Songs like Man nennt mich jetzt Mimi (La Bohème) by Lotte Lehmann
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Die Walküre: Kühlende Labung gab mir d...
110 bpm • A Maj • 04:19 • -12.85db
0% Popularity • 28% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 28% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
110 bpm • C Maj • 02:20 • -18.27db
9% Popularity • 50% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 50% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Viens, Mallika"...
111 bpm • B Maj • 05:13 • -24.91db
10% Popularity • 29% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Franz Schubert
An die Musik, Op. 88, No. 4, D. 547
111 bpm • D Maj • 03:33 • -15.69db
0% Popularity • 27% Danceability • 18% Energy • 14% Liveness
46% Instrumentalness • 18% Positiveness
0% Popularity • 27% Danceability • 18% Energy • 14% Liveness
46% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Mussorgsky: Boris Godunov, Prologue: "Nu...
111 bpm • C# Maj • 05:18 • -13.68db
7% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Traditional
Schlafe, mein susses Kind
109 bpm • C Maj • 03:11 • -23.69db
0% Popularity • 32% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Wagner
Die Walküre (2005 - Remaster), Act II: ...
110 bpm • G# Maj • 02:38 • -19.8db
0% Popularity • 26% Danceability • 12% Energy • 40% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 26% Danceability • 12% Energy • 40% Liveness
1% Instrumentalness • 8% Positiveness
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Lotte Lehmann
Komm Hoffnung (Fidelio)
111 bpm • E Maj • 06:08 • -14.23db
0% Popularity • 35% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
0% Popularity • 35% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Luigi Arditi
Il bacio
111 bpm • D Maj • 03:48 • -16.79db
15% Popularity • 41% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 41% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
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Stanisław Moniuszko
Ach! Pani Marto, mówcie szczerze (Chór...
109 bpm • C Maj • 01:56 • -19db
7% Popularity • 43% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 43% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Giuseppe Verdi
La forza del destino, Act I: Me pellegri...
108 bpm • C Maj • 03:26 • -14.95db
19% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Hugo Wolf
Spanisches Liederbuch: Weltliche Lieder:...
112 bpm • A# Maj • 02:10 • -17.08db
0% Popularity • 47% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 47% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Wagner
Die Walküre: Horch! Die Hörner, hörst...
109 bpm • A# Maj • 05:49 • -15.03db
0% Popularity • 23% Danceability • 23% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
0% Popularity • 23% Danceability • 23% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Bruno Walter
Dichterliebe, Op. 48, 9. Das ist ein Fl�...
108 bpm • A Maj • 01:16 • -21.5db
0% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: 8. Und wüßten's ...
112 bpm • F Maj • 01:19 • -18.34db
0% Popularity • 51% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 51% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Tamara Radjenovic
Mercè, dilette amiche
112 bpm • A min • 04:09 • -11.95db
11% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
108 bpm • C Maj • 02:20 • -13.56db
1% Popularity • 36% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
1% Popularity • 36% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
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Ludwig van Beethoven
Zartliche Liebe, WoO 123
108 bpm • F# Maj • 02:44 • -18.29db
0% Popularity • 30% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 30% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 1: Ch�...
112 bpm • D Maj • 03:46 • -23.83db
8% Popularity • 52% Danceability • 7% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 52% Danceability • 7% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VI. Vidit suum
113 bpm • G Maj • 03:13 • -22.92db
10% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
10% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Bruderle...
113 bpm • F Maj • 04:03 • -20db
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Lotte Lehmann
Heil´ge Quelle reiner Triebe (Figaros H...
107 bpm • D# Maj • 04:09 • -14.82db
0% Popularity • 27% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 27% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act 2: Il segreto per ...
107 bpm • C Maj • 01:47 • -17.25db
19% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
An Chloe, K. 524
107 bpm • D# Maj • 02:48 • -13.78db
0% Popularity • 39% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 39% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Finale Act One
107 bpm • G Maj • 08:13 • -21.92db
8% Popularity • 38% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 38% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Salut...
113 bpm • D# Maj • 01:18 • -16.49db
13% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
13% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • C Maj • 01:03 • -26.08db
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Lotte Lehmann
Madama Butterfly: Act 1. Entrance Of But...
