Songs like Mama He Treats Your Daughter Mean by Ruth Brown
Based on a tempo of (+/- 10%) and a similar genre
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Slim Harpo
Te Ni Nee Ni Nu - Single Version
123 bpm • A Maj • 02:06 • -10.09db
41% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
41% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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Jimmy Nolen
The Way You Do
123 bpm • F Maj • 02:29 • -5.17db
26% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Ruth Brown
I Know - Single Version
123 bpm • C Maj • 02:49 • -6.89db
13% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Champion Jack Dupree
Stumbling Block
123 bpm • G# Maj • 02:51 • -8.76db
14% Popularity • 77% Danceability • 61% Energy • 18% Liveness
2% Instrumentalness • 96% Positiveness
14% Popularity • 77% Danceability • 61% Energy • 18% Liveness
2% Instrumentalness • 96% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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Jimmy Hughes
Neighbor, Neighbor
122 bpm • D Maj • 02:59 • -5.07db
19% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Slim Harpo
Baby, Scratch My Back
122 bpm • F Maj • 02:54 • -9.21db
36% Popularity • 81% Danceability • 49% Energy • 7% Liveness
79% Instrumentalness • 94% Positiveness
36% Popularity • 81% Danceability • 49% Energy • 7% Liveness
79% Instrumentalness • 94% Positiveness
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The Robins
All Night Baby
123 bpm • C min • 03:06 • -6.98db
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Ruth Brown
Mama He Treats Your Daughter Mean
123 bpm • G# Maj • 02:56 • -15.55db
33% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The James Hunter Six
Chicken Switch
124 bpm • B min • 02:48 • -7db
26% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Rosco Gordon
Let's Get High
122 bpm • G# Maj • 02:39 • -9db
29% Popularity • 50% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 50% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Smiley Lewis
One Night
122 bpm • C# Maj • 02:26 • -9.39db
23% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Barbara George
I Know (You Don't Love Me No More)
124 bpm • F Maj • 02:25 • -10.15db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Drifters
Money Honey
124 bpm • F Maj • 02:59 • -9.37db
24% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Ruth Brown
Somebody Touched Me
124 bpm • A# Maj • 02:27 • -15.87db
19% Popularity • 74% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 74% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Little Willie Littlefield
K.C. Loving
121 bpm • C Maj • 02:44 • -5db
16% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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The "5" Royales
Not Going to Cry
125 bpm • C# Maj • 02:34 • -7.15db
8% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Prince Conley
I'm Going Home
125 bpm • G min • 02:48 • -10db
18% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Buddy Johnson
No More Love
125 bpm • E min • 03:04 • -9.52db
17% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Barrett Strong
I'm Gonna Cry (If You Quit Me) - Single ...
121 bpm • G Maj • 02:53 • -6.32db
26% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Ruth Brown
5-10-15 Hours
122 bpm • F Maj • 03:15 • -13.4db
43% Popularity • 86% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 86% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Big Maybelle
One Monkey Don't Stop No Show
121 bpm • G# Maj • 02:50 • -4.53db
13% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Young Jessie
Mary Lou
121 bpm • C Maj • 02:33 • -6.28db
27% Popularity • 70% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 70% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:13 • -4.51db
25% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
25% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - Firs...
120 bpm • D Maj • 02:44 • -8.23db
19% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Wynona Carr
Should I Ever Love Again?
120 bpm • G Maj • 02:37 • -11db
28% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Ruth Brown
I Hope We Meet - On the Road Some Day
122 bpm • F min • 02:44 • -13.72db
7% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Guitar Slim
Well I Done Got Over It
126 bpm • A# min • 02:27 • -13db
30% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Amos Milburn
Let'S Have A Party (06-30-53)
120 bpm • G Maj • 02:33 • -11.97db
12% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Clovers
Nip Sip
120 bpm • B min • 02:59 • -15db
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Johnny Otis
Cupid's Boogie
120 bpm • G Maj • 02:37 • -13db
24% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ruth Brown
Takin' Care of Business
125 bpm • F min • 02:19 • -10.96db
13% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The "5" Royales
Think
126 bpm • F min • 02:36 • -12db
22% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Buster Brown
Fannie Mae
120 bpm • F Maj • 02:58 • -10db
28% Popularity • 66% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 86% Positiveness
28% Popularity • 66% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 86% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
29% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Mar-Keys
Last Night
127 bpm • C Maj • 02:39 • -4db
41% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
41% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
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Ruth Brown
Mama He Treats Your Daughter Mean
120 bpm • G# Maj • 02:57 • -6.5db
20% Popularity • 83% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 83% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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The "5" Royales
Think
127 bpm • G# Maj • 02:35 • -9db
19% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Nellie Lutcher
He's A Real Gone Guy
120 bpm • C# Maj • 03:02 • -13.88db
18% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Little Willie John
My Nerves
127 bpm • C# min • 02:33 • -10.01db
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Sugar Pie DeSanto
Can't Let You Go
127 bpm • A# Maj • 02:45 • -8.26db
31% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Floyd Dixon
Skeet's California Sunshine
127 bpm • C min • 02:39 • -4.38db
28% Popularity • 76% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 76% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Ruth Brown
Love Contest
120 bpm • A# min • 02:59 • -12db
11% Popularity • 76% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 76% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Roosevelt Sykes
Satellite Baby
119 bpm • D# Maj • 02:46 • -10db
11% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Titus Turner
Hungry Man
127 bpm • F min • 02:26 • -3db
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Liggins
Daddy On My Mind
127 bpm • C Maj • 02:42 • -12.66db
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Amos Milburn
Once Scotch, One Bourbon, One Beer
119 bpm • D Maj • 02:55 • -12.1db
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Nappy Brown
Coal Miner
119 bpm • A# min • 02:38 • -9.31db
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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The Clovers
One Mint Julep
119 bpm • D# Maj • 02:12 • -5.75db
17% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Varetta Dillard
Easy, Easy Baby
119 bpm • A# Maj • 02:38 • -8.02db
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Little Willie John
My Nerves
127 bpm • G# min • 02:33 • -7db
19% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Chips
You Make Me Feel So Good
128 bpm • F# Maj • 02:11 • -11.92db
13% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Lula Reed
Sick And Tired
128 bpm • G# Maj • 02:28 • -7.47db
9% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Nash
Love Ain't Nothing (But A Monkey On Your...
