Songs like Man in the Moon by Yellowjackets
Based on a tempo of (+/- 10%) and a similar genre
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Scott Henderson
Mysterious Traveller
96 bpm • C# Maj • 06:58 • -8.27db
9% Popularity • 50% Danceability • 84% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
9% Popularity • 50% Danceability • 84% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
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The Chick Corea New Trio
Fingerprints
96 bpm • C# Maj • 05:18 • -18db
34% Popularity • 34% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
34% Popularity • 34% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
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The Funky Knuckles
Wise Willis
96 bpm • G min • 08:48 • -7.37db
22% Popularity • 63% Danceability • 59% Energy • 26% Liveness
20% Instrumentalness • 49% Positiveness
22% Popularity • 63% Danceability • 59% Energy • 26% Liveness
20% Instrumentalness • 49% Positiveness
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Alain Caron
The Bump
96 bpm • C# Maj • 05:38 • -9.2db
13% Popularity • 38% Danceability • 59% Energy • 5% Liveness
93% Instrumentalness • 76% Positiveness
13% Popularity • 38% Danceability • 59% Energy • 5% Liveness
93% Instrumentalness • 76% Positiveness
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Phillip Doc Martin
Funky Lovin'
96 bpm • C# Maj • 03:44 • -7.12db
27% Popularity • 72% Danceability • 60% Energy • 7% Liveness
11% Instrumentalness • 78% Positiveness
27% Popularity • 72% Danceability • 60% Energy • 7% Liveness
11% Instrumentalness • 78% Positiveness
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John Patitucci
Messaien's Gumbo
96 bpm • A# min • 05:28 • -17.58db
27% Popularity • 70% Danceability • 21% Energy • 4% Liveness
81% Instrumentalness • 72% Positiveness
27% Popularity • 70% Danceability • 21% Energy • 4% Liveness
81% Instrumentalness • 72% Positiveness
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Victor Bailey
Lucky Punch
96 bpm • C# Maj • 06:48 • -8.88db
16% Popularity • 73% Danceability • 66% Energy • 10% Liveness
5% Instrumentalness • 61% Positiveness
16% Popularity • 73% Danceability • 66% Energy • 10% Liveness
5% Instrumentalness • 61% Positiveness
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Snarky Puppy
Grown Folks
96 bpm • C# Maj • 07:57 • -7.39db
33% Popularity • 64% Danceability • 80% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
33% Popularity • 64% Danceability • 80% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
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Gary Willis
Everything's Cool
96 bpm • A# min • 04:46 • -16.13db
12% Popularity • 61% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 63% Positiveness
12% Popularity • 61% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 63% Positiveness
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Jeff Berlin
Nardis
96 bpm • C Maj • 05:02 • -20.8db
8% Popularity • 43% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
8% Popularity • 43% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Yellowjackets
Man in the Moon
96 bpm • C Maj • 04:37 • -12.47db
17% Popularity • 69% Danceability • 42% Energy • 12% Liveness
85% Instrumentalness • 82% Positiveness
17% Popularity • 69% Danceability • 42% Energy • 12% Liveness
85% Instrumentalness • 82% Positiveness
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Bob Berg
In The Shadows
96 bpm • D min • 05:15 • -7.9db
11% Popularity • 60% Danceability • 63% Energy • 5% Liveness
58% Instrumentalness • 60% Positiveness
11% Popularity • 60% Danceability • 63% Energy • 5% Liveness
58% Instrumentalness • 60% Positiveness
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Stanley Jordan
The Lady In My Life
95 bpm • A# min • 06:26 • -20.14db
32% Popularity • 53% Danceability • 37% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
