Songs like Malinconia: Chi Sei Tu Che Mi Parli by Francesco Paolo Tosti
Based on a tempo of (+/- 10%) and a similar genre
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Dustin Henze
La Boheme
74 bpm • D Maj • 04:47 • -14db
13% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
13% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
34% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Renata Tebaldi
E' Strano... Follie... Sempre Libera - l...
74 bpm • C Maj • 08:53 • -16db
14% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Domenico Cimarosa
Il Maestro di Capella: Sinfonia
74 bpm • D Maj • 02:18 • -14.55db
9% Popularity • 56% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 75% Positiveness
9% Popularity • 56% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 75% Positiveness
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Francesco Paolo Tosti
Quattro canzoni d'Amaranta: L'alba separ...
74 bpm • D# Maj • 01:52 • -15.84db
2% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben? Ne andrò lontan...
73 bpm • E min • 05:05 • -21db
17% Popularity • 16% Danceability • 12% Energy • 15% Liveness
44% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 12% Energy • 15% Liveness
44% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La sonnambula, Act II: Ah! Non credea mi...
75 bpm • F Maj • 04:47 • -24db
8% Popularity • 20% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
31% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Alessandro Scarlatti
Se Florindo è fedele
75 bpm • G# Maj • 02:28 • -21db
20% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Mario del Monaco
Lucia di Lammermoor Tu che a dio spiegas...
75 bpm • C# Maj • 02:12 • -13db
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Francesco Paolo Tosti
Malìa
73 bpm • F Maj • 03:17 • -18db
3% Popularity • 31% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 31% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ruperto Chapí
Las Hijas del Zebedeo: Carceleras
73 bpm • A min • 04:53 • -16.8db
9% Popularity • 32% Danceability • 27% Energy • 81% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 32% Danceability • 27% Energy • 81% Liveness
0% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
Vaga luna, che inargenti
73 bpm • A# Maj • 03:34 • -20.53db
12% Popularity • 24% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Antonín Dvořák
Ciganské melodie, Op. 55, B. 104 - Arr....
73 bpm • C# Maj • 03:05 • -19.56db
19% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
73 bpm • C# Maj • 06:15 • -20db
18% Popularity • 14% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
28% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
Ridonami la calma
73 bpm • D# Maj • 04:48 • -20.08db
1% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
75 bpm • E min • 03:43 • -9.74db
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "Da...
75 bpm • G Maj • 04:42 • -24.86db
10% Popularity • 13% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Ermes Alessandro Mario
Mario / Arr. Schifrin: Around the World:...
76 bpm • F Maj • 03:27 • -24.46db
21% Popularity • 14% Danceability • 13% Energy • 93% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 14% Danceability • 13% Energy • 93% Liveness
0% Instrumentalness • 14% Positiveness
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Renata Scotto
La Traviata - Act. Iii - Addio Del Passa...
72 bpm • A min • 03:13 • -20db
31% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
31% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Mazeppa, TH 7 / Act 3: "Spi, mladyenits ...
76 bpm • C# Maj • 02:55 • -19db
15% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
Sogno
73 bpm • G# Maj • 03:23 • -23.2db
4% Popularity • 24% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 24% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
La Cenerentola / Act 2: "Nacqui all'affa...
72 bpm • E Maj • 07:32 • -18.08db
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
26% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Emmerich Kálmán
"Heia, heia, in den Bergen ist mein Heim...
72 bpm • C min • 03:25 • -14db
19% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Andrew Lloyd Webber
Webber/ Arr. Schifrin: Around the World:...
76 bpm • D# Maj • 01:59 • -19.81db
29% Popularity • 21% Danceability • 18% Energy • 80% Liveness
11% Instrumentalness • 19% Positiveness
29% Popularity • 21% Danceability • 18% Energy • 80% Liveness
11% Instrumentalness • 19% Positiveness
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Francesco Paolo Tosti
At Vespers
75 bpm • F Maj • 05:35 • -15.75db
0% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
29% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
29% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Umberto Giordano
Andrea Chénier / Act 3: Nemico della Pa...
72 bpm • E min • 05:42 • -14.91db
11% Popularity • 22% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La bohème, SC 67, Act I: Che gelida man...
