Songs like Mama's Tears by Corey Kilgannon
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Espe
Everyday
140 bpm • F Maj • 03:02 • -12.12db
12% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Unknown Neighbour
Time For A Change
140 bpm • A# Maj • 03:08 • -10.15db
11% Popularity • 61% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 61% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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George Ogilvie
Out Of Harms' Way
140 bpm • D Maj • 04:20 • -15db
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Grayshot
I Break My Heart
140 bpm • E Maj • 04:43 • -15.17db
11% Popularity • 56% Danceability • 39% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
11% Popularity • 56% Danceability • 39% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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Corey Kilgannon
Corporate Eyes
140 bpm • B Maj • 05:03 • -9.04db
10% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Sara Davis Regan
'97
140 bpm • D Maj • 03:38 • -13db
17% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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James Spaite
Maple Whisky
140 bpm • C Maj • 03:52 • -16db
25% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Vian Izak
The Astronaut - Acoustic Version
140 bpm • B Maj • 03:26 • -10.95db
22% Popularity • 48% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 48% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Polley
Treasure
140 bpm • D Maj • 03:49 • -11.56db
17% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
33% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Corey Kilgannon
Mama's Tears
140 bpm • C# Maj • 04:15 • -13.71db
10% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Aron Wright
I Hope We Die(At the Same Damn Time)
140 bpm • F Maj • 03:20 • -10.46db
10% Popularity • 46% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 46% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Davis Regan
Dear Daughter
140 bpm • E Maj • 04:02 • -14.8db
14% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Aquilo
Blindside
139 bpm • G min • 03:15 • -14.36db
27% Popularity • 43% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 43% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Kopa
Things Change
141 bpm • F min • 03:45 • -12.47db
7% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Corey Kilgannon
Rooster Crow
140 bpm • E Maj • 03:00 • -10.32db
1% Popularity • 55% Danceability • 44% Energy • 18% Liveness
20% Instrumentalness • 39% Positiveness
1% Popularity • 55% Danceability • 44% Energy • 18% Liveness
20% Instrumentalness • 39% Positiveness
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Honeywater
Southern Wild
141 bpm • C Maj • 05:21 • -12.23db
25% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Mikky Ekko
FAME
139 bpm • B Maj • 03:07 • -10.15db
15% Popularity • 37% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 37% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Anthony Alvarado
To Stutter, to Yell
139 bpm • F Maj • 04:07 • -17.25db
0% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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AgataJan
I'm Fine
141 bpm • A Maj • 03:12 • -20.47db
18% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Etheridge
Sorry Someday
139 bpm • F Maj • 03:05 • -5.12db
20% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Adam French
Incompatible - Stripped
139 bpm • A# Maj • 03:48 • -11db
10% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jake Morley
Ghostess
139 bpm • E min • 04:01 • -10.29db
13% Popularity • 42% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 42% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Honeywater
Old Eden
141 bpm • A# Maj • 05:20 • -9.21db
40% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Bryant
Courtesy Call
141 bpm • C Maj • 04:15 • -13.25db
18% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tors
We Say No - Acoustic
142 bpm • D# Maj • 03:31 • -11.15db
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Tragic Sasha
Fall on My Feet
142 bpm • D Maj • 03:51 • -12.42db
12% Popularity • 41% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 41% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Corey Kilgannon
California Skin
142 bpm • G Maj • 02:45 • -16db
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Etheridge
Getting Over You
138 bpm • D# Maj • 02:57 • -13.95db
30% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Honeywater
Am I Your Man
138 bpm • C Maj • 05:20 • -7.25db
19% Popularity • 42% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 42% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Will Killen
Coda
142 bpm • B Maj • 05:45 • -15.85db
9% Popularity • 58% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
9% Popularity • 58% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Mitch Fossier
Howling Sound
138 bpm • G Maj • 03:34 • -16db
6% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
6% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tow'rs
Porcelain
138 bpm • D Maj • 04:21 • -15db
31% Popularity • 63% Danceability • 28% Energy • 11% Liveness
11% Instrumentalness • 33% Positiveness
31% Popularity • 63% Danceability • 28% Energy • 11% Liveness
11% Instrumentalness • 33% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
17% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jake Etheridge
Only Everything
138 bpm • D Maj • 03:27 • -6db
21% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jacob Restituto
I Need the Sun to Break
138 bpm • D Maj • 04:34 • -12.22db
4% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Walters
This Fire
138 bpm • D Maj • 03:04 • -9db
18% Popularity • 32% Danceability • 28% Energy • 21% Liveness
1% Instrumentalness • 16% Positiveness
18% Popularity • 32% Danceability • 28% Energy • 21% Liveness
1% Instrumentalness • 16% Positiveness
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Tall Heights
Out of the Ground
142 bpm • F# Maj • 02:47 • -10.76db
16% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mat Hunsley
Dropping
138 bpm • B min • 03:53 • -12.34db
11% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Ella Vos
White Noise - Recorded at Spotify Studio...
