Songs like Act III: Ah! fuyez, douce image by Jules Massenet
Based on a tempo of (+/- 10%) and a similar genre
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Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Jules Massenet
Werther: Act III: Tout mon ame est la......
76 bpm • D Maj • 02:29 • -12.38db
1% Popularity • 29% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 29% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
40% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
40% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Jules Massenet
Mélodie - Élégie
77 bpm • E min • 02:14 • -30db
12% Popularity • 14% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
75 bpm • E Maj • 02:49 • -13db
36% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Claude Debussy
Petite suite, L. 65: I. En bateau (Orch....
75 bpm • G Maj • 04:11 • -29.88db
24% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Georges Delerue
La passante du Sans-Souci
77 bpm • A min • 04:20 • -20.97db
23% Popularity • 16% Danceability • 10% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 10% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Jules Massenet
Cendrillon: A deux genoux - Je viens à ...
75 bpm • C# Maj • 10:13 • -21.1db
7% Popularity • 14% Danceability • 16% Energy • 22% Liveness
1% Instrumentalness • 5% Positiveness
7% Popularity • 14% Danceability • 16% Energy • 22% Liveness
1% Instrumentalness • 5% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Klarinettenkonzert A-Dur, K. 622: 2. Ada...
78 bpm • D Maj • 07:57 • -27.89db
45% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
55% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
55% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Concerto in D Minor, BWV 974: II. Adagio...
78 bpm • D min • 04:14 • -25.13db
34% Popularity • 15% Danceability • 7% Energy • 4% Liveness
91% Instrumentalness • 8% Positiveness
34% Popularity • 15% Danceability • 7% Energy • 4% Liveness
91% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
37% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
37% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Violin Concerto In D, Op. 61: 2. Larghet...
74 bpm • G Maj • 10:01 • -31.47db
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Manon, Act 2: "Adieu, notre pe...
74 bpm • D min • 03:35 • -18.39db
1% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
45% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs - Meditation
79 bpm • D Maj • 05:33 • -11.72db
19% Popularity • 11% Danceability • 31% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 31% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
73 bpm • E Maj • 03:08 • -21db
25% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in A Major, Op. 7 No. 1:...
79 bpm • B Maj • 05:18 • -25.49db
27% Popularity • 14% Danceability • 4% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
27% Popularity • 14% Danceability • 4% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
45% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
45% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
41% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Jules Massenet
Massenet: Don Quichotte, Act 1: Séréna...
79 bpm • G# Maj • 04:51 • -23.47db
6% Popularity • 19% Danceability • 5% Energy • 16% Liveness
1% Instrumentalness • 5% Positiveness
6% Popularity • 19% Danceability • 5% Energy • 16% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Reynaldo Hahn
L'heure exquise
80 bpm • D Maj • 02:19 • -31.71db
26% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
David Stanhope
Thaïs: Méditation (Arr. David Stanhope...
72 bpm • D Maj • 04:54 • -26db
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Luke Faulkner
Polovtsian Dances from Prince Igor (pian...
72 bpm • A Maj • 02:52 • -21.35db
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Florence Beatrice Price
Adoration (Version for Solo Violin and S...
80 bpm • D Maj • 03:52 • -22.7db
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Manon Ballet - Arranged and orchestrated...
80 bpm • G# Maj • 04:07 • -30.98db
10% Popularity • 13% Danceability • 2% Energy • 10% Liveness
44% Instrumentalness • 7% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 10% Liveness
44% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
72 bpm • D Maj • 02:45 • -24.78db
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Jules Massenet
Elegie
79 bpm • E min • 02:04 • -22.95db
23% Popularity • 18% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
23% Popularity • 18% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
42% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
42% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Jules Massenet
Werther: Act IV: Et moi, Werther, et moi...
72 bpm • F Maj • 05:59 • -15.67db
0% Popularity • 22% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 22% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
82 bpm • G Maj • 04:18 • -33.2db
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Tim Hugh
Cello Concerto No. 1 In C Major, G. 477:...
70 bpm • F Maj • 06:29 • -36.54db
39% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
39% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation
72 bpm • D Maj • 06:03 • -18db
13% Popularity • 8% Danceability • 13% Energy • 9% Liveness
27% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 13% Energy • 9% Liveness
27% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Jules Massenet
Cendrillon: Du côté de la barbe
80 bpm • D# Maj • 04:28 • -25db
7% Popularity • 34% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 34% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
35% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Fritz Kreisler
Liebesleid - Arr. Mischa Maisky
83 bpm • A min • 03:53 • -25.35db
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Jules Massenet
Massenet: Werther, Act 1: "Charlotte ! A...
81 bpm • F Maj • 01:43 • -16.07db
0% Popularity • 25% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
0% Popularity • 25% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
