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Man Against Beast
Songs like
Man Against Beast - From "Jaws"
by
John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
53% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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John Williams
Lumos! (Hedwig's Theme)
134 bpm • E min • 01:38 • -30.11db
50% Popularity • 22% Danceability • 4% Energy • 7% Liveness
40% Instrumentalness • 9% Positiveness
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Rob Lane
Arthur Asked to Lead
134 bpm • G Maj • 01:26 • -21.24db
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Don Davis
Isla Sorna Sailing Situation
135 bpm • C# min • 04:23 • -12.79db
23% Popularity • 16% Danceability • 35% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
45% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Tyler
Thor, Son of Odin
136 bpm • D Maj • 01:52 • -11.39db
36% Popularity • 23% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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John Williams
Scherzo for X-Wings
136 bpm • D min • 02:32 • -10db
33% Popularity • 37% Danceability • 43% Energy • 36% Liveness
84% Instrumentalness • 33% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Thomas Newman
Wall-E
136 bpm • A# Maj • 01:59 • -19db
41% Popularity • 77% Danceability • 26% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
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John Barry
The John Dunbar Theme
136 bpm • D# Maj • 02:17 • -24.51db
54% Popularity • 15% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Rupert Gregson-Williams
Pretty Corny
131 bpm • A min • 01:44 • -30.01db
46% Popularity • 17% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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John Williams
The Jedi Steps and Finale
134 bpm • G min • 08:51 • -12.99db
39% Popularity • 23% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Trevor Rabin
The Chase
131 bpm • A Maj • 04:22 • -13db
24% Popularity • 36% Danceability • 66% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Jerry Goldsmith
Star Trek - The Motion Picture: Main Tit...
131 bpm • C Maj • 04:05 • -15db
30% Popularity • 29% Danceability • 30% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Dave Grusin
Water Slide And Galleon
137 bpm • F Maj • 01:38 • -10.71db
28% Popularity • 39% Danceability • 40% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Mychael Danna
Critter Problem
131 bpm • C# Maj • 01:04 • -19.58db
38% Popularity • 68% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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The Intermezzo Orchestra
E.T. (Main Theme)
131 bpm • C Maj • 05:03 • -14db
14% Popularity • 25% Danceability • 30% Energy • 32% Liveness
88% Instrumentalness • 6% Positiveness
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John Williams
Raiders March
132 bpm • C Maj • 05:05 • -13db
54% Popularity • 42% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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Mark Mancina
Twister
131 bpm • C Maj • 04:43 • -17db
23% Popularity • 16% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Kamen
The Eye Of The Storm
138 bpm • E min • 02:31 • -13.3db
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Reign of the Targaryens
130 bpm • G# Maj • 01:31 • -11.67db
49% Popularity • 28% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Murray Gold
Vale Decem
138 bpm • F# Maj • 03:19 • -12.07db
41% Popularity • 18% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Jóhann Jóhannsson
Rowing
138 bpm • G min • 01:42 • -18db
55% Popularity • 60% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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David Newman
Tigers Going For Baby
130 bpm • G Maj • 03:12 • -10.4db
31% Popularity • 45% Danceability • 53% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
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John Williams
Reunion of Friends
130 bpm • D Maj • 05:08 • -20db
49% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Randy Newman
Boo's Going Home
138 bpm • B Maj • 03:33 • -19.76db
39% Popularity • 26% Danceability • 10% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Thomas Newman
The Axiom
138 bpm • F Maj • 02:24 • -11.73db
33% Popularity • 17% Danceability • 25% Energy • 23% Liveness
79% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Quidditch World Cup
130 bpm • G# Maj • 01:51 • -14.54db
47% Popularity • 39% Danceability • 54% Energy • 38% Liveness
68% Instrumentalness • 36% Positiveness
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Carl Orff
O Fortuna from Carmina Burana - Vocal
139 bpm • A# Maj • 02:38 • -18.17db
42% Popularity • 32% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 65% Positiveness
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Ramin Djawadi