32% Popularity • 53% Danceability • 37% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Weather Report
Cucumber Slumber
95 bpm • G# min • 08:20 • -11.52db
34% Popularity • 62% Danceability • 69% Energy • 20% Liveness
8% Instrumentalness • 94% Positiveness
34% Popularity • 62% Danceability • 69% Energy • 20% Liveness
8% Instrumentalness • 94% Positiveness
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Paul Brown
Blues for Jeff
97 bpm • A# min • 03:43 • -7.74db
43% Popularity • 76% Danceability • 57% Energy • 7% Liveness
59% Instrumentalness • 69% Positiveness
43% Popularity • 76% Danceability • 57% Energy • 7% Liveness
59% Instrumentalness • 69% Positiveness
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Ahmad Jamal
One
97 bpm • A min • 07:18 • -20.16db
26% Popularity • 59% Danceability • 38% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
26% Popularity • 59% Danceability • 38% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
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The Funky Knuckles
Franky 2
95 bpm • G min • 00:50 • -8.75db
29% Popularity • 76% Danceability • 69% Energy • 31% Liveness
81% Instrumentalness • 78% Positiveness
29% Popularity • 76% Danceability • 69% Energy • 31% Liveness
81% Instrumentalness • 78% Positiveness
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Gary Burton
Reunion
95 bpm • G min • 05:15 • -19.03db
33% Popularity • 55% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
33% Popularity • 55% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
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Adam Nitti
Skitzo
95 bpm • D Maj • 05:58 • -8.19db
8% Popularity • 39% Danceability • 80% Energy • 8% Liveness
75% Instrumentalness • 55% Positiveness
8% Popularity • 39% Danceability • 80% Energy • 8% Liveness
75% Instrumentalness • 55% Positiveness
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The Omar Hakim Experience
So There
95 bpm • D min • 05:25 • -9.94db
11% Popularity • 58% Danceability • 76% Energy • 5% Liveness
84% Instrumentalness • 74% Positiveness
11% Popularity • 58% Danceability • 76% Energy • 5% Liveness
84% Instrumentalness • 74% Positiveness
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Paul Jackson, Jr.
Jazz Police
97 bpm • B min • 04:45 • -7.3db
15% Popularity • 65% Danceability • 73% Energy • 12% Liveness
73% Instrumentalness • 83% Positiveness
15% Popularity • 65% Danceability • 73% Energy • 12% Liveness
73% Instrumentalness • 83% Positiveness
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Dave Weckl Band
Access Denied
97 bpm • F# min • 04:00 • -11.22db
25% Popularity • 29% Danceability • 88% Energy • 14% Liveness
81% Instrumentalness • 66% Positiveness
25% Popularity • 29% Danceability • 88% Energy • 14% Liveness
81% Instrumentalness • 66% Positiveness
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Yellowjackets
Boomtown
97 bpm • G# Maj • 05:34 • -8.56db
11% Popularity • 51% Danceability • 73% Energy • 72% Liveness
18% Instrumentalness • 82% Positiveness
11% Popularity • 51% Danceability • 73% Energy • 72% Liveness
18% Instrumentalness • 82% Positiveness
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Valeriy Stepanov
Catching the Sunset
98 bpm • C# min • 06:45 • -12.49db
19% Popularity • 34% Danceability • 57% Energy • 8% Liveness
77% Instrumentalness • 19% Positiveness
19% Popularity • 34% Danceability • 57% Energy • 8% Liveness
77% Instrumentalness • 19% Positiveness
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Kevin Eubanks
Opening Nights
95 bpm • F Maj • 04:02 • -16.29db
13% Popularity • 45% Danceability • 50% Energy • 14% Liveness
6% Instrumentalness • 59% Positiveness
13% Popularity • 45% Danceability • 50% Energy • 14% Liveness
6% Instrumentalness • 59% Positiveness
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Ric Alexander & Levi Seacer Jr.
International Blvd.
