Songs like Marla Loves You by FUZETA
Based on a tempo of (+/- 10%) and a similar genre
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Fabio Roz
Lotus Flower
80 bpm • C min • 02:42 • -7.2db
18% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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something in the lake
Daylight
80 bpm • A Maj • 03:22 • -5.01db
13% Popularity • 49% Danceability • 81% Energy • 22% Liveness
9% Instrumentalness • 36% Positiveness
13% Popularity • 49% Danceability • 81% Energy • 22% Liveness
9% Instrumentalness • 36% Positiveness
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FUZETA
Marla Loves You
80 bpm • D min • 02:45 • -7.84db
11% Popularity • 50% Danceability • 68% Energy • 12% Liveness
79% Instrumentalness • 44% Positiveness
11% Popularity • 50% Danceability • 68% Energy • 12% Liveness
79% Instrumentalness • 44% Positiveness
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Mary Ossei
Ruined
80 bpm • A Maj • 02:27 • -8.24db
11% Popularity • 44% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 44% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Black Cherry Marble
Haunted Reality
80 bpm • B min • 05:08 • -9.65db
7% Popularity • 26% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
7% Popularity • 26% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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navel grazr
Two Funerals
81 bpm • E min • 03:42 • -7db
8% Popularity • 44% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 44% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
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Columbia Mills
The Wall Around You
81 bpm • C Maj • 04:52 • -5.12db
19% Popularity • 41% Danceability • 74% Energy • 16% Liveness
43% Instrumentalness • 41% Positiveness
19% Popularity • 41% Danceability • 74% Energy • 16% Liveness
43% Instrumentalness • 41% Positiveness
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Static In Sound
Bake Their Beams
81 bpm • F# Maj • 04:10 • -11.61db
22% Popularity • 43% Danceability • 56% Energy • 8% Liveness
13% Instrumentalness • 12% Positiveness
22% Popularity • 43% Danceability • 56% Energy • 8% Liveness
13% Instrumentalness • 12% Positiveness
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FUZETA
Marla Loves You
80 bpm • D min • 02:46 • -8.53db
7% Popularity • 55% Danceability • 60% Energy • 30% Liveness
43% Instrumentalness • 63% Positiveness
7% Popularity • 55% Danceability • 60% Energy • 30% Liveness
43% Instrumentalness • 63% Positiveness
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Jesse Marchant
Bulls Lie Down
82 bpm • G min • 02:56 • -5.6db
26% Popularity • 50% Danceability • 74% Energy • 14% Liveness
66% Instrumentalness • 75% Positiveness
26% Popularity • 50% Danceability • 74% Energy • 14% Liveness
66% Instrumentalness • 75% Positiveness
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Catastrophe & Cure
Never Over
81 bpm • D Maj • 03:12 • -7.72db
12% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Love in Return
tru boi
78 bpm • C# min • 04:07 • -7.89db
27% Popularity • 45% Danceability • 59% Energy • 12% Liveness
30% Instrumentalness • 44% Positiveness
27% Popularity • 45% Danceability • 59% Energy • 12% Liveness
30% Instrumentalness • 44% Positiveness
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616
We Can Make the Morning
82 bpm • C# min • 04:02 • -6.12db
12% Popularity • 39% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 39% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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HIDE
Summer & Smoke
78 bpm • A# Maj • 03:49 • -8.4db
8% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Shadow Cave Riot
Sinking
82 bpm • E min • 04:25 • -7.32db
8% Popularity • 51% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 51% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Stinson Fuller
Sadie Hawkins
82 bpm • A Maj • 03:52 • -4.59db
18% Popularity • 38% Danceability • 71% Energy • 19% Liveness
11% Instrumentalness • 32% Positiveness
18% Popularity • 38% Danceability • 71% Energy • 19% Liveness
11% Instrumentalness • 32% Positiveness
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Aidan Rhys
High
78 bpm • D Maj • 04:02 • -9.12db
10% Popularity • 44% Danceability • 44% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
10% Popularity • 44% Danceability • 44% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
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The Broken Stout
Lonely
77 bpm • C Maj • 03:38 • -6.91db
14% Popularity • 47% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 47% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Branko's Bridge
Lost Contact
77 bpm • B min • 04:03 • -4.97db
19% Popularity • 16% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 16% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Giant Party
Winning At Losing The Game
77 bpm • E Maj • 02:45 • -6.63db
28% Popularity • 50% Danceability • 81% Energy • 54% Liveness
1% Instrumentalness • 40% Positiveness
28% Popularity • 50% Danceability • 81% Energy • 54% Liveness
1% Instrumentalness • 40% Positiveness
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Saint Elura
Be Okay
84 bpm • D Maj • 03:40 • -9.78db
8% Popularity • 33% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 33% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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MONA
Don't Make It Weird
76 bpm • G Maj • 03:59 • -4.37db
10% Popularity • 40% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 22% Positiveness
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Friend of a Friend
