Songs like Mambo in the Moonlight by Ireen Sheer
Based on a tempo of (+/- 10%) and a similar genre
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Ireen Sheer
Ich hab den Himmel geseh'n
117 bpm • A# Maj • 03:27 • -4.83db
13% Popularity • 66% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 66% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Kristina Bach
Du machst eine Frau erst zur Frau - Mix ...
117 bpm • C Maj • 03:32 • -5.25db
36% Popularity • 75% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 75% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Hanne Haller
Weil du ein zärtlicher Mann bist
117 bpm • A# Maj • 03:42 • -11.91db
29% Popularity • 81% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 81% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Tanja Lasch
Verdammt nochmal - Disco-Fox-Version (Di...
117 bpm • C# Maj • 03:29 • -4.82db
24% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mary Roos
Ich bin stark, nur mit Dir
118 bpm • F# min • 03:47 • -7db
30% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Katja Ebstein
Es war einmal ein Jäger
118 bpm • B Maj • 03:15 • -8db
35% Popularity • 73% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 73% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Ireen Sheer
Bin wieder verliebt
117 bpm • B Maj • 03:24 • -6.06db
3% Popularity • 73% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 73% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Roy Black
Fremde Erde
118 bpm • G Maj • 02:39 • -10.12db
29% Popularity • 78% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 78% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Christian Anders
Es fährt ein Zug nach Nirgendwo - Remas...
118 bpm • A# Maj • 04:42 • -8.37db
43% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Patrick Lindner
Lieben kann man nicht allein
118 bpm • G# Maj • 03:32 • -4.15db
20% Popularity • 68% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 68% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Die Cappuccinos
Affären tun weh
116 bpm • D# Maj • 03:24 • -3.91db
36% Popularity • 55% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 55% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Olaf der Flipper
Jede Stunde, jeder Augenblick
116 bpm • A Maj • 03:18 • -4.54db
33% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Uwe Busse
Genau wie du - Remastered
118 bpm • F# Maj • 03:44 • -5.33db
24% Popularity • 63% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 63% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Black
Sand in deinen Augen
116 bpm • C Maj • 04:01 • -12.3db
28% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Andreas Fulterer
Tausend Träume weit (Tornerò)
116 bpm • B Maj • 04:24 • -2.86db
21% Popularity • 62% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 62% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Diana Sorbello
Ich fange nie mehr was an einem Sonntag ...
116 bpm • A# Maj • 03:10 • -8db
37% Popularity • 76% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 76% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Christian Lais
Dein Kapitel im Tagebuch
118 bpm • G Maj • 03:30 • -5.95db
34% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Kastelruther Spatzen
Feuervogel flieg
116 bpm • D Maj • 03:23 • -7.48db
34% Popularity • 76% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 76% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Tanja Lasch
Er hat mich geliebt - Lampenlied Mix
118 bpm • C Maj • 03:42 • -3db
28% Popularity • 74% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 74% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Roy Black
Wie ein Stern am Horizont
118 bpm • E Maj • 03:06 • -8.05db
29% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Die Cappuccinos
Ich will ohne dich nicht nach Hause geh'...
118 bpm • E Maj • 03:48 • -4.32db
40% Popularity • 74% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 74% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Die Paldauer
Ich muss Dich wiederseh'n
116 bpm • B min • 03:37 • -6.27db
23% Popularity • 70% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 70% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Kristina Bach
Und die Erde steht still
118 bpm • A Maj • 03:39 • -8.48db
37% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Uwe Busse
Eine Lüge zuviel
118 bpm • G# Maj • 03:16 • -6.57db
30% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Klostertaler
Ha-le-lu-ja
118 bpm • F Maj • 03:19 • -5.43db
32% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Gottfried Würcher
Ich kam grad heim, als sie ging
118 bpm • C Maj • 03:03 • -6.21db
31% Popularity • 74% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 74% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Drafi Deutscher
Welche Farbe hat die Welt - Version 1987
118 bpm • C Maj • 04:25 • -13db
31% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Rosanna Rocci
Un Anno D'Amore
118 bpm • A# min • 03:25 • -4.5db
32% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Wencke Myhre
Oh No No
116 bpm • F# Maj • 03:57 • -8db
23% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Orloff
Bettler und Prinz
119 bpm • A Maj • 02:35 • -4.3db
14% Popularity • 70% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 70% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Bata Illic
Schwarze Madonna
115 bpm • G# Maj • 03:18 • -13db
36% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Roger Whittaker
Eloisa
115 bpm • A# Maj • 03:29 • -7.34db
40% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Nicki
Weil i immer no an Engerl glaub
119 bpm • A Maj • 03:53 • -15.07db
38% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Bernd Clüver
Mexican Girl
115 bpm • C Maj • 03:32 • -6.98db
31% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Wencke Myhre
Lass mein Knie, Joe
118 bpm • C Maj • 03:14 • -9.38db
27% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Kristina Bach
Fliegst du mit mir zu den Sternen
115 bpm • C Maj • 03:53 • -4.59db
34% Popularity • 82% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 82% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Semino Rossi
Heute hab ich Zeit für dich
115 bpm • A# Maj • 03:59 • -5db
