Songs like Manic Monday by Kate Rusby
Based on a tempo of (+/- 10%) and a similar genre
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Stornoway
The Only Way Is Up - Acoustic
108 bpm • C Maj • 04:27 • -9db
35% Popularity • 67% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 67% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Josienne Clarke and Ben Walker
Chicago
108 bpm • F# min • 04:40 • -13db
26% Popularity • 68% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
26% Popularity • 68% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
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Kate Rusby
Manic Monday
108 bpm • C# Maj • 04:33 • -9db
36% Popularity • 60% Danceability • 54% Energy • 15% Liveness
20% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 54% Energy • 15% Liveness
20% Instrumentalness • 35% Positiveness
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Nick Lowe
What's So Funny 'Bout Peace, Love and Un...
108 bpm • G Maj • 04:03 • -15.32db
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Patti Scialfa
Spanish Dancer
108 bpm • G# Maj • 04:49 • -10db
31% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Elle Cordova
Morse Code
108 bpm • D Maj • 04:45 • -14db
32% Popularity • 51% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
32% Popularity • 51% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Iris DeMent
When My Morning Comes Around
107 bpm • A# Maj • 03:51 • -8db
30% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Kevin Montgomery
I Wish I Were Blind
109 bpm • G Maj • 04:20 • -12.7db
16% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kate Rusby
Friday I'm in Love
108 bpm • G# Maj • 04:18 • -11.06db
29% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Shane MacGowan & The Popes
Haunted
109 bpm • E Maj • 04:11 • -12.57db
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Del Amitri
Nothing Ever Happens
107 bpm • F Maj • 03:53 • -16.98db
51% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Siobhan Miller
What You Do with What You've Got
107 bpm • A# Maj • 03:18 • -13.87db
38% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Travis
The Only Thing
107 bpm • A# Maj • 03:32 • -6.75db
39% Popularity • 55% Danceability • 51% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
39% Popularity • 55% Danceability • 51% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Mary Coughlan
Invisible to You
109 bpm • A# Maj • 04:27 • -11.04db
19% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Kate Rusby
Only Desire What You Have
107 bpm • G Maj • 04:07 • -8.85db
22% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Marra
All Will Be Well
107 bpm • C Maj • 03:51 • -10.66db
19% Popularity • 54% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 54% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Dervish
Molly Malone
109 bpm • C Maj • 03:42 • -11.38db
24% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sinéad O'Connor
He Moved Through the Fair
107 bpm • G Maj • 04:22 • -13db
45% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Paul Brady
Follow On
109 bpm • A Maj • 04:16 • -13.53db
29% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sinéad Lohan
If I Go
110 bpm • A Maj • 03:55 • -19.45db
30% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tori Amos
I Don't Like Mondays
110 bpm • B Maj • 04:20 • -15.67db
35% Popularity • 43% Danceability • 18% Energy • 11% Liveness
18% Instrumentalness • 18% Positiveness
35% Popularity • 43% Danceability • 18% Energy • 11% Liveness
18% Instrumentalness • 18% Positiveness
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Dave Carter
Gentle Arms of Eden
110 bpm • C Maj • 03:03 • -10db
32% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Dervish
Down by the Sally Gardens
110 bpm • G Maj • 04:36 • -12.98db
25% Popularity • 28% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 28% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Buffy Sainte-Marie
The Big Ones Get Away
106 bpm • C Maj • 03:48 • -14db
28% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Kate Rusby
Until Morning - Remastered 2022
110 bpm • A# Maj • 04:26 • -10.68db
9% Popularity • 62% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 62% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Boden
All the Stars Are Coming Out Tonight
110 bpm • F Maj • 03:34 • -7.25db
16% Popularity • 54% Danceability • 77% Energy • 65% Liveness
54% Instrumentalness • 52% Positiveness
16% Popularity • 54% Danceability • 77% Energy • 65% Liveness
54% Instrumentalness • 52% Positiveness
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Steve Earle
Days Aren't Long Enough
110 bpm • D Maj • 03:01 • -7.52db
28% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Siobhan Miller
May Morning Dew
110 bpm • E Maj • 04:14 • -11.35db
27% Popularity • 45% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
27% Popularity • 45% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Cheryl Wheeler
Driving Home
106 bpm • F Maj • 04:50 • -14.84db
22% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Don McLean
Mountains O'Mourne
110 bpm • G Maj • 04:32 • -20.43db
21% Popularity • 54% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 54% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Kate Rusby
Until Morning
110 bpm • A# Maj • 04:26 • -11.97db
23% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Martin Simpson
Trouble Brought Me Here
110 bpm • D Maj • 03:37 • -10.37db
20% Popularity • 32% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 32% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jackie Oates
Dream Angus
106 bpm • C# Maj • 04:37 • -13.34db
30% Popularity • 34% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 34% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Whileaways
I Am a Hill
110 bpm • F Maj • 04:28 • -10.16db
16% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cowboy Junkies
Thunder Road
110 bpm • F Maj • 05:06 • -11.94db
27% Popularity • 42% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 42% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Sinéad Lohan
Send Me a River
106 bpm • D Maj • 03:27 • -18.36db
35% Popularity • 76% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 76% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Olivia Broadfield
Holding On to You
111 bpm • C Maj • 03:52 • -10db
23% Popularity • 45% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 45% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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The Proclaimers
Streets of Edinburgh
111 bpm • F Maj • 03:46 • -7.14db
38% Popularity • 29% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 29% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ruth Notman
Changeable Heart
111 bpm • D Maj • 04:11 • -7.73db
16% Popularity • 35% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 35% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah Jarosz
I Still Haven't Found What I'm Looking F...