The Way to the Sea
84 bpm • F# min • 02:49 • -8.39db
11% Popularity • 27% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
11% Popularity • 27% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
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Mt. St. Helens Vietnam Band
We Won't Change
84 bpm • G min • 05:22 • -5.93db
9% Popularity • 47% Danceability • 58% Energy • 29% Liveness
41% Instrumentalness • 4% Positiveness
9% Popularity • 47% Danceability • 58% Energy • 29% Liveness
41% Instrumentalness • 4% Positiveness
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Aron Hannes
Child
76 bpm • E Maj • 03:13 • -11.78db
15% Popularity • 50% Danceability • 35% Energy • 22% Liveness
10% Instrumentalness • 43% Positiveness
15% Popularity • 50% Danceability • 35% Energy • 22% Liveness
10% Instrumentalness • 43% Positiveness
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Ranger
Got A Feeling
76 bpm • C Maj • 03:14 • -11.41db
14% Popularity • 53% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 53% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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PINGPONGCLUB
Don't Belong
84 bpm • A min • 03:31 • -9.83db
8% Popularity • 53% Danceability • 58% Energy • 10% Liveness
5% Instrumentalness • 54% Positiveness
8% Popularity • 53% Danceability • 58% Energy • 10% Liveness
5% Instrumentalness • 54% Positiveness
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still.teddy
The Moon
84 bpm • D min • 05:20 • -10.04db
15% Popularity • 18% Danceability • 46% Energy • 9% Liveness
21% Instrumentalness • 5% Positiveness
15% Popularity • 18% Danceability • 46% Energy • 9% Liveness
21% Instrumentalness • 5% Positiveness
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Helge
About More
85 bpm • D Maj • 03:25 • -15.83db
8% Popularity • 58% Danceability • 41% Energy • 52% Liveness
40% Instrumentalness • 50% Positiveness
8% Popularity • 58% Danceability • 41% Energy • 52% Liveness
40% Instrumentalness • 50% Positiveness
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Tyler Berrier
All Day Long
85 bpm • F Maj • 03:38 • -9.47db
12% Popularity • 46% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
12% Popularity • 46% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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And They Spoke in Anthems
Leaving You Cold
75 bpm • A# min • 03:49 • -10.18db
11% Popularity • 52% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Sly Jr.
playing god
75 bpm • C Maj • 03:09 • -9.27db
20% Popularity • 51% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
20% Popularity • 51% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Sasori
It's Like You Love This?
75 bpm • A# min • 03:30 • -11.76db
7% Popularity • 66% Danceability • 38% Energy • 10% Liveness
25% Instrumentalness • 32% Positiveness
7% Popularity • 66% Danceability • 38% Energy • 10% Liveness
25% Instrumentalness • 32% Positiveness
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Ykons
Reflexion, Pt. 2
75 bpm • C# Maj • 02:48 • -5.38db
14% Popularity • 45% Danceability • 87% Energy • 10% Liveness
41% Instrumentalness • 74% Positiveness
14% Popularity • 45% Danceability • 87% Energy • 10% Liveness
41% Instrumentalness • 74% Positiveness
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Savannah Cry
The Closest
75 bpm • A min • 04:22 • -7.93db
10% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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HOUSE Of ALL
Murmuration
75 bpm • B min • 04:01 • -6.51db
16% Popularity • 52% Danceability • 66% Energy • 12% Liveness
26% Instrumentalness • 50% Positiveness
16% Popularity • 52% Danceability • 66% Energy • 12% Liveness
26% Instrumentalness • 50% Positiveness
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New Wolves
Lifeforms - Radio Edit
85 bpm • A min • 02:48 • -9.27db
12% Popularity • 24% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 24% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Monte Duma
All Went Dark
86 bpm • E min • 04:01 • -8.69db
12% Popularity • 53% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
12% Popularity • 53% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Jakobs Castle
Twenty-One Miles
86 bpm • E Maj • 02:43 • -4.81db
13% Popularity • 58% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
13% Popularity • 58% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
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Macie Christiansen
Fall
75 bpm • E min • 05:05 • -6.27db
27% Popularity • 17% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 17% Positiveness
27% Popularity • 17% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 17% Positiveness
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The Bright Road
No Matter
86 bpm • B min • 03:52 • -8.83db
35% Popularity • 57% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
35% Popularity • 57% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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Sebastian Wolff
Sword of Damocles
74 bpm • G Maj • 03:46 • -4.51db
21% Popularity • 44% Danceability • 99% Energy • 8% Liveness
29% Instrumentalness • 43% Positiveness
21% Popularity • 44% Danceability • 99% Energy • 8% Liveness
29% Instrumentalness • 43% Positiveness
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The Aftertime
Hammerschlagen
74 bpm • C min • 03:47 • -5.18db
10% Popularity • 59% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 59% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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The Shadow Machine
Have I Been Wrong?