138 bpm • D# Maj • 02:48 • -13db
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Corey Kilgannon
Rocking Chair
138 bpm • C# Maj • 02:57 • -12.86db
9% Popularity • 29% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 29% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor John Williams
Hills Of Holmby
138 bpm • B Maj • 05:36 • -11.86db
11% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Plà si
Make the Call
142 bpm • C# Maj • 04:43 • -14.53db
13% Popularity • 51% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 51% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Tow'rs
I Can't Help Myself
137 bpm • A# Maj • 03:47 • -10db
31% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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James Spaite
Mr. Coyote and the Terrible Things He Ta...
138 bpm • C Maj • 05:38 • -10.81db
12% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jacob Whitesides
Rules of Beautiful
137 bpm • E Maj • 03:58 • -9.07db
12% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Novo Amor
Dancer
137 bpm • E min • 04:11 • -14.36db
38% Popularity • 47% Danceability • 21% Energy • 9% Liveness
34% Instrumentalness • 6% Positiveness
38% Popularity • 47% Danceability • 21% Energy • 9% Liveness
34% Instrumentalness • 6% Positiveness
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Hazlett
Lowdown, Lay It On
137 bpm • D Maj • 03:54 • -13db
33% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
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Cole Norton
Wrote a Song About You.
137 bpm • D# Maj • 03:48 • -17.51db
13% Popularity • 47% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 47% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Angus Maude
Tipsy
137 bpm • D Maj • 02:53 • -16.42db
13% Popularity • 45% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 45% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Corey Kilgannon
I Don't Love You Anymore (Live)
137 bpm • E Maj • 04:11 • -15.57db
11% Popularity • 52% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 52% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Greyson Chance
Seasons
144 bpm • D Maj • 03:42 • -8db
36% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Jon Bryant
Once in a While
136 bpm • A Maj • 03:19 • -14.17db
8% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Monica Moser
Momentary Troubles
144 bpm • G Maj • 04:36 • -13.25db
0% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Matt Stinton
I'll Stay (Carla's Song)
144 bpm • G# Maj • 04:03 • -14.28db
27% Popularity • 54% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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JP Saxe
Changed (Acoustic)
136 bpm • D Maj • 04:32 • -12db
22% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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James Spaite
Killowen
136 bpm • E Maj • 03:47 • -12.11db
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Brvthr
Here We Are
136 bpm • A Maj • 03:43 • -8.85db
24% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Schulte
Thoughts
136 bpm • G# min • 03:47 • -12.1db
27% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Ariela Jacobs
Dare You To Run
144 bpm • C# min • 03:36 • -10.17db
11% Popularity • 43% Danceability • 32% Energy • 17% Liveness
5% Instrumentalness • 5% Positiveness
11% Popularity • 43% Danceability • 32% Energy • 17% Liveness
5% Instrumentalness • 5% Positiveness
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Bradley Stone
On The Moon
145 bpm • G Maj • 03:21 • -13.31db
19% Popularity • 57% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
19% Popularity • 57% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Paul McDonald
First Loves (Demo)
136 bpm • C Maj • 03:33 • -10db
22% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Plested
Make A Start
136 bpm • D Maj • 03:10 • -8.63db
20% Popularity • 49% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 49% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Leave
Use Somebody
135 bpm • C Maj • 02:43 • -7.95db
22% Popularity • 45% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 45% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Corey Kilgannon
So Much Love
145 bpm • E Maj • 02:20 • -13.81db
3% Popularity • 57% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
3% Popularity • 57% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
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Rusty Clanton
Human
135 bpm • C# Maj • 03:39 • -19.93db
17% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Nathan Colberg
Silver Light
145 bpm • F Maj • 03:39 • -10.81db
17% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Henry Jamison
No One Told Me
145 bpm • D Maj • 03:27 • -9.12db
18% Popularity • 35% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 35% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Luke Thompson
Boxes
135 bpm • A Maj • 03:56 • -21.38db
11% Popularity • 48% Danceability • 16% Energy • 23% Liveness
47% Instrumentalness • 18% Positiveness
11% Popularity • 48% Danceability • 16% Energy • 23% Liveness
47% Instrumentalness • 18% Positiveness
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Molly Bush
I Wish You Had Stayed
135 bpm • A Maj • 03:01 • -6.76db
10% Popularity • 50% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 50% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Van
Seeds of Discord.
