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Marco
Songs like
Marco
by
binki
Based on a tempo of (+/- 10%) and a similar genre
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Kota the Friend
Long Beach
105 bpm • D Maj • 04:12 • -8.4db
58% Popularity • 81% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Atlas
Wallflower
105 bpm • D Maj • 02:57 • -7.05db
61% Popularity • 84% Danceability • 66% Energy • 23% Liveness
2% Instrumentalness • 88% Positiveness
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Jean Dawson
Power Freaks
105 bpm • G# Maj • 04:12 • -3.71db
24% Popularity • 57% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Spookey Ruben
When Your Heart Says Yes - Mac DeMarco R...
105 bpm • F# Maj • 03:30 • -8db
34% Popularity • 71% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
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Q
Garage Rooftop
105 bpm • B min • 04:24 • -8.42db
51% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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binki
Marco
105 bpm • E min • 02:32 • -8.61db
48% Popularity • 77% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Kowloon
Wake Up
105 bpm • F min • 03:59 • -8.84db
63% Popularity • 83% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 66% Positiveness
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Spencer.
bbybbybby
105 bpm • A min • 01:04 • -7.11db
29% Popularity • 55% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
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Hether
Shy
106 bpm • G# Maj • 03:21 • -8.22db
53% Popularity • 73% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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austenyo
Commercial
104 bpm • D min • 02:14 • -8.87db
35% Popularity • 54% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
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Quadry
1:04 PM
104 bpm • C Maj • 02:10 • -6.62db
39% Popularity • 81% Danceability • 85% Energy • 12% Liveness
8% Instrumentalness • 79% Positiveness
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Ginger Root
B4
104 bpm • G Maj • 02:52 • -5.27db
41% Popularity • 80% Danceability • 73% Energy • 8% Liveness
47% Instrumentalness • 97% Positiveness
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No Vacation
Lovefool
104 bpm • D min • 02:10 • -5.97db
60% Popularity • 82% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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Steve Lacy
Some
104 bpm • G Maj • 01:58 • -6.42db
83% Popularity • 78% Danceability • 55% Energy • 10% Liveness
25% Instrumentalness • 63% Positiveness
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Cool Company
Kind of Freak
104 bpm • C Maj • 03:45 • -6.67db
32% Popularity • 87% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Blue Dahlia
1995
106 bpm • C Maj • 03:55 • -4db
38% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Undercover Dream Lovers
Chardonnay
106 bpm • G# Maj • 03:35 • -7db
29% Popularity • 76% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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binki
Wiggle
104 bpm • G# min • 02:59 • -8.86db
45% Popularity • 75% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Cosmo Pyke
Wish You Were Gone
103 bpm • A min • 04:21 • -5.34db
44% Popularity • 44% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Lacy
Some
104 bpm • E min • 03:00 • -7.47db
56% Popularity • 51% Danceability • 66% Energy • 8% Liveness
5% Instrumentalness • 10% Positiveness
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Yeek
Solstice
107 bpm • C Maj • 02:31 • -7.24db
36% Popularity • 89% Danceability • 50% Energy • 9% Liveness
9% Instrumentalness • 93% Positiveness
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Shimmertraps
Beta Club
107 bpm • C Maj • 02:42 • -6.27db
41% Popularity • 79% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 86% Positiveness
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Tommy Richman
ELECTRIFY TONIGHT
107 bpm • F# Maj • 02:34 • -7db
45% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Her's
Cool with You
107 bpm • C Maj • 06:15 • -6.78db
59% Popularity • 53% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Zaia
VERY ALONE
103 bpm • D Maj • 02:11 • -12.16db
44% Popularity • 93% Danceability • 56% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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Shy High
independent films
103 bpm • C# min • 02:19 • -8.78db
49% Popularity • 80% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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austenyo
Computer Talk
103 bpm • B min • 02:13 • -11.22db
52% Popularity • 69% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Kid Bloom
Window
103 bpm • F min • 02:39 • -7.41db
40% Popularity • 85% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Mosie
Tangerine
103 bpm • F min • 04:35 • -9db
30% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Her's
Marcel
107 bpm • A Maj • 03:07 • -5.96db
65% Popularity • 62% Danceability • 64% Energy • 35% Liveness
8% Instrumentalness • 68% Positiveness
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Lou Phelps
MUST BE
107 bpm • B Maj • 02:25 • -5db
48% Popularity • 58% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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TEMPOREX
Delayed
102 bpm • F# min • 02:02 • -8db