94 bpm • F min • 06:22 • -4.7db
19% Popularity • 64% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 64% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Victor Bailey
Kid Logic
98 bpm • G min • 06:16 • -15.39db
14% Popularity • 64% Danceability • 47% Energy • 8% Liveness
25% Instrumentalness • 77% Positiveness
14% Popularity • 64% Danceability • 47% Energy • 8% Liveness
25% Instrumentalness • 77% Positiveness
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Weather Report
The Juggler
98 bpm • A# min • 05:02 • -16.69db
29% Popularity • 48% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 48% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Yellowjackets
New Rochelle
94 bpm • A# min • 06:09 • -10.63db
17% Popularity • 69% Danceability • 40% Energy • 8% Liveness
67% Instrumentalness • 42% Positiveness
17% Popularity • 69% Danceability • 40% Energy • 8% Liveness
67% Instrumentalness • 42% Positiveness
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Jeff Berlin
Clinton Country
94 bpm • G Maj • 03:56 • -27.51db
11% Popularity • 34% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
11% Popularity • 34% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Jeff Golub
Hello Betty
98 bpm • A# min • 03:50 • -5.73db
30% Popularity • 67% Danceability • 78% Energy • 2% Liveness
63% Instrumentalness • 83% Positiveness
30% Popularity • 67% Danceability • 78% Energy • 2% Liveness
63% Instrumentalness • 83% Positiveness
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Bob Reynolds
Feedback
98 bpm • C# Maj • 05:30 • -5db
14% Popularity • 69% Danceability • 88% Energy • 8% Liveness
86% Instrumentalness • 76% Positiveness
14% Popularity • 69% Danceability • 88% Energy • 8% Liveness
86% Instrumentalness • 76% Positiveness
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Adam Nitti
Roofquake
98 bpm • A Maj • 05:54 • -10.48db
17% Popularity • 65% Danceability • 65% Energy • 5% Liveness
79% Instrumentalness • 84% Positiveness
17% Popularity • 65% Danceability • 65% Energy • 5% Liveness
79% Instrumentalness • 84% Positiveness
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Tom Scott And The L.A. Express
Only You
94 bpm • F# Maj • 04:45 • -13.09db
13% Popularity • 69% Danceability • 38% Energy • 8% Liveness
70% Instrumentalness • 71% Positiveness
13% Popularity • 69% Danceability • 38% Energy • 8% Liveness
70% Instrumentalness • 71% Positiveness
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Yellowjackets
Top Secret
94 bpm • B Maj • 06:10 • -14.35db
19% Popularity • 71% Danceability • 69% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
19% Popularity • 71% Danceability • 69% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
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Snarky Puppy
Tarova
94 bpm • C Maj • 03:39 • -7.14db
41% Popularity • 60% Danceability • 82% Energy • 5% Liveness
86% Instrumentalness • 54% Positiveness
41% Popularity • 60% Danceability • 82% Energy • 5% Liveness
86% Instrumentalness • 54% Positiveness
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Tony Saunders
Just Letting Go
94 bpm • F Maj • 05:09 • -5.65db
18% Popularity • 74% Danceability • 77% Energy • 25% Liveness
91% Instrumentalness • 85% Positiveness
18% Popularity • 74% Danceability • 77% Energy • 25% Liveness
91% Instrumentalness • 85% Positiveness
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The Dave Weckl Band
Where's My Paradise?
98 bpm • G min • 04:52 • -19.83db
10% Popularity • 55% Danceability • 14% Energy • 7% Liveness
87% Instrumentalness • 8% Positiveness
10% Popularity • 55% Danceability • 14% Energy • 7% Liveness
87% Instrumentalness • 8% Positiveness
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Adam Nitti
The Seven Year Swing
98 bpm • G Maj • 06:46 • -9.07db
11% Popularity • 70% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 83% Positiveness
11% Popularity • 70% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 83% Positiveness
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Jazz Funk Soul
Raccoon
98 bpm • F min • 04:58 • -12.32db
14% Popularity • 80% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 68% Positiveness
14% Popularity • 80% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 68% Positiveness
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Bob Mintzer Big Band
