Songs like Malibu 1992 by COIN
Based on a tempo of (+/- 10%) and a similar genre
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COIN
I Would
147 bpm • G min • 03:09 • -7.82db
34% Popularity • 46% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 46% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Vacation Manor
If Only for Tonight
147 bpm • C# Maj • 04:56 • -6db
48% Popularity • 51% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
48% Popularity • 51% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Vista Kicks
Chasing Waves
148 bpm • G# Maj • 05:37 • -5.76db
42% Popularity • 38% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
42% Popularity • 38% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Grady
CAN YOU HEAR THE MOON
146 bpm • F# min • 03:02 • -6.02db
53% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Briston Maroney
Oregon
146 bpm • A# Maj • 03:18 • -5db
47% Popularity • 57% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 57% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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COIN
Loving
147 bpm • A Maj • 02:54 • -6.39db
37% Popularity • 49% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 49% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Vacation Manor
Falling Back
148 bpm • A Maj • 04:10 • -5.02db
39% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Landon Conrath
Jericho
145 bpm • F# Maj • 03:27 • -7.82db
52% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Polar Boys
Nothing Has Changed
145 bpm • C# Maj • 03:34 • -5.95db
54% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
54% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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Claire Rosinkranz
stuck on us
145 bpm • D Maj • 02:55 • -6.67db
46% Popularity • 54% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 54% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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Briston Maroney
Caroline
150 bpm • G Maj • 03:25 • -10.64db
60% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
60% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
45% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Glass Animals
Tangerine
150 bpm • A min • 03:20 • -5.95db
66% Popularity • 84% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
66% Popularity • 84% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
49% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Young the Giant
Repeat
150 bpm • C# Maj • 03:05 • -5db
44% Popularity • 66% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 66% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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HUNNY
Vowels (and the Importance of Being Me)
150 bpm • E Maj • 03:04 • -5.24db
54% Popularity • 48% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 48% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Sir Sly
Fun
144 bpm • A Maj • 03:52 • -8db
46% Popularity • 63% Danceability • 68% Energy • 6% Liveness
21% Instrumentalness • 86% Positiveness
46% Popularity • 63% Danceability • 68% Energy • 6% Liveness
21% Instrumentalness • 86% Positiveness
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Bleachers
Let's Get Married
150 bpm • C Maj • 03:06 • -5.99db
52% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Briston Maroney
Paradise
150 bpm • C# Maj • 02:44 • -2db
50% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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DREAMERS
Someway, Somehow
150 bpm • D Maj • 03:43 • -3.42db
41% Popularity • 39% Danceability • 96% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
41% Popularity • 39% Danceability • 96% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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HUNNY
Natalie
144 bpm • D# min • 03:08 • -4db
36% Popularity • 50% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 50% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
63% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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COIN
Boyfriend
150 bpm • C Maj • 02:59 • -4.83db
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Knox Hamilton
Cool
150 bpm • A min • 03:34 • -5.97db
37% Popularity • 59% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 59% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Young the Giant
Mr. Know-It-All
151 bpm • D Maj • 03:11 • -4.3db
43% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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PUBLIC
Pretty Face
143 bpm • B Maj • 03:50 • -3.19db
55% Popularity • 54% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 54% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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CRUISR
Opening Up
152 bpm • C Maj • 03:30 • -5db
32% Popularity • 65% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 65% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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N.M. Ballin'
Kids Should Be Kids
152 bpm • A# Maj • 03:15 • -21.31db
1% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Wombats
If You Ever Leave, I'm Coming With You
152 bpm • A min • 02:49 • -5.46db
39% Popularity • 52% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 52% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Vacation Manor
Fading
152 bpm • A Maj • 03:22 • -5db
48% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Neon Trees
Used To Like
152 bpm • G# Maj • 03:18 • -4.04db
40% Popularity • 54% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 54% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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COIN
Nobody's Baby
142 bpm • B Maj • 03:41 • -7.06db
32% Popularity • 55% Danceability • 80% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 55% Danceability • 80% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
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Foster The People
Static Space Lover
142 bpm • C min • 04:00 • -4.65db
51% Popularity • 62% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 62% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Saint Motel
For Elise
153 bpm • A# Maj • 03:23 • -6.32db
60% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Surfaces
24 / 7 / 365
141 bpm • E Maj • 02:57 • -6.19db
59% Popularity • 75% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 75% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
72% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
72% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Wallows
Only Friend
154 bpm • E Maj • 03:01 • -5db
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
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COIN
Time Machine
152 bpm • D min • 03:39 • -5.12db
37% Popularity • 36% Danceability • 93% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 36% Danceability • 93% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
61% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
61% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Knox Hamilton
Pretty Way to Fight
154 bpm • C# Maj • 03:23 • -4.78db
46% Popularity • 52% Danceability • 89% Energy • 21% Liveness
6% Instrumentalness • 35% Positiveness
46% Popularity • 52% Danceability • 89% Energy • 21% Liveness
6% Instrumentalness • 35% Positiveness
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half•alive
What's Wrong
154 bpm • D Maj • 02:57 • -6.67db
50% Popularity • 68% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
50% Popularity • 68% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
59% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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The Band CAMINO
1 Last Cigarette
140 bpm • C Maj • 03:05 • -3.62db
52% Popularity • 58% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 58% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
65% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
65% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Coast Modern
Guru
140 bpm • D# Maj • 03:24 • -6.43db
61% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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WALK THE MOON
Anna Sun
140 bpm • A# Maj • 05:21 • -6.58db
62% Popularity • 47% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 47% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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HUNNY
Saturday Night
140 bpm • A min • 02:33 • -3db
38% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Arlie
wait a minute
140 bpm • E Maj • 03:23 • -4db
29% Popularity • 36% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 36% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Bad Suns
Life Was Easier When I Only Cared About ...
