Songs like Marche funebre d'une marionnette (Funeral March of a Marionette) by Charles Gounod
Based on a tempo of (+/- 10%) and a similar genre
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Peter Alberg
Faeroe Islands: "My land, oh most beaute...
75 bpm • A min • 00:49 • -14.68db
6% Popularity • 39% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 79% Positiveness
6% Popularity • 39% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 79% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Slovak Radio Symphony Orchestra
Switzerland "Schweizerpsalm"
75 bpm • A# Maj • 01:26 • -17.87db
2% Popularity • 16% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 28% Positiveness
2% Popularity • 16% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
75 bpm • A min • 02:11 • -30db
22% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
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James Frederick Mills
Oman: The Sultan's Anthem, "O Lord, prot...
75 bpm • A# Maj • 00:34 • -14.92db
4% Popularity • 53% Danceability • 24% Energy • 16% Liveness
98% Instrumentalness • 77% Positiveness
4% Popularity • 53% Danceability • 24% Energy • 16% Liveness
98% Instrumentalness • 77% Positiveness
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Peter Breiner
Anne Leaves Dominic
75 bpm • C Maj • 02:03 • -21.97db
7% Popularity • 17% Danceability • 11% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
7% Popularity • 17% Danceability • 11% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile (1988...
75 bpm • F Maj • 05:16 • -15db
9% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
9% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Thomas Shacklady
Papua New Guinea: "O arise all you sons ...
75 bpm • G Maj • 01:00 • -13.85db
11% Popularity • 58% Danceability • 15% Energy • 9% Liveness
98% Instrumentalness • 60% Positiveness
11% Popularity • 58% Danceability • 15% Energy • 9% Liveness
98% Instrumentalness • 60% Positiveness
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AntonÃn Dvořák
Evening Songs, B. 61: No. 8, You Little,...
74 bpm • A Maj • 01:40 • -27.96db
36% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
36% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, Op. 14, ...
74 bpm • A Maj • 06:44 • -18.12db
20% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
20% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
28% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
28% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in F Minor: Allegr...
76 bpm • G min • 02:23 • -17db
29% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
29% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in D minor, S.3...
76 bpm • G Maj • 04:54 • -24db
23% Popularity • 26% Danceability • 13% Energy • 19% Liveness
74% Instrumentalness • 38% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 19% Liveness
74% Instrumentalness • 38% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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Ronald Binge
Sailing By
76 bpm • D Maj • 02:37 • -26db
39% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
39% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Ottorino Respighi
Concerto in modo misolidio, P. 145: Lent...
74 bpm • A# min • 08:33 • -29.79db
9% Popularity • 15% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Aram Khachaturian
Othello Suite: Venice (Nocturne)
74 bpm • C Maj • 02:39 • -38db
20% Popularity • 12% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
22% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
22% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Peter Breiner
Rwanda ["Beautiful Rwanda our Motherland...
73 bpm • C Maj • 01:22 • -15db
4% Popularity • 29% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 40% Positiveness
4% Popularity • 29% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 40% Positiveness
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Michael Valenti
St. Barthelemy
73 bpm • F min • 01:10 • -12.9db
14% Popularity • 23% Danceability • 34% Energy • 34% Liveness
97% Instrumentalness • 7% Positiveness
14% Popularity • 23% Danceability • 34% Energy • 34% Liveness
97% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La Rondine: Chi il bel sogno di Doretta
77 bpm • F Maj • 02:58 • -18db
27% Popularity • 22% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
27% Popularity • 22% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 2, ...
73 bpm • E Maj • 02:18 • -24db
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Slovak Radio Symphony Orchestra
Pakistan [Qaumi Tarana (National Anthem)...
73 bpm • A# Maj • 01:31 • -15.5db
1% Popularity • 25% Danceability • 31% Energy • 37% Liveness
95% Instrumentalness • 48% Positiveness
1% Popularity • 25% Danceability • 31% Energy • 37% Liveness
95% Instrumentalness • 48% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Percy Grainger
Ye Banks And Braes O' Bonnie Doon
78 bpm • F Maj • 02:47 • -21.13db
14% Popularity • 8% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
14% Popularity • 8% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Romance in F Minor, Op. 11, B. 38 (Arr. ...
72 bpm • G# Maj • 02:13 • -33.45db
33% Popularity • 36% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
33% Popularity • 36% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Léo Delibes
Coppelia: Act III - Danse de fete
72 bpm • D Maj • 01:27 • -28db
29% Popularity • 32% Danceability • 5% Energy • 49% Liveness
3% Instrumentalness • 43% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 49% Liveness
3% Instrumentalness • 43% Positiveness
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Giuseppe Verdi
Dies Irae
78 bpm • G Maj • 01:59 • -9.09db
24% Popularity • 20% Danceability • 56% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
24% Popularity • 20% Danceability • 56% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
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Franz Liszt
Friska from Hungarian Rhapsody No. 2
78 bpm • G Maj • 04:53 • -19.29db
10% Popularity • 32% Danceability • 22% Energy • 59% Liveness
74% Instrumentalness • 31% Positiveness
10% Popularity • 32% Danceability • 22% Energy • 59% Liveness
74% Instrumentalness • 31% Positiveness
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J.B.A. Palm
Bonaire: Tera di Solo y suave biento (La...
