Songs like Mambito by Snowboy & The Latin Section
Based on a tempo of (+/- 10%) and a similar genre
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Snowboy & The Latin Section
Mambito
128 bpm • F min • 07:44 • -10.29db
12% Popularity • 64% Danceability • 76% Energy • 9% Liveness
73% Instrumentalness • 97% Positiveness
12% Popularity • 64% Danceability • 76% Energy • 9% Liveness
73% Instrumentalness • 97% Positiveness
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Daymé Arocena
Negra Caridad
128 bpm • G min • 03:11 • -7db
19% Popularity • 68% Danceability • 65% Energy • 11% Liveness
4% Instrumentalness • 78% Positiveness
19% Popularity • 68% Danceability • 65% Energy • 11% Liveness
4% Instrumentalness • 78% Positiveness
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PALO!
Cuban Soul
128 bpm • A# Maj • 05:50 • -3.97db
13% Popularity • 87% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 87% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Batacumbele
Yerbabuena
128 bpm • E min • 05:30 • -14.43db
10% Popularity • 50% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Juan Pablo Torres
Moonlight Serenade
128 bpm • D min • 07:36 • -8db
15% Popularity • 79% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 88% Positiveness
15% Popularity • 79% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 88% Positiveness
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Cachao
La Trompeta y la Flauta (2013 - Remaster...
128 bpm • F Maj • 09:10 • -6.37db
8% Popularity • 55% Danceability • 63% Energy • 12% Liveness
25% Instrumentalness • 68% Positiveness
8% Popularity • 55% Danceability • 63% Energy • 12% Liveness
25% Instrumentalness • 68% Positiveness
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Snowboy & The Latin Section
Mambito
128 bpm • A# min • 06:02 • -4.26db
2% Popularity • 60% Danceability • 92% Energy • 9% Liveness
61% Instrumentalness • 97% Positiveness
2% Popularity • 60% Danceability • 92% Energy • 9% Liveness
61% Instrumentalness • 97% Positiveness
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Sabu Martinez
I Remember Carmen
128 bpm • F min • 04:01 • -10.22db
11% Popularity • 57% Danceability • 70% Energy • 6% Liveness
12% Instrumentalness • 91% Positiveness
11% Popularity • 57% Danceability • 70% Energy • 6% Liveness
12% Instrumentalness • 91% Positiveness
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Ibrahim Ferrer
La Música Cubana
128 bpm • A# min • 05:11 • -11.43db
25% Popularity • 57% Danceability • 42% Energy • 16% Liveness
9% Instrumentalness • 65% Positiveness
25% Popularity • 57% Danceability • 42% Energy • 16% Liveness
9% Instrumentalness • 65% Positiveness
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Manny Oquendo
Elena, Elena
128 bpm • G Maj • 06:02 • -11.37db
11% Popularity • 65% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 65% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jack Costanzo
Bemba Colora
128 bpm • F min • 04:14 • -3db
12% Popularity • 74% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 74% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Joe Bataan
Aguanta la Lengua
127 bpm • F# min • 05:42 • -8.44db
18% Popularity • 82% Danceability • 59% Energy • 15% Liveness
14% Instrumentalness • 79% Positiveness
18% Popularity • 82% Danceability • 59% Energy • 15% Liveness
14% Instrumentalness • 79% Positiveness
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Snowboy & The Latin Section
Dream States
128 bpm • C min • 07:18 • -8.7db
1% Popularity • 85% Danceability • 48% Energy • 6% Liveness
93% Instrumentalness • 78% Positiveness
1% Popularity • 85% Danceability • 48% Energy • 6% Liveness
93% Instrumentalness • 78% Positiveness
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Orquesta Akokán
La Corbata Barata
129 bpm • C min • 05:25 • -6.39db
13% Popularity • 50% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 50% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Lebron Brothers Orchestra
Mi Mambo
127 bpm • F min • 05:03 • -12.34db
12% Popularity • 57% Danceability • 42% Energy • 6% Liveness
13% Instrumentalness • 87% Positiveness
12% Popularity • 57% Danceability • 42% Energy • 6% Liveness
13% Instrumentalness • 87% Positiveness
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Monguito Santamaria
