Songs like Mamammouchi by Renaud Garcia-Fons
Based on a tempo of (+/- 10%) and a similar genre
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Renaud Garcia-Fons
Mamammouchi
175 bpm • D min • 05:28 • -9.22db
18% Popularity • 53% Danceability • 66% Energy • 32% Liveness
82% Instrumentalness • 55% Positiveness
18% Popularity • 53% Danceability • 66% Energy • 32% Liveness
82% Instrumentalness • 55% Positiveness
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Derya Türkan
Sahara
176 bpm • D Maj • 02:22 • -8.48db
2% Popularity • 20% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
2% Popularity • 20% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Karim Baggili
Toummaï - Instrumentale
176 bpm • C Maj • 03:18 • -12.55db
17% Popularity • 71% Danceability • 52% Energy • 9% Liveness
83% Instrumentalness • 96% Positiveness
17% Popularity • 71% Danceability • 52% Energy • 9% Liveness
83% Instrumentalness • 96% Positiveness
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Shai Maestro
Angelo
174 bpm • E min • 04:27 • -17db
32% Popularity • 33% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
32% Popularity • 33% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
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Las Hermanas Caronni
La mélodie des choses
177 bpm • G min • 04:30 • -14db
20% Popularity • 32% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
20% Popularity • 32% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
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Yom
Unue
173 bpm • E min • 01:04 • -20.46db
41% Popularity • 28% Danceability • 20% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
41% Popularity • 28% Danceability • 20% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
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Driss El Maloumi
Douceur pour 2 R
173 bpm • A min • 03:20 • -15.15db
34% Popularity • 42% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
34% Popularity • 42% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
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Didier Squiban
Suite de gavottes montagnes
178 bpm • A min • 03:01 • -14db
18% Popularity • 41% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
18% Popularity • 41% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
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Karim Baggili
Lovely Yous
174 bpm • C Maj • 03:44 • -12.36db
15% Popularity • 54% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
15% Popularity • 54% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Rabih Abou-Khalil
A Night In The Mountains
172 bpm • C Maj • 08:37 • -18.46db
24% Popularity • 49% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 46% Positiveness
24% Popularity • 49% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 46% Positiveness
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Toufic Farroukh
Ali au pays des merveilles
172 bpm • C Maj • 03:32 • -10.21db
29% Popularity • 64% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 86% Positiveness
29% Popularity • 64% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 86% Positiveness
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Hadouk
Le matin du faune
172 bpm • G# Maj • 05:03 • -11.21db
12% Popularity • 64% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
12% Popularity • 64% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
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Titi Robin
Sur tes pas
172 bpm • G Maj • 05:00 • -12.48db
11% Popularity • 59% Danceability • 53% Energy • 10% Liveness
71% Instrumentalness • 76% Positiveness
11% Popularity • 59% Danceability • 53% Energy • 10% Liveness
71% Instrumentalness • 76% Positiveness
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Anouar Brahem
The Lover Of Beirut
179 bpm • A# Maj • 07:44 • -21db
33% Popularity • 42% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
33% Popularity • 42% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Karim Baggili
Kali City - Instrumentale
176 bpm • G min • 04:46 • -11.31db
14% Popularity • 63% Danceability • 63% Energy • 8% Liveness
88% Instrumentalness • 79% Positiveness
14% Popularity • 63% Danceability • 63% Energy • 8% Liveness
88% Instrumentalness • 79% Positiveness
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Rabih Abou-Khalil
Sometimes Your've Loveable
171 bpm • G min • 05:51 • -9.85db
15% Popularity • 44% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
15% Popularity • 44% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Sokratis Sinopoulos Quartet
Aegean Sea
171 bpm • D Maj • 04:33 • -18.9db
8% Popularity • 27% Danceability • 11% Energy • 37% Liveness
89% Instrumentalness • 35% Positiveness
8% Popularity • 27% Danceability • 11% Energy • 37% Liveness
89% Instrumentalness • 35% Positiveness
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Toufic Farroukh
Dance for My Father
172 bpm • G# Maj • 05:45 • -10.21db
19% Popularity • 69% Danceability • 47% Energy • 12% Liveness
73% Instrumentalness • 75% Positiveness
19% Popularity • 69% Danceability • 47% Energy • 12% Liveness
73% Instrumentalness • 75% Positiveness
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Gianluigi Trovesi
Fischia il vento
171 bpm • C min • 02:17 • -22.25db
12% Popularity • 29% Danceability • 3% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 3% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
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Airelle Besson
Wild Animals
170 bpm • G# Maj • 03:54 • -15.6db
21% Popularity • 48% Danceability • 29% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