105 bpm • C# Maj • 03:32 • -9db
55% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lowland Hum
Sledgehammer
105 bpm • D# Maj • 04:24 • -13db
28% Popularity • 71% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 71% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Brady
It's A Beautiful World (Now You Are Here...
105 bpm • G# Maj • 03:20 • -13db
17% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Niamh Regan
How About That Coffee?
111 bpm • C Maj • 03:48 • -14.55db
25% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Seth Lakeman
Lady Of The Sea (Hear Her Calling) - New...
111 bpm • A Maj • 02:39 • -6.27db
23% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Julie Fowlis
Windward Away
105 bpm • A# Maj • 04:21 • -10.13db
31% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Vonda Shepard
Maryland
104 bpm • C# Maj • 03:54 • -16.33db
33% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Gillian Welch
Strange Isabella
112 bpm • A# Maj • 03:50 • -12.21db
20% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Paul Brady
It's a Beautiful World (Now You Are Here...
105 bpm • G# Maj • 03:23 • -16.63db
13% Popularity • 67% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 67% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ralph McTell
The London Apprentice
104 bpm • D Maj • 03:17 • -9.28db
23% Popularity • 61% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 61% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Seth Lakeman
Lady Of The Sea (Hear Her Calling)
111 bpm • A Maj • 02:58 • -6.27db
31% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Kitty Macfarlane
Glass Eel
104 bpm • D# Maj • 04:42 • -8.48db
23% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kathryn Williams
Beyond the Sea
112 bpm • G Maj • 02:25 • -19.31db
13% Popularity • 62% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
13% Popularity • 62% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
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Bruce Springsteen
If I Should Fall Behind
113 bpm • D Maj • 02:57 • -14.94db
53% Popularity • 72% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 72% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jerry Fish
True Friends
103 bpm • G Maj • 04:22 • -13.87db
28% Popularity • 63% Danceability • 42% Energy • 7% Liveness
13% Instrumentalness • 47% Positiveness
28% Popularity • 63% Danceability • 42% Energy • 7% Liveness
13% Instrumentalness • 47% Positiveness
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Ralph McTell
In the Dreamtime
104 bpm • C Maj • 03:42 • -12db
25% Popularity • 44% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Emma Swift
Queen Jane Approximately
113 bpm • D Maj • 04:36 • -7.77db
26% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Seth Lakeman
The Ballad of Midsomer County
112 bpm • C min • 03:47 • -8.48db
26% Popularity • 67% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 67% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Beth Nielsen Chapman
Sand and Water
113 bpm • F# Maj • 04:08 • -10.61db
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Siobhan Miller
Mercury
113 bpm • C Maj • 03:36 • -11db
31% Popularity • 54% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 54% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kris Drever
Scapa Flow 1919
113 bpm • C Maj • 05:00 • -8db
19% Popularity • 53% Danceability • 66% Energy • 13% Liveness
6% Instrumentalness • 28% Positiveness
19% Popularity • 53% Danceability • 66% Energy • 13% Liveness
6% Instrumentalness • 28% Positiveness
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Jimmy Nail
Big River
113 bpm • F# min • 05:58 • -8.12db
40% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Fairground Attraction
Whispers
113 bpm • D Maj • 03:50 • -20db
31% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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John Spillane
All The Ways You Wander
114 bpm • F Maj • 03:44 • -13.45db
14% Popularity • 50% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 50% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Kate Rusby
Blooming Heather @30
114 bpm • A# Maj • 04:12 • -10.33db
13% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Frances Black
On Grafton Street
102 bpm • D Maj • 05:28 • -16.48db
27% Popularity • 52% Danceability • 11% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
27% Popularity • 52% Danceability • 11% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
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Hothouse Flowers
Sweet Marie
114 bpm • C Maj • 06:01 • -13db
33% Popularity • 48% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 48% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Kitty Macfarlane
Song to the Siren
102 bpm • D Maj • 04:09 • -10.41db
12% Popularity • 44% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Laura Smith
My Bonny
102 bpm • B min • 04:53 • -10.87db
11% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Tommy Sands
Where Have All the Flowers Gone"
102 bpm • F Maj • 06:22 • -13.48db
17% Popularity • 36% Danceability • 24% Energy • 12% Liveness
20% Instrumentalness • 16% Positiveness