Slo Funk
98 bpm • A# min • 04:55 • -14.62db
13% Popularity • 72% Danceability • 51% Energy • 2% Liveness
88% Instrumentalness • 78% Positiveness
13% Popularity • 72% Danceability • 51% Energy • 2% Liveness
88% Instrumentalness • 78% Positiveness
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Hiromi
Flashback
98 bpm • B min • 08:39 • -13.7db
26% Popularity • 33% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 55% Positiveness
26% Popularity • 33% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 55% Positiveness
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Gary Willis
Bowlegged
93 bpm • E min • 06:12 • -14db
17% Popularity • 73% Danceability • 33% Energy • 7% Liveness
81% Instrumentalness • 62% Positiveness
17% Popularity • 73% Danceability • 33% Energy • 7% Liveness
81% Instrumentalness • 62% Positiveness
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Scott Henderson
Mango Prom
99 bpm • G# min • 06:46 • -13.72db
16% Popularity • 51% Danceability • 52% Energy • 5% Liveness
3% Instrumentalness • 75% Positiveness
16% Popularity • 51% Danceability • 52% Energy • 5% Liveness
3% Instrumentalness • 75% Positiveness
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Adam Nitti
Liminal
98 bpm • D min • 06:26 • -6.55db
11% Popularity • 66% Danceability • 76% Energy • 30% Liveness
85% Instrumentalness • 62% Positiveness
11% Popularity • 66% Danceability • 76% Energy • 30% Liveness
85% Instrumentalness • 62% Positiveness
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Russell Ferrante
Sightseeing
93 bpm • D min • 05:56 • -13.03db
8% Popularity • 61% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
8% Popularity • 61% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Alain Caron
No Way
93 bpm • D Maj • 05:24 • -7.26db
27% Popularity • 62% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 67% Positiveness
27% Popularity • 62% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 67% Positiveness
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Yellowjackets
Everyone Else Is Taken
93 bpm • C# Maj • 06:00 • -10.88db
12% Popularity • 66% Danceability • 52% Energy • 7% Liveness
73% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 52% Energy • 7% Liveness
73% Instrumentalness • 51% Positiveness
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Gary Willis
It's Only Music
99 bpm • G# Maj • 07:12 • -13.54db
14% Popularity • 65% Danceability • 44% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
14% Popularity • 65% Danceability • 44% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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Paul Jackson, Jr.
Down the Road
93 bpm • C# Maj • 05:09 • -8.36db
26% Popularity • 68% Danceability • 56% Energy • 12% Liveness
39% Instrumentalness • 76% Positiveness
26% Popularity • 68% Danceability • 56% Energy • 12% Liveness
39% Instrumentalness • 76% Positiveness
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Weather Report
Young and Fine
93 bpm • C min • 06:54 • -12db
11% Popularity • 36% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 36% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Doug Johns
Blues Mfr
99 bpm • G Maj • 03:48 • -7.06db
22% Popularity • 81% Danceability • 74% Energy • 6% Liveness
72% Instrumentalness • 62% Positiveness
22% Popularity • 81% Danceability • 74% Energy • 6% Liveness
72% Instrumentalness • 62% Positiveness
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Steve Smith
Looks Bad, Feels Good
93 bpm • C Maj • 05:38 • -5.87db
10% Popularity • 62% Danceability • 84% Energy • 79% Liveness
23% Instrumentalness • 58% Positiveness
10% Popularity • 62% Danceability • 84% Energy • 79% Liveness
23% Instrumentalness • 58% Positiveness
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Los Lobotomys
Jorainbo
93 bpm • G Maj • 06:54 • -9.65db
11% Popularity • 61% Danceability • 66% Energy • 72% Liveness
55% Instrumentalness • 69% Positiveness
11% Popularity • 61% Danceability • 66% Energy • 72% Liveness
55% Instrumentalness • 69% Positiveness
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The Dave Weckl Band
High Life
100 bpm • A Maj • 07:46 • -9.11db
21% Popularity • 55% Danceability • 77% Energy • 15% Liveness
68% Instrumentalness • 88% Positiveness
