Songs like Maria Mari! by Das Orchester Claudius Alzner
Based on a tempo of (+/- 10%) and a similar genre
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Das Orchester Claudius Alzner
Maria Mari!
95 bpm • A Maj • 02:26 • -9.34db
8% Popularity • 50% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 50% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Bouzouki-Ensemble Bilek-Nejez
Die Bouzouki klang durch die Sommernacht
95 bpm • G Maj • 02:41 • -6.85db
10% Popularity • 45% Danceability • 63% Energy • 29% Liveness
81% Instrumentalness • 88% Positiveness
10% Popularity • 45% Danceability • 63% Energy • 29% Liveness
81% Instrumentalness • 88% Positiveness
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Andi Häckel
Seemann adieu
95 bpm • G# Maj • 03:23 • -7.13db
29% Popularity • 47% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 85% Positiveness
29% Popularity • 47% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 85% Positiveness
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Willy Schobben
Golden Trumpets
95 bpm • C min • 02:34 • -11db
22% Popularity • 62% Danceability • 37% Energy • 4% Liveness
26% Instrumentalness • 89% Positiveness
22% Popularity • 62% Danceability • 37% Energy • 4% Liveness
26% Instrumentalness • 89% Positiveness
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Stef Meeder
Dream, Red Roses For A Blue Lady, Till I...
95 bpm • F Maj • 04:20 • -16db
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 25% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 25% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Das Orchester Claudius Alzner
Tintarella di luna , See you later, Alli...
95 bpm • G# Maj • 03:06 • -14.6db
3% Popularity • 67% Danceability • 46% Energy • 4% Liveness
54% Instrumentalness • 96% Positiveness
3% Popularity • 67% Danceability • 46% Energy • 4% Liveness
54% Instrumentalness • 96% Positiveness
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Ricci Ferra
La Playa
95 bpm • D min • 03:08 • -18.72db
28% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
28% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Lennart Axelsson
Sprich Zu Mir Von Liebe, Mariu
96 bpm • G Maj • 03:26 • -13db
18% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
18% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
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World Sound Orchestra
Morgens um sieben ist die Welt noch in O...
96 bpm • G min • 03:42 • -10.05db
24% Popularity • 50% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
24% Popularity • 50% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Francis Dupont
Il Silencio
96 bpm • A# Maj • 02:59 • -12db
33% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
33% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
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Willy Schobben
Heisser Sand
94 bpm • G# Maj • 01:55 • -11db
28% Popularity • 41% Danceability • 50% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
28% Popularity • 41% Danceability • 50% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
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Das Orchester Claudius Alzner
Torna a Surriento
96 bpm • A Maj • 02:22 • -10db
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
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Frank Davis Orchestra
Stranger in Paradise
96 bpm • G min • 03:28 • -6.76db
12% Popularity • 55% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 44% Positiveness
12% Popularity • 55% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 44% Positiveness
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Blue Heaven
Sail Along Silv'ry Moon
94 bpm • F Maj • 02:14 • -11.02db
39% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Alfred Hause
Quartett Nr. 17 - Serenade
94 bpm • C Maj • 02:56 • -14db
15% Popularity • 32% Danceability • 38% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
15% Popularity • 32% Danceability • 38% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
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Roberto Delgado
Cielito Lindo
96 bpm • C Maj • 03:06 • -8.56db
18% Popularity • 76% Danceability • 45% Energy • 15% Liveness
10% Instrumentalness • 94% Positiveness
18% Popularity • 76% Danceability • 45% Energy • 15% Liveness
10% Instrumentalness • 94% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
26% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
26% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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Digno GarcÃa
The Bird
93 bpm • F Maj • 02:03 • -7.87db
39% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Bouzouki-Ensemble Bilek-Nejez
Stavros
93 bpm • A Maj • 02:25 • -10.16db
11% Popularity • 67% Danceability • 60% Energy • 14% Liveness
28% Instrumentalness • 88% Positiveness
11% Popularity • 67% Danceability • 60% Energy • 14% Liveness
28% Instrumentalness • 88% Positiveness
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Alfred Hause
Wine Woman And Song, Waltz op. 333 - Aim...
