Songs like Marilyn Monroe by Barbara Dickson
Based on a tempo of (+/- 10%) and a similar genre
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Barbara Dickson
Blowin' in the Wind
86 bpm • A# Maj • 05:59 • -13.65db
4% Popularity • 42% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 42% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
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Marti Webb
Always There
86 bpm • G Maj • 03:40 • -13.27db
35% Popularity • 20% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 20% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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ABBA
Eagle - Short Version
86 bpm • D Maj • 04:23 • -7.74db
36% Popularity • 41% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 41% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Amanda Holden
As If We Never Said Goodbye
86 bpm • D Maj • 04:51 • -7db
11% Popularity • 27% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 27% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Clifford T. Ward
Not Waving - Drowning!
86 bpm • C Maj • 03:50 • -14db
15% Popularity • 60% Danceability • 25% Energy • 21% Liveness
10% Instrumentalness • 56% Positiveness
15% Popularity • 60% Danceability • 25% Energy • 21% Liveness
10% Instrumentalness • 56% Positiveness
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Tom Jones
Funny Familiar Forgotten Feelings
87 bpm • B Maj • 02:57 • -10.9db
46% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Barbara Dickson
Marilyn Monroe
86 bpm • D Maj • 03:10 • -14.16db
5% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
5% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Landsborough
What Colour Is the Wind
85 bpm • A# Maj • 03:58 • -13db
29% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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ABBA
Eagle - Long Version
85 bpm • D Maj • 05:50 • -6.7db
51% Popularity • 48% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 48% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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G4
Broken Vow
85 bpm • D# Maj • 04:28 • -9.79db
12% Popularity • 16% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 16% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Clifford T. Ward
Up in the World
85 bpm • F Maj • 02:28 • -7db
12% Popularity • 20% Danceability • 35% Energy • 22% Liveness
7% Instrumentalness • 21% Positiveness
12% Popularity • 20% Danceability • 35% Energy • 22% Liveness
7% Instrumentalness • 21% Positiveness
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Beverley Craven
Castle in the Clouds
87 bpm • C Maj • 03:46 • -19.09db
20% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Barbara Dickson
Morning
85 bpm • A Maj • 02:01 • -15.69db
4% Popularity • 37% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 37% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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David Cassidy
Could It Be Forever - remastered
87 bpm • C# Maj • 02:18 • -12.29db
21% Popularity • 36% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 36% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Ken Dodd
Tears
88 bpm • C Maj • 02:51 • -11db
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Madonna
You Must Love Me
89 bpm • A# Maj • 02:50 • -15db
40% Popularity • 36% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 36% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Keith West
Excerpt from a Teenage Opera
89 bpm • E Maj • 04:42 • -6db
31% Popularity • 38% Danceability • 65% Energy • 46% Liveness
20% Instrumentalness • 61% Positiveness
31% Popularity • 38% Danceability • 65% Energy • 46% Liveness
20% Instrumentalness • 61% Positiveness
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Paul Young
Wherever I Lay My Hat (That's My Home)
89 bpm • A# Maj • 04:10 • -12.96db
48% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Barbara Dickson
The Times They Are A-Changin'
87 bpm • C# Maj • 04:47 • -15.33db
6% Popularity • 24% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 24% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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John Denver
Perhaps Love
89 bpm • G Maj • 01:54 • -18.98db
55% Popularity • 40% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 40% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bucks Fizz
Keep Each Other Warm - 7" Version
89 bpm • C# min • 04:10 • -10.27db
8% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Gemini
Just Like That
83 bpm • F# Maj • 03:46 • -6db
24% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Dooleys
Don't Let Me Be The Last To Know
83 bpm • G min • 03:38 • -12.08db
16% Popularity • 28% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 28% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Skellern
The Way You Look Tonight
89 bpm • D# Maj • 03:54 • -19db
18% Popularity • 22% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
18% Popularity • 22% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Barbara Dickson
The Banks O' red Roses
84 bpm • D Maj • 04:53 • -12.3db
4% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Judie Tzuke
If (When You Go)
83 bpm • G# Maj • 03:55 • -7db
24% Popularity • 35% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 35% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Sad Café
Every Day Hurts
90 bpm • B Maj • 04:05 • -15.57db
38% Popularity • 40% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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David Soul
Let's have a quiet night in
82 bpm • A Maj • 03:43 • -19.67db
27% Popularity • 56% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
27% Popularity • 56% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Lesley Garrett
Schönberg, Claude-Michel: I Dreamed a D...