76 bpm • G# Maj • 04:38 • -12.9db
42% Popularity • 17% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
42% Popularity • 17% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Friedrich von Flotow
The Last Rose of Summer
72 bpm • F# Maj • 03:03 • -20.87db
9% Popularity • 34% Danceability • 9% Energy • 6% Liveness
19% Instrumentalness • 6% Positiveness
9% Popularity • 34% Danceability • 9% Energy • 6% Liveness
19% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
25% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Paolo Tosti
Non t'amo più!
72 bpm • E Maj • 05:10 • -19.17db
1% Popularity • 26% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 26% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
La Favorite / Act 3: Oh! Mon Fernand - E...
77 bpm • C Maj • 03:36 • -25db
8% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Francesco Cilea
L´Arlesiana: È la solita storia
77 bpm • A min • 04:20 • -17db
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Francesca Caccini
Amarilli (Recorded 1939)
77 bpm • E min • 03:34 • -24db
8% Popularity • 9% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 9% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Largo al factot...
71 bpm • C Maj • 04:17 • -14.04db
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
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Francesco Paolo Tosti
L'ultima canzone
72 bpm • D Maj • 04:15 • -16.59db
34% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
31% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
26% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
22% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Johannes Brahms
Wiegenlied Op. 49 Nr. 4
77 bpm • D# Maj • 02:14 • -28.45db
8% Popularity • 22% Danceability • 2% Energy • 10% Liveness
17% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 10% Liveness
17% Instrumentalness • 18% Positiveness
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Saint Louis International Jazz Ensemble
Twas Love (Amour! Amour!)
71 bpm • A# Maj • 05:32 • -8.35db
3% Popularity • 44% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 44% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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Francesco Paolo Tosti
L'alba separa dalla luce l'ombra
77 bpm • D# Maj • 03:09 • -12.13db
8% Popularity • 24% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 24% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Leo Nucci
Mamma
77 bpm • F min • 03:21 • -11db
32% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Arrigo Boito
Mefistofele / Act III: "L'altra notte in...
78 bpm • C Maj • 06:52 • -22db
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Piero Cappuccilli
Rigoletto - Si, Vendetta, Tremenda Vende...
78 bpm • G# Maj • 02:28 • -12.81db
12% Popularity • 40% Danceability • 34% Energy • 69% Liveness
59% Instrumentalness • 35% Positiveness
12% Popularity • 40% Danceability • 34% Energy • 69% Liveness
59% Instrumentalness • 35% Positiveness
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Tito Schipa
Una Furtiva Lagrima (Acto II) - L'Elisir...
78 bpm • A# min • 04:19 • -11db
11% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • A# min • 04:39 • -21db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Paolo Tosti
Ideale (version for voice and piano): Id...
77 bpm • A Maj • 03:19 • -17.93db
0% Popularity • 29% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 29% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: No. 2 C...
70 bpm • C Maj • 04:58 • -14db
11% Popularity • 35% Danceability • 39% Energy • 15% Liveness
13% Instrumentalness • 37% Positiveness
11% Popularity • 35% Danceability • 39% Energy • 15% Liveness
13% Instrumentalness • 37% Positiveness
► Preview
Erich Wolfgang Korngold
Act I: Glück, das mir verblieb (Mariett...
78 bpm • A# Maj • 06:08 • -16.28db
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Franz Lehár
Lehár: Die lustige Witwe, Act 3: "Lippe...
78 bpm • G Maj • 03:11 • -9.9db
14% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
14% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
► Preview
Mario del Monaco
I pagliacci, Mario Del Monaco: Act II- "...
70 bpm • E min • 03:51 • -15db
13% Popularity • 17% Danceability • 33% Energy • 35% Liveness
85% Instrumentalness • 36% Positiveness
13% Popularity • 17% Danceability • 33% Energy • 35% Liveness
85% Instrumentalness • 36% Positiveness
► Preview
Francesco Paolo Tosti
Per lei: No. 6, Ed ecco il sogno
77 bpm • G Maj • 04:07 • -22.66db
1% Popularity • 18% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 18% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda / Act 1: "Voce di donna o d'...
78 bpm • D# Maj • 04:05 • -22.26db
11% Popularity • 25% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Giuseppe Giordani
Giordani / Arr. Terry: Caro mio ben
70 bpm • D# Maj • 03:45 • -20db
8% Popularity • 20% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Léo Delibes
Delibes: Lakmé, Act 2: "Où va la jeune...
70 bpm • E min • 06:30 • -22db
13% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
13% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
► Preview
Beniamino Gigli
Passione
78 bpm • G# min • 03:29 • -11db
16% Popularity • 36% Danceability • 15% Energy • 31% Liveness
76% Instrumentalness • 10% Positiveness
16% Popularity • 36% Danceability • 15% Energy • 31% Liveness
76% Instrumentalness • 10% Positiveness
► Preview
Francesco Paolo Tosti
Mattinata
78 bpm • G Maj • 03:01 • -15.83db
0% Popularity • 29% Danceability • 18% Energy • 58% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 29% Danceability • 18% Energy • 58% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Pique Dame, Op. 68, TH 10 /...
79 bpm • D# Maj • 05:48 • -21db
8% Popularity • 14% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
► Preview
Francesco Cilea
Adriana Lecouvreur: La dolcissima effigi...
79 bpm • G# Maj • 02:06 • -17.14db
21% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
21% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Beniamino Gigli
Una furtiva lacrima
78 bpm • F min • 03:46 • -12db
19% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
16% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Giovanni Battista Pergolesi
Nina
69 bpm • G min • 03:29 • -19.59db
9% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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F. Lehar - V. Leon - L. Stein - F. Fontana - L. Ramo
Tace Il Labbro T'Amo
69 bpm • G Maj • 02:49 • -17.52db
10% Popularity • 15% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 15% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
69 bpm • G Maj • 02:17 • -30db
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
25% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Faris)
79 bpm • E Maj • 01:58 • -14.46db
37% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Paolo Tosti
Lo Voglio Amarti - Versión Italiana de ...
79 bpm • G# Maj • 02:41 • -9.78db
0% Popularity • 37% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 37% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 1: Donna non vidi ma...
79 bpm • A# Maj • 02:11 • -14.19db
35% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Johann Strauss II
Die Fledermaus / Act 2: Nr.10 Csárdás:...
69 bpm • D Maj • 04:36 • -19.1db
10% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Norma: Sinfonia (Critical Ed. Maurizio B...
79 bpm • G min • 05:13 • -15.12db
12% Popularity • 24% Danceability • 21% Energy • 19% Liveness
94% Instrumentalness • 11% Positiveness
12% Popularity • 24% Danceability • 21% Energy • 19% Liveness
94% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Les soirées musicales: La danza (Già l...
69 bpm • F Maj • 03:12 • -14db
19% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
19% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
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Ernesto de Curtis
De Curtis/ Arr. Schifrin: Around the Wor...
80 bpm • D# min • 03:51 • -18db
22% Popularity • 24% Danceability • 29% Energy • 95% Liveness
22% Instrumentalness • 22% Positiveness
22% Popularity • 24% Danceability • 29% Energy • 95% Liveness
22% Instrumentalness • 22% Positiveness
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Francesco Paolo Tosti
L'ultima Canzone
80 bpm • D Maj • 04:17 • -12.37db
0% Popularity • 22% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 22% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II: No. 24, Fi...
80 bpm • A# Maj • 07:12 • -13db
4% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
4% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
I Puritani / Act II: Qui la voce sua soa...
79 bpm • D# Maj • 03:58 • -27.09db
23% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Inessa Galante
La Forza Del Destino 1862: La Vergine de...
80 bpm • G Maj • 03:14 • -23db
9% Popularity • 14% Danceability • 7% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: Una furtiva la...
80 bpm • A# min • 04:52 • -19db
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Paolo Tosti
Quattro canzoni d'Amaranta: In van pregh...
80 bpm • F# Maj • 02:10 • -20.71db
1% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Ciganské melodie (Gypsy Melodies), Op. ...
80 bpm • B Maj • 02:41 • -21.56db
13% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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スーザン・マカロック
歌劇「ホフマン物語」/舟歌 (�...
80 bpm • D Maj • 03:43 • -19.69db
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Igor Krutoy
Pioggia d'aprile
80 bpm • B Maj • 04:23 • -10.43db
6% Popularity • 18% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
6% Popularity • 18% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Eugene Raskin
Raksin / Arr. Schifrin: Around the World...
80 bpm • C min • 02:21 • -18.94db
22% Popularity • 31% Danceability • 29% Energy • 75% Liveness
1% Instrumentalness • 30% Positiveness
22% Popularity • 31% Danceability • 29% Energy • 75% Liveness
1% Instrumentalness • 30% Positiveness
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Francesco Paolo Tosti
A vucchella, "Arietta di Posillipo" (orc...
80 bpm • D Maj • 02:49 • -23.27db
3% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
3% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