96 bpm • A# Maj • 02:40 • -12.91db
34% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
34% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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Ricci Ferra
Annenpolka Op.117
93 bpm • D Maj • 02:35 • -12db
12% Popularity • 71% Danceability • 45% Energy • 4% Liveness
94% Instrumentalness • 89% Positiveness
12% Popularity • 71% Danceability • 45% Energy • 4% Liveness
94% Instrumentalness • 89% Positiveness
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Kai Warner
La Source
96 bpm • D# Maj • 02:34 • -12.78db
12% Popularity • 37% Danceability • 33% Energy • 26% Liveness
86% Instrumentalness • 29% Positiveness
12% Popularity • 37% Danceability • 33% Energy • 26% Liveness
86% Instrumentalness • 29% Positiveness
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Billy Vaughn y su Orquesta
Theme From "A Summer Place"
97 bpm • C Maj • 02:44 • -8db
29% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
29% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Willy Schobben
Somewhere My Love
97 bpm • A# Maj • 02:17 • -13db
29% Popularity • 39% Danceability • 30% Energy • 34% Liveness
78% Instrumentalness • 63% Positiveness
29% Popularity • 39% Danceability • 30% Energy • 34% Liveness
78% Instrumentalness • 63% Positiveness
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Francis Dupont
Zambezi
93 bpm • C Maj • 02:32 • -11db
31% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
31% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
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Alfred Hause
Beautiful Dreamer
97 bpm • A# Maj • 02:49 • -10db
27% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
27% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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The Romantic Sound Orchestra
An der schönen blauen Donau
97 bpm • D Maj • 04:21 • -12.79db
14% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Orquesta Romántica de La Habana
El Silencio
97 bpm • A# Maj • 03:04 • -14db
33% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
33% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
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Acker Bilk
Ramblin' Rose
98 bpm • A# Maj • 02:43 • -15.78db
29% Popularity • 30% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
29% Popularity • 30% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
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Stef Meeder
Maria Elena, Dream A Little Dream Of Me,...
98 bpm • C Maj • 04:29 • -16db
9% Popularity • 69% Danceability • 25% Energy • 21% Liveness
84% Instrumentalness • 33% Positiveness
9% Popularity • 69% Danceability • 25% Energy • 21% Liveness
84% Instrumentalness • 33% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Alfred Hause
Nadia´s Theme
98 bpm • A min • 02:39 • -11db
34% Popularity • 42% Danceability • 31% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
34% Popularity • 42% Danceability • 31% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
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Andi Häckel
Rolling Home
92 bpm • A Maj • 03:43 • -8.71db
28% Popularity • 40% Danceability • 60% Energy • 38% Liveness
96% Instrumentalness • 40% Positiveness
28% Popularity • 40% Danceability • 60% Energy • 38% Liveness
96% Instrumentalness • 40% Positiveness
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Martin Zagrajsek
Mar Y Sol
98 bpm • A# Maj • 02:56 • -9db
11% Popularity • 61% Danceability • 80% Energy • 38% Liveness
90% Instrumentalness • 88% Positiveness
11% Popularity • 61% Danceability • 80% Energy • 38% Liveness
90% Instrumentalness • 88% Positiveness
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Gentlemen Of Trumpets
Quando Quando
98 bpm • C Maj • 02:53 • -5.4db
34% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
34% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
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Orchester Marc Alpina
Solang Es Dir Gut Geht
92 bpm • G Maj • 03:17 • -10.35db
16% Popularity • 48% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 80% Positiveness
16% Popularity • 48% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 80% Positiveness
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Francis Dupont
Theme From 'Elvira Madigan'
98 bpm • F Maj • 03:35 • -19db
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Daniela de Santos
Patrona Bavarie
98 bpm • C Maj • 02:36 • -5.89db
20% Popularity • 54% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 54% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
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Günter Noris
This Is Love (English Waltz)
92 bpm • D# Maj • 02:56 • -9.7db
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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The Romantic Sound Orchestra
Aura Lee
92 bpm • D Maj • 03:40 • -11.79db
17% Popularity • 43% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 42% Positiveness
17% Popularity • 43% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 42% Positiveness
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Kevin Pabst
La Pastorella
98 bpm • D# Maj • 04:09 • -7.86db
12% Popularity • 38% Danceability • 49% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
12% Popularity • 38% Danceability • 49% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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50 Guitars of Tommy Garrett
South of the Border
98 bpm • E min • 02:59 • -13db
24% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Roberto Delgado
Un Poco Rio
98 bpm • G Maj • 02:19 • -10db
29% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
29% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
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The Gino Marinello Orchestra
Guantamanera
98 bpm • D Maj • 03:06 • -11db
42% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
42% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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The Richard Romance Orchestra
Guantanamera
98 bpm • D Maj • 03:08 • -11.47db
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
38% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
38% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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50 Guitars of Tommy Garrett
You Belong To My Heart
92 bpm • E Maj • 01:53 • -14.17db
23% Popularity • 61% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
23% Popularity • 61% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
32% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
32% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Horst Jankowski
Happy Frankfurt
91 bpm • G min • 02:33 • -11.41db
33% Popularity • 51% Danceability • 38% Energy • 20% Liveness
82% Instrumentalness • 60% Positiveness
33% Popularity • 51% Danceability • 38% Energy • 20% Liveness
82% Instrumentalness • 60% Positiveness
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Bernie Saxophone Entertainer
Mexico
91 bpm • D# Maj • 02:32 • -6db
31% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
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Nikos Ignatiadis
The Beginning
100 bpm • D Maj • 03:33 • -15db
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Bouzouki-Ensemble Bilek-Nejez
La Golondrina
99 bpm • E Maj • 03:05 • -10.73db
6% Popularity • 40% Danceability • 33% Energy • 13% Liveness
12% Instrumentalness • 47% Positiveness
6% Popularity • 40% Danceability • 33% Energy • 13% Liveness
12% Instrumentalness • 47% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Kai Warner
As Time Goes By
100 bpm • D# Maj • 02:38 • -8.97db
31% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
31% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Pepe Solera
Ich Danke Gott Für All Die Schönen Jah...