41% Popularity • 85% Danceability • 50% Energy • 15% Liveness
20% Instrumentalness • 96% Positiveness
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Duckwrth
Crush
108 bpm • F Maj • 02:15 • -6.68db
58% Popularity • 87% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Brad stank
Daddy Blue
108 bpm • F# Maj • 02:26 • -12db
55% Popularity • 82% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 69% Positiveness
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Kali Uchis
Just A Stranger
108 bpm • A Maj • 02:57 • -5.74db
67% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Terry Presume
Act Up
102 bpm • E min • 03:04 • -6.38db
52% Popularity • 75% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Hails
Sippin' on the Daylight
102 bpm • A min • 03:20 • -5.68db
37% Popularity • 67% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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SOPHIA
MEMORY
102 bpm • C# min • 03:52 • -11.95db
40% Popularity • 72% Danceability • 46% Energy • 20% Liveness
3% Instrumentalness • 40% Positiveness
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ALEXSUCKS
Talk To You
102 bpm • E Maj • 02:16 • -4.36db
41% Popularity • 53% Danceability • 89% Energy • 22% Liveness
7% Instrumentalness • 52% Positiveness
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PawPaw Rod
Lemonhaze
102 bpm • D min • 02:36 • -8db
59% Popularity • 81% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Crumb
BNR
102 bpm • A Maj • 03:01 • -8.41db
45% Popularity • 64% Danceability • 60% Energy • 12% Liveness
60% Instrumentalness • 38% Positiveness
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Brad stank
Kinky Visitation
109 bpm • A# min • 03:25 • -9db
26% Popularity • 64% Danceability • 30% Energy • 29% Liveness
82% Instrumentalness • 13% Positiveness
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Omar Apollo
Unbothered
109 bpm • D Maj • 02:04 • -7db
54% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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the booyah! kids
Don't Trust Me
109 bpm • D# Maj • 02:00 • -9db
44% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Yeek
Overthinking
109 bpm • F# Maj • 02:16 • -9.05db
27% Popularity • 78% Danceability • 61% Energy • 35% Liveness
8% Instrumentalness • 76% Positiveness
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Adot
Reflection
109 bpm • G# Maj • 03:19 • -7.91db
41% Popularity • 51% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Louis The Child
Get Together
109 bpm • C Maj • 02:24 • -7.14db
42% Popularity • 70% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 49% Positiveness
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Divino Niño
Foam
101 bpm • D Maj • 03:04 • -13db
38% Popularity • 59% Danceability • 76% Energy • 7% Liveness
14% Instrumentalness • 51% Positiveness
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Omar Apollo
Kickback
109 bpm • A Maj • 02:51 • -5.5db
51% Popularity • 91% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Blu DeTiger
Cotton Candy Lemonade
101 bpm • C# min • 02:26 • -7.92db
53% Popularity • 71% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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RICEWINE
Already Gone
110 bpm • G Maj • 02:58 • -10.88db
46% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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MICHELLE
THE BOTTOM
110 bpm • A min • 03:39 • -7db
48% Popularity • 75% Danceability • 61% Energy • 18% Liveness
56% Instrumentalness • 84% Positiveness
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Larry Lovestein & The Velvet Revival
Suspicions
110 bpm • A min • 03:40 • -11db
53% Popularity • 78% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bay Faction
Soppping
110 bpm • A min • 02:54 • -11.54db
38% Popularity • 77% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jakob
You and I
110 bpm • C Maj • 02:42 • -9.8db
58% Popularity • 80% Danceability • 62% Energy • 14% Liveness
29% Instrumentalness • 76% Positiveness
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Shy High
clam chowder
110 bpm • E min • 02:32 • -9.27db
41% Popularity • 80% Danceability • 55% Energy • 18% Liveness
6% Instrumentalness • 47% Positiveness
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maxime.
‎rubber ‎checks
110 bpm • A Maj • 01:58 • -10.33db
32% Popularity • 81% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Yeek
$even
110 bpm • B Maj • 03:36 • -7.25db
40% Popularity • 81% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Topaz Jones
Black Tame
100 bpm • B Maj • 04:12 • -4.97db
49% Popularity • 63% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
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Indigo
Maeve
110 bpm • A Maj • 03:48 • -12db
40% Popularity • 72% Danceability • 69% Energy • 10% Liveness
55% Instrumentalness • 43% Positiveness
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The Growlers
Night Ride
110 bpm • A min • 04:11 • -4.95db
58% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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PawPaw Rod
Thin Lines
100 bpm • B min • 02:51 • -8.52db
44% Popularity • 87% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Monsune
Nothing in Return
100 bpm • B min • 03:52 • -5.7db
47% Popularity • 67% Danceability • 76% Energy • 26% Liveness
10% Instrumentalness • 71% Positiveness
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maxime.
