Songs like Mari by Martin Rev
Based on a tempo of (+/- 10%) and a similar genre
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Martin Rev
Wings of the Wind
143 bpm • C# min • 07:55 • -17.67db
3% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 10% Positiveness
3% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 10% Positiveness
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Suicide
Keep Your Dreams (2021 - Remaster)
143 bpm • E Maj • 04:49 • -6.55db
17% Popularity • 45% Danceability • 94% Energy • 41% Liveness
93% Instrumentalness • 92% Positiveness
17% Popularity • 45% Danceability • 94% Energy • 41% Liveness
93% Instrumentalness • 92% Positiveness
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Gary Davenport
Sarra
143 bpm • E min • 05:04 • -8.91db
12% Popularity • 36% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 36% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Spectrum
Lord I Don't Even Know My Name
143 bpm • D Maj • 04:07 • -14.4db
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Marine Girls
In Love
142 bpm • C Maj • 01:57 • -14.47db
25% Popularity • 53% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 53% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Lizzy Mercier Descloux
Five Troubles Mambo
142 bpm • C Maj • 02:16 • -8db
28% Popularity • 85% Danceability • 73% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
28% Popularity • 85% Danceability • 73% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
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Martin Rev
Mari
143 bpm • F# min • 04:23 • -13.57db
16% Popularity • 34% Danceability • 47% Energy • 28% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 47% Energy • 28% Liveness
84% Instrumentalness • 4% Positiveness
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Jonnine
Tea For Two (Boo)
144 bpm • F min • 02:51 • -12.39db
25% Popularity • 57% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
25% Popularity • 57% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Arthur Russell
A Little Lost
144 bpm • C Maj • 03:18 • -21.02db
36% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Young Marble Giants
Salad Days
142 bpm • E Maj • 02:00 • -12db
29% Popularity • 77% Danceability • 30% Energy • 10% Liveness
29% Instrumentalness • 38% Positiveness
29% Popularity • 77% Danceability • 30% Energy • 10% Liveness
29% Instrumentalness • 38% Positiveness
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Suicide
Dream Baby Dream (Long Version)
144 bpm • C# min • 06:24 • -14.06db
41% Popularity • 69% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 98% Positiveness
41% Popularity • 69% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 98% Positiveness
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Lives Of Angels
Cold Expression
144 bpm • C Maj • 04:52 • -5.87db
12% Popularity • 54% Danceability • 81% Energy • 24% Liveness
82% Instrumentalness • 80% Positiveness
12% Popularity • 54% Danceability • 81% Energy • 24% Liveness
82% Instrumentalness • 80% Positiveness
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The Blue Nile
I Love This Life
144 bpm • D Maj • 04:02 • -8.46db
31% Popularity • 70% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 70% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Martin Rev
Cheyenne
141 bpm • C# Maj • 03:06 • -12.48db
4% Popularity • 63% Danceability • 63% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
4% Popularity • 63% Danceability • 63% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
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Arthur Russell
You Can Make Me Feel Bad
142 bpm • D Maj • 01:28 • -11.77db
27% Popularity • 14% Danceability • 26% Energy • 26% Liveness
87% Instrumentalness • 67% Positiveness
27% Popularity • 14% Danceability • 26% Energy • 26% Liveness
87% Instrumentalness • 67% Positiveness
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Young Marble Giants
Sporting Life - Taken From The Final Day...
144 bpm • A min • 01:04 • -14.41db
35% Popularity • 58% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 90% Positiveness
35% Popularity • 58% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 90% Positiveness
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Suicide
Dream Baby Dream - Single Edit
144 bpm • C# min • 03:13 • -9db
36% Popularity • 59% Danceability • 84% Energy • 9% Liveness
58% Instrumentalness • 95% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 9% Liveness
58% Instrumentalness • 95% Positiveness
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Branko Mataja
Tuzna Je Nedelja
141 bpm • D min • 04:13 • -17.14db
16% Popularity • 26% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Lives Of Angels
Golden Age
141 bpm • D Maj • 06:32 • -8db
20% Popularity • 64% Danceability • 65% Energy • 15% Liveness
46% Instrumentalness • 51% Positiveness
20% Popularity • 64% Danceability • 65% Energy • 15% Liveness
46% Instrumentalness • 51% Positiveness
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Martin Rev
Mustang
141 bpm • C# Maj • 02:39 • -11.82db
3% Popularity • 58% Danceability • 84% Energy • 26% Liveness
35% Instrumentalness • 97% Positiveness
3% Popularity • 58% Danceability • 84% Energy • 26% Liveness
35% Instrumentalness • 97% Positiveness
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Joanne Grauer
Who I am
141 bpm • F# Maj • 03:07 • -8.73db
12% Popularity • 33% Danceability • 75% Energy • 21% Liveness
51% Instrumentalness • 36% Positiveness
12% Popularity • 33% Danceability • 75% Energy • 21% Liveness
51% Instrumentalness • 36% Positiveness
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MALKOLM
Love Really Hurts Without You
141 bpm • A min • 03:01 • -10.09db
14% Popularity • 36% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 36% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Suicide
Dream Baby Dream - Long Version
144 bpm • C# min • 06:20 • -9db
27% Popularity • 42% Danceability • 75% Energy • 58% Liveness
10% Instrumentalness • 62% Positiveness
27% Popularity • 42% Danceability • 75% Energy • 58% Liveness
10% Instrumentalness • 62% Positiveness
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Mamman Sani
Five Hundred Miles
146 bpm • E Maj • 05:53 • -16.49db
40% Popularity • 44% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 42% Positiveness
40% Popularity • 44% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 42% Positiveness
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Linda Smith
In This
146 bpm • G Maj • 02:59 • -6.51db
14% Popularity • 53% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 53% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
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Martin Rev
Dreams
145 bpm • E Maj • 02:20 • -7.43db
13% Popularity • 41% Danceability • 92% Energy • 22% Liveness
93% Instrumentalness • 68% Positiveness
13% Popularity • 41% Danceability • 92% Energy • 22% Liveness
93% Instrumentalness • 68% Positiveness
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Robert Rental
Double Heart
140 bpm • C Maj • 03:20 • -6.32db
16% Popularity • 55% Danceability • 78% Energy • 11% Liveness
48% Instrumentalness • 67% Positiveness
16% Popularity • 55% Danceability • 78% Energy • 11% Liveness
48% Instrumentalness • 67% Positiveness
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Hydroplane
Completed Extract from the Previous 7"
146 bpm • G Maj • 04:20 • -13.86db
13% Popularity • 21% Danceability • 31% Energy • 31% Liveness
90% Instrumentalness • 13% Positiveness
13% Popularity • 21% Danceability • 31% Energy • 31% Liveness
90% Instrumentalness • 13% Positiveness
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Suicide
Shadazz
141 bpm • C# Maj • 04:25 • -12.2db
26% Popularity • 66% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
26% Popularity • 66% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Gary Davenport
Scattered Thoughts
140 bpm • B min • 06:54 • -10.33db
8% Popularity • 36% Danceability • 44% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
8% Popularity • 36% Danceability • 44% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
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Minami Deutsch
Steller Waffle
140 bpm • A Maj • 03:37 • -11.25db
36% Popularity • 72% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 97% Positiveness
36% Popularity • 72% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 97% Positiveness
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Martin Rev
Temptation
145 bpm • B min • 07:15 • -12.88db
5% Popularity • 41% Danceability • 59% Energy • 63% Liveness
92% Instrumentalness • 11% Positiveness
5% Popularity • 41% Danceability • 59% Energy • 63% Liveness
92% Instrumentalness • 11% Positiveness
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Robert Rental
Double Heart
146 bpm • D min • 02:58 • -8.87db
18% Popularity • 61% Danceability • 65% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
18% Popularity • 61% Danceability • 65% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
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The Chills
Push
140 bpm • A Maj • 01:44 • -22.38db
27% Popularity • 54% Danceability • 40% Energy • 11% Liveness
21% Instrumentalness • 39% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 11% Liveness
21% Instrumentalness • 39% Positiveness
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Berntholer
Pardon up Here
140 bpm • E min • 04:27 • -10.76db
10% Popularity • 18% Danceability • 31% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
10% Popularity • 18% Danceability • 31% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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Polyrock
Your Dragging Feet
140 bpm • A Maj • 04:58 • -8db
22% Popularity • 64% Danceability • 76% Energy • 55% Liveness
70% Instrumentalness • 96% Positiveness
22% Popularity • 64% Danceability • 76% Energy • 55% Liveness
70% Instrumentalness • 96% Positiveness
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The Magnetic Fields
Smoke and Mirrors
146 bpm • A Maj • 03:08 • -9.53db
32% Popularity • 45% Danceability • 55% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
32% Popularity • 45% Danceability • 55% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
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Martin Rev
Mari - Mix
146 bpm • F# min • 02:51 • -7.12db
4% Popularity • 20% Danceability • 72% Energy • 54% Liveness
93% Instrumentalness • 4% Positiveness
4% Popularity • 20% Danceability • 72% Energy • 54% Liveness
93% Instrumentalness • 4% Positiveness
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Jack Name
Waiting for Another Moon
140 bpm • C Maj • 02:12 • -9.05db
32% Popularity • 62% Danceability • 41% Energy • 10% Liveness
35% Instrumentalness • 38% Positiveness
32% Popularity • 62% Danceability • 41% Energy • 10% Liveness
35% Instrumentalness • 38% Positiveness
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@
Where'd You Put Me
147 bpm • B min • 01:12 • -10.83db
39% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Charlie Megira
Tomorrow's Gone
147 bpm • D Maj • 04:15 • -18.45db
39% Popularity • 34% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
39% Popularity • 34% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Sun City Girls
Vine Street Piano (Orchestral)
140 bpm • C Maj • 03:51 • -14.5db
31% Popularity • 49% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
31% Popularity • 49% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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Suicide
Diamonds, Fur Coat, Champagne
139 bpm • G# Maj • 03:21 • -13.15db
33% Popularity • 68% Danceability • 79% Energy • 29% Liveness
84% Instrumentalness • 91% Positiveness
33% Popularity • 68% Danceability • 79% Energy • 29% Liveness
84% Instrumentalness • 91% Positiveness
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Martin Rev
Rio Grande
140 bpm • B min • 01:43 • -10.33db
4% Popularity • 54% Danceability • 92% Energy • 12% Liveness
70% Instrumentalness • 54% Positiveness
4% Popularity • 54% Danceability • 92% Energy • 12% Liveness
70% Instrumentalness • 54% Positiveness
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Solid Space
Earthshock
147 bpm • C# Maj • 01:37 • -8.44db
25% Popularity • 17% Danceability • 46% Energy • 40% Liveness
98% Instrumentalness • 23% Positiveness
25% Popularity • 17% Danceability • 46% Energy • 40% Liveness
98% Instrumentalness • 23% Positiveness
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Essential Logic
Born In Flames
147 bpm • F min • 03:34 • -6.07db
8% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Roger Doyle
Part of My Make-Up
139 bpm • D# Maj • 03:31 • -12.52db
15% Popularity • 56% Danceability • 34% Energy • 36% Liveness
90% Instrumentalness • 34% Positiveness
15% Popularity • 56% Danceability • 34% Energy • 36% Liveness
90% Instrumentalness • 34% Positiveness
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Arthur Russell
Planted A Thought
138 bpm • B min • 03:28 • -10.86db
42% Popularity • 81% Danceability • 62% Energy • 18% Liveness
86% Instrumentalness • 94% Positiveness
42% Popularity • 81% Danceability • 62% Energy • 18% Liveness
86% Instrumentalness • 94% Positiveness
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Eola
Someone's Got a Secret
138 bpm • B min • 05:14 • -10.4db
18% Popularity • 48% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
18% Popularity • 48% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Martin Rev
Tell Me Why
148 bpm • D Maj • 03:17 • -14.21db
6% Popularity • 71% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 71% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Houston & Dorsey
Ebb Tide
138 bpm • C Maj • 03:56 • -10.23db
37% Popularity • 28% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
37% Popularity • 28% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
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Suicide
Girl (2019 - Remaster)
138 bpm • A# Maj • 04:05 • -9.64db
28% Popularity • 55% Danceability • 70% Energy • 9% Liveness
59% Instrumentalness • 77% Positiveness
28% Popularity • 55% Danceability • 70% Energy • 9% Liveness
59% Instrumentalness • 77% Positiveness
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Roger Doyle
Queen of No Heart
148 bpm • F# Maj • 03:51 • -11.9db
20% Popularity • 43% Danceability • 52% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
20% Popularity • 43% Danceability • 52% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Alan Vega
EVERY 1's A WINNER
148 bpm • A Maj • 04:10 • -10.38db
11% Popularity • 58% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 58% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Arthur Russell
You Did It Yourself
138 bpm • E min • 03:06 • -8.64db
33% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Lizzy Mercier Descloux
Nina Con Un Terer Ojo
149 bpm • C Maj • 00:59 • -9.32db
35% Popularity • 63% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
35% Popularity • 63% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Roberto Cacciapaglia
Find Your Way (Digitally Remastered at A...
149 bpm • F Maj • 04:00 • -7.63db
12% Popularity • 87% Danceability • 85% Energy • 10% Liveness
32% Instrumentalness • 96% Positiveness
12% Popularity • 87% Danceability • 85% Energy • 10% Liveness
32% Instrumentalness • 96% Positiveness
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Suicide
Dominic Christ
138 bpm • C Maj • 06:37 • -14.28db
24% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 70% Positiveness
24% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 70% Positiveness
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Roger Doyle
Syllable
149 bpm • A Maj • 02:46 • -18.01db
17% Popularity • 44% Danceability • 47% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
17% Popularity • 44% Danceability • 47% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
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DRINKS
Greasing Up
137 bpm • D Maj • 02:50 • -11.61db
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
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Arthur Russell
Losing My Taste For The Night Life
137 bpm • G Maj • 04:34 • -21.86db
20% Popularity • 50% Danceability • 12% Energy • 24% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 50% Danceability • 12% Energy • 24% Liveness
84% Instrumentalness • 16% Positiveness
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Ela Orleans
Something Higher
137 bpm • G Maj • 04:06 • -12.4db
13% Popularity • 39% Danceability • 60% Energy • 42% Liveness
26% Instrumentalness • 84% Positiveness
13% Popularity • 39% Danceability • 60% Energy • 42% Liveness
26% Instrumentalness • 84% Positiveness
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Parsley Sound
Spring's Near
137 bpm • D Maj • 03:19 • -13.26db
22% Popularity • 53% Danceability • 42% Energy • 11% Liveness
97% Instrumentalness • 84% Positiveness
22% Popularity • 53% Danceability • 42% Energy • 11% Liveness
97% Instrumentalness • 84% Positiveness
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The Gist
Yanks
137 bpm • D Maj • 02:12 • -8.92db
10% Popularity • 73% Danceability • 60% Energy • 31% Liveness
1% Instrumentalness • 92% Positiveness
10% Popularity • 73% Danceability • 60% Energy • 31% Liveness
1% Instrumentalness • 92% Positiveness
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Roger Doyle
Before She Was Asked to Dance
149 bpm • F# Maj • 02:35 • -17.5db
18% Popularity • 72% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 88% Positiveness
18% Popularity • 72% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 88% Positiveness
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Suicide
Dreams
137 bpm • E Maj • 02:09 • -21.7db
34% Popularity • 52% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
34% Popularity • 52% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
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Arthur Russell
Love Is Overtaking Me
149 bpm • D Maj • 03:39 • -12.69db
32% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Dolly Mixture
Our Tune
137 bpm • F Maj • 02:25 • -8.12db
15% Popularity • 68% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 68% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Space Lady
Humdinger
136 bpm • B Maj • 02:44 • -13.98db
21% Popularity • 44% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 56% Positiveness
21% Popularity • 44% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 56% Positiveness
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Antena
The Boy from Ipanema
150 bpm • B Maj • 02:51 • -15.49db
19% Popularity • 58% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 58% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Felt
Voyage to Illumination
137 bpm • C Maj • 01:20 • -18.66db
11% Popularity • 14% Danceability • 0% Energy • 11% Liveness
71% Instrumentalness • 0% Positiveness
11% Popularity • 14% Danceability • 0% Energy • 11% Liveness
71% Instrumentalness • 0% Positiveness
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Martin Rev
Skateboard
136 bpm • B min • 02:16 • -9.71db
5% Popularity • 85% Danceability • 77% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
5% Popularity • 85% Danceability • 77% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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The Cleaners From Venus
I Can't Stop (Holding On)
136 bpm • C# Maj • 02:20 • -5.25db
44% Popularity • 58% Danceability • 77% Energy • 7% Liveness
81% Instrumentalness • 46% Positiveness
44% Popularity • 58% Danceability • 77% Energy • 7% Liveness
81% Instrumentalness • 46% Positiveness
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Geneva Jacuzzi
Clothes on the Bed
136 bpm • G# min • 02:30 • -7.31db
22% Popularity • 82% Danceability • 55% Energy • 9% Liveness
56% Instrumentalness • 72% Positiveness
22% Popularity • 82% Danceability • 55% Energy • 9% Liveness
56% Instrumentalness • 72% Positiveness
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Patti Whipp
Walkin'
136 bpm • E Maj • 02:34 • -18db
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 63% Positiveness
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 63% Positiveness
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Mamman Sani
Arman Doley
136 bpm • A min • 07:16 • -6db
24% Popularity • 47% Danceability • 83% Energy • 29% Liveness
78% Instrumentalness • 81% Positiveness
24% Popularity • 47% Danceability • 83% Energy • 29% Liveness
78% Instrumentalness • 81% Positiveness
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These Trails
Garden Botanum
136 bpm • E Maj • 03:27 • -12.2db
20% Popularity • 43% Danceability • 26% Energy • 7% Liveness
48% Instrumentalness • 36% Positiveness
20% Popularity • 43% Danceability • 26% Energy • 7% Liveness
48% Instrumentalness • 36% Positiveness
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Martin Rev
Sparks
136 bpm • C min • 03:30 • -10.77db
9% Popularity • 65% Danceability • 97% Energy • 18% Liveness
84% Instrumentalness • 47% Positiveness
9% Popularity • 65% Danceability • 97% Energy • 18% Liveness
84% Instrumentalness • 47% Positiveness
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The Cleaners From Venus
No Go (For Louis Macneice)
136 bpm • D min • 03:40 • -11.72db
37% Popularity • 71% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 71% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Space Lady
Synthesize Me
151 bpm • D min • 04:45 • -13db
32% Popularity • 22% Danceability • 40% Energy • 9% Liveness
29% Instrumentalness • 8% Positiveness
32% Popularity • 22% Danceability • 40% Energy • 9% Liveness
29% Instrumentalness • 8% Positiveness
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Arthur Russell
Your Motion Says
135 bpm • E min • 02:40 • -10.39db
