Songs like March - Lime Grove by Nigel Ogden
Based on a tempo of (+/- 10%) and a similar genre
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Dick Le Mair
Wege zu dir - Wege zu mir
122 bpm • F Maj • 03:32 • -11.99db
7% Popularity • 18% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Sacha Puttnam
War of the Buttons
122 bpm • G Maj • 04:28 • -16.18db
8% Popularity • 33% Danceability • 26% Energy • 31% Liveness
93% Instrumentalness • 20% Positiveness
8% Popularity • 33% Danceability • 26% Energy • 31% Liveness
93% Instrumentalness • 20% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
122 bpm • A# Maj • 01:18 • -17.53db
19% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
19% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Peter Breiner
Micronesia (arr. P. Breiner): Micronesia...
123 bpm • F Maj • 01:43 • -18.58db
10% Popularity • 17% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Michał Kleofas Ogiński
Quadrille No. 1 in F Minor
121 bpm • F min • 01:30 • -14.49db
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
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Sirenas Celestiales
Imaginando Paraiso
121 bpm • F Maj • 02:21 • -14.92db
12% Popularity • 38% Danceability • 20% Energy • 7% Liveness
97% Instrumentalness • 50% Positiveness
12% Popularity • 38% Danceability • 20% Energy • 7% Liveness
97% Instrumentalness • 50% Positiveness
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中国电影乐团
夏天在威尼斯
121 bpm • A# Maj • 03:19 • -18.27db
2% Popularity • 24% Danceability • 34% Energy • 88% Liveness
82% Instrumentalness • 18% Positiveness
2% Popularity • 24% Danceability • 34% Energy • 88% Liveness
82% Instrumentalness • 18% Positiveness
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Joan Lluís Moraleda
Tirant lo Blanc (Version for Symphonic B...
124 bpm • A Maj • 02:37 • -8.48db
12% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
12% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Lucas Brito
Dobrado Sinfônico nº 2 - Remix
120 bpm • G# Maj • 03:48 • -7.61db
9% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
9% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
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Christopher Tyler Nickel
Requiem: V. Dies Irae
120 bpm • G min • 07:09 • -20.01db
17% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Carmine Coppola
The Godfather's Tarantella
124 bpm • F min • 03:12 • -12.2db
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
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Sirenas Celestiales
Activando Sensaciones
121 bpm • C# Maj • 02:22 • -22.16db
11% Popularity • 70% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 38% Positiveness
11% Popularity • 70% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 38% Positiveness
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BEILY83
LISTEEEN
124 bpm • E min • 01:30 • -23.9db
31% Popularity • 32% Danceability • 4% Energy • 28% Liveness
94% Instrumentalness • 12% Positiveness
31% Popularity • 32% Danceability • 4% Energy • 28% Liveness
94% Instrumentalness • 12% Positiveness
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Guo Tai Gong
Raid On the White Tiger Regiment, Interm...
124 bpm • C min • 01:04 • -19.28db
16% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
16% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
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Verdi
Amami Alfredo (Remastered 2014)
124 bpm • E Maj • 02:16 • -15.8db
13% Popularity • 38% Danceability • 15% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
13% Popularity • 38% Danceability • 15% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
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Nigel Ogden
April In Portugal / Portuguese Washerwom...