21% Popularity • 48% Danceability • 29% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
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Eric Vloeimans
Aladdin
181 bpm • C min • 04:30 • -22.97db
18% Popularity • 25% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 43% Positiveness
18% Popularity • 25% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 43% Positiveness
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Renaud Garcia-Fons
Le sommeil de majnûn
169 bpm • G min • 03:38 • -12.39db
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 13% Positiveness
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Beltuner
Ame indigo
181 bpm • C Maj • 09:35 • -7.69db
11% Popularity • 25% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 25% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Hadouk Trio
Grand large
168 bpm • D min • 06:12 • -13.03db
19% Popularity • 62% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
19% Popularity • 62% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
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Constantinople
Horizons
170 bpm • D min • 07:25 • -13.51db
12% Popularity • 32% Danceability • 29% Energy • 12% Liveness
30% Instrumentalness • 39% Positiveness
12% Popularity • 32% Danceability • 29% Energy • 12% Liveness
30% Instrumentalness • 39% Positiveness
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Dhafer Youssef
27th Ethos
168 bpm • A min • 05:05 • -11.15db
17% Popularity • 67% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
17% Popularity • 67% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
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David Orlowsky Trio
Lebedig un Freylach / Odessa Bulgar
167 bpm • A min • 04:06 • -9.11db
15% Popularity • 56% Danceability • 39% Energy • 25% Liveness
18% Instrumentalness • 68% Positiveness
15% Popularity • 56% Danceability • 39% Energy • 25% Liveness
18% Instrumentalness • 68% Positiveness
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Renaud Garcia-Fons
Le Bal des Haftan
169 bpm • A min • 04:44 • -11.27db
14% Popularity • 41% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
14% Popularity • 41% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Gianluigi Trovesi
Il Postino
167 bpm • C Maj • 03:22 • -28.98db
10% Popularity • 14% Danceability • 0% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
10% Popularity • 14% Danceability • 0% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
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Matthieu Saglio
Las Sirenas
184 bpm • E min • 05:58 • -16.06db
10% Popularity • 33% Danceability • 22% Energy • 11% Liveness
73% Instrumentalness • 16% Positiveness
10% Popularity • 33% Danceability • 22% Energy • 11% Liveness
73% Instrumentalness • 16% Positiveness
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Anouar Brahem
Al Birwa
167 bpm • F Maj • 04:51 • -19.51db
31% Popularity • 49% Danceability • 22% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
31% Popularity • 49% Danceability • 22% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
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Erik Satie
Satie / Arr. Chalhoub for Violin and Ens...
184 bpm • F min • 03:52 • -11.76db
15% Popularity • 23% Danceability • 38% Energy • 14% Liveness
40% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 38% Energy • 14% Liveness
40% Instrumentalness • 4% Positiveness
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Tref
Valse hésitation
185 bpm • F# min • 02:49 • -16db
10% Popularity • 21% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Renaud Garcia-Fons
Sfesseina
183 bpm • A min • 02:49 • -10db
33% Popularity • 56% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 63% Positiveness
33% Popularity • 56% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 63% Positiveness
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Karim Baggili
Space Cowboy Del Sur
164 bpm • G min • 04:55 • -10.6db
10% Popularity • 69% Danceability • 82% Energy • 8% Liveness
84% Instrumentalness • 92% Positiveness
10% Popularity • 69% Danceability • 82% Energy • 8% Liveness
84% Instrumentalness • 92% Positiveness
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Matthieu Saglio
L'espace d'un instant
165 bpm • E min • 01:53 • -13.36db
19% Popularity • 60% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 53% Positiveness
19% Popularity • 60% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 53% Positiveness
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Anouar Brahem
Vague / E la nave va
186 bpm • C min • 06:19 • -19db
39% Popularity • 30% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
39% Popularity • 30% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
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Goran Bregović
Talijanska - Instrumental
189 bpm • G min • 02:17 • -9.91db
8% Popularity • 40% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 40% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Constantinople
Before the Rain
162 bpm • C min • 03:03 • -14.39db
40% Popularity • 35% Danceability • 32% Energy • 9% Liveness
82% Instrumentalness • 61% Positiveness
40% Popularity • 35% Danceability • 32% Energy • 9% Liveness
82% Instrumentalness • 61% Positiveness
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Joseph Tawadros
Al Andalus
162 bpm • F min • 04:18 • -9.93db
27% Popularity • 42% Danceability • 45% Energy • 10% Liveness
74% Instrumentalness • 63% Positiveness
27% Popularity • 42% Danceability • 45% Energy • 10% Liveness
74% Instrumentalness • 63% Positiveness
