Songs like Manon Lescaut: Act III: ... e Kate rispose al Re by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Turandot: Act I: Là, sui monti dell'est
85 bpm • G# Maj • 01:00 • -29.36db
40% Popularity • 18% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 18% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
32% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Ernesto de Curtis
Torna a Surriento
85 bpm • E Maj • 03:59 • -15db
16% Popularity • 22% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 19% Positiveness
16% Popularity • 22% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 19% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
85 bpm • G Maj • 06:28 • -23.91db
14% Popularity • 26% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
14% Popularity • 26% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
85 bpm • F# Maj • 03:09 • -17.17db
17% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Turandot / Act 1: Non piangere Liù
85 bpm • D# min • 05:21 • -8.63db
8% Popularity • 22% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 22% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
15% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:57 • -17.85db
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Salvatore Cardillo
Core 'ngrato (Arr. Chiaramello)
84 bpm • D# Maj • 04:55 • -13db
27% Popularity • 19% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 19% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Turandot / Act III: "Nessun dorma"
85 bpm • D Maj • 03:15 • -16.07db
29% Popularity • 12% Danceability • 18% Energy • 38% Liveness
5% Instrumentalness • 5% Positiveness
29% Popularity • 12% Danceability • 18% Energy • 38% Liveness
5% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Act I: Regina coel...
84 bpm • G Maj • 06:15 • -16db
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1 Scene 4: No. 4b, A...
86 bpm • F Maj • 07:26 • -21.81db
23% Popularity • 19% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs / Acte Deux: Meditation
86 bpm • D Maj • 04:55 • -26.7db
27% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
27% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
85 bpm • D Maj • 06:02 • -24db
9% Popularity • 22% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
18% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
40% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
40% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
83 bpm • C# min • 07:59 • -16db
17% Popularity • 18% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Ecco. Son giun...
86 bpm • A# min • 03:42 • -26db
25% Popularity • 15% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fiordiligi, Dorabella and Don Alfonso's ...
87 bpm • E Maj • 03:33 • -26.71db
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "A casa, amici" - ...
86 bpm • C Maj • 02:43 • -21db
26% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot, SC 91: Nessun dorma
85 bpm • D Maj • 03:20 • -18db
9% Popularity • 21% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 12% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
87 bpm • G Maj • 08:16 • -21db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
38% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
38% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Gaetana Lama
Silenzio cantatore
83 bpm • E min • 04:52 • -18.37db
21% Popularity • 17% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Turandot, Act III: Nessun dorma!
84 bpm • D Maj • 03:00 • -14.35db
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: "Au Mont Ida,...
88 bpm • F Maj • 03:54 • -13db
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Le Comte Ory, Act I, Scene VIII, No. 4: ...
88 bpm • D# Maj • 09:46 • -18db
9% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Turandot, SC 91, Act III: Nessun dorma!
84 bpm • D Maj • 02:57 • -12.51db
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act III: "In fernem ...
82 bpm • A Maj • 10:25 • -13.34db
22% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Les Pêcheurs de perles, Act 1: "...
88 bpm • D# Maj • 05:26 • -18db
21% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
21% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Giacomo Puccini
Manon Lescaut: Act II: Intermezzo
86 bpm • C# min • 05:56 • -27db
23% Popularity • 11% Danceability • 3% Energy • 11% Liveness
53% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 3% Energy • 11% Liveness
53% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Antonín Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: Una furtiva l...
88 bpm • F min • 04:20 • -20db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Messa di Gloria: Kyrie
84 bpm • G# Maj • 06:08 • -27.68db
23% Popularity • 8% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Mario del Monaco
Nessun Dorma!
88 bpm • D Maj • 02:44 • -13db
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Giacomo Puccini
Turandot: Act III Scene 1: Nessun dorma!
86 bpm • D Maj • 02:31 • -15.05db
19% Popularity • 26% Danceability • 15% Energy • 63% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 26% Danceability • 15% Energy • 63% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Giacomo Puccini
La Rondine: Act II: Bevo al tuo fresco s...
84 bpm • D# Maj • 03:10 • -11db
17% Popularity • 26% Danceability • 64% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 26% Danceability • 64% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Rusalka: Song to the Moon
89 bpm • F# Maj • 05:59 • -17.6db
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 3: "Hojotoho...
89 bpm • G Maj • 06:19 • -14.35db
13% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Giacomo Puccini
Tosca / Act 3: "E lucevan le stelle" - R...
84 bpm • B min • 02:40 • -12.82db
27% Popularity • 17% Danceability • 38% Energy • 66% Liveness
4% Instrumentalness • 11% Positiveness
27% Popularity • 17% Danceability • 38% Energy • 66% Liveness
4% Instrumentalness • 11% Positiveness
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Alfredo Kraus
Les Pecheurs De Perles: Je Crois Entendr...
81 bpm • A min • 05:23 • -21.74db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 1 Scene 9: "Tre sbir...
81 bpm • D# Maj • 04:31 • -12.64db
7% Popularity • 16% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
7% Popularity • 16% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Leonard Bernstein
West Side Story: V. Maria
90 bpm • D# Maj • 02:58 • -18.84db
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 1: L'amor?! L'amor?!
84 bpm • G Maj • 00:58 • -18.2db
25% Popularity • 41% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 41% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Celine Byrne
Puccini: Un bel di, vedremo, Madama Butt...
90 bpm • C# Maj • 04:17 • -15.72db
9% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act 1
90 bpm • A Maj • 09:46 • -29.14db
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quant...
87 bpm • F# Maj • 03:46 • -17.61db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