Blood of My Blood
130 bpm • A# min • 03:35 • -12.69db
48% Popularity • 44% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Alan Silvestri
Night At The Museum
129 bpm • G# Maj • 02:35 • -16.84db
44% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
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Royal Liverpool Philharmonic Orchestra
Main Title Theme
129 bpm • C Maj • 05:12 • -15.7db
3% Popularity • 21% Danceability • 27% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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John Williams
The Quidditch Match
139 bpm • C# Maj • 08:28 • -17.98db
47% Popularity • 27% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Blake Neely
The Fastest Man Alive (Always Late)
129 bpm • A Maj • 03:05 • -17.13db
40% Popularity • 27% Danceability • 30% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Professor Umbridge
140 bpm • E min • 02:32 • -17.34db
47% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
42% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Ramin Djawadi
King Of The North
128 bpm • C min • 01:28 • -17.51db
51% Popularity • 17% Danceability • 10% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Mychael Danna
Homecoming
141 bpm • E Maj • 01:24 • -21db
37% Popularity • 16% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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John Williams
Diagon Alley and the Gringotts Vault
129 bpm • F min • 04:06 • -27.24db
50% Popularity • 28% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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William Ross
Main Title / Prologue
126 bpm • E min • 02:38 • -22db
24% Popularity • 49% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 35% Positiveness
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Ramin Djawadi
Goodbye Brother
127 bpm • D# Maj • 03:07 • -28.04db
55% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Patrick Doyle
Death of Cedric
143 bpm • B min • 01:56 • -23.1db
45% Popularity • 14% Danceability • 11% Energy • 21% Liveness
98% Instrumentalness • 4% Positiveness
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John Williams
The Invisibility Cloak and the Library S...
127 bpm • D Maj • 03:15 • -34.21db
45% Popularity • 18% Danceability • 3% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Rachel Portman
End Credits - Instrumental
141 bpm • C Maj • 04:35 • -19.18db
39% Popularity • 14% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Henry Jackman
A Thief's End
125 bpm • G min • 01:54 • -16db
47% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Back for Beskar
125 bpm • F# min • 02:25 • -20.01db
35% Popularity • 30% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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William Ross
Once Upon a Time
125 bpm • F Maj • 02:30 • -19.82db
24% Popularity • 17% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
46% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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John Williams
The Chess Game
125 bpm • E min • 03:48 • -23.96db
44% Popularity • 36% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Patrick Doyle
The Story Continues
124 bpm • C Maj • 01:29 • -16.32db
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
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Henry Jackman
Civil War
144 bpm • F Maj • 04:25 • -12.63db
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Mhysa
144 bpm • D min • 03:54 • -14.34db
54% Popularity • 22% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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Dario Marianelli
One Orange At A Time
123 bpm • B min • 03:03 • -18.25db
17% Popularity • 54% Danceability • 17% Energy • 11% Liveness
72% Instrumentalness • 34% Positiveness
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John Williams
Kylo Ren Arrives at the Battle
123 bpm • A Maj • 02:01 • -15db
44% Popularity • 24% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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John Ottman
Main Theme
124 bpm • A min • 00:56 • -10db
36% Popularity • 38% Danceability • 60% Energy • 53% Liveness
82% Instrumentalness • 17% Positiveness
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Ramin Djawadi
Finale
145 bpm • D Maj • 02:31 • -13.97db
46% Popularity • 20% Danceability • 60% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Tyler Bates
Guardians of the Frickin' Galaxy
146 bpm • C Maj • 00:59 • -10db
39% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
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George Fenton
Leaping Penguins
123 bpm • D Maj • 01:28 • -16db
35% Popularity • 36% Danceability • 26% Energy • 27% Liveness
68% Instrumentalness • 16% Positiveness
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Basil Poledouris
Drive Montage
123 bpm • A# Maj • 01:06 • -16.46db
