08 • -6.12db
24% Popularity • 36% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 36% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 35% Positiveness
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عمر بن ضياء الدين | Omar Bn DiaaAldeen
ما تيسر من سورة القصص -...
141 bpm • A# min • 01:07 • -14.61db
51% Popularity • 29% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 71% Positiveness
51% Popularity • 29% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 71% Positiveness
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Mesut Kurtis
Rouhi Fidak
142 bpm • D# min • 04:03 • -7db
48% Popularity • 57% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 57% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Mohamed Kendo
kalghaith
140 bpm • B min • 01:00 • -5.31db
33% Popularity • 59% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 59% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Muhammad Al Mamun
Muhammad Nabina (Voice Only)
141 bpm • G Maj • 03:53 • -10.69db
52% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jihad Al Yafeee
Tefdak Aini
140 bpm • B min • 03:52 • -5.23db
18% Popularity • 46% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 46% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 86% Positiveness
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Al Nasheeds
Maula Ya Salli Wa Sallim
140 bpm • C min • 02:06 • -6.69db
40% Popularity • 58% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 58% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Yousef Al Ayoub
Ya Saheb Al Ham
140 bpm • F# min • 01:01 • -13.26db
48% Popularity • 53% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Mesut Kurtis
Hasbunallah
146 bpm • F# min • 03:25 • -8.02db
36% Popularity • 36% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 36% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Hamada Helal
Habibna Al Mostafa - Al Maddah
140 bpm • A# min • 03:09 • -5.26db
39% Popularity • 66% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 66% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Mevlan Kurtishi
Talaa Al Badru
140 bpm • B Maj • 04:30 • -6.64db
38% Popularity • 63% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 63% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Muhammad Al Muqit
My Hope
140 bpm • D min • 04:50 • -10.42db
61% Popularity • 30% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 30% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Tamer Hosny
Shahr Ramadan
140 bpm • G# Maj • 01:47 • -6.06db
34% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Rachid Gholam
La Boda Min Fana
140 bpm • E Maj • 05:25 • -9.59db
27% Popularity • 41% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 41% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Mesut Kurtis
Rouhi Fidak
141 bpm • D# min • 04:05 • -5.02db
37% Popularity • 31% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 31% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ilyas Mao
99 Names of Allah
140 bpm • G Maj • 04:00 • -7.95db
44% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sheikh Mishary Rashid Alfasay
Surah An-Nas
139 bpm • C# min • 00:59 • -14.85db
51% Popularity • 26% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 26% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Muhammad Al Muqit
A Clarification
140 bpm • G# min • 04:19 • -10.02db
51% Popularity • 61% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 61% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
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Yousef Al Ayoub
واسع الكرم
139 bpm • D min • 03:17 • -12.63db
46% Popularity • 45% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 45% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mostafa Atef
Ya Madaheen El Naby
150 bpm • A Maj • 05:02 • -4.83db
48% Popularity • 34% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 34% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Mesut Kurtis
Muhammada (Pbuh)
140 bpm • C# min • 04:04 • -7.74db
20% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 37% Positiveness
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Mevlan Kurtishi
Al Mukhtar
150 bpm • C min • 04:11 • -7.09db
32% Popularity • 58% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 58% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Al Marashli Ensemble
Hob Alrasool
150 bpm • G min • 05:55 • -7.92db
17% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Muhammad Al Muqit
The Best of Bearls
140 bpm • D# min • 04:01 • -10.3db
38% Popularity • 65% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 65% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Ilyas Mao
Rahman Ya Rahman
150 bpm • A Maj • 03:14 • -8.05db
47% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Mostafa Atef
البردة
150 bpm • C# min • 05:45 • -10.16db
38% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Al Nasheeds
Thank You Allah
137 bpm • A min • 03:25 • -7.38db
38% Popularity • 32% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 32% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Humood AlKhudher
Hawil Marra Okhra
137 bpm • B Maj • 03:14 • -6db
44% Popularity • 69% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Hamada Helal
Mohamed Nabeina
152 bpm • B min • 04:31 • -11db
54% Popularity • 49% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 49% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Muhammad Al Mamun
Maula Ya Salli (Voice Only)
136 bpm • E Maj • 02:38 • -7.06db
46% Popularity • 46% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 46% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Иса Эсамбаев
Muhammad Nabina
152 bpm • C Maj • 04:31 • -9.41db
24% Popularity • 57% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 57% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Mostafa Atef
بحبك
136 bpm • E min • 04:04 • -8.13db
27% Popularity • 48% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 48% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ayisha Abdul Basith
Muhammad Nabina
136 bpm • C# min • 03:50 • -7.75db
59% Popularity • 55% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
59% Popularity • 55% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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عمر بن ضياء الدين | Omar Bn DiaaAldeen
ما تيسر من سورة آل عمر�...