37% Popularity • 72% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 72% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Uwe Busse
Sommer '76 - Remastered
115 bpm • A Maj • 03:27 • -3db
31% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Nicki
Wenn d' Sehnsucht brennt
115 bpm • G Maj • 03:43 • -11db
23% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Patrick Lindner
Komm wir fahrn aufs weite Meer hinaus
119 bpm • G Maj • 03:07 • -2.97db
23% Popularity • 71% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 71% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Petra Frey
Du Kannst Nur Einmal Lieben
120 bpm • E Maj • 03:28 • -5.53db
32% Popularity • 75% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 75% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Bata Illic
Solange Ich Lebe
120 bpm • F Maj • 03:11 • -10.67db
33% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Rosanna Rocci
Lailola - dt. Version
120 bpm • E Maj • 03:49 • -6db
30% Popularity • 71% Danceability • 96% Energy • 82% Liveness
4% Instrumentalness • 96% Positiveness
30% Popularity • 71% Danceability • 96% Energy • 82% Liveness
4% Instrumentalness • 96% Positiveness
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Die Flippers
Hundertmal
120 bpm • D Maj • 02:58 • -3.93db
31% Popularity • 74% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 74% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Gaby Baginsky
Der Rum von Barbados
114 bpm • B min • 03:00 • -6db
28% Popularity • 78% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 78% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Michael Heck
Wie man Liebe buchstabiert
120 bpm • G# Maj • 03:37 • -6db
23% Popularity • 65% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 65% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Uwe Busse
Einfach Sehnsucht
120 bpm • A Maj • 03:06 • -6.19db
21% Popularity • 63% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 63% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Mara Kayser
Ich liebe Dich täglich mehr
120 bpm • C Maj • 03:13 • -8db
37% Popularity • 50% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 50% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Cora
Hunderttausend Rosen
120 bpm • C Maj • 03:52 • -9.59db
26% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Howard Carpendale
Hello Again - Club Version
120 bpm • B Maj • 03:22 • -4.58db
28% Popularity • 60% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 60% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Christian Franke
Doch schweigen werd ich nicht - Radio Ve...
120 bpm • G# Maj • 03:57 • -3db
25% Popularity • 61% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 61% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Semino Rossi
Muy Bien
120 bpm • F# Maj • 03:26 • -5db
40% Popularity • 65% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 65% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Uwe Busse
Wie buchstabiert man Zärtlichkeit
120 bpm • F min • 03:11 • -7.57db
26% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Orloff
War das schon alles
120 bpm • C# Maj • 03:34 • -4db
23% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Cora
Einen Sommer lang
120 bpm • A# Maj • 03:47 • -5db
25% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Christian Lais
Heissgeliebt - Radio
120 bpm • A# Maj • 03:13 • -3.68db
36% Popularity • 59% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 59% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Die Cappuccinos
Es ist das erste Mal
120 bpm • E Maj • 03:24 • -4db
46% Popularity • 79% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 79% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Kristina Bach
Küss mich, Küss mich
120 bpm • D# Maj • 04:04 • -4db
35% Popularity • 72% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 72% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Uwe Busse
Hausnummer 30
120 bpm • C Maj • 03:09 • -7db
22% Popularity • 57% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 57% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Die Paldauer
Bis ans Ende der Welt
114 bpm • B Maj • 03:10 • -4.99db
29% Popularity • 79% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 79% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Nicki
I sing nur für mei Leben gern
114 bpm • F# min • 03:28 • -5.41db
24% Popularity • 73% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 73% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Roger Whittaker
Wir sind jung (Oh Maria)
114 bpm • C Maj • 03:35 • -7db
36% Popularity • 60% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 60% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Lena Valaitis
Johnny Blue
114 bpm • F Maj • 03:01 • -9.18db
40% Popularity • 63% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 63% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Gaby Baginsky
Marigot Bay
120 bpm • C# Maj • 03:34 • -11.42db
14% Popularity • 58% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 58% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Uwe Busse
Liebe beginnt
120 bpm • D Maj • 03:30 • -8db
18% Popularity • 62% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 62% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Michelle
Dein Püppchen tanzt nicht mehr
120 bpm • G# Maj • 03:42 • -3.96db
46% Popularity • 76% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 76% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Die Flippers
Die rote Sonne von Barbados
120 bpm • A# Maj • 03:26 • -7db
48% Popularity • 64% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 64% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Nicole
Allein in Griechenland
120 bpm • G Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Christian Anders
Der Brief - Remastered 2005
120 bpm • D Maj • 03:44 • -7db
31% Popularity • 58% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 58% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Juliane Werding
Drei Jahre lang
121 bpm • C Maj • 03:57 • -9db
36% Popularity • 75% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 75% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Petra Frey
Liebst Du mich
121 bpm • E Maj • 03:21 • -3.51db
37% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Patrick Lindner
Gefühl ist eine Achterbahn - Version 20...