89 bpm • G# Maj • 04:33 • -12.87db
20% Popularity • 22% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Ken Dodd
Somewhere My Love
90 bpm • G Maj • 03:24 • -14.7db
19% Popularity • 20% Danceability • 19% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 20% Danceability • 19% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
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Barbara Dickson
The Right Moment
82 bpm • C Maj • 03:05 • -14.69db
5% Popularity • 31% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
5% Popularity • 31% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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ABBA
One Of Us
82 bpm • G Maj • 03:57 • -15.25db
64% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
64% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Gary Barlow
Forever Love
90 bpm • G Maj • 04:50 • -16.27db
47% Popularity • 58% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 58% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Labi Siffre
(Something Inside) So Strong
82 bpm • F Maj • 05:37 • -10.31db
49% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Gilbert O'Sullivan
Where Would We Be - Without Tea
90 bpm • D Maj • 03:12 • -8.58db
10% Popularity • 46% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
10% Popularity • 46% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Brotherhood of Man
United We Stand
82 bpm • F Maj • 02:51 • -13.48db
36% Popularity • 44% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 44% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Don McLean
And I Love You So
90 bpm • B Maj • 04:16 • -22.5db
46% Popularity • 31% Danceability • 9% Energy • 16% Liveness
37% Instrumentalness • 17% Positiveness
46% Popularity • 31% Danceability • 9% Energy • 16% Liveness
37% Instrumentalness • 17% Positiveness
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Barbara Dickson
Soldiers
90 bpm • G# Maj • 04:44 • -10.81db
4% Popularity • 56% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 56% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Military Wives
Rule The World
82 bpm • F Maj • 03:56 • -9.29db
27% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Brendan Grace
The Dutchman
90 bpm • D Maj • 05:09 • -17db
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
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Captain & Tennille
Do That To Me One More Time
90 bpm • G Maj • 04:16 • -8.23db
67% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
67% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Alan Price
Changes
90 bpm • A# Maj • 03:36 • -15db
17% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Charlotte Perrelli
Evita: Don't Cry for Me Argentina
82 bpm • C# Maj • 05:36 • -12db
15% Popularity • 23% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 23% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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G4
Love Changes Everything
82 bpm • A Maj • 03:37 • -8.5db
15% Popularity • 20% Danceability • 45% Energy • 19% Liveness
1% Instrumentalness • 27% Positiveness
15% Popularity • 20% Danceability • 45% Energy • 19% Liveness
1% Instrumentalness • 27% Positiveness
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Military Wives
One Voice
82 bpm • A# Maj • 03:13 • -11.73db
27% Popularity • 14% Danceability • 30% Energy • 5% Liveness
7% Instrumentalness • 16% Positiveness
27% Popularity • 14% Danceability • 30% Energy • 5% Liveness
7% Instrumentalness • 16% Positiveness
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Amanda Holden
I Dreamed A Dream
82 bpm • A# Maj • 04:18 • -6.41db
20% Popularity • 19% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 19% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Peter Skellern
Still Magic
91 bpm • C# Maj • 04:21 • -21.92db
9% Popularity • 44% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Finbar Wright
Whatever You Believe
81 bpm • C Maj • 04:32 • -14.7db
14% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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The Christians
Ideal World
91 bpm • G Maj • 04:36 • -14db
36% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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G4
Circle of Life
91 bpm • C Maj • 03:34 • -7.74db
17% Popularity • 25% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 30% Positiveness
17% Popularity • 25% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 30% Positiveness
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Robin Gibb
Saved By The Bell
91 bpm • C Maj • 03:06 • -14db
46% Popularity • 16% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 16% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Clifford T. Ward
Home Thoughts From Abroad
81 bpm • C Maj • 03:21 • -12db
32% Popularity • 37% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 37% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Nolans
Spirit, Body And Soul
81 bpm • A# Maj • 03:11 • -9.61db
22% Popularity • 50% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 50% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Military Wives
Right Here Waiting
91 bpm • D# Maj • 04:08 • -13.61db
30% Popularity • 33% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
30% Popularity • 33% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
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John Denver
Perhaps Love
81 bpm • A Maj • 02:57 • -10.94db
51% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Marti Webb
In One Of My Weaker Moments
91 bpm • G Maj • 03:46 • -15.8db
13% Popularity • 26% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 26% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Ruthie Henshall
I Dreamed a Dream
81 bpm • A# Maj • 03:23 • -13.67db
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dolores Keane
The Island
92 bpm • A Maj • 04:56 • -14.9db
30% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Münchener Freiheit
Keeping the Dream Alive
80 bpm • F Maj • 04:15 • -9.02db
33% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Maria McKee
Show Me Heaven - Acoustic Demo Version
80 bpm • A# min • 03:43 • -6.47db
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Barbara Dickson
Anyone Who Had a Heart
80 bpm • E Maj • 05:00 • -13.97db
5% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Benny Anderssons Orkester
(If This Is) Our Last Dance
80 bpm • F Maj • 04:45 • -7.26db
10% Popularity • 20% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 20% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Lindisfarne
Meet Me On The Corner
93 bpm • A Maj • 02:40 • -14.44db
41% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Military Wives
You've Got A Friend
93 bpm • A Maj • 04:21 • -16db
32% Popularity • 48% Danceability • 24% Energy • 14% Liveness
4% Instrumentalness • 26% Positiveness
32% Popularity • 48% Danceability • 24% Energy • 14% Liveness
4% Instrumentalness • 26% Positiveness
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Phil Collins
Separate Lives - 2016 Remaster
93 bpm • E Maj • 04:08 • -9.12db
58% Popularity • 32% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 32% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Mary Black
Fields of Gold - Bonus Track
79 bpm • G# Maj • 04:23 • -11.9db
26% Popularity • 29% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gene Pitney
Twenty Four Hours From Tulsa
79 bpm • G Maj • 02:57 • -7db
43% Popularity • 47% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 47% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Dr. Hook
If Not You
93 bpm • D Maj • 03:17 • -13.16db
46% Popularity • 55% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 40% Positiveness
46% Popularity • 55% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 40% Positiveness
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David Soul
Tomorrow Child
79 bpm • F Maj • 04:09 • -16.33db
16% Popularity • 46% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
16% Popularity • 46% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Bagatelle
Somewhere in Europe
94 bpm • C Maj • 03:04 • -10.59db
21% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Patti LuPone
I Dreamed A Dream
94 bpm • D# Maj • 04:28 • -12.63db
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
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Paul Nicholas
Could We Start Again Please?
