Songs like Mallorca, Op. 202 by Isaac Albéniz
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Alvaro Pierri
Choros no. 1
78 bpm • C Maj • 06:01 • -20db
15% Popularity • 39% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
15% Popularity • 39% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
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Martha Argerich
Concierto Para Piano Y Orquesta En Sol M...
78 bpm • E Maj • 08:41 • -18db
24% Popularity • 26% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Mallorca, Op. 202
78 bpm • D min • 07:19 • -18.31db
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Jason Vieaux
Suite espanola No. 1, Op. 47 (arr. J. Vi...
78 bpm • G min • 02:25 • -24.92db
20% Popularity • 31% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
20% Popularity • 31% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Ariel RamĂrez
Alfonsina y el mar (Arr. R. Dyens for Gu...
78 bpm • E min • 05:05 • -29db
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Roland Dyens
La chanson des vieux amants
78 bpm • C min • 04:35 • -22.22db
15% Popularity • 36% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
15% Popularity • 36% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Norbert Kraft
6 Etudes: Leccion No. 29
79 bpm • E min • 01:24 • -25db
30% Popularity • 41% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 40% Positiveness
30% Popularity • 41% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 40% Positiveness
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Fernando Sor
Theme varies et 12 Minuets, Op. 11: Menu...
79 bpm • G Maj • 01:58 • -23.08db
31% Popularity • 52% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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AntĂ´nio Carlos Jobim
Jobim: Road to the Sun
79 bpm • D Maj • 02:32 • -31db
40% Popularity • 36% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
40% Popularity • 36% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Jason Vieaux
Every Day (I Thank You)
79 bpm • E Maj • 09:01 • -23db
18% Popularity • 32% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
18% Popularity • 32% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Isaac Albéniz
Capricho Catalán
77 bpm • D# Maj • 04:11 • -26db
16% Popularity • 40% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 40% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Erik Satie
Gymnopédie No. 1 (Arr. for Guitar)
77 bpm • G Maj • 03:27 • -23.15db
11% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Manuel Ponce
Estrellita
79 bpm • E Maj • 02:34 • -27db
19% Popularity • 50% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
19% Popularity • 50% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
79 bpm • D Maj • 01:44 • -30db
42% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
42% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 3 in D Ma...
79 bpm • D Maj • 04:03 • -30.11db
43% Popularity • 32% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
43% Popularity • 32% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Isaac Albéniz
Cataluña
77 bpm • C min • 04:10 • -18.99db
16% Popularity • 49% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
16% Popularity • 49% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Federico Mompou
CanciĂłn y danza
79 bpm • D# min • 05:12 • -25db
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Gluck / Arr Siloti: Orphée et Eurydice,...
77 bpm • A# min • 03:15 • -31.54db
34% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version Ă 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Carlo Domeniconi
Koyunbaba, Op. 19: I. Moderato
77 bpm • F# min • 03:21 • -30db
13% Popularity • 20% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 20% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Fugue From Violin Sonata No. 1
76 bpm • A Maj • 05:16 • -26.19db
32% Popularity • 40% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
32% Popularity • 40% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Arr. for Cello and Piano...
80 bpm • F# min • 05:26 • -26.08db
18% Popularity • 18% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
18% Popularity • 18% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Victor Villadangos
El DĂa Que Me Quieras
80 bpm • D Maj • 06:01 • -23db
24% Popularity • 37% Danceability • 5% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
24% Popularity • 37% Danceability • 5% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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Norbert Kraft
Lagrima : Lagrima
76 bpm • E Maj • 02:02 • -27.35db
32% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
32% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Jorge Morel
Prelude (for Olga)
76 bpm • A min • 02:29 • -35.79db
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, BWV 8...
80 bpm • C Maj • 01:55 • -26db
44% Popularity • 28% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 27% Positiveness
44% Popularity • 28% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 27% Positiveness
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Carlo Domeniconi
Minyo (Variations on a Japanese Folk Son...
76 bpm • E min • 03:43 • -31.42db
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Ludwig van Beethoven
Adagio for Mandolin and Harpsichord in E...
80 bpm • D# Maj • 04:32 • -29.22db
12% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
76 bpm • C Maj • 01:23 • -28db
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
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Mauro Giuliani
Variazioni su un tema di Handel, Op. 107
80 bpm • A Maj • 09:26 • -29db
36% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
36% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Franz Schubert
Ständchen, D. 889
76 bpm • D Maj • 03:48 • -26.73db
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Xuefei Yang
楊雪霏
81 bpm • A Maj • 03:53 • -15db
23% Popularity • 19% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
23% Popularity • 19% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Pierre Wissmer
Concerto pour guitare et orchestre: II. ...