140 bpm • C# Maj • 03:51 • -4.79db
51% Popularity • 63% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
51% Popularity • 63% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Knox Hamilton
How’s Your Mind
140 bpm • D Maj • 03:28 • -4.32db
40% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
75% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Colony House
Julia
140 bpm • E Maj • 03:25 • -10.46db
36% Popularity • 56% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 56% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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half•alive
Never Been Better
155 bpm • G# min • 03:08 • -6.58db
45% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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COIN
Babe Ruth
155 bpm • D Maj • 03:12 • -8.98db
34% Popularity • 56% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 56% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Neon Trees
Everybody Talks
155 bpm • G# Maj • 02:57 • -3.91db
80% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
80% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Wallows
Pictures of Girls
155 bpm • F# Maj • 03:24 • -5.5db
59% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
59% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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BabyJake
Head In The Clouds
139 bpm • G Maj • 02:27 • -6db
60% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Knox Hamilton
Barely Missed You
156 bpm • A Maj • 03:21 • -5.05db
34% Popularity • 50% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 50% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Still Woozy
Goodie Bag
138 bpm • G min • 02:26 • -12.3db
78% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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The Happy Fits
Hold Me Down
156 bpm • D Maj • 03:43 • -4.73db
51% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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CRUISR
Mind Eraser
138 bpm • B Maj • 03:09 • -3.67db
35% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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WALK THE MOON
Avalanche
138 bpm • A Maj • 03:38 • -4.34db
49% Popularity • 59% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 59% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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Claire Rosinkranz
Backyard Boy
138 bpm • F Maj • 02:09 • -7.25db
68% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Sure Sure
Warm Animal
138 bpm • F Maj • 03:31 • -8.66db
55% Popularity • 79% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 79% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Run River North
29
157 bpm • G min • 03:27 • -5db
52% Popularity • 44% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 44% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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COIN
Sprite
157 bpm • D Maj • 03:10 • -8db
38% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Vista Kicks
Circles
137 bpm • B Maj • 04:03 • -5.55db
31% Popularity • 75% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 75% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Knox Hamilton
Set It on Fire
137 bpm • B min • 03:26 • -2.33db
43% Popularity • 58% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 58% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Landon Conrath
Boulevards
137 bpm • B Maj • 03:13 • -5db
45% Popularity • 77% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 77% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Kevin Walkman
its alright :)
158 bpm • D# Maj • 03:22 • -6db
60% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
60% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Sarah and the Sundays
Coward
158 bpm • E Maj • 03:04 • -6.9db
38% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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CRUISR
All Over
158 bpm • D Maj • 03:02 • -5.17db
47% Popularity • 55% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 55% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Colony House
You Know It
158 bpm • D# Maj • 03:02 • -2.9db
61% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Knox Hamilton
Sight for Sore Eyes
158 bpm • G Maj • 03:50 • -3.45db
34% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Landon Conrath
Acetone
158 bpm • D# Maj • 03:22 • -8.51db
49% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Circa Waves
Move to San Francisco
136 bpm • A Maj • 03:01 • -5.22db
38% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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RAC
Oakland
136 bpm • C Maj • 02:26 • -10db
45% Popularity • 77% Danceability • 31% Energy • 10% Liveness
33% Instrumentalness • 63% Positiveness
45% Popularity • 77% Danceability • 31% Energy • 10% Liveness
33% Instrumentalness • 63% Positiveness
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Wallows
Just Like a Movie
136 bpm • B Maj • 04:07 • -5.18db
61% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Vistas
Retrospect - Single Version
159 bpm • C# Maj • 03:24 • -4.13db
49% Popularity • 41% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 41% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Aidan Bissett
Different
160 bpm • B min • 03:20 • -5.51db
32% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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COIN
Valentine
160 bpm • A Maj • 03:13 • -7db
50% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Still Woozy
Get By
135 bpm • G Maj • 02:26 • -7db
62% Popularity • 78% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 90% Positiveness
62% Popularity • 78% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 90% Positiveness
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GROUPLOVE
Deleter
160 bpm • G# Maj • 03:54 • -3.68db
52% Popularity • 42% Danceability • 99% Energy • 13% Liveness
5% Instrumentalness • 45% Positiveness
52% Popularity • 42% Danceability • 99% Energy • 13% Liveness
5% Instrumentalness • 45% Positiveness
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The Happy Fits
Too Late
160 bpm • G Maj • 03:21 • -10.48db
60% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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The Neighbourhood
Stargazing
160 bpm • C Maj • 03:37 • -7.8db
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
48% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