Guajirita
129 bpm • F min • 03:34 • -19.2db
12% Popularity • 76% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Roberto Roena Y Su Apollo Sound
Oriza Eh
127 bpm • G# Maj • 03:44 • -6.2db
13% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Celeste Mendoza
Papa Oggun
127 bpm • C Maj • 03:21 • -17db
12% Popularity • 62% Danceability • 47% Energy • 24% Liveness
8% Instrumentalness • 89% Positiveness
12% Popularity • 62% Danceability • 47% Energy • 24% Liveness
8% Instrumentalness • 89% Positiveness
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Nestor Torres
Tierra Colorá
127 bpm • D min • 04:53 • -13.95db
22% Popularity • 81% Danceability • 35% Energy • 26% Liveness
5% Instrumentalness • 94% Positiveness
22% Popularity • 81% Danceability • 35% Energy • 26% Liveness
5% Instrumentalness • 94% Positiveness
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Sabu Martinez
The Oracle
127 bpm • A# min • 04:55 • -10db
10% Popularity • 52% Danceability • 76% Energy • 27% Liveness
74% Instrumentalness • 75% Positiveness
10% Popularity • 52% Danceability • 76% Energy • 27% Liveness
74% Instrumentalness • 75% Positiveness
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Rafael Cortijo Y Su Bonche
Chinito Boogaloo
129 bpm • A# Maj • 04:02 • -7.41db
8% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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New Swing Sextet
Mira Mama
129 bpm • A Maj • 06:44 • -13.96db
13% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Lebron Brothers Orchestra
Mary Mary
129 bpm • C Maj • 04:27 • -13db
8% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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ORQUESTA MARAVILLAS DE FLORIDA
Baila guiro con wamban
127 bpm • B min • 05:51 • -14.06db
4% Popularity • 58% Danceability • 47% Energy • 5% Liveness
53% Instrumentalness • 90% Positiveness
4% Popularity • 58% Danceability • 47% Energy • 5% Liveness
53% Instrumentalness • 90% Positiveness
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Joey Pastrana
Afro Azul
129 bpm • A# Maj • 03:20 • -11.42db
8% Popularity • 54% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 54% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
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Snowboy & The Latin Section
What the Hell's Going On
127 bpm • A Maj • 07:30 • -6.79db
1% Popularity • 54% Danceability • 70% Energy • 9% Liveness
16% Instrumentalness • 81% Positiveness
1% Popularity • 54% Danceability • 70% Energy • 9% Liveness
16% Instrumentalness • 81% Positiveness
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The Latin Blues Band
Take A Trip
129 bpm • C Maj • 04:54 • -9.74db
10% Popularity • 66% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 66% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Asere
Oriente
127 bpm • C min • 07:04 • -6db
29% Popularity • 80% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 80% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Lebron Brothers Orchestra
Money Can't Buy Love
127 bpm • D min • 02:00 • -8db
14% Popularity • 48% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Boogaloo Assassins
Do You Wanna Dance
130 bpm • A# Maj • 04:10 • -5.71db
24% Popularity • 81% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 81% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Havana Mambo
Malanina
126 bpm • F Maj • 03:48 • -6db
34% Popularity • 89% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 89% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Snowboy & The Latin Section
Descarga Mosambique
126 bpm • C Maj • 06:19 • -11.94db
1% Popularity • 45% Danceability • 55% Energy • 9% Liveness
76% Instrumentalness • 78% Positiveness
1% Popularity • 45% Danceability • 55% Energy • 9% Liveness
76% Instrumentalness • 78% Positiveness
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The Latinaires
Creation
126 bpm • G Maj • 03:24 • -9.48db
23% Popularity • 67% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
23% Popularity • 67% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
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Jose 'Chepito' Areas
Guaguanco in Japan
126 bpm • D Maj • 03:37 • -11db
11% Popularity • 59% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 59% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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The Lebron Brothers Orchestra