136 bpm • A# min • 01:23 • -17.36db
51% Popularity • 35% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 55% Positiveness
51% Popularity • 35% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 55% Positiveness
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Ali Hojeyj
هجران
136 bpm • G min • 01:07 • -9.39db
28% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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عمرو الدريني
اللهم صل على نبينا محم...
136 bpm • G min • 01:03 • -8.17db
52% Popularity • 43% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 43% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Nadeem Mohammed
Catch Me When I Fall
135 bpm • A min • 04:00 • -12.85db
30% Popularity • 33% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 33% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Mostafa Atef
اشفع لنا
136 bpm • C# min • 04:51 • -6.45db
35% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Abu Shaar Bro
اتيناك بالفقر يا ذا ال...
153 bpm • F Maj • 03:08 • -8.2db
28% Popularity • 37% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 37% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 61% Positiveness
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عمر بن ضياء الدين | Omar Bn DiaaAldeen
ما تيسر من سورة طه - ال�...
136 bpm • B Maj • 01:00 • -16.23db
55% Popularity • 46% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 71% Positiveness
55% Popularity • 46% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 71% Positiveness
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Shia Voice
Ya Hussein
134 bpm • A min • 04:55 • -7.1db
28% Popularity • 39% Danceability • 41% Energy • 53% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 39% Danceability • 41% Energy • 53% Liveness
0% Instrumentalness • 53% Positiveness
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Humood AlKhudher
Ha Anatha
134 bpm • D min • 04:02 • -4.79db
41% Popularity • 62% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 62% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Burdah Ensemble
As-Subhu Bada
155 bpm • C Maj • 03:42 • -5.81db
17% Popularity • 39% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 39% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Mohammed Al Hisayan
Rafeeq al Darb (Ekaa)
155 bpm • A# Maj • 04:56 • -12.55db
24% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Abdurahman Kunnath
SubhanAllah
133 bpm • G# min • 02:36 • -12.92db
25% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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عبدالرحمن مسعد
ايات الحج ١
133 bpm • G# Maj • 04:28 • -18.05db
47% Popularity • 32% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 32% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Mohamed Kendo
Mohamed Nabina
156 bpm • G# Maj • 01:00 • -10.81db
39% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Mostafa Atef
انا لها
156 bpm • B min • 03:36 • -8.02db
32% Popularity • 42% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 42% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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The Global Nasheeds
السر
133 bpm • F min • 02:28 • -12.16db
35% Popularity • 43% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 43% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kamal Uddin
Qasidah Burdah
132 bpm • A Maj • 05:26 • -11.55db
21% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Mohammad Assaf
ياسيداً
132 bpm • G min • 04:41 • -6.77db
29% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Abo Nasheeds
They Passed Through Here
132 bpm • G# min • 02:22 • -8.11db
50% Popularity • 40% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 40% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Shaam
Salawat Kamaliya - Great Salutations
131 bpm • F Maj • 01:23 • -18db
24% Popularity • 48% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 48% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Mostafa Atef
La Ella Ella Allah
131 bpm • F# Maj • 01:00 • -10db
29% Popularity • 43% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 43% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Al Firdaus Ensemble
Ya Imam Ar-Rusli
131 bpm • F Maj • 03:37 • -6.16db
21% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Kamal Uddin
Ar - Rahmaan
131 bpm • B min • 08:45 • -13.32db
27% Popularity • 47% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 47% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Mohammed Al Hisayan
Saeron (Muatherat)
130 bpm • D min • 03:53 • -5.89db
22% Popularity • 33% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 33% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Abdulaziz Alrashed
إلى ربي
130 bpm • E Maj • 01:22 • -16db
60% Popularity • 33% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 33% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Al Marashli Ensemble
Bilenshad Naeesh
130 bpm • B Maj • 05:11 • -7.19db
20% Popularity • 63% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 63% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Shakir Khan Rahmani
The Good Is Still Alive
130 bpm • F min • 01:40 • -8.96db
36% Popularity • 41% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 41% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Ayisha Abdul Basith
Rahman Ya Rahman
130 bpm • F# Maj • 04:44 • -9.64db
46% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Al Firdaus Ensemble
The Burda
130 bpm • F# min • 06:11 • -10.1db
17% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Baraa Masoud
Antassalam
130 bpm • F min • 02:04 • -7.98db
46% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Global Nasheeds
Tabsirah
130 bpm • G# min • 04:07 • -8db
30% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Mesut Kurtis
Asma Allah Alhusna
130 bpm • F# Maj • 04:25 • -15.01db
24% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Muhammad Al Muqit
I Rise
130 bpm • F min • 04:25 • -9db
59% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Hamada Helal
Ya Rab
130 bpm • A min • 04:48 • -7db
28% Popularity • 56% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 56% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Mohamed Kendo
مبحر في ذكرياتي
130 bpm • D# min • 01:00 • -9.68db
44% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Baraa Masoud
Hub Al Nabi حب النبي
160 bpm • C min • 03:06 • -12.68db
23% Popularity • 45% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 45% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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AlNasheed
Ah Mantu Akhira
130 bpm • C# Maj • 04:46 • -15.81db
39% Popularity • 53% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 53% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Mesut Kurtis
Li Taha Ughanni
130 bpm • C# min • 03:24 • -6.8db
15% Popularity • 68% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 68% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Angham
Amenah
130 bpm • F min • 03:28 • -8db
31% Popularity • 47% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 47% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Humood AlKhudher
Edhak
160 bpm • G# Maj • 03:11 • -5.55db
40% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Mostafa Atef
صليت عليه
160 bpm • E min • 03:50 • -10.89db
27% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Castillo Nasheeds
Medina
129 bpm • G min • 03:27 • -9.32db
27% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Shakir Khan Rahmani
Sanakhudu
129 bpm • C min • 02:48 • -8.19db
41% Popularity • 70% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 70% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Mesut Kurtis
Astaghfirullah - Arabic
160 bpm • A min • 03:31 • -8.35db
11% Popularity • 39% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 39% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Al Marashli Ensemble
Mawlana
161 bpm • G min • 05:54 • -4.69db
24% Popularity • 44% Danceability • 83% Energy • 12% Liveness
7% Instrumentalness • 57% Positiveness
24% Popularity • 44% Danceability • 83% Energy • 12% Liveness
7% Instrumentalness • 57% Positiveness
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Abdullah Aljarallah
عبدالله الجارالله || خ�...
128 bpm • B min • 02:03 • -12db
34% Popularity • 41% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 41% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Sheikh Raad Al Kurdi
Surah Naziat
128 bpm • F Maj • 05:41 • -13.42db
40% Popularity • 40% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 40% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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The Global Nasheeds
سنخوض
127 bpm • G# min • 02:56 • -9.88db
29% Popularity • 52% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 52% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Yousef Al Ayoub
رحماك
163 bpm • D min • 02:41 • -9.34db
39% Popularity • 30% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 30% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Mesut Kurtis
Ataytu Bithanbi
160 bpm • E min • 05:08 • -6.39db
36% Popularity • 50% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 50% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ustaz Khairul Anuar Basri Al-Hafiz
Surah Al-Baqarah, Ayat 285-286
127 bpm • F Maj • 01:47 • -13.21db
54% Popularity • 44% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Humood AlKhudher
Lughaat Al'aalam
127 bpm • C min • 04:43 • -6db
47% Popularity • 38% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 38% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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عبدالرحمن مسعد
ما تيسر من سورة العنكب...
127 bpm • G# Maj • 00:57 • -16.54db
52% Popularity • 33% Danceability • 13% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
52% Popularity • 33% Danceability • 13% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
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Salim Bahanan
Surah Al Zalzalah
163 bpm • A min • 01:04 • -14.09db
46% Popularity • 32% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 32% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Wadee Al Yemeni
Takbeer El Eid
127 bpm • A Maj • 01:59 • -11.43db
44% Popularity • 38% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 38% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ismail Rashed
Hoob
127 bpm • F# min • 04:55 • -9.49db
48% Popularity • 38% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 38% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Talib al Habib
Kalimatan
165 bpm • E min • 03:19 • -9.95db
29% Popularity • 18% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 18% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Humood AlKhudher
'Ain
127 bpm • A Maj • 03:36 • -4.01db
25% Popularity • 81% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 81% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