38% Popularity • 61% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 61% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Die Welttraumforscher
Natascha
135 bpm • C Maj • 03:56 • -12.63db
7% Popularity • 63% Danceability • 30% Energy • 22% Liveness
83% Instrumentalness • 87% Positiveness
7% Popularity • 63% Danceability • 30% Energy • 22% Liveness
83% Instrumentalness • 87% Positiveness
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John Cale
You Know More Than I Know
135 bpm • C Maj • 03:35 • -14.56db
42% Popularity • 46% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 46% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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The 6ths
Aging Spinsters
135 bpm • C Maj • 02:19 • -12.35db
29% Popularity • 74% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
29% Popularity • 74% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
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The Cleaners From Venus
This Rainy Decade
135 bpm • C# Maj • 02:17 • -8.31db
43% Popularity • 57% Danceability • 59% Energy • 30% Liveness
91% Instrumentalness • 52% Positiveness
43% Popularity • 57% Danceability • 59% Energy • 30% Liveness
91% Instrumentalness • 52% Positiveness
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Martin Rev
Be Mine
135 bpm • E min • 01:40 • -13.09db
15% Popularity • 90% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
15% Popularity • 90% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Mark Fry
Song for Wilde
134 bpm • F# Maj • 02:33 • -16.38db
42% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
42% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Karen Marks
Cold Café
152 bpm • G# min • 03:03 • -14db
31% Popularity • 69% Danceability • 32% Energy • 14% Liveness
16% Instrumentalness • 49% Positiveness
31% Popularity • 69% Danceability • 32% Energy • 14% Liveness
16% Instrumentalness • 49% Positiveness
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Television Personalities
The Crying Room
134 bpm • D Maj • 01:59 • -15db
27% Popularity • 42% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
27% Popularity • 42% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Linda Smith
I So Liked Spring - 1996 Version
134 bpm • D Maj • 04:21 • -8.81db
15% Popularity • 71% Danceability • 44% Energy • 13% Liveness
14% Instrumentalness • 50% Positiveness
15% Popularity • 71% Danceability • 44% Energy • 13% Liveness
14% Instrumentalness • 50% Positiveness
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The Cleaners From Venus
Germayne (Like a Catherdral)
135 bpm • C# min • 03:22 • -7.28db
23% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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The Space Lady
I Had Too Much to Dream Last Night
134 bpm • C# min • 04:35 • -16.56db
30% Popularity • 46% Danceability • 32% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
30% Popularity • 46% Danceability • 32% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
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J.K. & Co.
Fly
133 bpm • C Maj • 04:45 • -13.23db
27% Popularity • 26% Danceability • 42% Energy • 10% Liveness
19% Instrumentalness • 23% Positiveness
27% Popularity • 26% Danceability • 42% Energy • 10% Liveness
19% Instrumentalness • 23% Positiveness
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Marine Girls
The Lure Of The Rock Pools
133 bpm • F# min • 01:49 • -13.99db
29% Popularity • 74% Danceability • 17% Energy • 11% Liveness
70% Instrumentalness • 87% Positiveness
29% Popularity • 74% Danceability • 17% Energy • 11% Liveness
70% Instrumentalness • 87% Positiveness
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Television Personalities
Parties in Chelsea
153 bpm • A Maj • 01:41 • -9.97db
24% Popularity • 63% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 63% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Linda Smith
I So Liked Spring
134 bpm • C Maj • 05:27 • -10.97db
38% Popularity • 37% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
38% Popularity • 37% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Alan Vega
JE T' ADORE
133 bpm • G Maj • 03:38 • -18.25db
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Die Welttraumforscher
Kleiderschrank Auf Mütze
133 bpm • C min • 03:57 • -10.33db
13% Popularity • 73% Danceability • 56% Energy • 54% Liveness
54% Instrumentalness • 81% Positiveness
13% Popularity • 73% Danceability • 56% Energy • 54% Liveness
54% Instrumentalness • 81% Positiveness