107 bpm • F# Maj • 02:32 • -25.67db
0% Popularity • 26% Danceability • 10% Energy • 35% Liveness
67% Instrumentalness • 15% Positiveness
0% Popularity • 26% Danceability • 10% Energy • 35% Liveness
67% Instrumentalness • 15% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
106 bpm • E Maj • 03:25 • -15.88db
8% Popularity • 40% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 40% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Pietro Cimara
Canto di primavera
107 bpm • C Maj • 03:01 • -12.24db
0% Popularity • 41% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 41% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Charles Gounod
Ave Maria - After Johann Sebastian Bach'...
106 bpm • G Maj • 03:01 • -12.9db
1% Popularity • 20% Danceability • 34% Energy • 15% Liveness
6% Instrumentalness • 17% Positiveness
1% Popularity • 20% Danceability • 34% Energy • 15% Liveness
6% Instrumentalness • 17% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
114 bpm • B min • 03:53 • -10.73db
9% Popularity • 38% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 38% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Licinio Refice
Cecilia: Padre! Ho pregato
106 bpm • F min • 04:57 • -15.05db
9% Popularity • 29% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene I: H...
114 bpm • F Maj • 01:27 • -16.73db
18% Popularity • 42% Danceability • 13% Energy • 32% Liveness
79% Instrumentalness • 24% Positiveness
18% Popularity • 42% Danceability • 13% Energy • 32% Liveness
79% Instrumentalness • 24% Positiveness
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Robert Franz
12 Gesange, Op. 5 (text by J. von Eichen...
107 bpm • D min • 01:20 • -17.15db
0% Popularity • 49% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 49% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Wagner
Die Walküre: Ein starkes Jagen auf uns
114 bpm • D min • 03:22 • -11.31db
0% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Bruno Walter
Dichterliebe, Op. 48 - 11. Ein Jüngling...
106 bpm • A# Maj • 01:05 • -18.81db
0% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Franz Lehár
Eva: Eva: War es auch nichts als ein Aug...
106 bpm • E Maj • 03:54 • -18.57db
0% Popularity • 36% Danceability • 14% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 36% Danceability • 14% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Cesare Sodero
Fa la Nanna, Bambin
105 bpm • E Maj • 02:36 • -17.77db
0% Popularity • 34% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 34% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 1: "Celeste Aida" (Rada...
106 bpm • A# Maj • 03:29 • -13.13db
1% Popularity • 24% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 24% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Adolf Jensen
6 Songs, Op. 1: No. 1. Lehn’ deine Wan...
106 bpm • D# Maj • 02:09 • -15.86db
0% Popularity • 40% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 40% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Anton Bruckner
Te Deum, WAB 45: III. Aeterna fac
115 bpm • A# Maj • 01:36 • -14.25db
21% Popularity • 37% Danceability • 21% Energy • 23% Liveness
28% Instrumentalness • 12% Positiveness
21% Popularity • 37% Danceability • 21% Energy • 23% Liveness
28% Instrumentalness • 12% Positiveness
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Bruno Walter
Dichterliebe, Op. 48, 14. Allnächtlich ...
105 bpm • B Maj • 01:31 • -26.47db
0% Popularity • 51% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 51% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
105 bpm • B Maj • 05:58 • -15.71db
8% Popularity • 32% Danceability • 25% Energy • 84% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 32% Danceability • 25% Energy • 84% Liveness
0% Instrumentalness • 17% Positiveness
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Lotte Lehmann
Dich, teure Halle (Tannhäuser)
105 bpm • E min • 02:58 • -11.33db
0% Popularity • 37% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 37% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Oper für die Kleinsten
Kapitel 3 - Hänsel und Gretel
105 bpm • F Maj • 03:00 • -16.43db
11% Popularity • 60% Danceability • 33% Energy • 75% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 60% Danceability • 33% Energy • 75% Liveness
0% Instrumentalness • 27% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
105 bpm • D# Maj • 06:55 • -22.99db
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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Alexander Gretchaninov
My Native Land
105 bpm • E min • 01:21 • -13.95db
0% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Bruno Walter
Dichterliebe, Op. 48, 8. Und wüßten's ...