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Efrén López
Imeres Siopis
161 bpm • G Maj • 07:10 • -14.84db
17% Popularity • 46% Danceability • 39% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
17% Popularity • 46% Danceability • 39% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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L'Attirail
No Ghost of a Chance
160 bpm • D min • 03:03 • -8.84db
31% Popularity • 85% Danceability • 49% Energy • 7% Liveness
74% Instrumentalness • 64% Positiveness
31% Popularity • 85% Danceability • 49% Energy • 7% Liveness
74% Instrumentalness • 64% Positiveness
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Danny Keane
Afro Cello
160 bpm • G min • 03:23 • -15db
28% Popularity • 74% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
28% Popularity • 74% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Renaud Garcia-Fons
Medi Terra
160 bpm • D min • 02:11 • -7.3db
40% Popularity • 46% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 59% Positiveness
40% Popularity • 46% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 59% Positiveness
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Toufic Farroukh
A Night in Damascus
160 bpm • C Maj • 04:10 • -12.63db
34% Popularity • 64% Danceability • 34% Energy • 10% Liveness
77% Instrumentalness • 61% Positiveness
34% Popularity • 64% Danceability • 34% Energy • 10% Liveness
77% Instrumentalness • 61% Positiveness
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Kham Meslien
Ta confiance
192 bpm • D min • 05:15 • -22.38db
36% Popularity • 52% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 52% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Constantinople
Traversées
159 bpm • F Maj • 04:12 • -18.66db
32% Popularity • 36% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
32% Popularity • 36% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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L'Attirail
L'envolée du chapeau mou
160 bpm • C# Maj • 03:27 • -7db
21% Popularity • 56% Danceability • 46% Energy • 19% Liveness
67% Instrumentalness • 57% Positiveness
21% Popularity • 56% Danceability • 46% Energy • 19% Liveness
67% Instrumentalness • 57% Positiveness
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Jean-Louis Matinier
Taïga
159 bpm • F Maj • 01:41 • -18.68db
20% Popularity • 63% Danceability • 26% Energy • 17% Liveness
89% Instrumentalness • 8% Positiveness
20% Popularity • 63% Danceability • 26% Energy • 17% Liveness
89% Instrumentalness • 8% Positiveness
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Renaud Garcia-Fons
Tchahar mezrab
193 bpm • C Maj • 03:16 • -14.69db
16% Popularity • 27% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
16% Popularity • 27% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
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Yom
Wayfaring Kid
159 bpm • G Maj • 02:40 • -7.33db
31% Popularity • 42% Danceability • 52% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
31% Popularity • 42% Danceability • 52% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Judith Steenbrink
Silk Rondeau (For Maite)
159 bpm • G Maj • 03:10 • -20.93db
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 66% Positiveness
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 66% Positiveness
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Rabih Abou-Khalil
A Better Tomorrow
157 bpm • A# Maj • 06:40 • -13.25db
9% Popularity • 23% Danceability • 15% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
9% Popularity • 23% Danceability • 15% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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No Blues
Longa Sakeez - Instrumental
157 bpm • F min • 03:40 • -11.06db
13% Popularity • 55% Danceability • 53% Energy • 10% Liveness
80% Instrumentalness • 48% Positiveness
13% Popularity • 55% Danceability • 53% Energy • 10% Liveness
80% Instrumentalness • 48% Positiveness
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Jean-Louis Matinier
In C
158 bpm • F min • 04:39 • -16.74db
15% Popularity • 50% Danceability • 14% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
15% Popularity • 50% Danceability • 14% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
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Dhafer Youssef
Les ondes orientales
157 bpm • E min • 09:09 • -12.52db
34% Popularity • 34% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
34% Popularity • 34% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Hijaz
Hems
156 bpm • G min • 06:21 • -14.63db
21% Popularity • 39% Danceability • 36% Energy • 34% Liveness
64% Instrumentalness • 26% Positiveness
21% Popularity • 39% Danceability • 36% Energy • 34% Liveness
64% Instrumentalness • 26% Positiveness
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David Orlowsky
Sababa
157 bpm • D min • 04:27 • -12.06db
14% Popularity • 44% Danceability • 34% Energy • 9% Liveness
44% Instrumentalness • 59% Positiveness
14% Popularity • 44% Danceability • 34% Energy • 9% Liveness
44% Instrumentalness • 59% Positiveness
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Trio Chermirani
Sarv
155 bpm • A# min • 03:13 • -18.35db
10% Popularity • 51% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
10% Popularity • 51% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Nicolas Parent trio
Désert blanc
156 bpm • D Maj • 07:27 • -19.27db
12% Popularity • 46% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 46% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Airelle Besson
Full Moon in K.