The Village Chant
127 bpm • C min • 03:14 • -7.2db
13% Popularity • 80% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 80% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Manuel Guajiro Mirabal
Para Bailar el Montuno
130 bpm • G Maj • 04:18 • -8.87db
20% Popularity • 65% Danceability • 66% Energy • 15% Liveness
2% Instrumentalness • 94% Positiveness
20% Popularity • 65% Danceability • 66% Energy • 15% Liveness
2% Instrumentalness • 94% Positiveness
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Los Hacheros
Querida Madre
126 bpm • A# Maj • 05:47 • -4db
13% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Monguito Santamaria
Groovetime
131 bpm • G Maj • 04:43 • -20db
21% Popularity • 68% Danceability • 33% Energy • 8% Liveness
3% Instrumentalness • 88% Positiveness
21% Popularity • 68% Danceability • 33% Energy • 8% Liveness
3% Instrumentalness • 88% Positiveness
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Gerry Woo
Qué Vengo Acabando
126 bpm • G Maj • 03:07 • -5.27db
10% Popularity • 85% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 85% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Spanglish Fly
Latin Soul Stew
125 bpm • F min • 04:34 • -14.29db
9% Popularity • 65% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 65% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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The Lebron Brothers Orchestra
Suena
129 bpm • G Maj • 05:53 • -10.67db
16% Popularity • 70% Danceability • 62% Energy • 32% Liveness
34% Instrumentalness • 85% Positiveness
16% Popularity • 70% Danceability • 62% Energy • 32% Liveness
34% Instrumentalness • 85% Positiveness
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Willie Rosario and His Orchestra
Watusi Boogaloo
125 bpm • F Maj • 02:58 • -9db
16% Popularity • 61% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
16% Popularity • 61% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
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Jimmy Bosch
Bailalo Si Te Atreves
125 bpm • C Maj • 04:30 • -8db
9% Popularity • 54% Danceability • 66% Energy • 7% Liveness
90% Instrumentalness • 74% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 7% Liveness
90% Instrumentalness • 74% Positiveness
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Orlando "CachaÃto" López
Mis Dos Pequeñas - with Angá DÃaz, Am...
131 bpm • C Maj • 04:06 • -11.71db
46% Popularity • 73% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 97% Positiveness
46% Popularity • 73% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 97% Positiveness
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Manuel Guajiro Mirabal
El Reloj de Pastora
125 bpm • A# min • 03:52 • -9.78db
26% Popularity • 73% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 73% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Boogaloo Assassins
Para Mi
125 bpm • A# Maj • 04:58 • -5.07db
31% Popularity • 86% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 86% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Lebron Brothers Orchestra
Summertime Blues
125 bpm • C min • 04:44 • -11db
33% Popularity • 75% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 75% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Andy Harlow
Yo Soy Guajiro
131 bpm • F min • 04:50 • -10.69db
8% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Afro Cuban Jazz Project
Soy el Matancero
125 bpm • G Maj • 05:58 • -8db
13% Popularity • 70% Danceability • 47% Energy • 6% Liveness
71% Instrumentalness • 58% Positiveness
13% Popularity • 70% Danceability • 47% Energy • 6% Liveness
71% Instrumentalness • 58% Positiveness
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Gilles Peterson's Havana Cultura Band
Roforofo Fight
125 bpm • C# Maj • 05:58 • -7.6db
13% Popularity • 71% Danceability • 95% Energy • 17% Liveness
72% Instrumentalness • 89% Positiveness
13% Popularity • 71% Danceability • 95% Energy • 17% Liveness
72% Instrumentalness • 89% Positiveness
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Pupi Legarreta y su Charanga
Toda la Verdad
131 bpm • F Maj • 03:30 • -6.77db
2% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Batacumbele
Batacumbele