17% Popularity • 36% Danceability • 24% Energy • 12% Liveness
20% Instrumentalness • 16% Positiveness
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Kate Rusby
Secret Keeper
114 bpm • A Maj • 05:04 • -7.96db
8% Popularity • 50% Danceability • 33% Energy • 23% Liveness
2% Instrumentalness • 11% Positiveness
8% Popularity • 50% Danceability • 33% Energy • 23% Liveness
2% Instrumentalness • 11% Positiveness
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Sinéad Lohan
Whatever It Takes
102 bpm • A Maj • 03:35 • -6.35db
26% Popularity • 54% Danceability • 90% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
26% Popularity • 54% Danceability • 90% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
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Rita Wilson
Slip Slidin' Away
115 bpm • C# Maj • 04:53 • -7.24db
31% Popularity • 57% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 57% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth Moody
These Wilder Things
115 bpm • C Maj • 05:13 • -18.79db
21% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Mel Parsons
Don't Wait
115 bpm • C Maj • 03:43 • -9.86db
35% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Gretchen Peters
Sunday Morning (Up and Down My Street)
115 bpm • C Maj • 04:10 • -8.92db
24% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ruth Notman
Caledonia
101 bpm • D# Maj • 03:55 • -10.25db
26% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kate Rusby
No Names @30
101 bpm • A# Maj • 04:27 • -11.19db
19% Popularity • 60% Danceability • 34% Energy • 8% Liveness
5% Instrumentalness • 23% Positiveness
19% Popularity • 60% Danceability • 34% Energy • 8% Liveness
5% Instrumentalness • 23% Positiveness
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June Tabor
Love Will Tear Us Apart
115 bpm • A# Maj • 03:30 • -12.92db
28% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah McLachlan
Song For My Father
101 bpm • C min • 03:16 • -10db
36% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jack O'Rourke
Opera on the Top Floor
100 bpm • D# min • 03:40 • -10.48db
14% Popularity • 32% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 32% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Heaton
Loving Arms
100 bpm • G# Maj • 03:42 • -18.9db
26% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Runa
Who Will Sing Me Lullabies
116 bpm • C Maj • 03:20 • -8.59db
22% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dar Williams
The One Who Knows
100 bpm • D Maj • 03:46 • -9.73db
32% Popularity • 47% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 47% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Molly Tuttle
She's A Rainbow
117 bpm • E Maj • 03:49 • -11.85db
30% Popularity • 45% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 45% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Kathryn Tickell
The Water of Tyne
100 bpm • A Maj • 02:40 • -8.99db
28% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Katherine Priddy
Wolf
100 bpm • B min • 04:14 • -8.15db
29% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Kate Rusby
Bogey's Bonnie Belle
100 bpm • C Maj • 04:24 • -11.9db
10% Popularity • 57% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 57% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Fiddle Case
The Butcher and the Vet
117 bpm • F# min • 03:30 • -11.19db
14% Popularity • 72% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 72% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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John Spillane
All The Ways You Wander - 2009 Digital R...
117 bpm • F Maj • 03:58 • -11.62db
26% Popularity • 65% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 65% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Aoife Scott
Dublin Saunter
100 bpm • E Maj • 03:09 • -15db
22% Popularity • 80% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 80% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Poozies
Another Train
117 bpm • C Maj • 03:39 • -15.91db
18% Popularity • 48% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 48% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Yusuf / Cat Stevens
Where Do The Children Play?
117 bpm • G Maj • 04:09 • -12.7db
31% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Joan Armatrading
Dry Land
117 bpm • A# Maj • 04:21 • -9.8db
25% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sinéad Lohan
Who Do You Think I Am
117 bpm • D# Maj • 04:24 • -20.18db
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Kate Rusby
Philosophers, Poets & Kings
117 bpm • B Maj • 04:26 • -8.8db
21% Popularity • 45% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 45% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ruth Moody
Life Is Long
117 bpm • D Maj • 05:37 • -15.5db
21% Popularity • 35% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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Dick Gaughan
Ruby Tuesday
99 bpm • G Maj • 04:31 • -19.43db
22% Popularity • 49% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Billy Bragg
Gentle on My Mind
118 bpm • E Maj • 03:39 • -8db
42% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