105 bpm • D min • 01:22 • -22.62db
0% Popularity • 49% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 49% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
116 bpm • G Maj • 02:56 • -11.65db
1% Popularity • 41% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 41% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene I: S...
116 bpm • A Maj • 02:32 • -15.24db
16% Popularity • 45% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 45% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Richard Wagner
Akt I: Titurel, der fromme Held
104 bpm • G# min • 07:02 • -24.21db
15% Popularity • 32% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 32% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Franz Schubert
Geheimes (The Secret), D. 719
104 bpm • G# Maj • 02:21 • -15.14db
0% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Hugo Wolf
Italienisches Liederbuch: Italian Songbo...
104 bpm • A# Maj • 01:11 • -15.99db
0% Popularity • 51% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 51% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bruno Walter
Dichterliebe, Op. 48, 6. Im Rhein, im he...
116 bpm • E min • 02:18 • -24.06db
0% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Riccardo Muti
Verdi: Nabucco, Act 3: Coro di schiavi e...
104 bpm • C# Maj • 04:14 • -18.96db
8% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
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Lotte Lehmann
Berceuse De Jocelyn
104 bpm • D# Maj • 03:33 • -27.59db
0% Popularity • 26% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 10% Positiveness
0% Popularity • 26% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 10% Positiveness
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Arthur Sullivan
‘Neath My Lattice Through the Night (T...
117 bpm • B Maj • 03:06 • -13.86db
12% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Vincenzo Bellini
Il Pirata, Act I: Il suo disegno
103 bpm • C Maj • 02:01 • -14.32db
14% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Franz Schubert
Im Abendrot, D. 799
103 bpm • F# Maj • 03:42 • -18.96db
0% Popularity • 25% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 25% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86b, IRW 52, Act I: "O...
103 bpm • G Maj • 05:58 • -13.67db
0% Popularity • 32% Danceability • 23% Energy • 62% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 32% Danceability • 23% Energy • 62% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Giacomo Puccini
Sogno d'or, SC 82 (Arr. for Voice & Orch...
103 bpm • A# Maj • 02:13 • -24.68db
16% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Bruno Walter
Dichterliebe, Op. 48, 16. Die alten, bö...
103 bpm • C# Maj • 04:17 • -23.22db
0% Popularity • 42% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 42% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
George Frideric Handel
Joshua, HWV 64, Pt. 3: No. 65, Oh, had I...
118 bpm • A Maj • 02:32 • -24.72db
9% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Sergei Rachmaninoff
12 Romances, Op. 21: No. 9, Melody
103 bpm • A# Maj • 03:29 • -25.57db
11% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Liederkreis, Op. 39: No. 3. Waldesgespra...
117 bpm • E Maj • 02:33 • -13.53db
0% Popularity • 46% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 46% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Franz Schubert
Winterreise, Op. 89, D. 911: No. 10. Ras...
103 bpm • G# Maj • 04:05 • -21.56db
0% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Fidelio, Op. 72: "Gott! Welch...
102 bpm • F min • 09:33 • -19.82db
16% Popularity • 23% Danceability • 9% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 9% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Lotte Lehmann
Manon: Act 3. Gavotte
102 bpm • G Maj • 02:48 • -27.82db
0% Popularity • 44% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 44% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Leonard Bernstein
MASS: No. 4, Prefatory Prayers
102 bpm • C min • 05:26 • -12.4db
9% Popularity • 47% Danceability • 32% Energy • 63% Liveness
3% Instrumentalness • 46% Positiveness
9% Popularity • 47% Danceability • 32% Energy • 63% Liveness
3% Instrumentalness • 46% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
102 bpm • G Maj • 04:05 • -15.86db
9% Popularity • 25% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 25% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Hugo Wolf
Gedichte von J.W. v. Goethe: Goethe Song...
103 bpm • D Maj • 03:00 • -21.51db
0% Popularity • 27% Danceability • 6% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 6% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 1. Gute...
102 bpm • C min • 04:18 • -21.51db
0% Popularity • 39% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 39% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Johannes Brahms
11 Zigeunerlieder (Gypsy-Songs), Op. 103...
102 bpm • D Maj • 02:07 • -19.1db
0% Popularity • 34% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 34% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Vincenzo Bellini
Il Pirata, Act II: Tu m'apristi in cor f...
119 bpm • A Maj • 04:50 • -14.16db
14% Popularity • 42% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 42% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Ruperto Chapí
La Tempestad, Acto I: ¡Angela Mía, Mi ...
102 bpm • D# Maj • 06:04 • -9.87db
8% Popularity • 36% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 36% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Bruno Walter
Dichterliebe, Op. 48, 15. Aus alten Mär...
102 bpm • E Maj • 02:38 • -18.36db
0% Popularity • 51% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 51% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Hugo Wolf
Morike Lieder: No. 28. Gebet
102 bpm • E Maj • 02:46 • -23.16db
0% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Richard Wagner
Die Walküre: Winterstürme wichen dem W...
101 bpm • F Maj • 02:50 • -9.15db
0% Popularity • 24% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 24% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Franz Schubert
Wiegenlied, Op. 98/2, D. 498, "Schlafe, ...
102 bpm • G Maj • 03:27 • -21.21db
0% Popularity • 24% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 24% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Bedřich Smetana
The Bartered Bride: ACT II, Scene 1. Sbo...
101 bpm • F Maj • 05:08 • -14.94db
8% Popularity • 28% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Elizabeth Woollett
Iolanthe: Go Away Madam
101 bpm • G min • 01:25 • -20.12db
10% Popularity • 49% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 49% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Vincenzo Bellini
Il Pirata, Act II: Io... sì... lo rinv...
120 bpm • A Maj • 02:32 • -10.48db
14% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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André Rieu
Czardasfürstin - Live
121 bpm • D Maj • 04:59 • -13.74db
28% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
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Lotte Lehmann
Mignon - Goethe
99 bpm • G# min • 01:32 • -26.85db
0% Popularity • 58% Danceability • 3% Energy • 56% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 58% Danceability • 3% Energy • 56% Liveness
0% Instrumentalness • 18% Positiveness
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Hans Pfitzner
5 Lieder, Op. 11: 5 Songs, Op. 11: No. 5...
101 bpm • E Maj • 02:05 • -13.78db
0% Popularity • 66% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 66% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Franz Schubert
An die Musik, D. 547 (Live)
100 bpm • F# Maj • 03:35 • -21.57db
0% Popularity • 28% Danceability • 43% Energy • 44% Liveness
60% Instrumentalness • 48% Positiveness
0% Popularity • 28% Danceability • 43% Energy • 44% Liveness
60% Instrumentalness • 48% Positiveness
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Verdi
Nabucco
122 bpm • F Maj • 07:17 • -18db
11% Popularity • 32% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Il Pirata, Act I: Alcun s'apressa
99 bpm • G min • 01:02 • -15db
18% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Schumann
Frauenliebe und -leben, Op. 42: No. 1. S...
99 bpm • A# Maj • 02:35 • -15.26db
0% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Johannes Brahms
11 Zigeunerlieder (Gypsy-Songs), Op. 103...
99 bpm • C min • 01:40 • -19.86db
0% Popularity • 41% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 41% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Wolfgang Amadeus Mozart
Die Verschweigung, K. 518
100 bpm • F Maj • 03:07 • -17.14db
0% Popularity • 43% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 5, Lilacs
99 bpm • G# Maj • 01:55 • -27.66db
12% Popularity • 40% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 40% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
98 bpm • A Maj • 02:40 • -28.84db
19% Popularity • 34% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 34% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
6 Ariette: No. 5, Per pietà, bell'idol ...
122 bpm • C min • 02:35 • -21db
11% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
11% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
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Robert Schumann
Frauenliebe und Leben, Op. 42: II. Er, d...
99 bpm • G# Maj • 03:00 • -16.97db
0% Popularity • 40% Danceability • 14% Energy • 15% Liveness
20% Instrumentalness • 36% Positiveness
0% Popularity • 40% Danceability • 14% Energy • 15% Liveness
20% Instrumentalness • 36% Positiveness
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Victoria de los Ángeles
La Boheme: Acto III: "Donde Lieta Usce"
98 bpm • C# Maj • 03:06 • -17db
8% Popularity • 25% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