21% Popularity • 55% Danceability • 77% Energy • 15% Liveness
68% Instrumentalness • 88% Positiveness
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Scott Henderson
Outskirts
92 bpm • B Maj • 05:48 • -14.88db
12% Popularity • 48% Danceability • 41% Energy • 9% Liveness
28% Instrumentalness • 52% Positiveness
12% Popularity • 48% Danceability • 41% Energy • 9% Liveness
28% Instrumentalness • 52% Positiveness
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Weather Report
Pearl on the Half-Shell
93 bpm • E Maj • 04:05 • -11.37db
21% Popularity • 59% Danceability • 72% Energy • 5% Liveness
33% Instrumentalness • 72% Positiveness
21% Popularity • 59% Danceability • 72% Energy • 5% Liveness
33% Instrumentalness • 72% Positiveness
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Yellowjackets
Dewey (For Miles)
92 bpm • C Maj • 05:40 • -13.41db
16% Popularity • 70% Danceability • 45% Energy • 6% Liveness
21% Instrumentalness • 55% Positiveness
16% Popularity • 70% Danceability • 45% Energy • 6% Liveness
21% Instrumentalness • 55% Positiveness
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Hiram Bullock
Shut Up
100 bpm • C# min • 04:09 • -10.1db
14% Popularity • 62% Danceability • 82% Energy • 7% Liveness
74% Instrumentalness • 45% Positiveness
14% Popularity • 62% Danceability • 82% Energy • 7% Liveness
74% Instrumentalness • 45% Positiveness
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Cristiano Parato
Ode To Joy/Black Market
100 bpm • F# min • 02:55 • -5.95db
23% Popularity • 72% Danceability • 62% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
23% Popularity • 72% Danceability • 62% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Dennis Chambers
Practice What You Preaching
100 bpm • G Maj • 04:51 • -8.17db
19% Popularity • 75% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
19% Popularity • 75% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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David Dyson
The Lion's Den
100 bpm • F Maj • 03:42 • -13.27db
20% Popularity • 75% Danceability • 73% Energy • 11% Liveness
82% Instrumentalness • 78% Positiveness
20% Popularity • 75% Danceability • 73% Energy • 11% Liveness
82% Instrumentalness • 78% Positiveness
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Alain Caron
Right After 4
100 bpm • G# Maj • 06:53 • -14.63db
27% Popularity • 60% Danceability • 64% Energy • 11% Liveness
43% Instrumentalness • 78% Positiveness
27% Popularity • 60% Danceability • 64% Energy • 11% Liveness
43% Instrumentalness • 78% Positiveness
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Bobby Lyle
Cool Walk
100 bpm • F Maj • 05:21 • -7.94db
11% Popularity • 72% Danceability • 73% Energy • 22% Liveness
63% Instrumentalness • 74% Positiveness
11% Popularity • 72% Danceability • 73% Energy • 22% Liveness
63% Instrumentalness • 74% Positiveness
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Pieces Of A Dream
Right Back Atcha
100 bpm • G Maj • 04:49 • -6.63db
29% Popularity • 71% Danceability • 78% Energy • 6% Liveness
12% Instrumentalness • 84% Positiveness
29% Popularity • 71% Danceability • 78% Energy • 6% Liveness
12% Instrumentalness • 84% Positiveness
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Fattburger
Anything's Possible
100 bpm • F# Maj • 04:31 • -8.9db
32% Popularity • 65% Danceability • 64% Energy • 6% Liveness
72% Instrumentalness • 70% Positiveness
32% Popularity • 65% Danceability • 64% Energy • 6% Liveness
72% Instrumentalness • 70% Positiveness
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Adam Nitti
The Strut
92 bpm • G Maj • 07:20 • -9.17db
11% Popularity • 65% Danceability • 58% Energy • 9% Liveness
64% Instrumentalness • 75% Positiveness
11% Popularity • 65% Danceability • 58% Energy • 9% Liveness
64% Instrumentalness • 75% Positiveness
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Uzeb
Uzeb Club
92 bpm • G Maj • 04:46 • -12.8db
15% Popularity • 66% Danceability • 62% Energy • 6% Liveness
78% Instrumentalness • 88% Positiveness
15% Popularity • 66% Danceability • 62% Energy • 6% Liveness
78% Instrumentalness • 88% Positiveness
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Alain Caron
Canuba
100 bpm • G# Maj • 05:47 • -13.33db
25% Popularity • 64% Danceability • 61% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
