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Manasa Gelupu
Songs like
Manasa Gelupu
by
Shankar Mahadevan
Based on a tempo of (+/- 10%) and a similar genre
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Shankar Mahadevan
Manasa Gelupu
123 bpm • A Maj • 04:05 • -9.53db
35% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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S.P. Charan
Kaadhana Preme (Version 1)
123 bpm • F min • 06:54 • -7db
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Murali
Lokale Gelavaga
123 bpm • D min • 04:31 • -7.39db
37% Popularity • 72% Danceability • 87% Energy • 6% Liveness
2% Instrumentalness • 53% Positiveness
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Deva
Saagariye
123 bpm • G# Maj • 05:36 • -13.44db
37% Popularity • 75% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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K. S. Chithra
Ee Kshnam Oke Oka Korika
124 bpm • B min • 04:36 • -5.03db
44% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Kushi Murali
Kaatuka Kallu
124 bpm • D Maj • 03:58 • -3db
45% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Mani Sharma
Egypt Rani
122 bpm • D Maj • 05:07 • -10db
29% Popularity • 87% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Chakri
Krishna Nagarey
124 bpm • F# Maj • 04:39 • -7db
46% Popularity • 72% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Karunya
Ammayi Kitiki Pakkana
122 bpm • E Maj • 03:35 • -11.5db
36% Popularity • 88% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Srinivas
Priya
122 bpm • F min • 05:32 • -6db
54% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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K. S. Chithra
Pranamlo Pranamga
122 bpm • D min • 04:48 • -6.93db
48% Popularity • 73% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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P. Susheela
Kalaya Nijama
122 bpm • A# Maj • 04:57 • -6db
48% Popularity • 71% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Raveendran
Sayandhanam (Female)
124 bpm • D min • 05:27 • -8.36db
22% Popularity • 71% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Udit Narayan
Haire Hai Debba
121 bpm • E min • 04:46 • -7db
23% Popularity • 88% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Mano
Pelli Kala Vachhesindhi
125 bpm • G min • 04:15 • -4.07db
29% Popularity • 65% Danceability • 99% Energy • 30% Liveness
7% Instrumentalness • 34% Positiveness
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S. P. Balasubrahmanyam
Chilakamma
124 bpm • D Maj • 07:09 • -8.79db
45% Popularity • 67% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Venu Srirangam
Vennelintha
125 bpm • D# min • 04:17 • -8.79db
50% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Chakri
Oke Oka Mata
125 bpm • C# min • 05:29 • -7.33db
42% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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K. S. Chithra
Evaro Choodali
125 bpm • F min • 04:27 • -9.49db
39% Popularity • 90% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Mahalakshmi Iyer
Abacha
125 bpm • G# min • 04:36 • -4.61db
43% Popularity • 74% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
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Kunal Ganjawala
Naaku Neeku
121 bpm • A Maj • 05:25 • -6db
54% Popularity • 82% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 70% Positiveness
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Sriram
Yekku Tholi Mettu
125 bpm • G Maj • 04:38 • -14db
19% Popularity • 82% Danceability • 63% Energy • 11% Liveness
24% Instrumentalness • 85% Positiveness
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Ranjith Govind
Sairo Sairo
121 bpm • F# min • 03:50 • -5.46db
40% Popularity • 82% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 95% Positiveness
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Hariharan
Jinka Veta
121 bpm • B Maj • 05:15 • -13.66db
26% Popularity • 88% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
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Mallikarjun
Nee Navvula
121 bpm • A min • 04:42 • -8.2db
52% Popularity • 87% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Bharadwaj
Unnodu Vazhatha
126 bpm • F Maj • 05:18 • -7.08db
56% Popularity • 80% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Priya Hemesh
Bad Boyz
126 bpm • F min • 03:47 • -10.06db
54% Popularity • 78% Danceability • 96% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Vijay Yesudas
Nee Kanti Choopullo
120 bpm • F min • 04:04 • -4.52db
36% Popularity • 76% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Mickey J. Meyer
Thanemando
120 bpm • A Maj • 04:14 • -8db
52% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Hariharan
Bham Bham Bole
121 bpm • G Maj • 06:07 • -10db
42% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Raghu Dixit
Jaago
126 bpm • C Maj • 04:11 • -4.64db
46% Popularity • 79% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Deepu
Naa Chore
120 bpm • C# Maj • 04:53 • -8.2db
44% Popularity • 79% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 79% Positiveness
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Kalyani Malik
Chantaina Bujjaina
120 bpm • B min • 05:27 • -8.14db
41% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Karunya
Vayyarala
120 bpm • G# min • 05:20 • -6db
54% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Mickey J. Meyer
Kalasalalo
120 bpm • G Maj • 03:54 • -9.64db
40% Popularity • 95% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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K. J. Yesudas
Katturumbinu
120 bpm • G Maj • 04:05 • -16.05db
30% Popularity • 63% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Hariharan
Vastha Nee Venuka
120 bpm • F min • 05:33 • -7db
57% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kalpana
Musugu Veyyoddu
120 bpm • D Maj • 05:08 • -5db
39% Popularity • 79% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Ramana Gogula
Vevela Mainala Ganam
120 bpm • G min • 04:23 • -11.18db
39% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Ilaiyaraaja
Oru Maina
120 bpm • F min • 05:09 • -11.76db
33% Popularity • 85% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Mickey J. Meyer
Jarra Jarra
120 bpm • A# min • 03:01 • -9.59db
54% Popularity • 90% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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A.R. Rahman
En Kadhale (Male Version)
120 bpm • E Maj • 05:59 • -10.78db
39% Popularity • 46% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Sunitha
Ee Velalo Neevu
120 bpm • G min • 04:20 • -8db
50% Popularity • 38% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Vishal Chandrashekhar
Tharali Tharali
119 bpm • D Maj • 01:17 • -6.94db
44% Popularity • 56% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Mangli
Brindavanam
119 bpm • A# min • 03:52 • -9db
57% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Ilaiyaraaja
Asalem Gurthukuradhu
127 bpm • A Maj • 05:50 • -8.23db
47% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rajesh Krishnan
Kencha Kencha
127 bpm • G Maj • 04:29 • -7.14db
28% Popularity • 73% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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A.R. Rahman
Veerapandi Kotayyile
127 bpm • D Maj • 06:29 • -18.08db
48% Popularity • 84% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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M. G. Radhakrishnan
Minnaayam Minnum
119 bpm • G Maj • 04:42 • -9.29db
19% Popularity • 74% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Sameera Bharadwaj
Entha Chitram Kada
119 bpm • D# Maj • 04:11 • -7db
41% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Deva
Mudhan Mudhalil (Duet)
128 bpm • C Maj • 04:47 • -7.49db
48% Popularity • 66% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Divya Kumar, M M Mansi
Rayyi Rayyi Mantu
128 bpm • A min • 04:06 • -6.31db
35% Popularity • 79% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Hemachandra Vedala
Oka Padam
128 bpm • A min • 04:33 • -6.28db
42% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Mallikarjun
Pari Poke Pitta
128 bpm • D Maj • 03:37 • -7db
50% Popularity • 96% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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S.P. Charan
Chiraku Anuko
118 bpm • C Maj • 04:21 • -8.76db
32% Popularity • 93% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Shankar Mahadevan
Manmadha Raja
128 bpm • B min • 04:49 • -7db
45% Popularity • 63% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
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Simha
Naughty Girl
129 bpm • C min • 04:08 • -7db
45% Popularity • 86% Danceability • 92% Energy • 11% Liveness
27% Instrumentalness • 94% Positiveness
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Rahul Sipligunj
Nee Kannulu
117 bpm • C# min • 02:57 • -5.86db
46% Popularity • 94% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Sudeep Kumar
Enthaddi Enthadi
117 bpm • G Maj • 03:59 • -7db
37% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Divya Kumar
Yevandoi Nani Garu
130 bpm • G Maj • 03:24 • -6.22db
55% Popularity • 87% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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S. P. Venkatesh
Aattirampil (Female)
129 bpm • E min • 05:06 • -14.52db
12% Popularity • 72% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Shankar Mahadevan
Choopultho Guchi
130 bpm • B min • 04:28 • -5.08db
55% Popularity • 72% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 66% Positiveness
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Sri Krishna
Aadinchi Ashta Chamma
130 bpm • C Maj • 03:43 • -11db
51% Popularity • 78% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Sid Sriram
Nagumomu Thaarale
130 bpm • A Maj • 04:54 • -10db
54% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sriram
Peddaloddantunna
130 bpm • B min • 03:52 • -5.07db
22% Popularity • 72% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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G. V. Prakash
Pranama
130 bpm • A min • 03:27 • -6db
52% Popularity • 71% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Rahul Nambiar
Maro Maro
130 bpm • A# Maj • 04:41 • -6.64db
49% Popularity • 79% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 50% Positiveness
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Shankar Mahadevan
Raa Raa
130 bpm • G Maj • 05:16 • -8.67db
32% Popularity • 86% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Siddharth
Ninu Choosthunte
130 bpm • A min • 05:11 • -10.49db
46% Popularity • 90% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 85% Positiveness