119 bpm • F Maj • 03:31 • -16.1db
0% Popularity • 25% Danceability • 32% Energy • 26% Liveness
87% Instrumentalness • 37% Positiveness
0% Popularity • 25% Danceability • 32% Energy • 26% Liveness
87% Instrumentalness • 37% Positiveness
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Matthew Slater
Variation 3: I. Andante Lunara
119 bpm • G Maj • 03:45 • -13.06db
10% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
10% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
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Sirenas Celestiales
Locura Atractiva
120 bpm • G Maj • 02:27 • -21.68db
11% Popularity • 73% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
11% Popularity • 73% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Peter Warlock
Dance (Pieds-en-l'air)
125 bpm • G Maj • 02:14 • -19.17db
9% Popularity • 21% Danceability • 25% Energy • 15% Liveness
95% Instrumentalness • 10% Positiveness
9% Popularity • 21% Danceability • 25% Energy • 15% Liveness
95% Instrumentalness • 10% Positiveness
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Massed Male Voice Choirs
When the Saints Go Marching In
125 bpm • D# Maj • 02:27 • -22.48db
1% Popularity • 45% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 45% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 43% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
125 bpm • C Maj • 01:58 • -20db
18% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
18% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
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The Royal Wind Music
En er mundo
125 bpm • C# Maj • 02:56 • -19.72db
18% Popularity • 30% Danceability • 16% Energy • 18% Liveness
91% Instrumentalness • 10% Positiveness
18% Popularity • 30% Danceability • 16% Energy • 18% Liveness
91% Instrumentalness • 10% Positiveness
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Las Guerreras
Distancias Finales
119 bpm • A# min • 02:14 • -19.35db
14% Popularity • 37% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
14% Popularity • 37% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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Los Triunfadores
Sin Saber Que Hacer
119 bpm • D min • 02:11 • -19.76db
13% Popularity • 42% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
13% Popularity • 42% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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东京爱乐交响乐团
我爱你
125 bpm • D Maj • 05:04 • -13.71db
9% Popularity • 21% Danceability • 23% Energy • 28% Liveness
78% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 23% Energy • 28% Liveness
78% Instrumentalness • 6% Positiveness
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Cats Rule the World
Playground
118 bpm • G Maj • 01:01 • -12.68db
23% Popularity • 45% Danceability • 45% Energy • 51% Liveness
58% Instrumentalness • 73% Positiveness
23% Popularity • 45% Danceability • 45% Energy • 51% Liveness
58% Instrumentalness • 73% Positiveness
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NHK交响乐团
双鹰旗下
125 bpm • A# min • 05:04 • -19.93db
2% Popularity • 57% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 12% Positiveness
2% Popularity • 57% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 12% Positiveness
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Jean-Valentin Bender
March of the 1st Guides Regiment
126 bpm • D# Maj • 03:38 • -10db
9% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
9% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
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Massed Male Voice Choirs
Peers Chorus
126 bpm • D# Maj • 05:45 • -19.96db
0% Popularity • 35% Danceability • 12% Energy • 37% Liveness
8% Instrumentalness • 11% Positiveness
0% Popularity • 35% Danceability • 12% Energy • 37% Liveness
8% Instrumentalness • 11% Positiveness
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苏联国防部铜管乐队
祖父
126 bpm • A# Maj • 03:09 • -24.2db
2% Popularity • 60% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 86% Positiveness
2% Popularity • 60% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 86% Positiveness
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Nigel Ogden
Old Devil Moon
118 bpm • A# Maj • 02:09 • -16.2db
0% Popularity • 41% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
0% Popularity • 41% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 1, "...
126 bpm • D min • 07:51 • -21.11db
8% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
8% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
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Aurelio Scotto
Orchestral Set n.2: Watermarks (V)
126 bpm • D Maj • 03:02 • -14.73db
20% Popularity • 19% Danceability • 30% Energy • 19% Liveness
44% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 30% Energy • 19% Liveness
44% Instrumentalness • 4% Positiveness
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Frank Chacksfield & His Orchestra
Andalucia
118 bpm • D Maj • 02:34 • -11.15db
1% Popularity • 32% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 37% Positiveness
1% Popularity • 32% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 37% Positiveness
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Emmanuel Chabrier
Chabrier: España
126 bpm • F Maj • 06:12 • -12.22db
2% Popularity • 37% Danceability • 39% Energy • 4% Liveness
89% Instrumentalness • 33% Positiveness
2% Popularity • 37% Danceability • 39% Energy • 4% Liveness