72 bpm • G min • 01:01 • -15.71db
14% Popularity • 36% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
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Percy Grainger
Lord Peter's Stable-Boy
78 bpm • D Maj • 02:49 • -21db
11% Popularity • 45% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
11% Popularity • 45% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Slovak Radio Symphony Orchestra
Swaziland ["O Lord Our God, Bestower Of ...
78 bpm • G# Maj • 01:17 • -16.24db
1% Popularity • 38% Danceability • 8% Energy • 12% Liveness
76% Instrumentalness • 8% Positiveness
1% Popularity • 38% Danceability • 8% Energy • 12% Liveness
76% Instrumentalness • 8% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
Verdi: La forza del destino: Overture
78 bpm • E min • 07:11 • -19db
28% Popularity • 15% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 9% Positiveness
28% Popularity • 15% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 9% Positiveness
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Benedict Elide Odiase
Nigeria: "Arise, O compatriots, Nigeria'...
78 bpm • F Maj • 01:10 • -17.74db
0% Popularity • 36% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 30% Positiveness
0% Popularity • 36% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 30% Positiveness
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Johann Strauss II
Unter Donner und Blitz Polka, Op. 324
78 bpm • G Maj • 03:20 • -17.03db
12% Popularity • 56% Danceability • 45% Energy • 12% Liveness
83% Instrumentalness • 68% Positiveness
12% Popularity • 56% Danceability • 45% Energy • 12% Liveness
83% Instrumentalness • 68% Positiveness
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St. Petersburg State Symphony Orchestra
Act I - Dance Of The Soviet Sailors: App...
79 bpm • D min • 03:34 • -16db
19% Popularity • 29% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 56% Positiveness
19% Popularity • 29% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 56% Positiveness
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AntonÃn Dvořák
Piano Quintet in A Major, Op. 81, B. 155...
71 bpm • B min • 02:17 • -28.06db
31% Popularity • 42% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
31% Popularity • 42% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I
79 bpm • F Maj • 01:51 • -17.1db
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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John Joseph Woods
New Zealand: God Defend New Zealand, "Go...
79 bpm • G# Maj • 01:00 • -15.39db
16% Popularity • 14% Danceability • 18% Energy • 30% Liveness
90% Instrumentalness • 36% Positiveness
16% Popularity • 14% Danceability • 18% Energy • 30% Liveness
90% Instrumentalness • 36% Positiveness
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Aram Khachaturian
Othello Suite: Finale
79 bpm • D min • 03:36 • -21.94db
15% Popularity • 9% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Nabucco: Va, pensiero, "Chorus of Hebrew...
71 bpm • C# Maj • 04:44 • -26.78db
39% Popularity • 20% Danceability • 1% Energy • 31% Liveness
8% Instrumentalness • 7% Positiveness
39% Popularity • 20% Danceability • 1% Energy • 31% Liveness
8% Instrumentalness • 7% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
40% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Peter Breiner
Maldives (arr. P. Breiner): Maldives ["W...
80 bpm • F Maj • 01:20 • -16.08db
4% Popularity • 28% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
4% Popularity • 28% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Slovak Radio Symphony Orchestra
Jamaica [Jamaica, Land We Love, "Eternal...
80 bpm • C Maj • 01:13 • -17.23db
7% Popularity • 19% Danceability • 19% Energy • 6% Liveness
75% Instrumentalness • 12% Positiveness
7% Popularity • 19% Danceability • 19% Energy • 6% Liveness
75% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Charles Gounod
O ma belle rebelle
80 bpm • E min • 02:02 • -26db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Ambar Gurung
Nepal: Sayaun Thunga Phool Ka (Hundreds ...
70 bpm • A# Maj • 01:20 • -15.12db
12% Popularity • 30% Danceability • 31% Energy • 28% Liveness
76% Instrumentalness • 28% Positiveness
12% Popularity • 30% Danceability • 31% Energy • 28% Liveness
76% Instrumentalness • 28% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Enoch Sontonga
Zambia: Zambia ["Stand and sing of Zambi...
80 bpm • G Maj • 01:12 • -14.97db
4% Popularity • 29% Danceability • 21% Energy • 26% Liveness
95% Instrumentalness • 52% Positiveness
4% Popularity • 29% Danceability • 21% Energy • 26% Liveness
95% Instrumentalness • 52% Positiveness
► Preview
Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
24% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
33% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
33% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Percy Grainger
Danish Folk-Music Suite: The Power Of Lo...