145 bpm • F Maj • 03:37 • -11.43db
9% Popularity • 65% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 65% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Davis John Patton
High Altitude
146 bpm • C Maj • 04:17 • -13.65db
12% Popularity • 43% Danceability • 25% Energy • 12% Liveness
18% Instrumentalness • 30% Positiveness
12% Popularity • 43% Danceability • 25% Energy • 12% Liveness
18% Instrumentalness • 30% Positiveness
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Bruno Merz
Into the Air
146 bpm • A min • 04:10 • -17.14db
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Roo Panes
A Gift To You
135 bpm • G Maj • 05:08 • -16.74db
16% Popularity • 35% Danceability • 24% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
16% Popularity • 35% Danceability • 24% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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The Paper Kites
How Long
134 bpm • B min • 03:36 • -21.01db
25% Popularity • 62% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
25% Popularity • 62% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Colouring
If I Ever Lose Your Love
134 bpm • D Maj • 05:28 • -11.87db
17% Popularity • 39% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
17% Popularity • 39% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Oliver Riot
We Popped the Moon
134 bpm • A Maj • 03:03 • -13db
33% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
33% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Michael Benjamin
Born a Sinner
147 bpm • F Maj • 04:11 • -18.05db
8% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Morrissey & Marshall
I Need You
134 bpm • F# Maj • 03:10 • -4db
13% Popularity • 43% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 43% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Rusty Clanton
I Hope It's You
134 bpm • B Maj • 03:57 • -8.96db
32% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Zach Winters
These Are the Days
133 bpm • F# min • 04:27 • -15.54db
20% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Corey Kilgannon
Köln
147 bpm • C Maj • 03:13 • -9.56db
30% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Aron Wright
You Left Your Mark
133 bpm • G Maj • 02:51 • -7.71db
9% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Northern Empty
Off the Floor
147 bpm • D Maj • 04:46 • -13.56db
15% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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August and After
Halley
133 bpm • F Maj • 04:11 • -9.54db
17% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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O'neill Hudson
I'm All You
133 bpm • D# Maj • 03:38 • -5.94db
7% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Plested
Home By Now - Acoustic
148 bpm • A Maj • 03:38 • -10db
15% Popularity • 46% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 46% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Frances
The Smallest Thing
148 bpm • A# Maj • 03:32 • -8.67db
14% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Walters
What Did You Expect?
148 bpm • F Maj • 04:38 • -9.6db
11% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Bryant
Heroine
148 bpm • C Maj • 04:09 • -11.41db
22% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Aquilo
Low Light
148 bpm • C Maj • 03:32 • -12.58db
23% Popularity • 21% Danceability • 49% Energy • 6% Liveness
3% Instrumentalness • 16% Positiveness
23% Popularity • 21% Danceability • 49% Energy • 6% Liveness
3% Instrumentalness • 16% Positiveness
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Handkerchief Thief
Blood Is Red
148 bpm • A# Maj • 03:59 • -14.11db
13% Popularity • 64% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 64% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Jason Reeves
We Just Started
148 bpm • C# Maj • 04:20 • -9.53db
8% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Aaron Espe
Yourself
148 bpm • B Maj • 03:07 • -13.41db
23% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