87 bpm • F Maj • 02:45 • -15.94db
13% Popularity • 55% Danceability • 29% Energy • 8% Liveness
64% Instrumentalness • 26% Positiveness
13% Popularity • 55% Danceability • 29% Energy • 8% Liveness
64% Instrumentalness • 26% Positiveness
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James Hersey
The Best Of Everything
88 bpm • G# Maj • 03:40 • -5.88db
11% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kai Tak
Waste It
88 bpm • E min • 04:22 • -4.98db
11% Popularity • 41% Danceability • 84% Energy • 42% Liveness
1% Instrumentalness • 31% Positiveness
11% Popularity • 41% Danceability • 84% Energy • 42% Liveness
1% Instrumentalness • 31% Positiveness
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Oranj Son
Off the Diving Board
87 bpm • C# Maj • 03:50 • -5.95db
12% Popularity • 45% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 45% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Talking Nerves
These Cold Days
88 bpm • G# min • 05:11 • -10.47db
7% Popularity • 55% Danceability • 42% Energy • 21% Liveness
21% Instrumentalness • 50% Positiveness
7% Popularity • 55% Danceability • 42% Energy • 21% Liveness
21% Instrumentalness • 50% Positiveness
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The Wattles
Take It Or Leave It
88 bpm • A# min • 05:42 • -5.53db
21% Popularity • 51% Danceability • 62% Energy • 18% Liveness
4% Instrumentalness • 43% Positiveness
21% Popularity • 51% Danceability • 62% Energy • 18% Liveness
4% Instrumentalness • 43% Positiveness
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BLŪMĒ
Two Of A Kind
88 bpm • C Maj • 03:52 • -7.25db
9% Popularity • 28% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
9% Popularity • 28% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Light the Moon
There's Something in the Woods
90 bpm • C# Maj • 04:12 • -5.89db
8% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Efe Deniz Erdogan
Echoes Of Despair
90 bpm • C# Maj • 03:06 • -12.63db
21% Popularity • 55% Danceability • 48% Energy • 75% Liveness
3% Instrumentalness • 13% Positiveness
21% Popularity • 55% Danceability • 48% Energy • 75% Liveness
3% Instrumentalness • 13% Positiveness
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Beauts
Cave
90 bpm • G Maj • 03:30 • -6.35db
20% Popularity • 38% Danceability • 84% Energy • 12% Liveness
92% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 84% Energy • 12% Liveness
92% Instrumentalness • 30% Positiveness
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Urbanized Chameleon
On Your Train
90 bpm • D min • 03:12 • -6.56db
20% Popularity • 46% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 46% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Derek Webb
Little Angry Gods
90 bpm • C# Maj • 07:37 • -10.4db
16% Popularity • 39% Danceability • 50% Energy • 13% Liveness
66% Instrumentalness • 17% Positiveness
16% Popularity • 39% Danceability • 50% Energy • 13% Liveness
66% Instrumentalness • 17% Positiveness
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Soft Kill
My Section
90 bpm • C Maj • 03:38 • -3.42db
30% Popularity • 50% Danceability • 83% Energy • 69% Liveness
50% Instrumentalness • 92% Positiveness
30% Popularity • 50% Danceability • 83% Energy • 69% Liveness
50% Instrumentalness • 92% Positiveness
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FIGHTMASTER
Bloodshed Baby
90 bpm • C Maj • 04:36 • -3.55db
33% Popularity • 24% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 24% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Susan Conlee
Thats Life
90 bpm • G# Maj • 02:47 • -10.59db
10% Popularity • 40% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
10% Popularity • 40% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
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Aingell
The Littlest Psycho
91 bpm • A min • 04:49 • -9db
11% Popularity • 54% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 54% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Town Heroes
Dry Land
90 bpm • A min • 04:22 • -7.55db
17% Popularity • 40% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 40% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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The Awesome Welles
Easy Street
91 bpm • F Maj • 05:14 • -5.34db
9% Popularity • 39% Danceability • 63% Energy • 16% Liveness
52% Instrumentalness • 19% Positiveness
9% Popularity • 39% Danceability • 63% Energy • 16% Liveness
52% Instrumentalness • 19% Positiveness
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Avee Mana
Cherry
91 bpm • A# min • 03:45 • -8.11db
16% Popularity • 42% Danceability • 89% Energy • 32% Liveness