80 bpm • G# Maj • 03:48 • -23.98db
8% Popularity • 8% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Also sprach Zarathustra, Op. 30: I. Einl...
70 bpm • C Maj • 02:01 • -18.34db
13% Popularity • 14% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
La primavera, P. 136: I desideri del gio...
70 bpm • C# Maj • 08:41 • -23db
6% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 4% Positiveness
6% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherezade, Op. 35: I. The Sea and Sin...
70 bpm • E min • 10:14 • -17db
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Washington Omondi
Kenya: Wimbo Wa Taifa (National Anthem),...
70 bpm • A min • 01:18 • -12db
7% Popularity • 64% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 58% Positiveness
7% Popularity • 64% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 58% Positiveness
► Preview
Claude Debussy
Suite bergamasque: III. Clair de lune (a...
81 bpm • C# Maj • 04:30 • -24.65db
32% Popularity • 11% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Suite for Jazz Orchestra N...
81 bpm • D# Maj • 02:42 • -34db
33% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
33% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Umar Biksultanov
Chechnya: The Shatlak's Song, "No matter...
81 bpm • C# min • 01:10 • -14db
13% Popularity • 49% Danceability • 29% Energy • 12% Liveness
98% Instrumentalness • 20% Positiveness
13% Popularity • 49% Danceability • 29% Energy • 12% Liveness
98% Instrumentalness • 20% Positiveness
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Mikhail Ippolitov-Ivanov
Caucasian Sketches: Suite No. 1, Op. 10:...
81 bpm • A Maj • 04:50 • -22db
10% Popularity • 19% Danceability • 15% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
10% Popularity • 19% Danceability • 15% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Napoleon Andrew Tuiteleapaga
American Samoa ["America Samoa, my dear ...
81 bpm • A# Maj • 01:02 • -15.65db
12% Popularity • 25% Danceability • 30% Energy • 9% Liveness
98% Instrumentalness • 74% Positiveness
12% Popularity • 25% Danceability • 30% Energy • 9% Liveness
98% Instrumentalness • 74% Positiveness
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Charles Gounod
Funeral march of a marionette CG 583
81 bpm • A Maj • 05:20 • -27.53db
11% Popularity • 47% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
11% Popularity • 47% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Roger Quilter
Where the Rainbow Ends Suite (version fo...
69 bpm • A Maj • 03:13 • -27db
26% Popularity • 6% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
37% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
37% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Henry Purcell
Purcell: March and Canzona for Queen Mar...
82 bpm • C min • 02:17 • -24.6db
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
20% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
20% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Adolphe Adam
Giselle: Act I: Introduction
82 bpm • G Maj • 02:33 • -24db
23% Popularity • 15% Danceability • 1% Energy • 18% Liveness
95% Instrumentalness • 8% Positiveness
23% Popularity • 15% Danceability • 1% Energy • 18% Liveness
95% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La traviata*: Act I: Brindisi: Libiamo n...
69 bpm • A# Maj • 02:55 • -23.25db
27% Popularity • 33% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Dvorsky
Faust: Salut! Demeure Chaste Et Pure
82 bpm • G# Maj • 05:40 • -17.3db
3% Popularity • 13% Danceability • 21% Energy • 68% Liveness
14% Instrumentalness • 10% Positiveness
3% Popularity • 13% Danceability • 21% Energy • 68% Liveness
14% Instrumentalness • 10% Positiveness
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Franz von Suppé
Poet and Peasant: Overture
82 bpm • D Maj • 09:24 • -13.07db
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
82 bpm • F Maj • 03:39 • -25.19db
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Candide: Overture
82 bpm • D# Maj • 04:10 • -16.3db
32% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
32% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
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Adolphe Adam
Giselle: Act I: Marche des vignerons (Gr...
82 bpm • D Maj • 03:16 • -20db
17% Popularity • 42% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 57% Positiveness
17% Popularity • 42% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 57% Positiveness
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Robert Jacquet
Niger: La Nigérienne (The Song of Niger...
82 bpm • F Maj • 01:26 • -18db
4% Popularity • 42% Danceability • 7% Energy • 6% Liveness
93% Instrumentalness • 43% Positiveness
4% Popularity • 42% Danceability • 7% Energy • 6% Liveness
93% Instrumentalness • 43% Positiveness
► Preview
Dmitri Shostakovich
Bolt, Op. 27a (Ballet Suite No. 5): III....
82 bpm • F min • 01:54 • -14db
33% Popularity • 56% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 45% Positiveness
33% Popularity • 56% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 45% Positiveness
► Preview
Léo Delibes
Coppelia: Act I - Mazurka
82 bpm • G Maj • 04:08 • -20.01db
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 1. Intro...
82 bpm • G Maj • 02:21 • -18db
36% Popularity • 31% Danceability • 20% Energy • 23% Liveness
97% Instrumentalness • 11% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 23% Liveness
97% Instrumentalness • 11% Positiveness