25% Popularity • 64% Danceability • 61% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
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Mark Lettieri
Barreleye
92 bpm • F# min • 03:12 • -6.59db
32% Popularity • 82% Danceability • 78% Energy • 14% Liveness
88% Instrumentalness • 64% Positiveness
32% Popularity • 82% Danceability • 78% Energy • 14% Liveness
88% Instrumentalness • 64% Positiveness
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Wayne Krantz
Music Room
92 bpm • C Maj • 04:50 • -14.4db
29% Popularity • 69% Danceability • 37% Energy • 8% Liveness
80% Instrumentalness • 66% Positiveness
29% Popularity • 69% Danceability • 37% Energy • 8% Liveness
80% Instrumentalness • 66% Positiveness
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Chuck Loeb
High Five
92 bpm • G min • 04:55 • -8.88db
43% Popularity • 59% Danceability • 49% Energy • 28% Liveness
52% Instrumentalness • 67% Positiveness
43% Popularity • 59% Danceability • 49% Energy • 28% Liveness
52% Instrumentalness • 67% Positiveness
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Hiram Bullock
Cactus
100 bpm • C Maj • 04:48 • -6db
14% Popularity • 62% Danceability • 86% Energy • 6% Liveness
92% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 86% Energy • 6% Liveness
92% Instrumentalness • 72% Positiveness
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Adam Nitti
Evidence
92 bpm • C Maj • 05:40 • -11db
13% Popularity • 66% Danceability • 48% Energy • 14% Liveness
85% Instrumentalness • 72% Positiveness
13% Popularity • 66% Danceability • 48% Energy • 14% Liveness
85% Instrumentalness • 72% Positiveness
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Hiromi
What Will Be, Will Be
100 bpm • C# Maj • 07:40 • -11.47db
15% Popularity • 55% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
15% Popularity • 55% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
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John Patitucci
Avenue D
92 bpm • A Maj • 04:11 • -14.81db
8% Popularity • 54% Danceability • 52% Energy • 35% Liveness
63% Instrumentalness • 55% Positiveness
8% Popularity • 54% Danceability • 52% Energy • 35% Liveness
63% Instrumentalness • 55% Positiveness
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Wayne Krantz
Signals
100 bpm • D Maj • 05:36 • -15.78db
30% Popularity • 52% Danceability • 71% Energy • 29% Liveness
88% Instrumentalness • 89% Positiveness
30% Popularity • 52% Danceability • 71% Energy • 29% Liveness
88% Instrumentalness • 89% Positiveness
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Paul Jackson, Jr.
B.F.A.M.(Brothers from Another Mother)
101 bpm • C Maj • 04:17 • -7.83db
16% Popularity • 70% Danceability • 73% Energy • 16% Liveness
26% Instrumentalness • 64% Positiveness
16% Popularity • 70% Danceability • 73% Energy • 16% Liveness
26% Instrumentalness • 64% Positiveness
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The John Scofield Band
Whatcha See Is Whatcha Get
91 bpm • E Maj • 05:53 • -10.34db
27% Popularity • 72% Danceability • 45% Energy • 7% Liveness
29% Instrumentalness • 74% Positiveness
27% Popularity • 72% Danceability • 45% Energy • 7% Liveness
29% Instrumentalness • 74% Positiveness
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Fourplay
101 Eastbound - 2021 Remastered
101 bpm • C# Maj • 05:56 • -11.81db
41% Popularity • 69% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
41% Popularity • 69% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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Chick Corea Elektric Band
Johnny's Landing
101 bpm • C Maj • 10:39 • -6.61db
10% Popularity • 38% Danceability • 83% Energy • 53% Liveness
5% Instrumentalness • 46% Positiveness
10% Popularity • 38% Danceability • 83% Energy • 53% Liveness
5% Instrumentalness • 46% Positiveness
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Cristiano Parato
Inside My Memory
101 bpm • A min • 04:13 • -6db
34% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
34% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
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Dave Weckl Band
Elements Of Surprise
101 bpm • F Maj • 05:40 • -10db
17% Popularity • 71% Danceability • 54% Energy • 37% Liveness
59% Instrumentalness • 65% Positiveness