81% Instrumentalness • 59% Positiveness
16% Popularity • 42% Danceability • 89% Energy • 32% Liveness
81% Instrumentalness • 59% Positiveness
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GREEÏ
Wandering Wolf
92 bpm • A Maj • 04:46 • -8.25db
20% Popularity • 39% Danceability • 71% Energy • 23% Liveness
48% Instrumentalness • 13% Positiveness
20% Popularity • 39% Danceability • 71% Energy • 23% Liveness
48% Instrumentalness • 13% Positiveness
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High Hi
Madison
92 bpm • D Maj • 03:01 • -5.05db
9% Popularity • 42% Danceability • 87% Energy • 29% Liveness
8% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 87% Energy • 29% Liveness
8% Instrumentalness • 24% Positiveness
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The Real Jobs
Dead Execs
92 bpm • F Maj • 02:28 • -7.72db
8% Popularity • 38% Danceability • 74% Energy • 34% Liveness
45% Instrumentalness • 15% Positiveness
8% Popularity • 38% Danceability • 74% Energy • 34% Liveness
45% Instrumentalness • 15% Positiveness
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Holy Coves
Taste The Wine
92 bpm • B min • 07:14 • -5.38db
10% Popularity • 38% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 38% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Carnwath
Them Apples
92 bpm • G Maj • 03:22 • -6.05db
2% Popularity • 63% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 63% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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ALEXSUCKS
Whatever I Want
93 bpm • E min • 02:47 • -4.88db
34% Popularity • 46% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 46% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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IDLEYES
NYMPH
93 bpm • F Maj • 04:28 • -6.31db
11% Popularity • 48% Danceability • 84% Energy • 28% Liveness
36% Instrumentalness • 59% Positiveness
11% Popularity • 48% Danceability • 84% Energy • 28% Liveness
36% Instrumentalness • 59% Positiveness
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FUZETA
Sunset
93 bpm • D Maj • 02:56 • -7.15db
3% Popularity • 26% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 26% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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High Hi
Magnify
93 bpm • E min • 03:13 • -4.62db
9% Popularity • 36% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 36% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Felix Quigley
Enough Wild
94 bpm • F Maj • 04:56 • -7.35db
14% Popularity • 50% Danceability • 79% Energy • 61% Liveness
86% Instrumentalness • 37% Positiveness
14% Popularity • 50% Danceability • 79% Energy • 61% Liveness
86% Instrumentalness • 37% Positiveness
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Good Die Young
When We Collide
94 bpm • F# Maj • 02:47 • -9.46db
28% Popularity • 69% Danceability • 56% Energy • 47% Liveness
14% Instrumentalness • 43% Positiveness
28% Popularity • 69% Danceability • 56% Energy • 47% Liveness
14% Instrumentalness • 43% Positiveness
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Aaron Kendall
A Mighty Fortress
94 bpm • F# min • 06:31 • -5.82db
15% Popularity • 19% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 19% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Darkbird
Little Death
94 bpm • F# Maj • 04:57 • -7.02db
9% Popularity • 53% Danceability • 62% Energy • 3% Liveness
3% Instrumentalness • 60% Positiveness
9% Popularity • 53% Danceability • 62% Energy • 3% Liveness
3% Instrumentalness • 60% Positiveness
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PELICAN DEALER
Filthy Romance
95 bpm • G# Maj • 03:59 • -6.14db
7% Popularity • 22% Danceability • 65% Energy • 37% Liveness
22% Instrumentalness • 11% Positiveness
7% Popularity • 22% Danceability • 65% Energy • 37% Liveness
22% Instrumentalness • 11% Positiveness
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Slow Code
Whale Eye
95 bpm • F Maj • 03:31 • -12.94db
7% Popularity • 58% Danceability • 37% Energy • 10% Liveness
11% Instrumentalness • 35% Positiveness
7% Popularity • 58% Danceability • 37% Energy • 10% Liveness
11% Instrumentalness • 35% Positiveness
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Barton Carey
Every Day Is A Fresh Atrocity
94 bpm • F Maj • 03:18 • -6.43db
27% Popularity • 37% Danceability • 69% Energy • 29% Liveness
92% Instrumentalness • 19% Positiveness
27% Popularity • 37% Danceability • 69% Energy • 29% Liveness
92% Instrumentalness • 19% Positiveness
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Aze
Modern Day Woman
