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Man Alive
Songs like
Man Alive
by
Diesel
Based on a tempo of (+/- 10%) and a similar genre
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
30% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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The Badloves
Sugar Daddy
112 bpm • B min • 06:15 • -13.09db
15% Popularity • 51% Danceability • 38% Energy • 8% Liveness
15% Instrumentalness • 69% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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INXS
Shine Like It Does
113 bpm • D Maj • 03:05 • -5.59db
37% Popularity • 65% Danceability • 66% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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The Saints
The Music Goes Round My Head
111 bpm • D Maj • 03:45 • -13.37db
27% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Thirsty Merc
Emancipate Myself
111 bpm • B Maj • 04:11 • -3.72db
28% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
48% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Sharon O'Neill
Losing You
113 bpm • C# min • 04:01 • -10.37db
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Rose Tattoo
We Can't Be Beaten
113 bpm • E Maj • 03:04 • -8.14db
40% Popularity • 56% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Flowers
Sister
113 bpm • D Maj • 03:23 • -6db
32% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Australian Crawl
Waiting - Remastered
111 bpm • D min • 03:53 • -6.26db
28% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Pseudo Echo
Don't Go
113 bpm • G min • 03:57 • -4.41db
29% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
37% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Taxiride
Can You Feel
114 bpm • G# Maj • 03:17 • -7db
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
26% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Kids In The Kitchen
Shine
114 bpm • A# min • 05:25 • -13db
16% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Kate Ceberano
I Won't Let You Down
110 bpm • D min • 04:31 • -7db
20% Popularity • 68% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
29% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Eurogliders
Groove
110 bpm • F# Maj • 04:19 • -8.73db
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Christine Anu
Party
110 bpm • B Maj • 03:14 • -8db
35% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Chocolate Starfish
Accidentally Cool
114 bpm • D# Maj • 03:56 • -5.7db
11% Popularity • 30% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
29% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
43% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Baby Animals
Working For The Enemy
115 bpm • D# min • 04:30 • -4db
20% Popularity • 27% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Choirboys
Never Gonna Die
115 bpm • E Maj • 04:01 • -7.91db
28% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
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Diesel
Save A Little Lovin'
115 bpm • G Maj • 04:27 • -9.67db
8% Popularity • 70% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Barnes
I'd Die To Be With You Tonight - New Ve...
115 bpm • A Maj • 04:09 • -2.04db
19% Popularity • 64% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
35% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Noiseworks
River Of Tears
115 bpm • B Maj • 05:17 • -13.27db
20% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
45% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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GANGgajang
House Of Cards
115 bpm • A min • 02:44 • -9db
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
42% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
44% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
41% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
21% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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MATT MOFFITT
Miss This Tonight
116 bpm • F Maj • 04:44 • -17.27db
19% Popularity • 73% Danceability • 43% Energy • 29% Liveness
43% Instrumentalness • 55% Positiveness
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INXS
Burn For You
116 bpm • G Maj • 04:57 • -8.17db
44% Popularity • 80% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
25% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Wendy Matthews
Friday's Child
108 bpm • A# Maj • 04:00 • -12.23db
24% Popularity • 68% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Split Enz
Dirty Creature
108 bpm • E min • 04:02 • -6db
36% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Deborah Conway
Under My Skin
116 bpm • D min • 03:34 • -10db
20% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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1927
Nothing In The Universe
116 bpm • G Maj • 04:06 • -5db
22% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
52% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
36% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Noiseworks
Touch
116 bpm • G Maj • 05:03 • -9.53db
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
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Diesel
One Thing After Another
116 bpm • G Maj • 05:03 • -9.73db
7% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
36% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
40% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Models
Let's Kiss
117 bpm • D min • 03:31 • -8db
25% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
27% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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John Swan
If I Were A Carpenter
107 bpm • G Maj • 03:30 • -6.95db
27% Popularity • 51% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 39% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
51% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Wendy Matthews
Let's Kiss (Like Angels Do)
118 bpm • A# Maj • 03:29 • -10.65db
30% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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James Reyne
Motor's Too Fast
118 bpm • A min • 04:13 • -11.48db
43% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
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Johnny Diesel & The Injectors
Fire Without A Flame
118 bpm • F Maj • 04:17 • -13.84db
26% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Boom Crash Opera
Talk About It
106 bpm • B min • 04:03 • -4.68db
15% Popularity • 38% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
31% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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1927
It Ain't Love
106 bpm • E Maj • 04:05 • -8db
20% Popularity • 56% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 75% Positiveness
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Eurogliders
Absolutely
106 bpm • D min • 04:38 • -15.05db
25% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
37% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Diesel
There's A Love
118 bpm • A Maj • 04:29 • -6.61db
8% Popularity • 73% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Boom Crash Opera
This Isn't Love
106 bpm • A Maj • 03:30 • -4db
14% Popularity • 56% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
33% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
40% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Girl Overboard
I Can't Believe
119 bpm • E Maj • 04:16 • -5.95db
11% Popularity • 59% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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1927
Don't Forget Me
105 bpm • D Maj • 04:39 • -11.41db
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jenny Morris
Self Deceiver
105 bpm • C Maj • 03:32 • -9.09db
20% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Boom Crash Opera
Get Out Of The House
119 bpm • C Maj • 03:20 • -4.96db
29% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Richard Clapton
Glory Road - Original
105 bpm • A min • 04:32 • -16.24db
25% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Southern Sons
Lead Me to Water
119 bpm • C# Maj • 04:32 • -8.74db
20% Popularity • 61% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Noiseworks
Miles And Miles
105 bpm • C min • 04:15 • -8.36db
21% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Models
Cold Fever
105 bpm • F Maj • 03:29 • -11.74db
25% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
43% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Diesel
Dig
105 bpm • E Maj • 04:52 • -5.35db
23% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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The Badloves
Barefoot Bride
120 bpm • A min • 04:13 • -9.36db
23% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Bachelor Girl
Lucky Me
120 bpm • B Maj • 04:30 • -6db
26% Popularity • 58% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Dave Dobbyn
Outlook for Thursday - 2009 Version
120 bpm • E Maj • 04:26 • -5.96db
30% Popularity • 60% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Diesel
Satellite
120 bpm • C Maj • 03:46 • -4.49db
9% Popularity • 52% Danceability • 95% Energy • 39% Liveness
16% Instrumentalness • 36% Positiveness
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Company Of Strangers
Motor City (I Get Lost)
120 bpm • C# Maj • 04:40 • -4db
24% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Bad Azz Becky
Street Life
120 bpm • F# min • 04:20 • -6.68db
1% Popularity • 56% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Eurogliders
Can't Wait To See You
120 bpm • G# Maj • 04:14 • -16.4db
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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James Reyne
Hammerhead
120 bpm • F min • 04:46 • -11.55db
40% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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DD Smash
She Loves Me Back
120 bpm • G Maj • 04:10 • -11.89db
20% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Man Alive