125 bpm • A# Maj • 05:04 • -12.3db
11% Popularity • 60% Danceability • 59% Energy • 7% Liveness
6% Instrumentalness • 85% Positiveness
11% Popularity • 60% Danceability • 59% Energy • 7% Liveness
6% Instrumentalness • 85% Positiveness
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Lebrón Brothers
Que Pana
131 bpm • A min • 03:22 • -6.95db
17% Popularity • 82% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 94% Positiveness
17% Popularity • 82% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 94% Positiveness
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Francisco Aguabella
Long, Long Summer
131 bpm • F min • 06:46 • -7.61db
19% Popularity • 69% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 84% Positiveness
19% Popularity • 69% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 84% Positiveness
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Orquesta La Sublime
Sabroso Como El Guarapo
131 bpm • G min • 02:58 • -3.31db
12% Popularity • 83% Danceability • 60% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
12% Popularity • 83% Danceability • 60% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Jimmy Sabater
Times Are Changin'
132 bpm • F Maj • 03:08 • -12.2db
9% Popularity • 58% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 58% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 77% Positiveness
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Lou Perez
Afro Hustle
124 bpm • G Maj • 03:23 • -6.25db
7% Popularity • 50% Danceability • 83% Energy • 16% Liveness
52% Instrumentalness • 86% Positiveness
7% Popularity • 50% Danceability • 83% Energy • 16% Liveness
52% Instrumentalness • 86% Positiveness
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Angelita Curiel
Yo soy
132 bpm • F Maj • 04:35 • -15.54db
10% Popularity • 53% Danceability • 37% Energy • 90% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 53% Danceability • 37% Energy • 90% Liveness
0% Instrumentalness • 92% Positiveness
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Snowboy & The Latin Section
Blues Para T
132 bpm • F min • 05:31 • -4.67db
0% Popularity • 52% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 96% Positiveness
0% Popularity • 52% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 96% Positiveness
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Orquesta Harlow
Mi Guajira Si
124 bpm • A min • 03:52 • -8.45db
11% Popularity • 77% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 77% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Tempo 70
El Galleton
124 bpm • C Maj • 03:12 • -14.53db
8% Popularity • 54% Danceability • 58% Energy • 10% Liveness
9% Instrumentalness • 77% Positiveness
8% Popularity • 54% Danceability • 58% Energy • 10% Liveness
9% Instrumentalness • 77% Positiveness
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PALO!
Araña
132 bpm • G min • 04:09 • -4.88db
17% Popularity • 89% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 89% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Cubismo
Morenita
132 bpm • A min • 05:23 • -6db
41% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 80% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Spanglish Fly
Brooklyn Boogaloo
132 bpm • C min • 06:29 • -5db
31% Popularity • 81% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 81% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Manuel Guajiro Mirabal
El Rincón Caliente
124 bpm • C min • 04:47 • -10.22db
41% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Ruben Gonzalez
Chanchullo
132 bpm • G Maj • 05:12 • -11.64db
37% Popularity • 73% Danceability • 38% Energy • 7% Liveness
79% Instrumentalness • 44% Positiveness
37% Popularity • 73% Danceability • 38% Energy • 7% Liveness
79% Instrumentalness • 44% Positiveness
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Har-You Percussion Group
Welcome to the Party
124 bpm • A min • 04:01 • -15db
23% Popularity • 66% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 88% Positiveness
23% Popularity • 66% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 88% Positiveness
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Bongo-Logic
Corta La Caña
132 bpm • A# Maj • 06:38 • -19.63db
3% Popularity • 83% Danceability • 26% Energy • 7% Liveness
3% Instrumentalness • 89% Positiveness