95 bpm • C Maj • 03:36 • -8.14db
21% Popularity • 56% Danceability • 58% Energy • 38% Liveness
49% Instrumentalness • 15% Positiveness
21% Popularity • 56% Danceability • 58% Energy • 38% Liveness
49% Instrumentalness • 15% Positiveness
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WYO
Rectified
95 bpm • C Maj • 04:14 • -5.13db
13% Popularity • 52% Danceability • 83% Energy • 42% Liveness
9% Instrumentalness • 24% Positiveness
13% Popularity • 52% Danceability • 83% Energy • 42% Liveness
9% Instrumentalness • 24% Positiveness
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Clocktopus
My Riders
95 bpm • E min • 04:11 • -9.63db
11% Popularity • 55% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 55% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Carnwath
Probability
95 bpm • F# Maj • 03:18 • -7.67db
2% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Acid Tongue
Hollywood Ending
95 bpm • F Maj • 03:17 • -5.64db
13% Popularity • 52% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 52% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Fred Roberts
Sound of My Youth
95 bpm • G# Maj • 03:39 • -6.18db
25% Popularity • 48% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
25% Popularity • 48% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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The New Beans
Swim
95 bpm • A Maj • 03:33 • -9.82db
22% Popularity • 37% Danceability • 49% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
22% Popularity • 37% Danceability • 49% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Adult Leisure
All Our Days Are Now So Quiet
95 bpm • C Maj • 03:50 • -5.77db
8% Popularity • 71% Danceability • 76% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
8% Popularity • 71% Danceability • 76% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
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Floris Francis Arthur
A Wall
96 bpm • F Maj • 03:21 • -8.42db
8% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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DOLLY ZOOM
Sunk
96 bpm • B min • 07:06 • -6.59db
9% Popularity • 48% Danceability • 78% Energy • 51% Liveness
6% Instrumentalness • 17% Positiveness
9% Popularity • 48% Danceability • 78% Energy • 51% Liveness
6% Instrumentalness • 17% Positiveness
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ALMA CORA
Wait Alone
96 bpm • C# min • 05:21 • -13.68db
7% Popularity • 56% Danceability • 40% Energy • 15% Liveness
76% Instrumentalness • 39% Positiveness
7% Popularity • 56% Danceability • 40% Energy • 15% Liveness
76% Instrumentalness • 39% Positiveness
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The Man Up North
Slow Down
96 bpm • B min • 05:36 • -4.88db
11% Popularity • 45% Danceability • 84% Energy • 21% Liveness
37% Instrumentalness • 30% Positiveness
11% Popularity • 45% Danceability • 84% Energy • 21% Liveness
37% Instrumentalness • 30% Positiveness
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ShoonyaBvek
Mental Leftovers
96 bpm • B min • 03:21 • -9.27db
16% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Animal Triste
Darkette
96 bpm • E min • 03:16 • -6.86db
7% Popularity • 36% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 36% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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The Company Of Men
These American Chords
97 bpm • D Maj • 05:08 • -10.19db
10% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
10% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Mutual Mind
Awoken
98 bpm • C Maj • 02:40 • -8.07db
13% Popularity • 60% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 60% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Daniel Hardin
Saturday in the Park
98 bpm • G Maj • 04:00 • -8.86db
8% Popularity • 56% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 56% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
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ELEMENTS 4
Bleu Brume
98 bpm • F Maj • 04:52 • -6.4db
16% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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The Safest Place
Days Are Numbered
98 bpm • A Maj • 05:30 • -7.04db
11% Popularity • 55% Danceability • 82% Energy • 9% Liveness
5% Instrumentalness • 28% Positiveness
11% Popularity • 55% Danceability • 82% Energy • 9% Liveness
5% Instrumentalness • 28% Positiveness
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Yseult
SUICIDE
98 bpm • C Maj • 03:24 • -6.24db
42% Popularity • 56% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 56% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