91 bpm • A# Maj • 03:05 • -4db
27% Popularity • 11% Danceability • 54% Energy • 15% Liveness
46% Instrumentalness • 52% Positiveness
27% Popularity • 11% Danceability • 54% Energy • 15% Liveness
46% Instrumentalness • 52% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
STRANGERS IN THE NIGHT
100 bpm • C Maj • 02:25 • -9db
22% Popularity • 60% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 44% Positiveness
22% Popularity • 60% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 44% Positiveness
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The Gino Marinello Orchestra
Theme from ''A Summerplace''
100 bpm • A# Maj • 02:44 • -14.59db
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Alan Alonmoore
Come Prima
100 bpm • C Maj • 02:29 • -10db
37% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
37% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
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Francis Dupont
Oh Mein Papa
100 bpm • A# Maj • 02:39 • -12db
31% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
31% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
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Fausto Papetti
The Last Waltz
100 bpm • C Maj • 02:19 • -16.28db
37% Popularity • 66% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 66% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Pepe Solera
Rote Rosen schenk' ich Dir
100 bpm • D# Maj • 02:59 • -7.01db
28% Popularity • 19% Danceability • 52% Energy • 32% Liveness
81% Instrumentalness • 61% Positiveness
28% Popularity • 19% Danceability • 52% Energy • 32% Liveness
81% Instrumentalness • 61% Positiveness
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Das Orchester Claudius Alzner
Sentimental Journey - I left my heart in...
90 bpm • F Maj • 03:20 • -17.41db
10% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
10% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
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The Richard Romance Orchestra
All Kinds of Everything
100 bpm • A# Maj • 02:10 • -13db
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Willy Schobben
Mexico - Radio Edit
90 bpm • D Maj • 02:34 • -12.34db
29% Popularity • 56% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 56% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Claudius Alzner
Limelight - April in Paris - Santa Lucia
100 bpm • G Maj • 03:11 • -14db
17% Popularity • 39% Danceability • 25% Energy • 17% Liveness
41% Instrumentalness • 33% Positiveness
17% Popularity • 39% Danceability • 25% Energy • 17% Liveness
41% Instrumentalness • 33% Positiveness
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Francis Dupont
Berlin Melodie
90 bpm • F Maj • 03:13 • -13db
21% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
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Pepe Solera
Cucurucucu Paloma
100 bpm • A Maj • 03:18 • -4db
33% Popularity • 44% Danceability • 80% Energy • 15% Liveness
92% Instrumentalness • 68% Positiveness
33% Popularity • 44% Danceability • 80% Energy • 15% Liveness
92% Instrumentalness • 68% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
27% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Das Orchester Claudius Alzner
Santa Lucia
101 bpm • C Maj • 02:31 • -9db
21% Popularity • 30% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 56% Positiveness
21% Popularity • 30% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 56% Positiveness
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Claudius Alzner
Never ending song of love - You are my s...
100 bpm • C Maj • 02:27 • -11db
34% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 88% Positiveness
34% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 88% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Billy Vaughn y su Orquesta
Sail Along Silvery Moon
101 bpm • E Maj • 02:02 • -7db
31% Popularity • 39% Danceability • 38% Energy • 10% Liveness
78% Instrumentalness • 66% Positiveness
31% Popularity • 39% Danceability • 38% Energy • 10% Liveness
78% Instrumentalness • 66% Positiveness
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Kurt Edelhagen
Langsamer Walzer: 30 Takte Pro Minute - ...
