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Man Müsste Nochmal 20 Sein
Songs like
Man Müsste Nochmal 20 Sein
by
Willy Schneider
Based on a tempo of (+/- 10%) and a similar genre
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Lizzi Waldmoeller
Du hast Gluck bei den Frau'n Bel Ami
74 bpm • D# Maj • 03:09 • -8.62db
12% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Kölner Tanz & Unterhaltungsorchester
Mädi: Act II - " Mädi, mein süßes M�...
75 bpm • F Maj • 03:20 • -11.29db
0% Popularity • 29% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
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Gerd Böttcher
Oh, Billy Billy Black
73 bpm • G Maj • 02:10 • -14db
8% Popularity • 62% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Willy Schneider
Es ist nicht immer Sonntag
75 bpm • D Maj • 02:35 • -10.64db
0% Popularity • 42% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Der Montanara Chor
Es Löscht Das Meer Die Sonne Aus
75 bpm • C# Maj • 03:47 • -19.02db
20% Popularity • 22% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Gerhard Wendland
Zwei Matrosen aus Shanghai
73 bpm • C Maj • 03:02 • -8db
11% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Heinz Erhardt
Ach, Wenn Ich Doch Im Lotto
75 bpm • G Maj • 02:12 • -11db
16% Popularity • 49% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Günter Kallmann Chor
Toselli-Serenade
75 bpm • C Maj • 02:13 • -13.26db
12% Popularity • 40% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ralf Bendix
Sie hiess Mary Ann
73 bpm • A Maj • 02:38 • -9db
16% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
17% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Wiener Operettenorchester
Im Salzkammergut da kann man gut
76 bpm • C Maj • 02:07 • -9db
14% Popularity • 60% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 70% Positiveness
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Willy Schneider
Och, wat wor dat fröher schön doch en ...
72 bpm • G Maj • 04:10 • -4.71db
0% Popularity • 22% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Shantychor der Polizei
Rolling Home
76 bpm • A# Maj • 03:08 • -11.73db
12% Popularity • 29% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Stolz
Vor meinem Vaterhaus steht eine Linde
76 bpm • F Maj • 03:51 • -19.47db
13% Popularity • 20% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Carl Millöcker
Gasparone: "Ein in'tressantes Abenteuer"
76 bpm • F Maj • 02:07 • -16.55db
1% Popularity • 47% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Leo Fall
Die Kaiserin, Akt II: "Es ist gar allerl...
77 bpm • G# Maj • 03:02 • -10.28db
0% Popularity • 47% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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Trude Herr
Französisch sprechen kann ich fast gar ...
77 bpm • A# Maj • 02:19 • -11db
12% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Willy Schneider
Vor meinem Vaterhaus steht eine Linde
77 bpm • G# Maj • 03:09 • -10db
14% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Werner Veidt
I möcht' amol wieder a Lausbua sei
77 bpm • D# Maj • 03:49 • -20db
12% Popularity • 48% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Rita Paul
Spiel mir eine alte Melodie (Play A Simp...
77 bpm • F Maj • 02:35 • -11db
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Carl Millöcker
Gasparone: Einleitung - "Der verdammte G...
77 bpm • G# Maj • 02:22 • -16.65db
1% Popularity • 52% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Willi Forst
Sag' beim Abschied leise Servus
78 bpm • G Maj • 03:10 • -16db
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Heinz Rühmann
Die Ballade vom semmelblonden Emil
78 bpm • F Maj • 02:53 • -12.55db
8% Popularity • 80% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Willy Schneider
Maendel Ich Bin Dir So Gut
71 bpm • A# Maj • 03:33 • -11.26db
1% Popularity • 21% Danceability • 25% Energy • 7% Liveness
15% Instrumentalness • 20% Positiveness
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Paul Abraham
Die Blume von Hawaii: Will dir die Welt ...
78 bpm • F Maj • 02:22 • -14.23db
2% Popularity • 43% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Ernst Neger
Heile, heile Gänsje
78 bpm • D# Maj • 03:47 • -4.95db
15% Popularity • 42% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Carl Millöcker
Der Bettelstudent - operetta in 3 Acts: ...
70 bpm • A Maj • 03:22 • -14db
3% Popularity • 42% Danceability • 42% Energy • 66% Liveness
0% Instrumentalness • 61% Positiveness
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Willi Forst
Du hast Glück bei den Frau'n Bel Ami
78 bpm • D# Maj • 02:45 • -14db
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lys Assia
Mamatschi (Schenk mir ein Pferdchen)
79 bpm • F Maj • 03:29 • -8.76db
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Willy Schneider
Alle Tage ist kein Sonntag
71 bpm • G Maj • 02:52 • -9.69db
1% Popularity • 21% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Kölner Rundfunkorchester
Die Geisha: Act I - '' Dialog '', No. 1
69 bpm • C# Maj • 01:10 • -18.24db
0% Popularity • 62% Danceability • 46% Energy • 50% Liveness
0% Instrumentalness • 88% Positiveness
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Gunther Emmerlich
Wolgalied
70 bpm • C Maj • 03:29 • -6.64db
18% Popularity • 24% Danceability • 51% Energy • 17% Liveness
1% Instrumentalness • 39% Positiveness
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Camillo Felgen
Ich hab' Ehrfurcht vor schneeweißen Haa...