89% Instrumentalness • 33% Positiveness
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Santec Music Orchestra
Optimisten Polka
126 bpm • C Maj • 03:01 • -14.73db
8% Popularity • 51% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 57% Positiveness
8% Popularity • 51% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 57% Positiveness
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John Dowland
Lachrimae Antiquae Novae
118 bpm • A min • 03:46 • -27.52db
10% Popularity • 17% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Percy Faith
The Portuguese Washerwoman
117 bpm • G Maj • 03:01 • -11.78db
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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Nigel Ogden
I'm Beginning to See the Light
117 bpm • G Maj • 04:09 • -12.24db
0% Popularity • 24% Danceability • 27% Energy • 8% Liveness
81% Instrumentalness • 24% Positiveness
0% Popularity • 24% Danceability • 27% Energy • 8% Liveness
81% Instrumentalness • 24% Positiveness
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Dick Walter
Mini Water Music
117 bpm • D Maj • 01:01 • -13.01db
8% Popularity • 73% Danceability • 27% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
8% Popularity • 73% Danceability • 27% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Massed Male Voice Choirs
Sortie in B-Flat
128 bpm • A# Maj • 02:44 • -18.97db
0% Popularity • 28% Danceability • 12% Energy • 93% Liveness
88% Instrumentalness • 35% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 93% Liveness
88% Instrumentalness • 35% Positiveness
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Loka Manya Prawiro
I Love You Evermore
128 bpm • D# Maj • 06:26 • -16.63db
21% Popularity • 18% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Sinfonietta Cinematica
Good Old Days
128 bpm • C Maj • 01:51 • -13.45db
11% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
11% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
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Philip lane
Lyric Dances: II. Allegretto con rubato
128 bpm • C# min • 03:33 • -29.64db
7% Popularity • 18% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Nigel Ogden
Satin Doll
128 bpm • A# Maj • 03:01 • -16.2db
0% Popularity • 45% Danceability • 19% Energy • 17% Liveness
91% Instrumentalness • 58% Positiveness
0% Popularity • 45% Danceability • 19% Energy • 17% Liveness
91% Instrumentalness • 58% Positiveness
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Banda dell'orgoglio nazionale
Repubblica Ceca - Kde Domov Můj? - Inno...
116 bpm • D# Maj • 01:06 • -14.84db
9% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
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The Inkwell Alchemists
Rusted Gears Grinding Tales of Industria...
129 bpm • A# Maj • 01:07 • -12.23db
14% Popularity • 27% Danceability • 58% Energy • 60% Liveness
41% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 58% Energy • 60% Liveness
41% Instrumentalness • 12% Positiveness
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Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
13% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
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摩门大会堂合唱队
婚礼合唱(选自歌剧《罗恩格林...
130 bpm • A# Maj • 05:44 • -18.63db
9% Popularity • 21% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Enigmatic Slumber
Calm November
130 bpm • G Maj • 01:15 • -11.86db
11% Popularity • 31% Danceability • 35% Energy • 36% Liveness
88% Instrumentalness • 61% Positiveness
11% Popularity • 31% Danceability • 35% Energy • 36% Liveness
88% Instrumentalness • 61% Positiveness
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Nigel Ogden
Let's Face the Music and Dance / Let You...
129 bpm • C Maj • 02:48 • -16.68db
0% Popularity • 30% Danceability • 31% Energy • 31% Liveness
84% Instrumentalness • 48% Positiveness
0% Popularity • 30% Danceability • 31% Energy • 31% Liveness
84% Instrumentalness • 48% Positiveness
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Frank Bridge
Sally in Our Alley
115 bpm • G Maj • 03:53 • -20.18db
11% Popularity • 23% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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RTE Concert Orchestra
The Irish Washerwoman
130 bpm • A Maj • 03:13 • -18.32db
12% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
12% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Marko Simsa
Kodaly Quartett, Kontrabass: Istvan Toth...
130 bpm • D Maj • 01:53 • -17.11db
15% Popularity • 31% Danceability • 10% Energy • 21% Liveness
89% Instrumentalness • 35% Positiveness
15% Popularity • 31% Danceability • 10% Energy • 21% Liveness
89% Instrumentalness • 35% Positiveness
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Sirenas Celestiales
Personas Influyentes
130 bpm • F# min • 02:19 • -23.28db
16% Popularity • 62% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
16% Popularity • 62% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
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Eugène Damaré
Le merle blanc, Op. 161
114 bpm • G Maj • 04:14 • -19.52db
13% Popularity • 53% Danceability • 20% Energy • 10% Liveness
38% Instrumentalness • 57% Positiveness
13% Popularity • 53% Danceability • 20% Energy • 10% Liveness
38% Instrumentalness • 57% Positiveness
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Nigel Ogden
Tie a Yellow Ribbon / Snowbird / Save Al...