17% Popularity • 71% Danceability • 54% Energy • 37% Liveness
59% Instrumentalness • 65% Positiveness
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Allan Holdsworth
Sand
91 bpm • C Maj • 05:25 • -12.46db
20% Popularity • 20% Danceability • 52% Energy • 12% Liveness
52% Instrumentalness • 21% Positiveness
20% Popularity • 20% Danceability • 52% Energy • 12% Liveness
52% Instrumentalness • 21% Positiveness
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Hiromi
Now or Never
101 bpm • D Maj • 06:14 • -14.55db
22% Popularity • 65% Danceability • 66% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
22% Popularity • 65% Danceability • 66% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Bob Berg
Kalimba
91 bpm • C min • 08:10 • -6.21db
13% Popularity • 61% Danceability • 65% Energy • 8% Liveness
73% Instrumentalness • 66% Positiveness
13% Popularity • 61% Danceability • 65% Energy • 8% Liveness
73% Instrumentalness • 66% Positiveness
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Pat Metheny
Lakes
91 bpm • D Maj • 04:43 • -16.75db
31% Popularity • 45% Danceability • 42% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
31% Popularity • 45% Danceability • 42% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Los Lobotomys
Big Bone
102 bpm • D Maj • 06:37 • -10.48db
13% Popularity • 51% Danceability • 64% Energy • 8% Liveness
84% Instrumentalness • 71% Positiveness
13% Popularity • 51% Danceability • 64% Energy • 8% Liveness
84% Instrumentalness • 71% Positiveness
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Weather Report
Mysterious Traveler
102 bpm • C# min • 07:19 • -12db
24% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Yellowjackets
Stick-To-It-Ive-Ness
102 bpm • C# Maj • 05:33 • -10.36db
15% Popularity • 47% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 66% Positiveness
15% Popularity • 47% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 66% Positiveness
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Wayne Krantz
As Is
91 bpm • G Maj • 03:31 • -25.14db
32% Popularity • 41% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
32% Popularity • 41% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Steve Gadd Band
Where's Earth?
102 bpm • D Maj • 04:14 • -12.8db
22% Popularity • 82% Danceability • 45% Energy • 8% Liveness
74% Instrumentalness • 79% Positiveness
22% Popularity • 82% Danceability • 45% Energy • 8% Liveness
74% Instrumentalness • 79% Positiveness
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Dave Weckl Band
The Zone
102 bpm • D Maj • 06:08 • -12db
27% Popularity • 65% Danceability • 71% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
27% Popularity • 65% Danceability • 71% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
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John Patitucci
Growing
102 bpm • C# Maj • 04:34 • -16.31db
13% Popularity • 51% Danceability • 61% Energy • 5% Liveness
90% Instrumentalness • 75% Positiveness
13% Popularity • 51% Danceability • 61% Energy • 5% Liveness
90% Instrumentalness • 75% Positiveness
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The John Scofield Band
Four On The Floor
90 bpm • F# min • 06:04 • -9.15db
23% Popularity • 85% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
23% Popularity • 85% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
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Tony Williams
Wildlife
90 bpm • G Maj • 05:18 • -14.85db
17% Popularity • 34% Danceability • 56% Energy • 12% Liveness
53% Instrumentalness • 38% Positiveness
17% Popularity • 34% Danceability • 56% Energy • 12% Liveness
53% Instrumentalness • 38% Positiveness
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Hiram Bullock
Window Shoppin'
102 bpm • G Maj • 05:22 • -7db
21% Popularity • 63% Danceability • 87% Energy • 17% Liveness
53% Instrumentalness • 70% Positiveness
21% Popularity • 63% Danceability • 87% Energy • 17% Liveness
53% Instrumentalness • 70% Positiveness
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Adam Nitti
The Good Foot
90 bpm • D Maj • 06:52 • -6.23db
11% Popularity • 61% Danceability • 71% Energy • 6% Liveness
82% Instrumentalness • 85% Positiveness
11% Popularity • 61% Danceability • 71% Energy • 6% Liveness
82% Instrumentalness • 85% Positiveness