79 bpm • C Maj • 03:27 • -13db
14% Popularity • 32% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Willy Schneider
Mutterl Unterm Dach ist Ein Nesterl Geba...
71 bpm • F Maj • 03:26 • -11db
9% Popularity • 35% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ernst Neger
Heile, heile Gänsje
68 bpm • D Maj • 03:55 • -7.28db
13% Popularity • 36% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Kölner Rundfunkorchester
Die Geisha: Act I - " Wenn Im Ganzen Ins...
80 bpm • F Maj • 02:59 • -21.08db
0% Popularity • 55% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Robert Stolz
Zwei Herzen im Dreivierteltakt
80 bpm • C Maj • 02:14 • -15db
14% Popularity • 35% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Leo Fall
Die Kaiserin, Akt I: "Feiern, Durchlauch...
68 bpm • G# min • 07:41 • -9.12db
0% Popularity • 35% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Rudolf Schock
Immer nur lächeln
80 bpm • D Maj • 04:57 • -18.18db
18% Popularity • 25% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Willy Schneider
Unter Dem Sternenzelt
78 bpm • C Maj • 03:03 • -5.99db
1% Popularity • 24% Danceability • 44% Energy • 52% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Tauber
Dein ist mein ganzes Herz
68 bpm • C# Maj • 03:16 • -11db
17% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
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Gerhard Wendland
Bei uns in Laramie
81 bpm • C Maj • 02:25 • -8.17db
11% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Anneliese Rothenberger
Die Juliska Aus Budapest (aus Maske In B...
81 bpm • A min • 01:47 • -12db
14% Popularity • 52% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Leo Fall
Die Kaiserin, Akt I: Walzerszene
81 bpm • F# Maj • 02:36 • -10.41db
1% Popularity • 30% Danceability • 28% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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Carl Millöcker
Gasparone: "Auch ich war einst ein junge...
81 bpm • C Maj • 01:46 • -16.52db
11% Popularity • 51% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
79 bpm • C# Maj • 04:21 • -11db
12% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rudolf Schock
Dein ist mein ganzes Herz
81 bpm • C# Maj • 03:31 • -16.46db
15% Popularity • 20% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Hans Moser
I marschier mit mein Duli-Dulieh
82 bpm • G Maj • 02:34 • -10db
10% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Kölner Rundfunkorchester
Die Geisha: Act I - " O Tanz', Du Kleine...
82 bpm • D# Maj • 04:02 • -23.11db
0% Popularity • 40% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Der Montanara Chor
S ist Feierabend
82 bpm • A# Maj • 04:35 • -18db
19% Popularity • 14% Danceability • 29% Energy • 14% Liveness
3% Instrumentalness • 11% Positiveness
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Carl Millöcker
Der Bettelstudent - operetta in 3 Acts: ...
81 bpm • G Maj • 02:44 • -14.78db
6% Popularity • 43% Danceability • 24% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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Lys Assia
O mein Papa
82 bpm • E Maj • 03:08 • -10.31db
12% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
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Willy Schneider
Willy Schneider
81 bpm • G Maj • 02:51 • -10.38db
4% Popularity • 28% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Fred Bertelmann
Arrivederci Roma
83 bpm • A# Maj • 02:40 • -5db
20% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Leo Fall
Die Kaiserin, Akt II: "Friedlich liegst ...
83 bpm • C# Maj • 03:35 • -11.68db
0% Popularity • 39% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Carl Millöcker
Der Bettelstudent - operetta in 3 Acts: ...
82 bpm • E Maj • 02:13 • -15.63db
1% Popularity • 29% Danceability • 20% Energy • 58% Liveness
0% Instrumentalness • 22% Positiveness
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Heinz Rühmann
O Bello
84 bpm • C Maj • 02:25 • -8db
18% Popularity • 71% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Willy Schneider
Alle Tage Ist Kein Sonntag
83 bpm • G# Maj • 03:03 • -13db
11% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein
84 bpm • G Maj • 03:00 • -16db
28% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
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Leo Fall
Die Kaiserin, Akt II: "Bonjour, meine He...
84 bpm • A# min • 03:52 • -12.84db
0% Popularity • 61% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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Willy Fritsch
Unter den Pinien von Argentinien
65 bpm • D# Maj • 01:22 • -8db
18% Popularity • 54% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Carl Millöcker
Gasparone: "Liebe erhellt die ganze Welt...
