Songs like March March by The Chicks
Based on a tempo of (+/- 10%) and a similar genre
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Chicks
Hello Mr. Heartache
110 bpm • C Maj • 03:49 • -7.78db
40% Popularity • 68% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 68% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Toby Keith
How Do You Like Me Now?!
110 bpm • C Maj • 03:29 • -8.99db
72% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Alabama
If You're Gonna Play in Texas (You Gotta...
110 bpm • A Maj • 03:32 • -15.2db
57% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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George Strait
I Can Still Make Cheyenne
110 bpm • D# Maj • 04:16 • -10.23db
61% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Gary Allan
Nothing On But The Radio
109 bpm • A Maj • 03:32 • -5.95db
62% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Vince Gill
Go Rest High On That Mountain
111 bpm • D Maj • 05:15 • -12.22db
58% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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John Anderson
Straight Tequila Night
109 bpm • A Maj • 02:53 • -10.11db
61% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Morgan Wade
Wilder Days
111 bpm • A Maj • 04:11 • -4.04db
64% Popularity • 50% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 50% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Faith Hill
Cry
111 bpm • G# Maj • 03:46 • -6db
42% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jewel
You Were Meant For Me
112 bpm • F# Maj • 04:14 • -7.93db
63% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Kenny Chesney
Somewhere With You
112 bpm • C# min • 04:03 • -6.48db
61% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
61% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Chicks
Let Him Fly
112 bpm • D Maj • 03:08 • -13.21db
39% Popularity • 50% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 50% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Lady A
Need You Now
108 bpm • E Maj • 04:37 • -5.54db
72% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
72% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Brooks Jefferson
Friends in Low Places
108 bpm • A Maj • 04:18 • -5.84db
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Chicks
Voice Inside My Head
112 bpm • F# Maj • 05:51 • -2.64db
36% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Brooks Jefferson
Callin' Baton Rouge
107 bpm • D Maj • 02:37 • -1.99db
58% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Chris Young
Gettin' You Home
107 bpm • G Maj • 03:32 • -5.02db
66% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Dwight Yoakam
Ain't That Lonely Yet
107 bpm • F Maj • 03:20 • -5db
54% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Vince Gill
Don't Let Our Love Start Slippin' Away
113 bpm • D# Maj • 03:44 • -9.31db
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Collin Raye
Love, Me
107 bpm • C Maj • 03:51 • -12.63db
51% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Brooks Jefferson
That Summer
114 bpm • A Maj • 04:45 • -7db
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lady A
I Run To You
114 bpm • D# Maj • 04:16 • -4.45db
59% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Chicks
Stand by Your Man
114 bpm • A Maj • 03:22 • -7.53db
35% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Toby Keith
I Wanna Talk About Me
106 bpm • F Maj • 03:03 • -5db
65% Popularity • 76% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
65% Popularity • 76% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Kelsea Ballerini
hole in the bottle
105 bpm • E Maj • 02:36 • -4.61db
56% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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The Chicks
Never Say Die
106 bpm • C Maj • 03:57 • -6.47db
38% Popularity • 67% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 67% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
I Love This Bar
115 bpm • D Maj • 05:35 • -6.3db
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
61% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
69% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
69% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Vince Gill
Whenever You Come Around
115 bpm • B Maj • 04:19 • -11.81db
54% Popularity • 72% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 72% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
64% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
64% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Trace Adkins
(This Ain't) No Thinkin' Thing
116 bpm • A min • 04:02 • -6.3db
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
116 bpm • A Maj • 02:54 • -9.42db
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Blake Shelton
Sangria
116 bpm • A Maj • 03:53 • -6.96db
63% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Jo Dee Messina
My Give A Damn's Busted
104 bpm • D Maj • 03:18 • -4db
49% Popularity • 66% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 66% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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The Chicks
Everybody Knows
116 bpm • A Maj • 04:18 • -2.94db
37% Popularity • 65% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 65% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
62% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Dwight Yoakam
A Thousand Miles from Nowhere
117 bpm • C Maj • 04:28 • -5.95db
57% Popularity • 60% Danceability • 83% Energy • 32% Liveness
16% Instrumentalness • 71% Positiveness
57% Popularity • 60% Danceability • 83% Energy • 32% Liveness
16% Instrumentalness • 71% Positiveness
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Brad Paisley
She's Everything
103 bpm • C Maj • 04:26 • -8.32db
64% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Toby Keith
Wish I Didn't Know Now
117 bpm • G Maj • 03:26 • -8.6db
66% Popularity • 80% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
66% Popularity • 80% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Neal McCoy
Wink
118 bpm • E Maj • 02:42 • -6.18db
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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The Chicks
Give It Up or Let Me Go
104 bpm • D Maj • 04:56 • -4.33db
35% Popularity • 62% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 62% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 77% Positiveness
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Brooks & Dunn
Neon Moon - with Kacey Musgraves
103 bpm • D# Maj • 04:38 • -7.62db
63% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
58% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
58% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Bonnie Raitt
Something To Talk About
103 bpm • C# Maj • 03:47 • -13.48db
59% Popularity • 80% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 80% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Kenny Chesney
No Shoes, No Shirt, No Problems
118 bpm • G Maj • 03:29 • -10.24db
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
61% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Brooks & Dunn
Neon Moon
102 bpm • A Maj • 04:23 • -6.51db
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Sugarland
Something More
102 bpm • E Maj • 03:36 • -4db
53% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Big & Rich
Save a Horse (Ride a Cowboy)
102 bpm • D Maj • 03:20 • -2.28db
70% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
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Rascal Flatts
Summer Nights
102 bpm • D Maj • 04:02 • -4.88db
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Faith Hill
The Way You Love Me
102 bpm • D Maj • 03:06 • -7.18db
57% Popularity • 63% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 63% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Chicks
I Can Love You Better
120 bpm • A Maj • 03:53 • -5db
52% Popularity • 79% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 79% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Lady A
Bartender
101 bpm • B min • 03:18 • -4db
65% Popularity • 63% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
65% Popularity • 63% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Tim McGraw
Humble And Kind
101 bpm • B Maj • 04:19 • -7.31db
69% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
69% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Blake Shelton
Austin
120 bpm • G Maj • 03:50 • -7db
64% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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LeAnn Rimes
One Way Ticket (Because I Can)
120 bpm • C# Maj • 03:43 • -7.28db
55% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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The Judds
Young Love (Strong Love)
120 bpm • B Maj • 04:22 • -8.34db
43% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Tim McGraw
The Rest of Our Life
120 bpm • D Maj • 03:45 • -6.91db
53% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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The Chicks
Nothing Compares 2 U
120 bpm • G Maj • 05:54 • -5.01db
37% Popularity • 41% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 41% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 12% Positiveness
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Shania Twain
(If You're Not In It For Love) I'm Outta...
120 bpm • F Maj • 04:30 • -8db
53% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
53% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Lady A
We Owned The Night
100 bpm • C# Maj • 03:17 • -6.97db
51% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Terri Clark
I Just Wanna Be Mad
100 bpm • A# Maj • 03:26 • -4.48db
44% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