128 bpm • A# Maj • 02:16 • -9db
35% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Don Covay & The Goodtimers
Mercy, Mercy
118 bpm • A Maj • 02:26 • -13.43db
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Rogers
What Have I Done
118 bpm • A min • 02:45 • -10.4db
33% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Little Willie John
My Love Is
128 bpm • D# min • 02:13 • -16.42db
32% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Barrett Strong
Money And Me - Single Version
128 bpm • C Maj • 02:36 • -7.65db
9% Popularity • 69% Danceability • 64% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 69% Danceability • 64% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
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Ben Harper
I Can't Takit No Longer
128 bpm • F# Maj • 02:17 • -8.92db
12% Popularity • 68% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 68% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Chuck Willis
My Crying Eyes
117 bpm • D# Maj • 02:33 • -8.51db
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Huey "Piano" Smith
Rockin Pneumonia and the Boogie Woogie F...
117 bpm • C Maj • 02:14 • -7db
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Fontella Bass
You're Gonna Miss Me
117 bpm • F# Maj • 02:38 • -6.32db
16% Popularity • 80% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 80% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Little Willie John
There's A Difference
128 bpm • G min • 02:25 • -12db
19% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Dixon
Walking The Blues
117 bpm • F# Maj • 03:04 • -19.05db
29% Popularity • 82% Danceability • 22% Energy • 7% Liveness
50% Instrumentalness • 60% Positiveness
29% Popularity • 82% Danceability • 22% Energy • 7% Liveness
50% Instrumentalness • 60% Positiveness
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King Coleman
Crazy Feelin'
117 bpm • D# min • 02:47 • -7.74db
11% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Floyd Dixon
Hey Bartender
129 bpm • F min • 02:51 • -7db
12% Popularity • 85% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 85% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Sugar Pie DeSanto
I Don't Wanna Fuss
117 bpm • A Maj • 03:20 • -8.3db
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Sarah Vaughan
Bye-Bye
117 bpm • A# Maj • 01:50 • -6.02db
29% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ruth Brown
So Long
117 bpm • D# min • 02:41 • -21.55db
13% Popularity • 45% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 45% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Ann Cole
Got My Mo-Jo Working (But It Just Won't ...
130 bpm • D# Maj • 02:37 • -7.59db
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Huey "Piano" Smith
Rocking Pneumonia and the Boogie Woogie ...
117 bpm • C Maj • 02:23 • -7.14db
19% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
19% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Floyd Dixon
Hey Bartender
130 bpm • F min • 02:46 • -10db
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Barrett Strong
Misery - Single Version
116 bpm • B Maj • 02:27 • -6.89db
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
130 bpm • D# Maj • 01:51 • -8db
37% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
37% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
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Smiley Lewis
One Night
130 bpm • D Maj • 02:16 • -7db
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Ruth Brown
Sentimental Journey
116 bpm • G# Maj • 02:38 • -17.04db
14% Popularity • 65% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 65% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
25% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Ernie K-Doe
Mother-In-Law - Remastered
130 bpm • D# Maj • 02:31 • -9.72db
34% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Lil Son Jackson
Upstairs Boogie
130 bpm • A# min • 02:16 • -13.45db
27% Popularity • 59% Danceability • 44% Energy • 32% Liveness
2% Instrumentalness • 76% Positiveness
27% Popularity • 59% Danceability • 44% Energy • 32% Liveness
2% Instrumentalness • 76% Positiveness
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Sugar Pie DeSanto
I Don't Feel Sorry
116 bpm • A# Maj • 02:16 • -6.49db
27% Popularity • 77% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 77% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Little Junior Parker
Love My Baby
116 bpm • B min • 02:36 • -7.75db
11% Popularity • 69% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 69% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Pts. 1 & 2
131 bpm • A Maj • 04:25 • -13db
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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Little Willie John
Take My Love (I Want To Give It All To Y...
131 bpm • C# Maj • 02:44 • -12.65db
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
17% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
17% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Titus Turner
Coralee
115 bpm • F min • 02:35 • -5db
12% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Wynona Carr
What Do You Know (About Love)
115 bpm • F Maj • 02:47 • -12.53db
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Chuck Willis
Hang up My Rock and Roll Shoes
131 bpm • F Maj • 02:19 • -8db
28% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Jessie Hill
Ooh Poo Pah Doo (Pt. 1) - 2002 Remaster
132 bpm • B min • 02:19 • -10db
31% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Wilbert Harrison
Kansas City
115 bpm • C# Maj • 02:30 • -6.45db
44% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
44% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
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Amos Milburn
Vicious, Vicious Vodka - Remastered
115 bpm • F Maj • 02:59 • -8.62db
15% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy McCracklin
Think
132 bpm • C Maj • 02:33 • -11.46db
10% Popularity • 46% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 46% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Wynona Carr
The Things You Do To Me
115 bpm • F Maj • 02:32 • -12.84db
11% Popularity • 62% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 62% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Chuck Willis
Hang up My Rock & Roll Shoes
132 bpm • F Maj • 02:19 • -3db
13% Popularity • 71% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 71% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness