Songs like Manon Lescaut, Act II: Act II: Tu, tu, amore? Tu? (Manon, Des Grieux) by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Turandot: Act III Scene 1: Tu, che di ge...
83 bpm • D# min • 04:53 • -19db
17% Popularity • 23% Danceability • 14% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 14% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Stabat Mater: 1. Stabat Mater dolorosa
83 bpm • G min • 09:57 • -21.34db
20% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
83 bpm • D# Maj • 05:11 • -15db
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La Rondine: Act III: Non maledire, ascol...
83 bpm • F# Maj • 02:31 • -11db
24% Popularity • 26% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 26% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
17% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
83 bpm • E Maj • 04:08 • -17db
45% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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George Gershwin
Porgy and Bess / Act 1: "Summertime"
83 bpm • B min • 08:45 • -18.03db
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Rondine / Act 2: "Bevo al tuo fresco ...
83 bpm • D# Maj • 02:59 • -16.53db
12% Popularity • 21% Danceability • 26% Energy • 8% Liveness
65% Instrumentalness • 19% Positiveness
12% Popularity • 21% Danceability • 26% Energy • 8% Liveness
65% Instrumentalness • 19% Positiveness
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Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La Bohème, Act I: O soave fanciulla (Ro...
83 bpm • C Maj • 04:00 • -19db
25% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Renata Tebaldi
Turandot
84 bpm • F# Maj • 02:32 • -26.41db
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act III: "In fernem ...
82 bpm • A Maj • 10:25 • -13.34db
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Vogli...
83 bpm • F Maj • 07:24 • -12.53db
9% Popularity • 20% Danceability • 23% Energy • 36% Liveness
16% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 23% Energy • 36% Liveness
16% Instrumentalness • 6% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
10% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Act I: Regina coel...
84 bpm • G Maj • 06:15 • -16db
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Madama Butterfly / Act I: Bimba dagli oc...
82 bpm • F Maj • 12:37 • -14.13db
23% Popularity • 20% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Umberto Giordano
Giordano : Andrea Chénier : Act 4 "Come...
84 bpm • C# min • 03:12 • -15db
15% Popularity • 18% Danceability • 20% Energy • 11% Liveness
48% Instrumentalness • 10% Positiveness
15% Popularity • 18% Danceability • 20% Energy • 11% Liveness
48% Instrumentalness • 10% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
33% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte / Act 1: "Soave sia il v...
85 bpm • E Maj • 05:02 • -24db
15% Popularity • 28% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 28% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 2: "Ho una casa n...
83 bpm • D Maj • 03:12 • -20.92db
7% Popularity • 18% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 18% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
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Tommaso Giordani
Caro mio ben
85 bpm • F Maj • 03:03 • -17.81db
22% Popularity • 14% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 13% Positiveness
22% Popularity • 14% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Dvořák: 8 Slavonic Dances, Op. 72, B. ...
81 bpm • C Maj • 02:36 • -19.56db
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Tosca
85 bpm • D# Maj • 03:16 • -18.48db
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
85 bpm • D Maj • 06:02 • -24db
9% Popularity • 22% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
85 bpm • G Maj • 06:28 • -23.91db
15% Popularity • 26% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
15% Popularity • 26% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria Rusticana (1987 - Remaster): ...
85 bpm • F Maj • 02:40 • -18db
19% Popularity • 14% Danceability • 16% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 16% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
85 bpm • F# Maj • 03:09 • -17.17db
16% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Giacomo Puccini
Turandot (2002 Digital Remaster): Signor...
85 bpm • F# Maj • 02:34 • -19db
11% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Vaga luna che inargenti
86 bpm • B Maj • 03:48 • -15db
15% Popularity • 23% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 23% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
83 bpm • A# Maj • 02:54 • -50.14db
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
► Preview
Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben? ... N...
86 bpm • E Maj • 04:25 • -19.11db
17% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Tosca / Act 1: "Mia gelosa!"
83 bpm • C# min • 04:02 • -18.5db
9% Popularity • 18% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Richard Strauss
Wiegenlied Op. 41 Nª 1 (Cancion De Cuna...
80 bpm • D Maj • 05:20 • -21db
4% Popularity • 16% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 9% Positiveness
4% Popularity • 16% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 9% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "Sul...
80 bpm • A# Maj • 03:30 • -22.48db
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Giacomo Puccini
Manon Lescaut: "Donna non vidi mai"
83 bpm • A# Maj • 02:35 • -16.11db
19% Popularity • 19% Danceability • 25% Energy • 39% Liveness
3% Instrumentalness • 16% Positiveness
19% Popularity • 19% Danceability • 25% Energy • 39% Liveness
3% Instrumentalness • 16% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Quanto è bel...
80 bpm • C Maj • 03:20 • -15.64db
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "A casa, amici" - ...
86 bpm • C Maj • 02:43 • -21db
26% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Alfredo Catalani
Ebben? Ne andro lontano
86 bpm • E min • 03:41 • -22db
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca / Act 1: "Recondita armonia"
83 bpm • F Maj • 02:56 • -15.09db
22% Popularity • 22% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 22% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Georges Bizet
Les pêcheurs de perles, WD 13 / Act 1: ...
80 bpm • A min • 03:48 • -18.84db
18% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: Una furtiva la...
80 bpm • A# min • 04:52 • -19db
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Serenata
86 bpm • G min • 02:55 • -15db
15% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act I: "Tre sbirri, una ...
83 bpm • D# Maj • 03:58 • -12db
4% Popularity • 19% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 16% Positiveness
4% Popularity • 19% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Fiordiligi, Dorabella and Don Alfonso's ...
87 bpm • E Maj • 03:33 • -26.71db
18% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
79 bpm • C Maj • 01:57 • -19.77db
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: "Perdona, o mia d...
79 bpm • G# Maj • 10:58 • -18.5db
28% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Tosca / Act 3: "E lucevan le stelle" - R...
84 bpm • B min • 02:40 • -12.82db
26% Popularity • 17% Danceability • 38% Energy • 66% Liveness
4% Instrumentalness • 11% Positiveness
26% Popularity • 17% Danceability • 38% Energy • 66% Liveness
4% Instrumentalness • 11% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Faris)
79 bpm • E Maj • 01:58 • -14.46db
37% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
87 bpm • G Maj • 08:16 • -21db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Rondine: Act II: Bevo al tuo fresco s...
84 bpm • D# Maj • 03:10 • -11db
16% Popularity • 26% Danceability • 64% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 26% Danceability • 64% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
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Francesco Cilea
L'arlesiana / Act 2: È la solita storia...
79 bpm • A min • 04:22 • -15.82db
22% Popularity • 21% Danceability • 21% Energy • 95% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 21% Energy • 95% Liveness
1% Instrumentalness • 6% Positiveness