3% Popularity • 83% Danceability • 26% Energy • 7% Liveness
3% Instrumentalness • 89% Positiveness
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Joe Cuba
La Malanga Brava
124 bpm • C Maj • 03:39 • -5db
18% Popularity • 57% Danceability • 94% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 57% Danceability • 94% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Beaujolais Band
Water Falls
124 bpm • B min • 05:23 • -14.66db
19% Popularity • 73% Danceability • 52% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
19% Popularity • 73% Danceability • 52% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
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Afro Cuban Jazz Project
Rumberos de Verdá
132 bpm • G Maj • 05:23 • -9.17db
10% Popularity • 60% Danceability • 76% Energy • 8% Liveness
65% Instrumentalness • 84% Positiveness
10% Popularity • 60% Danceability • 76% Energy • 8% Liveness
65% Instrumentalness • 84% Positiveness
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Ruben Gonzalez
Cumbanchero
132 bpm • D Maj • 04:35 • -10.27db
43% Popularity • 48% Danceability • 58% Energy • 22% Liveness
36% Instrumentalness • 56% Positiveness
43% Popularity • 48% Danceability • 58% Energy • 22% Liveness
36% Instrumentalness • 56% Positiveness
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Bush Y Sus MagnÃficos
Nana Nina
124 bpm • F Maj • 02:59 • -4.24db
8% Popularity • 48% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
8% Popularity • 48% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Ralph Irizarry
Vieques Si
133 bpm • G# min • 05:43 • -7.24db
10% Popularity • 49% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
10% Popularity • 49% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
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Francisco Aguabella
Guajira Para los Pollos
133 bpm • A Maj • 04:55 • -8.4db
16% Popularity • 82% Danceability • 58% Energy • 9% Liveness
19% Instrumentalness • 85% Positiveness
16% Popularity • 82% Danceability • 58% Energy • 9% Liveness
19% Instrumentalness • 85% Positiveness
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Har-You Percussion Group
Welcome to the Party
123 bpm • A min • 04:03 • -10db
23% Popularity • 65% Danceability • 80% Energy • 8% Liveness
83% Instrumentalness • 84% Positiveness
23% Popularity • 65% Danceability • 80% Energy • 8% Liveness
83% Instrumentalness • 84% Positiveness
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Joe Cuba
Psychedelic Baby (You're Psychin' Up My ...
123 bpm • C Maj • 03:16 • -20db
13% Popularity • 74% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 74% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Mambo Legends Orchestra
Watch Out!
123 bpm • D min • 05:56 • -10db
24% Popularity • 63% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 63% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Cachao
Centro San Augustin (2012 - Remaster)
133 bpm • C Maj • 05:34 • -8.45db
12% Popularity • 46% Danceability • 73% Energy • 22% Liveness
60% Instrumentalness • 96% Positiveness
12% Popularity • 46% Danceability • 73% Energy • 22% Liveness
60% Instrumentalness • 96% Positiveness
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Orlando "CachaÃto" López
La Negra - with Angá DÃaz, Amadito Val...
123 bpm • C min • 01:30 • -13.79db
34% Popularity • 71% Danceability • 46% Energy • 11% Liveness
19% Instrumentalness • 91% Positiveness
34% Popularity • 71% Danceability • 46% Energy • 11% Liveness
19% Instrumentalness • 91% Positiveness
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The Lebron Brothers Orchestra
My Cool Boogaloo
123 bpm • G Maj • 03:56 • -9db
18% Popularity • 75% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 75% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Har-You Percussion Group
Welcome to the Party
123 bpm • D Maj • 04:02 • -9.48db
3% Popularity • 57% Danceability • 81% Energy • 19% Liveness
85% Instrumentalness • 77% Positiveness
3% Popularity • 57% Danceability • 81% Energy • 19% Liveness
85% Instrumentalness • 77% Positiveness
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Francisco Aguabella
Noche Azul
133 bpm • A Maj • 05:13 • -7db
13% Popularity • 74% Danceability • 53% Energy • 6% Liveness
55% Instrumentalness • 81% Positiveness