121 bpm • D Maj • 03:43 • -4.76db
25% Popularity • 74% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 74% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Die Flippers
Malaika
121 bpm • E Maj • 03:14 • -12db
47% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Christian Lais
Sie vergass zu verzeihn - Radio
121 bpm • F Maj • 03:30 • -4.9db
44% Popularity • 63% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 63% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Semino Rossi
Das verflixte 7. Jahr
121 bpm • F Maj • 03:12 • -5.16db
36% Popularity • 70% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 70% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Nicki
Wenn i mit dir tanz
113 bpm • G# Maj • 03:34 • -5.07db
46% Popularity • 55% Danceability • 97% Energy • 5% Liveness
22% Instrumentalness • 87% Positiveness
46% Popularity • 55% Danceability • 97% Energy • 5% Liveness
22% Instrumentalness • 87% Positiveness
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Petra Frey
Prinzessin Blue
113 bpm • G Maj • 03:38 • -3.29db
27% Popularity • 64% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 64% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Andreas Fulterer
Donna Blue (Neuaufnahme)
113 bpm • F Maj • 03:53 • -6db
33% Popularity • 65% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 65% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Die Flippers
Mexico
121 bpm • A Maj • 03:16 • -4.75db
34% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Roger Whittaker
Das Lied von Aragon
122 bpm • C Maj • 04:34 • -6.22db
36% Popularity • 65% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 65% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Mara Kayser
Ich wünsch Dir alles Gute
113 bpm • A Maj • 02:53 • -6db
39% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Nicki
I bin a bayrisches Cowgirl
112 bpm • B Maj • 03:58 • -8.82db
36% Popularity • 58% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
36% Popularity • 58% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Freudenberg & Lais
Die Augen eines Spielers
122 bpm • G Maj • 04:24 • -4.26db
20% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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KLUBBB3
Paris Paris Paris
122 bpm • B min • 03:36 • -4db
30% Popularity • 74% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 74% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Die Flippers
Der Hit-auf-Hit-Party-Mix
121 bpm • A Maj • 06:29 • -5.75db
32% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Roy Black
Rosenzeit
122 bpm • B min • 03:08 • -7db
36% Popularity • 68% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 68% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Die Cappuccinos
Boom Boom Bailando
122 bpm • C Maj • 02:57 • -3.74db
38% Popularity • 70% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 70% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Christian Lais
Als sie ging - Radio
122 bpm • A Maj • 03:54 • -2.09db
24% Popularity • 56% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 56% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Christian Franke
Lass sie nie wieder los - Radio Version
122 bpm • G# Maj • 04:06 • -4.01db
37% Popularity • 66% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 66% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Semino Rossi
Komm' und küss mich Corazon
122 bpm • G# Maj • 03:09 • -2.78db
35% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Roger Whittaker
Wenn es dich noch gibt
122 bpm • F Maj • 03:33 • -9.73db
39% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Bernd Clüver
Der Junge mit der Mundharmonika ('94er V...
112 bpm • D Maj • 03:16 • -9.41db
45% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Rex Gildo
Wenn Du mich brauchst - Neuaufnahme
122 bpm • C Maj • 04:12 • -8db
31% Popularity • 76% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 76% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Jürgen Marcus
Auf dem Karussell
122 bpm • D Maj • 03:13 • -6db
30% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Linda Feller
Minuten im Fieber
112 bpm • D Maj • 03:01 • -8db
33% Popularity • 77% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 77% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Leonard
Doreen
112 bpm • A Maj • 03:05 • -7db
36% Popularity • 70% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 70% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Uwe Busse
Zärtlicher Tyrann - Remastered
112 bpm • B Maj • 03:27 • -4.18db
34% Popularity • 64% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 64% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Howard Carpendale
Samstag Nacht
112 bpm • G Maj • 03:45 • -11db
46% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness