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Mara Yadat Hast
Songs like
Mara Yadat Hast
by
Circo Cafe
Based on a tempo of (+/- 10%) and a similar genre
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Circo Cafe
Mara Yadat Hast?
98 bpm • C# min • 03:55 • -10.13db
4% Popularity • 61% Danceability • 45% Energy • 13% Liveness
30% Instrumentalness • 53% Positiveness
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Faarjam
Amme
98 bpm • E min • 04:28 • -17.78db
10% Popularity • 72% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 49% Positiveness
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The Ways
Khab Bazi
98 bpm • E min • 04:11 • -8.97db
21% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Reza Yazdani
Navaar
98 bpm • A min • 04:34 • -8.74db
23% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Siriya Ensemble
Leyli
98 bpm • D Maj • 04:03 • -6.2db
23% Popularity • 47% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Farhad Mehrad
Barf
98 bpm • D# min • 04:35 • -8.69db
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Circo Cafe
Mara Yadat Hast
98 bpm • C# min • 03:58 • -6.34db
16% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sara Naeini
Faseleh
98 bpm • G min • 03:09 • -7.45db
21% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Soheil Nafisi
Del Kharaab
97 bpm • F# min • 03:19 • -11.59db
12% Popularity • 83% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Hojat Ashraf Zadeh
Mah Va Mahi, Pt. 1
97 bpm • E min • 02:23 • -16.7db
33% Popularity • 57% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Rastaak Hallaj
Lanat Be Settamoon
97 bpm • B min • 02:30 • -4.81db
30% Popularity • 44% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Faramarz Aslani
Yadist
99 bpm • D min • 03:53 • -7.4db
39% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Circo Cafe
booye scotch
98 bpm • B min • 04:01 • -7.21db
2% Popularity • 82% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Ebrahim Monsefi
The Whale/ Nahang - Live
97 bpm • F Maj • 02:14 • -13db
29% Popularity • 65% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Sogand
Baroon
97 bpm • A Maj • 03:22 • -3.88db
37% Popularity • 72% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Shahyar Ghanbari
La la La la (No More Lullabies)
97 bpm • C min • 06:12 • -8db
28% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Hojat Ashraf Zadeh
Mah O Mahi
97 bpm • E min • 04:47 • -15.9db
31% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Mohsen Namjoo
Yaare Jaani
96 bpm • A min • 02:50 • -11.47db
37% Popularity • 56% Danceability • 49% Energy • 75% Liveness
0% Instrumentalness • 73% Positiveness
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Ali N. Askin
Mara Beboos
100 bpm • G min • 02:53 • -7.65db
32% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Kaveh Afagh
Ey To Ziba
100 bpm • G min • 02:54 • -5.73db
27% Popularity • 42% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Peyman Salimi
Ten Thousand Miles Away
100 bpm • D# Maj • 04:45 • -9.29db
10% Popularity • 58% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
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Hamed Nikpay
Mimiram
100 bpm • B Maj • 04:02 • -5.5db
20% Popularity • 53% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 25% Positiveness
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Damahi
Niyaz
100 bpm • D Maj • 03:53 • -8.81db
30% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Habib
Kavir Vavar
96 bpm • A min • 04:09 • -7.93db
32% Popularity • 64% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Faramarz Aslani
Yar
96 bpm • A min • 04:11 • -4.22db
41% Popularity • 72% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Pallett
Sad Bar
100 bpm • E min • 03:01 • -4.41db
24% Popularity • 61% Danceability • 82% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
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Aida Shahghasemi
Blue Bird
100 bpm • C Maj • 04:39 • -14.81db
12% Popularity • 37% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Farhad Mehrad
Gol-e Yakh
96 bpm • A Maj • 03:34 • -16.46db
25% Popularity • 52% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Darya Dadvar
Mah Pishanoo
100 bpm • A Maj • 04:23 • -11.44db
28% Popularity • 52% Danceability • 36% Energy • 80% Liveness
0% Instrumentalness • 56% Positiveness
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Triolet Band
Bigah
96 bpm • A Maj • 03:51 • -9.43db
12% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Circo Cafe
Mara Yadat Hast
96 bpm • C# min • 04:34 • -8.62db
0% Popularity • 61% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Eendo
Ba Raftanet
96 bpm • E min • 02:08 • -11.18db
18% Popularity • 25% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Anoushirvan Rohani
Saraab
101 bpm • E min • 02:33 • -8.57db
37% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Faarjam
Ba Chashmanam
95 bpm • F min • 02:57 • -17.17db
10% Popularity • 67% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Geremia Vinattieri
Hymn to the Sun
101 bpm • E min • 03:35 • -11.32db
1% Popularity • 72% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Hamed Nikpay
Deceit (Fareeb)
95 bpm • A# min • 06:11 • -9.37db
25% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Pallett Band
Tamame Natamam
95 bpm • B min • 02:56 • -15.79db
30% Popularity • 59% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Triolet Band
Badeye Shabgir
95 bpm • E min • 03:55 • -6.14db
14% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Pallett
Endless Ending
95 bpm • B min • 02:56 • -6.43db
30% Popularity • 59% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Habib
Shahla
95 bpm • A min • 03:32 • -10.7db
34% Popularity • 46% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Reza Yazdani
Shomal
94 bpm • G Maj • 04:57 • -7.15db
16% Popularity • 52% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Damahi
Barakoo
94 bpm • E min • 02:58 • -10.26db
33% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Mohsen Namjoo
Maryam
95 bpm • A min • 03:24 • -5.92db
32% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dobare
The Poet With a Gun
102 bpm • C min • 03:32 • -7.06db
26% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Pallett
Mosallas
94 bpm • G min • 03:54 • -6.07db
28% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Soheil Nafissi
Came to Dance
102 bpm • E min • 02:32 • -14.9db
19% Popularity • 71% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Ali Zandevakili
Akharin Avaz
102 bpm • B min • 02:39 • -6.68db
42% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Farzad Milani
Shaneh
102 bpm • F min • 02:43 • -6.89db
15% Popularity • 66% Danceability • 63% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
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Shahyar Ghanbari
Koodakaaneh 2000
94 bpm • A# min • 05:07 • -5.4db
35% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Damahi
Kheyli Saadeh (Bimar-E Standard)
102 bpm • B min • 03:42 • -11.04db
21% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Faramarz Aslani
Sedayam Kon
102 bpm • G min • 04:37 • -7.89db
34% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Ways
Shahre Man Koo
102 bpm • D Maj • 03:46 • -6.14db
16% Popularity • 58% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Sirvan Khosravi
Bonbast
94 bpm • D Maj • 04:15 • -5.48db
28% Popularity • 55% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Habib
Marg E Ghoo
94 bpm • A min • 06:12 • -6.93db
29% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Negin Parsa
Ayeene Rooya
94 bpm • B min • 06:24 • -9.86db
4% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Damahi
Baroon-E Acidi
94 bpm • C min • 05:03 • -10.27db
17% Popularity • 66% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Makan Ashgvari
I Dance
102 bpm • E min • 05:18 • -12.26db
23% Popularity • 53% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Farhad Mehrad
Ayeneha (Maskh)
94 bpm • A min • 04:27 • -12.17db
36% Popularity • 60% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Sirvan Khosravi
Kheili Rooza Gozasht
103 bpm • F# min • 05:03 • -7.73db
36% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Sina Hejazi
Dreamer
93 bpm • A min • 03:47 • -9.02db
20% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Dang Show
Slowly, Slowly
103 bpm • A min • 04:22 • -10.32db
27% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Viguen
Mara Beboos
93 bpm • F min • 04:23 • -18.38db
34% Popularity • 51% Danceability • 31% Energy • 13% Liveness
17% Instrumentalness • 50% Positiveness
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Pallett
Vagabond
104 bpm • G min • 03:00 • -13.14db
35% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Habib
Bezan Baran
92 bpm • F min • 04:26 • -6.05db
37% Popularity • 61% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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127
که باشد روزی
104 bpm • D min • 05:42 • -9.83db
13% Popularity • 82% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Circo Cafe
ghesseh
92 bpm • B min • 04:07 • -8.89db
0% Popularity • 47% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Niaz Nawab
Naghsh-e To
92 bpm • A Maj • 05:09 • -8db
23% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Viguen
Faryaade Entezaar
92 bpm • C min • 03:40 • -17.66db
27% Popularity • 38% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Pallett
Fish and Cat
104 bpm • A min • 04:18 • -12.61db
22% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Habib
Vadiyeh Eshgh
104 bpm • A Maj • 05:09 • -8db
21% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Hassan Shamaizadeh
Mordab
92 bpm • E min • 04:41 • -14.24db
28% Popularity • 45% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Hessam Bahmani
Tehran
92 bpm • F# min • 04:37 • -7.26db
20% Popularity • 40% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ravi
Tanha Tarin Ashegh
105 bpm • B min • 03:49 • -8db
29% Popularity • 80% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Viguen
Be Khatere To
92 bpm • C min • 03:21 • -19db
32% Popularity • 45% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Circo Cafe
koocheh haye shad!
105 bpm • B Maj • 04:05 • -8.48db
0% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Habib
Hezaran
105 bpm • D min • 05:27 • -7.5db
23% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Daal Band
Shabihe Yek Rouya
91 bpm • A min • 03:57 • -10.31db
18% Popularity • 38% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 20% Positiveness
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Peyman Salimi
Raj
91 bpm • C min • 03:33 • -7.37db
20% Popularity • 44% Danceability • 95% Energy • 11% Liveness
8% Instrumentalness • 50% Positiveness
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Farhad Mehrad
To Ra Doost Daram
106 bpm • D# Maj • 01:33 • -9db
31% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Mohammad Esfahani
Mehr o Mah(Peyk-e-Sahari)
106 bpm • A min • 06:20 • -12.12db
24% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Circo Cafe
marde tanhaye emshab
105 bpm • C Maj • 04:53 • -7.91db
0% Popularity • 83% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Pallett
Half of Us
91 bpm • E min • 07:15 • -16db
18% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Mehdi Saki
The Smile
106 bpm • B min • 03:49 • -10db
31% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Peyman Salimi
Shab
91 bpm • C# Maj • 04:12 • -7.01db
28% Popularity • 67% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Ali Zandevakili
Shahre Hasood
106 bpm • F min • 04:15 • -6.77db
39% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Siriya Ensemble
Havar
107 bpm • A min • 05:13 • -7db
31% Popularity • 44% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Circo Cafe
Asir
91 bpm • C min • 04:14 • -9.25db
0% Popularity • 61% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Sogand
Bilite Yektarafe
107 bpm • A min • 04:02 • -5db
35% Popularity • 71% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Mehdi Saki
Obscure
90 bpm • D min • 04:24 • -7.38db
25% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Tara Tiba
Sar Oomad Zemestoon (Winter Is Over)
106 bpm • A min • 05:05 • -8.54db
38% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Hamed Nikpay
Greetings to Heart (salam-e Del)
107 bpm • E min • 04:30 • -7db
15% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Heydoo Hedayati
Soo
90 bpm • G# min • 02:42 • -8db
36% Popularity • 51% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Circo Cafe
Sher O Naghash
90 bpm • F# Maj • 04:04 • -9.36db
2% Popularity • 80% Danceability • 34% Energy • 10% Liveness
27% Instrumentalness • 70% Positiveness
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Omid Nemati
Deprivation
90 bpm • F# min • 03:44 • -7db
19% Popularity • 38% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Farzad Milani
Delbar
90 bpm • A# min • 03:15 • -7.13db
10% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Artoush
Nefrin
90 bpm • E min • 06:13 • -16db
35% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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127
سالهای سال
90 bpm • A min • 04:09 • -10.49db
26% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Heydoo Hedayati
Tifoon
90 bpm • A min • 03:22 • -9db
26% Popularity • 41% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Farhad Mehrad
Mard-e Tanha
90 bpm • D min • 03:17 • -8db
40% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Navid Arbabian
Deleh Zarum
107 bpm • E min • 03:19 • -11.23db
12% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mara Yadat Hast