Songs like Manon Lescaut: Act I: Vedete? lo'son 'fedele by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Puccini: Turandot, Act 1: "Signore ascol...
92 bpm • C# Maj • 02:42 • -21.17db
17% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
26% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
26% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Questo Mar Rosso" -...
92 bpm • F Maj • 04:16 • -20.28db
19% Popularity • 38% Danceability • 19% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
19% Popularity • 38% Danceability • 19% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Mesicku na neb...
91 bpm • F# Maj • 06:25 • -23.07db
34% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
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Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
91 bpm • C Maj • 01:48 • -21db
27% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
19% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
19% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Giacomo Puccini
Tosca / Act II: "Vissi d'arte, vissi d'a...
92 bpm • D# Maj • 03:51 • -24.03db
22% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Suor Angelica: "Senza mamma, o bimbo, tu...
92 bpm • A min • 04:26 • -15db
19% Popularity • 30% Danceability • 15% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 30% Danceability • 15% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Celine Byrne
Puccini: Un bel di, vedremo, Madama Butt...
90 bpm • C# Maj • 04:17 • -15.72db
9% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Séguedille...
90 bpm • G Maj • 04:15 • -20.02db
12% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a / Act 2: "Lascia ch'io p...
90 bpm • E Maj • 05:15 • -25db
26% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Leonard Bernstein
West Side Story: V. Maria
90 bpm • D# Maj • 02:58 • -18.84db
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 3: "Donde lieta...
93 bpm • C# Maj • 03:20 • -17.39db
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act 1
90 bpm • A Maj • 09:46 • -29.14db
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Rusalka: Song to the Moon
89 bpm • F# Maj • 05:59 • -17.6db
23% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Manon Lescaut: Act IV: Sola, perduta, ab...
93 bpm • A# min • 04:48 • -23db
21% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
89 bpm • F Maj • 05:04 • -27.49db
7% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
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Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
91 bpm • G# Maj • 02:31 • -21db
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 3: "Hojotoho...
89 bpm • G Maj • 06:19 • -14.35db
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Mario del Monaco
Nessun Dorma!
88 bpm • D Maj • 02:44 • -13db
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: Una furtiva l...
88 bpm • F min • 04:20 • -20db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
90 bpm • D Maj • 04:38 • -14db
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
96 bpm • A Maj • 03:19 • -13db
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Georges Bizet
Bizet: Les Pêcheurs de perles, Act 1: "...
88 bpm • D# Maj • 05:26 • -18db
20% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Giacomo Puccini
Madama Butterfly (Remastered): Act II - ...
90 bpm • C# Maj • 04:23 • -19.42db
13% Popularity • 19% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giovacchino Forzano
Gianni Schicchi: Oh! Mio Babbino Caro
88 bpm • G# Maj • 02:08 • -11.68db
24% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Le Comte Ory, Act I, Scene VIII, No. 4: ...
88 bpm • D# Maj • 09:46 • -18db
9% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Deux: Méditation religieu...
88 bpm • D Maj • 05:48 • -28.51db
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini: Turandot, Act 3: "Nessum dorma!...
94 bpm • D Maj • 02:53 • -13.71db
5% Popularity • 18% Danceability • 21% Energy • 62% Liveness
1% Instrumentalness • 7% Positiveness
5% Popularity • 18% Danceability • 21% Energy • 62% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Katia Ricciarelli
A. Vucchella
96 bpm • F Maj • 02:04 • -14.24db
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Leonard Bernstein
West Side Story: XIIId. Somewhere
88 bpm • E Maj • 02:37 • -19.75db
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Luciano Pavarotti
La Traviata - Act. I - Libiam Ne' Lieti ...
97 bpm • A# Maj • 03:12 • -12db
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Giacomo Puccini
Madama Butterfly, SC 74: Che giova? ... ...
94 bpm • F# Maj • 02:20 • -13.55db
15% Popularity • 30% Danceability • 43% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
15% Popularity • 30% Danceability • 43% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
► Preview
Vincenzo Bellini
Norma / Act I: Casta Diva
87 bpm • G Maj • 08:16 • -21db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Franz Lehár
Die lustige Witwe / Act 2: Vilja-Lied
97 bpm • G Maj • 05:57 • -22.68db
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
La Bohème: Che gelida manina
89 bpm • G# Maj • 04:50 • -17.57db
26% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Fiordiligi, Dorabella and Don Alfonso's ...
87 bpm • E Maj • 03:33 • -26.71db
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss II, J: Eine Nacht in Venedig, Ac...
98 bpm • D Maj • 02:10 • -15.13db
15% Popularity • 36% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Giacomo Puccini
La Rondine, Act I: "Chi il bel sogno di ...
89 bpm • F Maj • 03:08 • -15.27db
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
21% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
21% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
99 bpm • A# Maj • 09:09 • -19.52db
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte" (T...
89 bpm • D# Maj • 03:05 • -17db
20% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
85 bpm • F# Maj • 03:09 • -17.17db
18% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: "Una furtiva l...
85 bpm • A# Maj • 04:12 • -13db
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Manon Lescaut: Act II: In quelle trine m...
89 bpm • F# Maj • 02:18 • -23.89db
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
31% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
31% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 1: Vorsp...
85 bpm • A Maj • 11:46 • -26db
8% Popularity • 9% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 2% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 2% Positiveness
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Giacomo Puccini
Turandot / Act III: "Nessun dorma"
85 bpm • D Maj • 03:15 • -16.07db
28% Popularity • 12% Danceability • 18% Energy • 38% Liveness
5% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 18% Energy • 38% Liveness
5% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