79 bpm • G# Maj • 03:48 • -10.16db
12% Popularity • 46% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 46% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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David Cassidy
Daydreamer
94 bpm • C Maj • 02:47 • -13.18db
37% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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G4
I'd Do Anything for Love
78 bpm • D# Maj • 05:29 • -8db
13% Popularity • 24% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 24% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Laura Dean
I Sing the Body Electric
78 bpm • G Maj • 05:02 • -12.25db
35% Popularity • 48% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 48% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Wet Wet Wet
Angel Eyes (Home And Away)
94 bpm • F# Maj • 05:16 • -12.22db
50% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Frances Black
All the Lies That You Told Me
95 bpm • E Maj • 04:22 • -14db
37% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Debby Boone
You Light Up My Life
78 bpm • D Maj • 03:36 • -10.06db
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Gloria Estefan And Miami Sound Machine
Can't Stay Away from You
78 bpm • D Maj • 03:55 • -15.45db
41% Popularity • 58% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 58% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Paul McCartney
Mull Of Kintyre
95 bpm • D# Maj • 04:41 • -9.03db
34% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Randy Crawford
One Day I'll Fly Away
78 bpm • D Maj • 05:02 • -10.41db
57% Popularity • 49% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
57% Popularity • 49% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Clifford T. Ward
We Could Be Talking
78 bpm • F Maj • 03:49 • -14.56db
10% Popularity • 46% Danceability • 21% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
10% Popularity • 46% Danceability • 21% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
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Bobbie Gentry
All I Have To Do Is Dream
95 bpm • D# Maj • 02:31 • -12db
38% Popularity • 43% Danceability • 34% Energy • 6% Liveness
6% Instrumentalness • 60% Positiveness
38% Popularity • 43% Danceability • 34% Energy • 6% Liveness
6% Instrumentalness • 60% Positiveness
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Barbara Dickson
Skye Boat Song
95 bpm • D Maj • 03:02 • -16.37db
15% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Pretenders
Hymn to Her - 2007 Remaster
95 bpm • C Maj • 04:58 • -9.35db
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Jones
Green Green Grass Of Home
95 bpm • G# Maj • 03:04 • -13.25db
63% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Julie Rogers
The Wedding
96 bpm • G# Maj • 02:29 • -9.76db
38% Popularity • 32% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 32% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Clifford T. Ward
A Day To Myself
78 bpm • G Maj • 05:04 • -19.19db
14% Popularity • 43% Danceability • 10% Energy • 9% Liveness
12% Instrumentalness • 23% Positiveness
14% Popularity • 43% Danceability • 10% Energy • 9% Liveness
12% Instrumentalness • 23% Positiveness
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Don Baker
Winner in You
96 bpm • F Maj • 03:51 • -11db
18% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Vanessa Williams
Save The Best For Last
96 bpm • D# Maj • 03:38 • -15.78db
65% Popularity • 53% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 53% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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ABBA
The Name Of The Game
77 bpm • A Maj • 04:51 • -8.72db
61% Popularity • 66% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 66% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Military Wives
Make You Feel My Love
77 bpm • A# Maj • 03:07 • -15db
40% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
40% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
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Wet Wet Wet
Sweet Surrender
96 bpm • G Maj • 04:22 • -14.35db
45% Popularity • 66% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 66% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Clifford T. Ward
Where Do Angels Really Come From?
77 bpm • D Maj • 03:57 • -14.64db
9% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Chickenshed
I Am In Love With the World
96 bpm • C Maj • 03:59 • -8.42db
12% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Amanda Holden
Somewhere
77 bpm • C# Maj • 02:51 • -4.97db
19% Popularity • 26% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 26% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Alain Boublil
The Last Night Of The World - Original L...
97 bpm • B Maj • 04:25 • -16.44db
33% Popularity • 34% Danceability • 21% Energy • 44% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 34% Danceability • 21% Energy • 44% Liveness
0% Instrumentalness • 13% Positiveness
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Randy VanWarmer
Just When I Needed You Most
97 bpm • A Maj • 04:01 • -14.36db
64% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
64% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