13% Popularity • 74% Danceability • 53% Energy • 6% Liveness
55% Instrumentalness • 81% Positiveness
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George Guzman
Lazy Boogaloo
133 bpm • C Maj • 02:30 • -11db
30% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Snowboy & The Latin Section
Snow Snow Quick Quck Snow
123 bpm • F Maj • 06:55 • -12.28db
1% Popularity • 69% Danceability • 50% Energy • 7% Liveness
87% Instrumentalness • 90% Positiveness
1% Popularity • 69% Danceability • 50% Energy • 7% Liveness
87% Instrumentalness • 90% Positiveness
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Bobby Montez
African Fantasy
123 bpm • D Maj • 04:06 • -11.3db
13% Popularity • 46% Danceability • 57% Energy • 13% Liveness
65% Instrumentalness • 86% Positiveness
13% Popularity • 46% Danceability • 57% Energy • 13% Liveness
65% Instrumentalness • 86% Positiveness
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Angá Diaz
Conga Carnival
133 bpm • F Maj • 05:25 • -5.67db
11% Popularity • 48% Danceability • 97% Energy • 15% Liveness
9% Instrumentalness • 57% Positiveness
11% Popularity • 48% Danceability • 97% Energy • 15% Liveness
9% Instrumentalness • 57% Positiveness
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Noro Morales
Maria Cervantes
123 bpm • A min • 02:58 • -9.78db
28% Popularity • 64% Danceability • 60% Energy • 18% Liveness
96% Instrumentalness • 94% Positiveness
28% Popularity • 64% Danceability • 60% Energy • 18% Liveness
96% Instrumentalness • 94% Positiveness
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Willie Colón
MC² (Theme Realidades)
123 bpm • E min • 03:41 • -9.88db
12% Popularity • 52% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 66% Positiveness
12% Popularity • 52% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 66% Positiveness
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Joe Cuba
My Man Speedy!
123 bpm • C Maj • 02:23 • -20db
28% Popularity • 78% Danceability • 26% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 78% Danceability • 26% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
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Ralph Robles
Taking Over
134 bpm • C min • 03:18 • -8.44db
14% Popularity • 63% Danceability • 74% Energy • 34% Liveness
7% Instrumentalness • 98% Positiveness
14% Popularity • 63% Danceability • 74% Energy • 34% Liveness
7% Instrumentalness • 98% Positiveness
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Asere
Cacha cha cha cha
122 bpm • F Maj • 04:25 • -10.25db
24% Popularity • 78% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 78% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Jane Bunnett
Yo Siempre Oddara
134 bpm • G Maj • 05:58 • -13.93db
6% Popularity • 69% Danceability • 43% Energy • 12% Liveness
66% Instrumentalness • 93% Positiveness
6% Popularity • 69% Danceability • 43% Energy • 12% Liveness
66% Instrumentalness • 93% Positiveness
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Azuquita Y Su Orquesta Melao
California
122 bpm • C min • 05:30 • -7db
11% Popularity • 70% Danceability • 68% Energy • 19% Liveness
11% Instrumentalness • 77% Positiveness
11% Popularity • 70% Danceability • 68% Energy • 19% Liveness
11% Instrumentalness • 77% Positiveness
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Chico Alvarez
La Clave, Maraca y Guiro
122 bpm • A min • 07:30 • -3.92db
16% Popularity • 71% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 71% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Cuba
Gimme Some Love
123 bpm • F Maj • 03:04 • -4.84db
9% Popularity • 70% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 70% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Snowboy & The Latin Section
Straight From The Gate
134 bpm • F min • 05:21 • -4.37db
0% Popularity • 79% Danceability • 73% Energy • 4% Liveness
68% Instrumentalness • 92% Positiveness
0% Popularity • 79% Danceability • 73% Energy • 4% Liveness
68% Instrumentalness • 92% Positiveness
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Daymé Arocena
Muy Cerquita de Ti
122 bpm • C# Maj • 10:33 • -13.51db
11% Popularity • 56% Danceability • 60% Energy • 33% Liveness
37% Instrumentalness • 57% Positiveness
11% Popularity • 56% Danceability • 60% Energy • 33% Liveness
37% Instrumentalness • 57% Positiveness