76 bpm • F# min • 06:04 • -28.81db
0% Popularity • 24% Danceability • 1% Energy • 47% Liveness
94% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 1% Energy • 47% Liveness
94% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Roland Dyens
Hymne Ă l'amour
81 bpm • D# Maj • 03:04 • -23.55db
40% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
40% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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JoaquĂn Turina
Fandanguillo, Op. 36
81 bpm • A min • 05:03 • -28db
11% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
11% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Erik Satie
Satie / Arr. Barker & Balsom: 3 Gymnopé...
75 bpm • A min • 02:32 • -14.17db
23% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Paco de LucĂa
Albéniz: Iberia: 3. Puerto
81 bpm • A Maj • 03:44 • -21.72db
20% Popularity • 36% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
20% Popularity • 36% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Manuel Ponce
Por ti mi Corazon (version for guitar)
81 bpm • A Maj • 03:17 • -29db
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Carlos Guastavino
Encantamiento (Seis Canciones de Cuna)
81 bpm • D min • 01:47 • -26.6db
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Roland Dyens
Songe Capricorne
81 bpm • B min • 06:12 • -30db
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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François Couperin
Vingt-Sixiéme Ordre - L'Epineuse
75 bpm • A min • 04:36 • -26db
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
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Norbert Kraft
Recuerdos de la Alhambra : Recuerdos de ...
75 bpm • A Maj • 04:17 • -29.82db
22% Popularity • 12% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
22% Popularity • 12% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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Isaac Albéniz
Albéniz: Iberia, Cuaderno III: No. 8, E...
81 bpm • F min • 07:53 • -19.92db
7% Popularity • 39% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 39% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata and Fugue in D Minor, BWV 565 (A...
82 bpm • A min • 06:39 • -12.26db
17% Popularity • 33% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
17% Popularity • 33% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Thibault Cauvin
Take the a Train
82 bpm • G Maj • 03:52 • -19.39db
1% Popularity • 61% Danceability • 18% Energy • 69% Liveness
81% Instrumentalness • 50% Positiveness
1% Popularity • 61% Danceability • 18% Energy • 69% Liveness
81% Instrumentalness • 50% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 437: III. Saraband...
82 bpm • F Maj • 03:47 • -25db
17% Popularity • 39% Danceability • 18% Energy • 65% Liveness
82% Instrumentalness • 20% Positiveness
17% Popularity • 39% Danceability • 18% Energy • 65% Liveness
82% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Sonata "Follia" Op. 5, No. 12: Adagio
82 bpm • C# min • 02:12 • -24db
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Norbert Kraft
4 Mazurkas : No. 1. Adelita
82 bpm • F# min • 01:19 • -24db
37% Popularity • 42% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
37% Popularity • 42% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
20% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
20% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Melodie (Arr....
82 bpm • D min • 03:04 • -31.67db
25% Popularity • 34% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
25% Popularity • 34% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Johann Paul Von Westhoff
Sonata For Violin And Continuo III: Imit...
82 bpm • A min • 02:23 • -23.09db
29% Popularity • 43% Danceability • 7% Energy • 18% Liveness
72% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 7% Energy • 18% Liveness
72% Instrumentalness • 18% Positiveness
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William Walton
5 Bagatelles: III. Alla Cubana
74 bpm • B min • 01:39 • -28db
34% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
34% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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John Johnson
Greensleeves
82 bpm • E Maj • 05:09 • -23.54db
29% Popularity • 39% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
29% Popularity • 39% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
JoaquĂn Rodrigo
Junto al Generalife
82 bpm • E min • 05:08 • -27.64db
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
AntonĂn Dvořák
From the Bohemian Forest, Op. 68: V. Sil...
82 bpm • C# Maj • 06:57 • -12.79db
17% Popularity • 18% Danceability • 23% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
17% Popularity • 18% Danceability • 23% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
► Preview
Xuefei Yang
Drunken Ecstasy (arr. Xuefei Yang for gu...