82 bpm • C min • 01:23 • -16.46db
17% Popularity • 31% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Connie Francis
Die Liebe ist ein seltsames Spiel
85 bpm • C# Maj • 02:15 • -6.33db
43% Popularity • 58% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Willy Schneider
Schütt' die Sorgen in ein Gläschen Wei...
84 bpm • A# Maj • 03:08 • -10.4db
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Zarah Leander
Ich Weiß, Es Wird Einmal Ein Wunder Ges...
85 bpm • C# min • 03:29 • -9db
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Mainzer Hofsänger
So Ein Tag, So Wunderschön Wie Heute - ...
85 bpm • F Maj • 02:47 • -5.75db
13% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Leo Fall
Die Kaiserin, Akt I: "Mir hat heute Nach...
84 bpm • A Maj • 05:09 • -9.39db
0% Popularity • 32% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sacha Distel
Adios amigo - Remastered
85 bpm • A# Maj • 02:21 • -11.52db
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Carl Millöcker
Der Bettelstudent - operetta in 3 Acts: ...
67 bpm • D# Maj • 02:45 • -13db
4% Popularity • 44% Danceability • 31% Energy • 57% Liveness
0% Instrumentalness • 45% Positiveness
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Willy Schneider
Einmal spielt die Geige
84 bpm • A Maj • 03:12 • -9.06db
0% Popularity • 34% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Lolita
Tulpen aus Amsterdam
85 bpm • C Maj • 02:20 • -10db
21% Popularity • 53% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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Rudolf Schock
La Paloma (Mich rief es an Bord)
86 bpm • D# Maj • 04:38 • -15db
13% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Heidi Brühl
Wir wollen niemals auseinandergehn
86 bpm • A# Maj • 03:00 • -8db
27% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Gerhard Wendland
Du fehlst mir so sehr
86 bpm • G# Maj • 02:36 • -12db
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Carl Millöcker
Gasparone: "Oh, dass ich doch ein Räube...
85 bpm • A# Maj • 00:56 • -15.44db
6% Popularity • 40% Danceability • 19% Energy • 72% Liveness
0% Instrumentalness • 27% Positiveness
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Willy Schneider
Rosemarie
87 bpm • C# Maj • 02:53 • -9.93db
2% Popularity • 24% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Lolita
Der weiße Mond von Maratonga
86 bpm • G Maj • 02:34 • -15db
24% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Rudolf Schock
Du bist die Welt für mich
87 bpm • E Maj • 03:53 • -11.22db
12% Popularity • 20% Danceability • 30% Energy • 37% Liveness
1% Instrumentalness • 14% Positiveness
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Lys Assia
Wenn die Glocken hell erklingen
87 bpm • F Maj • 03:28 • -6.48db
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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René Carol
Bella, Bella, Donna
87 bpm • D Maj • 03:33 • -6db
14% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Rex Gildo
Wenn es sein muss, kann ich treu sein (I...
88 bpm • G# Maj • 02:07 • -15.05db
31% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Willy Schneider
Wem die Stunde schlägt
84 bpm • A# Maj • 02:31 • -9.04db
3% Popularity • 36% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Florence Palmer
Der WeiBe
88 bpm • G# Maj • 02:58 • -17.15db
21% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Wiener Operettenorchester
Schenkt man sich Rosen in Tirol
88 bpm • A# Maj • 03:15 • -9db
10% Popularity • 27% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 21% Positiveness
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Heinz Conrads
Ich trag‘ im Herzen drin
88 bpm • C# Maj • 03:22 • -10db
10% Popularity • 36% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Martin Frank
Arie 'Dunkelrote Rosen' aus 'Gasparone' ...
89 bpm • C Maj • 02:30 • -10.23db
15% Popularity • 33% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
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Lys Assia
Deine Liebe (True Love)
89 bpm • D Maj • 03:04 • -10.56db
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Willy Schneider
Man müsste noch mal 20 sein
85 bpm • C Maj • 03:38 • -11.23db
1% Popularity • 41% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Jean Walter
Tulpen aus Amsterdam
89 bpm • F Maj • 02:43 • -8.48db
13% Popularity • 48% Danceability • 37% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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Leo Fall
Die Kaiserin, Akt I: "Was ich will"
89 bpm • G# Maj • 03:35 • -9.24db
0% Popularity • 33% Danceability • 32% Energy • 22% Liveness
2% Instrumentalness • 31% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Anneliese Rothenberger
La Le Lu
90 bpm • F Maj • 03:34 • -9db
12% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Willy Schneider
Scheutt Die Sorgen In Eind Glaeschen Wei...
87 bpm • A# Maj • 03:03 • -8.49db
3% Popularity • 30% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
19% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Leo Fall
Die Kaiserin, Akt I: "Die Blumen"
90 bpm • C# min • 05:03 • -12.78db
0% Popularity • 60% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lilian Harvey
Irgendwo auf der Welt
91 bpm • D Maj • 03:10 • -11db
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Man Müsste Nochmal 20 Sein