115 bpm • C Maj • 03:18 • -18.87db
1% Popularity • 29% Danceability • 26% Energy • 6% Liveness
79% Instrumentalness • 56% Positiveness
1% Popularity • 29% Danceability • 26% Energy • 6% Liveness
79% Instrumentalness • 56% Positiveness
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Alan Duane Griffith II
Lontano dal tuo cuore
114 bpm • F Maj • 01:02 • -21.63db
10% Popularity • 31% Danceability • 27% Energy • 11% Liveness
46% Instrumentalness • 49% Positiveness
10% Popularity • 31% Danceability • 27% Energy • 11% Liveness
46% Instrumentalness • 49% Positiveness
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Schmuzick Productions
Beethoven: Ode to Joy, from 9th Symphony
114 bpm • F Maj • 01:19 • -16.02db
15% Popularity • 45% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 55% Positiveness
15% Popularity • 45% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 55% Positiveness
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Singapore Symphony Orchestra
Peach Blossom Crosses The River
130 bpm • D Maj • 02:07 • -20.27db
12% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
12% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
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Sirenas Celestiales
Nuevas Sensaciones
130 bpm • D# min • 02:19 • -21.4db
14% Popularity • 65% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 78% Positiveness
14% Popularity • 65% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 78% Positiveness
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Musical Cordas
Hino 213
131 bpm • D# Maj • 02:53 • -23.51db
11% Popularity • 20% Danceability • 7% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
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Nigel Ogden
Satin Doll
114 bpm • A# Maj • 04:28 • -15.28db
0% Popularity • 22% Danceability • 13% Energy • 12% Liveness
25% Instrumentalness • 13% Positiveness
0% Popularity • 22% Danceability • 13% Energy • 12% Liveness
25% Instrumentalness • 13% Positiveness
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The Regimental Band of the Coldstream Guards
And the Band Played On
131 bpm • D# Maj • 03:42 • -12.02db
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
113 bpm • G Maj • 01:29 • -25.26db
19% Popularity • 23% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Singapore Symphony Orchestra
Dark Clouds In The Sky
113 bpm • A min • 02:34 • -22.53db
16% Popularity • 42% Danceability • 17% Energy • 14% Liveness
29% Instrumentalness • 48% Positiveness
16% Popularity • 42% Danceability • 17% Energy • 14% Liveness
29% Instrumentalness • 48% Positiveness
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Sirenas Celestiales
Amortización De Placer
131 bpm • A min • 02:26 • -22.39db
17% Popularity • 62% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
17% Popularity • 62% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
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Dani Howard
Trombone Concerto: III. Illumination
131 bpm • D Maj • 04:27 • -14.36db
8% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Nigel Ogden
Somebody Stole My Gal
131 bpm • A# Maj • 03:05 • -15.3db
0% Popularity • 48% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 86% Positiveness
0% Popularity • 48% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 86% Positiveness
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Erik Satie
Mercure: XIII. Finale
113 bpm • C Maj • 01:19 • -20.32db
3% Popularity • 46% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 41% Positiveness
3% Popularity • 46% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 41% Positiveness
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Louis Guglielmi
La Vie En Rose - Slowed + Reverb
113 bpm • A# Maj • 04:16 • -18.84db
18% Popularity • 17% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
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Guo Tai Gong
Raid On the White Tiger Regiment: The Ch...
132 bpm • C min • 01:08 • -17.37db
17% Popularity • 43% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
17% Popularity • 43% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
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Sirenas Celestiales
Creaciones Sensoriales
131 bpm • D# min • 02:22 • -18.15db
15% Popularity • 51% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 50% Positiveness
15% Popularity • 51% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 50% Positiveness
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Dublin Screen Orchestra
Sean Sees Mary Kate For The First Time (...
113 bpm • F# Maj • 02:39 • -17.61db
13% Popularity • 28% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 12% Positiveness
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Richard Rodgers
Richard Rogers Walzer - Arr. Leroy Ander...
112 bpm • G Maj • 05:52 • -15.02db
8% Popularity • 29% Danceability • 32% Energy • 36% Liveness
92% Instrumentalness • 22% Positiveness
8% Popularity • 29% Danceability • 32% Energy • 36% Liveness
92% Instrumentalness • 22% Positiveness
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Francois Fortin
Funny alucarD
132 bpm • F# Maj • 01:14 • -22.67db
14% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
14% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
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Harmonious Chorale Ghana
The Psalms
112 bpm • A# Maj • 02:35 • -8.19db
7% Popularity • 43% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 43% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 31% Positiveness
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Nigel Ogden
Tell Me I'm Forgiven
134 bpm • F Maj • 03:33 • -19.19db
0% Popularity • 18% Danceability • 15% Energy • 16% Liveness
92% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 15% Energy • 16% Liveness
92% Instrumentalness • 9% Positiveness
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Hans Christian Lumbye
Deborah Polka-Mazurka (1857)
134 bpm • E min • 02:48 • -17.46db
14% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
14% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
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Everlasting Praise Publications
Alas, and Did My Savior Bleed?