89 bpm • G# Maj • 03:02 • -12.15db
31% Popularity • 39% Danceability • 28% Energy • 22% Liveness
67% Instrumentalness • 16% Positiveness
31% Popularity • 39% Danceability • 28% Energy • 22% Liveness
67% Instrumentalness • 16% Positiveness
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Alfred Hause
Barcarole - Exklusive Neuaufnahme
102 bpm • A# Maj • 02:55 • -7.68db
13% Popularity • 41% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 41% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Das Orchester Claudius Alzner
Ich hab kein Geld, bin vogelfrei - Was e...
101 bpm • G# Maj • 02:31 • -13.78db
3% Popularity • 67% Danceability • 52% Energy • 6% Liveness
91% Instrumentalness • 88% Positiveness
3% Popularity • 67% Danceability • 52% Energy • 6% Liveness
91% Instrumentalness • 88% Positiveness
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Gary Freeman
Something Stupid
102 bpm • F Maj • 02:39 • -11.41db
34% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
34% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
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Hans Hollestelle
La Comparsa
102 bpm • E Maj • 02:51 • -12db
31% Popularity • 52% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 72% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 72% Positiveness
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Horst Jankowski
A Walk In Bavaria
102 bpm • A# Maj • 02:09 • -9db
32% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
32% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
BRAZIL
103 bpm • A# min • 02:13 • -8db
20% Popularity • 68% Danceability • 64% Energy • 9% Liveness
96% Instrumentalness • 64% Positiveness
20% Popularity • 68% Danceability • 64% Energy • 9% Liveness
96% Instrumentalness • 64% Positiveness
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Willy Schobben
The French Song (Quand Le Soleil Dit Bon...
103 bpm • F Maj • 02:44 • -11db
18% Popularity • 22% Danceability • 37% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
18% Popularity • 22% Danceability • 37% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
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Das Orchester Claudius Alzner
Jambalaya , Schmidtchen Schleicher , Mil...
102 bpm • C Maj • 03:57 • -15db
20% Popularity • 57% Danceability • 33% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
20% Popularity • 57% Danceability • 33% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
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Pepe Solera
(Medley) It's Now Or Never - Muss I Denn
103 bpm • A# Maj • 03:46 • -7.56db
17% Popularity • 22% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
17% Popularity • 22% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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Pasapoga Light Orchestra
Cuando Calienta el Sol
103 bpm • C Maj • 02:42 • -11.49db
24% Popularity • 35% Danceability • 31% Energy • 43% Liveness
48% Instrumentalness • 42% Positiveness
24% Popularity • 35% Danceability • 31% Energy • 43% Liveness
48% Instrumentalness • 42% Positiveness
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Norman Candler
Samson and Delilah - Remastered
103 bpm • A Maj • 03:21 • -7db
25% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
25% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
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Nikos Ignatiadis
I Love You
103 bpm • B Maj • 02:46 • -17.39db
28% Popularity • 53% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
28% Popularity • 53% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Cantovano and His Orchestra
Perfidia
103 bpm • C Maj • 03:06 • -7db
34% Popularity • 73% Danceability • 58% Energy • 16% Liveness
95% Instrumentalness • 81% Positiveness
34% Popularity • 73% Danceability • 58% Energy • 16% Liveness
95% Instrumentalness • 81% Positiveness
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Rainer Felsen
Blue Bayou
103 bpm • C Maj • 03:38 • -7.13db
9% Popularity • 59% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 38% Positiveness
9% Popularity • 59% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 38% Positiveness
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Claudius Alzner
Alexanders Ragtime Band - Yes Sir, thats...
103 bpm • F Maj • 02:05 • -12db
30% Popularity • 68% Danceability • 58% Energy • 21% Liveness
41% Instrumentalness • 91% Positiveness
30% Popularity • 68% Danceability • 58% Energy • 21% Liveness
41% Instrumentalness • 91% Positiveness
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Henry Salomon y su Orquesta
La Playa
103 bpm • D min • 02:43 • -15db
46% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
46% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
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Ross Mitchell, His Band & Singers
Come Back to Sorrento
87 bpm • A# min • 02:30 • -16db
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
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50 Guitars of Tommy Garrett
I Left My Heart in San Francisco
87 bpm • C Maj • 02:18 • -11.45db
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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Hector Delfosse
Tombe La Neige
103 bpm • A Maj • 03:47 • -12db
23% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Rainer Felsen
Aber Dich gibt's nur einmal für mich
104 bpm • E Maj • 03:19 • -5.27db
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
2% Instrumentalness • 47% Positiveness
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Gary Freeman
Good Friend
104 bpm • F# Maj • 02:49 • -11db
15% Popularity • 39% Danceability • 37% Energy • 8% Liveness
76% Instrumentalness • 24% Positiveness
15% Popularity • 39% Danceability • 37% Energy • 8% Liveness
76% Instrumentalness • 24% Positiveness