155 bpm • A min • 03:51 • -17.85db
29% Popularity • 46% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
29% Popularity • 46% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Lionel Suarez
Chorinho para Toninho
155 bpm • D min • 03:17 • -12.51db
8% Popularity • 67% Danceability • 32% Energy • 11% Liveness
57% Instrumentalness • 83% Positiveness
8% Popularity • 67% Danceability • 32% Energy • 11% Liveness
57% Instrumentalness • 83% Positiveness
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Mathias Lévy
Beyrouth
154 bpm • C min • 05:23 • -10.57db
10% Popularity • 32% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
10% Popularity • 32% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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Karim Baggili
Ella & Jad - Instrumentale
154 bpm • G Maj • 05:31 • -14.68db
19% Popularity • 73% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
19% Popularity • 73% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
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Laurent Dury
Polkaism
200 bpm • G# Maj • 02:04 • -13.4db
42% Popularity • 79% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
42% Popularity • 79% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
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Trio Chermirani
Dordaneh
153 bpm • E min • 03:14 • -15.03db
12% Popularity • 48% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
12% Popularity • 48% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Nguyên Lê
Dding Dek
152 bpm • F Maj • 05:24 • -15.09db
2% Popularity • 44% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 25% Positiveness
2% Popularity • 44% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 25% Positiveness
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Frédéric Chopin
Le Père Lachaise - 24 Preludes, Op. 28:...
152 bpm • E min • 04:36 • -28db
27% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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John Surman
Portrait Of A Romantic
152 bpm • C min • 06:58 • -17.17db
32% Popularity • 22% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
32% Popularity • 22% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
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Roswell Rudd
Bamako
152 bpm • G Maj • 06:29 • -14.16db
33% Popularity • 48% Danceability • 38% Energy • 6% Liveness
90% Instrumentalness • 24% Positiveness
33% Popularity • 48% Danceability • 38% Energy • 6% Liveness
90% Instrumentalness • 24% Positiveness
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Le Concert de l'Hostel Dieu
Tarentelles napolitaines instrumentales
151 bpm • F# min • 02:52 • -15.61db
11% Popularity • 39% Danceability • 34% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
11% Popularity • 39% Danceability • 34% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
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Yom
Le silence de l'exode - Solitude 1
151 bpm • A# min • 01:57 • -21.27db
13% Popularity • 45% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 45% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Derya Türkan
Rast PeÅŸrev
151 bpm • G Maj • 05:16 • -8.38db
2% Popularity • 38% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
2% Popularity • 38% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Constantinople
Rêveries
151 bpm • F min • 05:52 • -16.39db
22% Popularity • 42% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Olivier Daviaud
Au café Carbodel
151 bpm • E min • 01:31 • -11.38db
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 77% Positiveness
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 77% Positiveness
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Hugues Le Bars
Sur mesure
151 bpm • C Maj • 03:10 • -9.57db
16% Popularity • 35% Danceability • 28% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
16% Popularity • 35% Danceability • 28% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
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Jan Garbarek
Bahia
151 bpm • C min • 10:17 • -25.88db
16% Popularity • 45% Danceability • 2% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
16% Popularity • 45% Danceability • 2% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
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Richard Galliano
Marion
204 bpm • F Maj • 03:40 • -9.38db
8% Popularity • 41% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 92% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 92% Positiveness
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Renaud Garcia-Fons
Serene walk
150 bpm • A# Maj • 05:50 • -11.03db
15% Popularity • 68% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness
15% Popularity • 68% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness
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Constantinople
TamalÃ
151 bpm • E min • 04:51 • -20.19db
22% Popularity • 45% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 59% Positiveness
22% Popularity • 45% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 59% Positiveness
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Toufic Farroukh
L'homme qui a perdu son ombre
150 bpm • G Maj • 04:56 • -13.74db
23% Popularity • 56% Danceability • 37% Energy • 5% Liveness
86% Instrumentalness • 21% Positiveness
23% Popularity • 56% Danceability • 37% Energy • 5% Liveness
86% Instrumentalness • 21% Positiveness