111 bpm • G# Maj • 02:12 • -18.59db
8% Popularity • 23% Danceability • 17% Energy • 13% Liveness
80% Instrumentalness • 33% Positiveness
8% Popularity • 23% Danceability • 17% Energy • 13% Liveness
80% Instrumentalness • 33% Positiveness
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Rachel music
Rolig
111 bpm • A Maj • 03:45 • -19.31db
9% Popularity • 44% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
9% Popularity • 44% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Zhou Tian
Sinfonia: II. Transit
134 bpm • A# Maj • 04:13 • -17.32db
10% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
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Jaurés Lamarque Pons
Concertino de invierno: 2. Moderato
134 bpm • E min • 03:34 • -26.46db
10% Popularity • 38% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Karel Komzak II
Erherzog-Albrect-Ma, Op. 136
111 bpm • A Maj • 02:48 • -15.64db
13% Popularity • 62% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 73% Positiveness
13% Popularity • 62% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 73% Positiveness
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Massed Male Voice Choirs
Softly as I Leave You
134 bpm • E Maj • 02:59 • -28.73db
1% Popularity • 20% Danceability • 12% Energy • 68% Liveness
42% Instrumentalness • 11% Positiveness
1% Popularity • 20% Danceability • 12% Energy • 68% Liveness
42% Instrumentalness • 11% Positiveness
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Cofradía del Santísimo Cristo de la Agonía de Cieza
El Cristo de la Agonía
111 bpm • G min • 03:57 • -20.08db
9% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
110 bpm • C Maj • 05:38 • -17.45db
9% Popularity • 31% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
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Lauri Porra
Building Life
110 bpm • G Maj • 02:04 • -21.13db
21% Popularity • 38% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
21% Popularity • 38% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
135 bpm • C Maj • 06:02 • -15.52db
0% Popularity • 29% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Frederick Delius
On Hearing the First Cuckoo in Spring
110 bpm • G Maj • 05:24 • -17.31db
41% Popularity • 16% Danceability • 20% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 20% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Ambience Mastery
Princess of the Castle
110 bpm • C# Maj • 02:09 • -17.64db
8% Popularity • 37% Danceability • 9% Energy • 17% Liveness
91% Instrumentalness • 9% Positiveness
8% Popularity • 37% Danceability • 9% Energy • 17% Liveness
91% Instrumentalness • 9% Positiveness
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Coxeegan
For all offers
110 bpm • F# Maj • 01:55 • -17.79db
14% Popularity • 70% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
14% Popularity • 70% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Luciano Lombardi
Missing Love Fantasy
110 bpm • D# Maj • 03:31 • -22.63db
24% Popularity • 45% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
24% Popularity • 45% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
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Orchestral Music X
Concerto For Dreams
110 bpm • C Maj • 01:44 • -24.98db
15% Popularity • 69% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
15% Popularity • 69% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Padre GainsCone
Tiempo de sus vibraciones
110 bpm • F min • 01:48 • -16.38db
8% Popularity • 52% Danceability • 11% Energy • 14% Liveness
44% Instrumentalness • 49% Positiveness
8% Popularity • 52% Danceability • 11% Energy • 14% Liveness
44% Instrumentalness • 49% Positiveness
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Peter Deunov
Weaving
135 bpm • D min • 01:58 • -20.12db
12% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
12% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Ernesto Vallini
Loved by World
110 bpm • E min • 03:10 • -17.67db
7% Popularity • 51% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
7% Popularity • 51% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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苏联广播电台交响乐队
圆舞曲
110 bpm • C Maj • 03:47 • -23.86db
0% Popularity • 26% Danceability • 11% Energy • 65% Liveness
95% Instrumentalness • 35% Positiveness
0% Popularity • 26% Danceability • 11% Energy • 65% Liveness
95% Instrumentalness • 35% Positiveness