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Sid Sriram
Thiraiyoadu Thoorigai
130 bpm • A Maj • 04:54 • -10db
38% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Udit Narayan
Maisamma
130 bpm • G Maj • 04:45 • -4.28db
28% Popularity • 82% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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G. V. Prakash
Idhu Enna Mayam
130 bpm • A# Maj • 04:37 • -6.35db
31% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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S. P. Balasubrahmanyam
Naa Manasuney
130 bpm • G# Maj • 04:06 • -9.11db
50% Popularity • 76% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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M. G. Radhakrishnan
Njaattu Velakkiliye - Version, 1
130 bpm • G Maj • 03:52 • -12.26db
49% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Shankar Mahadevan
Dhim Dhinaktari
130 bpm • G Maj • 04:22 • -5.82db
33% Popularity • 76% Danceability • 87% Energy • 2% Liveness
1% Instrumentalness • 83% Positiveness
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Deepu
Naakosam
116 bpm • F min • 03:54 • -7.29db
47% Popularity • 86% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Mano
Priya Priyathama
116 bpm • A min • 05:11 • -2.69db
53% Popularity • 77% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Ouseppachan
Mounam Swaramaai - Version, 1
131 bpm • D Maj • 04:23 • -13.17db
49% Popularity • 75% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
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Sreerama Chandra
Gelupu Thalupule
116 bpm • A min • 05:17 • -5.79db
57% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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S.A. Rajkumar
June July
131 bpm • A Maj • 04:32 • -8.53db
48% Popularity • 85% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Shankar Mahadevan
Soda Bottle
116 bpm • D Maj • 05:25 • -11.88db
44% Popularity • 67% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Uma Neha
Temper
131 bpm • F min • 04:06 • -8.23db
48% Popularity • 85% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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M. M. Keeravani
Vaastu Bagunde
115 bpm • F min • 04:29 • -7db
46% Popularity • 90% Danceability • 84% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
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Srikanth Deva
Otha Viral Kattuna
115 bpm • D Maj • 05:30 • -5.06db
24% Popularity • 59% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Gayathri
Ramachakkani Sitha
115 bpm • D Maj • 03:51 • -12.1db
46% Popularity • 66% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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M.M.Keeravani, Sunitha
Jum Jum Maya
115 bpm • F Maj • 04:38 • -8.13db
46% Popularity • 86% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Shankar Mahadevan
Akasam Ammayaithe
116 bpm • F min • 04:51 • -3db
55% Popularity • 80% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Ramana Gogula
Bangala Kathamulo
115 bpm • G Maj • 04:37 • -8.42db
58% Popularity • 85% Danceability • 83% Energy • 13% Liveness
66% Instrumentalness • 45% Positiveness
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S. P. Balasubrahmanyam
Andhama Andhuma
132 bpm • E min • 05:20 • -10.39db
49% Popularity • 68% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Rajesh
Nenu Puttindemo
132 bpm • F min • 04:43 • -7db
47% Popularity • 83% Danceability • 84% Energy • 1% Liveness
0% Instrumentalness • 59% Positiveness
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Mamta Mohandas
Akalesthey
132 bpm • C# Maj • 04:18 • -9.26db
56% Popularity • 89% Danceability • 78% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
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Mani Sharma
Sahasam
132 bpm • C# Maj • 05:03 • -11db
45% Popularity • 62% Danceability • 76% Energy • 21% Liveness
43% Instrumentalness • 19% Positiveness
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Shankar Mahadevan
Kalyanakacheri
115 bpm • D Maj • 04:30 • -5db
40% Popularity • 81% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Sooraj Santhosh
Nuvvu Nenu
132 bpm • A# min • 03:27 • -7.42db
22% Popularity • 91% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hemachandra Vedala
Baadshah
114 bpm • G# Maj • 03:27 • -7db
46% Popularity • 76% Danceability • 97% Energy • 8% Liveness
2% Instrumentalness • 39% Positiveness
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M. M. Keeravani
A Vachi B Pai
114 bpm • B Maj • 04:43 • -7.21db
54% Popularity • 81% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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S.V.Krishna Reddy
Poruginti Mangala Gowri
133 bpm • E Maj • 04:32 • -10.55db
25% Popularity • 83% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Harish Raghavendra
Nammave Ammai
133 bpm • C Maj • 04:42 • -9.62db
33% Popularity • 88% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Shankar Mahadevan
Chandrullo Unde
115 bpm • D Maj • 04:15 • -8.46db
56% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Ranjith Govind
Chamka Chamka
114 bpm • C# Maj • 05:07 • -6.35db
54% Popularity • 83% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
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Manasa Gelupu