empty
100 bpm • G Maj • 02:14 • -12db
38% Popularity • 88% Danceability • 36% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
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Goth Babe
Weekend Friend
110 bpm • C# Maj • 03:29 • -9.73db
65% Popularity • 41% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 21% Positiveness
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austenyo
Supercool
100 bpm • D# min • 03:04 • -12.57db
28% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Kevin Holliday
Regrets
100 bpm • F# min • 02:34 • -10.27db
42% Popularity • 82% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Sea of Lettuce
Next Year
100 bpm • B Maj • 02:39 • -7.83db
39% Popularity • 69% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
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Terrell Hines
We're All Gonna Be Killed
111 bpm • C# Maj • 03:15 • -6.93db
35% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Vacations
Away
111 bpm • G# min • 02:42 • -5.73db
66% Popularity • 58% Danceability • 92% Energy • 9% Liveness
95% Instrumentalness • 96% Positiveness
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Cosmo Pyke
Chronic Sunshine
111 bpm • G Maj • 04:30 • -5db
54% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Superfan
Back to the Start
111 bpm • F Maj • 03:23 • -5db
47% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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austenyo
personova
99 bpm • D min • 02:54 • -9.41db
33% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Julian Skiboat
whiskey
99 bpm • B min • 03:18 • -7.47db
33% Popularity • 92% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Terry Presume
Don't Wait Forever
112 bpm • C# Maj • 03:28 • -11db
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Kevin Holliday
Expensive Taste
112 bpm • B min • 02:10 • -13.1db
33% Popularity • 82% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 90% Positiveness
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Fantasy Guys
It Isn't Real
112 bpm • E Maj • 02:56 • -9.32db
34% Popularity • 86% Danceability • 50% Energy • 41% Liveness
35% Instrumentalness • 87% Positiveness
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Kid Bloom
Electric U
112 bpm • C# min • 02:51 • -11.09db
63% Popularity • 94% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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austenyo
Prosper
112 bpm • F# min • 02:27 • -8.96db
24% Popularity • 74% Danceability • 34% Energy • 48% Liveness
0% Instrumentalness • 93% Positiveness
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binki
Sea Sick
112 bpm • F# min • 02:10 • -8.63db
57% Popularity • 82% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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The Hails
Situations
112 bpm • B Maj • 03:32 • -4.6db
34% Popularity • 75% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Shimmertraps
Plume
112 bpm • A# Maj • 04:17 • -11.09db
34% Popularity • 65% Danceability • 66% Energy • 14% Liveness
19% Instrumentalness • 71% Positiveness
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Mild High Club
Note to Self
98 bpm • A# min • 02:20 • -9.93db
54% Popularity • 71% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Lemos
Here I Found / No Self Control
112 bpm • D Maj • 03:01 • -5.76db
27% Popularity • 44% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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Jakob
All I Wanna Do
98 bpm • G# Maj • 02:07 • -12.44db
41% Popularity • 84% Danceability • 44% Energy • 11% Liveness
21% Instrumentalness • 70% Positiveness
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Sports
Panama
98 bpm • F Maj • 03:18 • -8.58db
62% Popularity • 62% Danceability • 72% Energy • 21% Liveness
46% Instrumentalness • 45% Positiveness
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Hector Gachan
Nice Guy
98 bpm • A# min • 02:32 • -12.53db
53% Popularity • 76% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Gus Dapperton
Ditch
113 bpm • C Maj • 03:30 • -8db
46% Popularity • 55% Danceability • 56% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Huron John
Maple Syrup Tears
113 bpm • E Maj • 03:13 • -5.03db
45% Popularity • 70% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Vansire
Central Time
113 bpm • A# min • 03:38 • -11.41db
45% Popularity • 75% Danceability • 59% Energy • 11% Liveness
14% Instrumentalness • 77% Positiveness
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The Red Pears
Daylight/Moonlight
113 bpm • C Maj • 04:09 • -6.52db
51% Popularity • 53% Danceability • 43% Energy • 16% Liveness
3% Instrumentalness • 24% Positiveness
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Spencer.
Lonely As I Ever Was
97 bpm • D Maj • 03:53 • -9.94db
28% Popularity • 61% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Yoshi T.
MCQUEEN
113 bpm • D Maj • 02:39 • -8.28db
43% Popularity • 76% Danceability • 62% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
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Benét
Funny
97 bpm • D# Maj • 02:42 • -6.73db
39% Popularity • 53% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 73% Positiveness
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banzai florist
Real Life
97 bpm • D# min • 03:11 • -7db
36% Popularity • 58% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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Paris Texas
BULLSEYE
97 bpm • D Maj • 02:42 • -7.79db
41% Popularity • 82% Danceability • 80% Energy • 33% Liveness
7% Instrumentalness • 64% Positiveness
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TEMPOREX
Tournament Hill
97 bpm • A Maj • 01:53 • -6db
37% Popularity • 89% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Walter The Producer
Velma
97 bpm • F# min • 03:45 • -6.62db
38% Popularity • 82% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Yeek
I'm Trying
97 bpm • C# Maj • 02:43 • -6.72db
44% Popularity • 80% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Brad stank
Condemned to Be Freaky
97 bpm • A Maj • 03:01 • -8.47db
44% Popularity • 77% Danceability • 51% Energy • 12% Liveness
52% Instrumentalness • 42% Positiveness
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Marco