35% Popularity • 38% Danceability • 34% Energy • 29% Liveness
50% Instrumentalness • 5% Positiveness
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John Williams
Prologue
146 bpm • D min • 02:10 • -29.48db
61% Popularity • 18% Danceability • 2% Energy • 64% Liveness
45% Instrumentalness • 8% Positiveness
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John Ottman
Operation Valkyrie
146 bpm • F Maj • 05:10 • -21.81db
17% Popularity • 30% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
45% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Julian Nott
Bless You, Anti-Pesto
147 bpm • G# Maj • 01:56 • -18.59db
15% Popularity • 34% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Rob Lane
The Witch's Threat
147 bpm • D min • 02:00 • -25.43db
35% Popularity • 13% Danceability • 6% Energy • 26% Liveness
91% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Henry Mancini
The Great Mouse Detective
122 bpm • F Maj • 03:32 • -21db
26% Popularity • 48% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
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John Ottman
The Future - Main Titles
122 bpm • D Maj • 02:44 • -17db
31% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Williams
Main Title and Escape
149 bpm • A# Maj • 07:25 • -10.51db
30% Popularity • 20% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Bear McCreary
Tales from the Galaxy's Edge End Credits
120 bpm • D# min • 02:37 • -15.33db
24% Popularity • 32% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Light of the Seven
120 bpm • C min • 09:49 • -16.84db
59% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
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Dario Marianelli
Race To Paddington Station
120 bpm • F min • 01:34 • -17.64db
17% Popularity • 66% Danceability • 47% Energy • 13% Liveness
28% Instrumentalness • 52% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
45% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
The Village Of Dor
149 bpm • G Maj • 02:17 • -18.64db
13% Popularity • 28% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 26% Positiveness
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Randy Newman
McQueen and Sally
120 bpm • D Maj • 01:59 • -13.99db
49% Popularity • 40% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 15% Positiveness
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Julian Nott
Wallace & Gromit
120 bpm • C Maj • 01:08 • -12.56db
37% Popularity • 72% Danceability • 64% Energy • 20% Liveness
18% Instrumentalness • 96% Positiveness
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Ramin Djawadi
The Last of the Starks
120 bpm • C min • 04:52 • -14.64db
50% Popularity • 17% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Murray Gold
A Good Man? - Twelve's Theme
120 bpm • A min • 07:33 • -11db
36% Popularity • 38% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Kevin Kiner
Enter the Bad Batch
120 bpm • C# Maj • 01:40 • -8.27db
37% Popularity • 41% Danceability • 50% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
► Preview
Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
50% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Julian Nott
A Grand Day Out
120 bpm • F Maj • 01:54 • -11db
27% Popularity • 59% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
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Nicholas Britell
Andor (Main Title Theme) - Episode 1
150 bpm • A Maj • 01:17 • -14.79db
42% Popularity • 19% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Murray Gold
This Is Gallifrey: Our Childhood. Our Ho...
120 bpm • F min • 03:17 • -7.88db
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Alexandre Desplat
Obliviate
150 bpm • C Maj • 03:02 • -19db
50% Popularity • 29% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Kiner
Ahsoka - End Credits
120 bpm • E min • 03:43 • -13.82db
39% Popularity • 20% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Williams
Visit to the Zoo and Letters from Hogwar...
150 bpm • A min • 03:23 • -29db
49% Popularity • 16% Danceability • 3% Energy • 28% Liveness
71% Instrumentalness • 7% Positiveness
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Mychael Danna
Run With the Herd
120 bpm • D Maj • 03:51 • -13.9db
26% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
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Murray Gold
The Mad Man With A Box
120 bpm • F Maj • 02:11 • -15db
36% Popularity • 40% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 5% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
► Preview
Steve Jablonsky
The All Spark
150 bpm • D min • 03:34 • -17db
50% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
► Preview
George Fenton
Crippled Belle: The Landing
151 bpm • C# min • 03:32 • -20.31db
21% Popularity • 12% Danceability • 11% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Man Against Beast