74 bpm • F Maj • 02:07 • -32.11db
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Antonio Lauro
El Negrito
82 bpm • G Maj • 01:43 • -30db
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
► Preview
Leo Brouwer
Estudios Sencillos XIV : Allegro
82 bpm • E min • 01:56 • -11.65db
5% Popularity • 47% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
5% Popularity • 47% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
► Preview
Boccherini Guitar Quartet
Air on the G String
74 bpm • D Maj • 04:06 • -22.47db
27% Popularity • 61% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
27% Popularity • 61% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Adam Holzman
Balletto
74 bpm • A Maj • 02:58 • -30.43db
30% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
30% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
► Preview
Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Erik Satie
Petite ouverture Ă danser (Ed. Caby)
83 bpm • G# Maj • 02:20 • -30db
31% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Isaac Albéniz
Suite espagnole, Op. 47: IV. Cádiz
83 bpm • A Maj • 05:16 • -18.06db
26% Popularity • 43% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
26% Popularity • 43% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Philip Glass
New York - Mad Rush
83 bpm • F Maj • 06:23 • -17.86db
36% Popularity • 25% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
36% Popularity • 25% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Leo Brouwer
Estudios Sencillos XVII : Moderato
73 bpm • D Maj • 03:01 • -12.18db
5% Popularity • 36% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
5% Popularity • 36% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Julian Arcas
Bolero in A Minor
83 bpm • A min • 02:16 • -31db
32% Popularity • 32% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
32% Popularity • 32% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
► Preview
AgustĂn Barrios MangorĂ©
Waltz No. 3, Op. 8
73 bpm • D Maj • 04:57 • -16.03db
10% Popularity • 36% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
10% Popularity • 36% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Erik Satie
Satie: 6 Gnossiennes: No. 4, Lent
74 bpm • A min • 02:21 • -31.77db
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
CĂ©cile Daroux
Histoire du tango pour flûte et guitare...
83 bpm • E min • 06:12 • -29db
10% Popularity • 25% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
10% Popularity • 25% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
► Preview
Claudio Monteverdi
Venezia - Sì dolce è'l tormento, SV 33...
83 bpm • C# min • 04:14 • -13.04db
20% Popularity • 39% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 39% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Federico Mompou
Damunt de tu Només les flors
73 bpm • F min • 04:12 • -27.57db
21% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Antonio Lauro
Flores de la montana
84 bpm • E Maj • 02:00 • -23db
26% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
26% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act III: Barcaro...
73 bpm • D Maj • 03:21 • -22.76db
31% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: El testament d'Ame...
84 bpm • D min • 02:01 • -31db
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
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Thomas Enhco
Éclipse
84 bpm • G# Maj • 04:24 • -19.63db
21% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
21% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Fernando Sor
Etude No. 5 en si mineur
84 bpm • E min • 01:16 • -32db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
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Napoléon Coste
25 Etudes for Guitar, Op. 38: Etude No. ...
84 bpm • A min • 01:20 • -16db
23% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
23% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Eduardo Sainz De La Maza
Campanas del Alba
84 bpm • B min • 03:52 • -27.8db
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
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Isaac Albéniz
Minueto a Sylvia
84 bpm • D Maj • 04:12 • -19.3db
10% Popularity • 47% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 28% Positiveness
10% Popularity • 47% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 28% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Zamba
84 bpm • E min • 02:46 • -22.81db
28% Popularity • 46% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
28% Popularity • 46% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Clelia Iruzun
Valsa-Choro no.11
72 bpm • G# min • 01:17 • -33.75db
25% Popularity • 42% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 31% Positiveness
25% Popularity • 42% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 31% Positiveness
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JoaquĂn Rodrigo
Rodrigo: Concierto de Aranjuez: II. Adag...
85 bpm • B min • 10:40 • -19.88db
57% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Leo Brouwer
Cancion de cuna
72 bpm • G Maj • 04:42 • -32db
41% Popularity • 32% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
41% Popularity • 32% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux: X...
85 bpm • G Maj • 03:05 • -25.79db
27% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Pavana
72 bpm • D Maj • 04:29 • -19db
12% Popularity • 31% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
12% Popularity • 31% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
Vocalise
86 bpm • E min • 06:26 • -30.02db
21% Popularity • 15% Danceability • 1% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Enrique Granados
Valses poeticos: No. 1. Melodic Waltz
71 bpm • A Maj • 01:25 • -27.02db
34% Popularity • 46% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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JoaquĂn Rodrigo
Rodrigo: FantasĂa para un gentilhombre:...
85 bpm • A min • 05:22 • -32.79db
4% Popularity • 23% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
4% Popularity • 23% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV. 988: Aria
86 bpm • G Maj • 05:02 • -23.57db
10% Popularity • 41% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
10% Popularity • 41% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Stephen Stubbs
Refrain 1
86 bpm • A min • 01:41 • -39.5db
31% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
31% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: II. Cataluña
71 bpm • G min • 04:35 • -16.39db
28% Popularity • 45% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
28% Popularity • 45% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Leo Brouwer
Estudios Sencillos XIX : Movido (Allegre...
86 bpm • G Maj • 01:25 • -9.21db
5% Popularity • 64% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
5% Popularity • 64% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Roland Dyens
Göttingen
86 bpm • A min • 03:48 • -22.38db
27% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
