Songs like Marry Me a Little by Stephen Sondheim
Based on a tempo of (+/- 10%) and a similar genre
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Brandon Uranowitz
'S Wonderful
87 bpm • C# Maj • 03:09 • -10.44db
17% Popularity • 24% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 24% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Katrina Lenk
Something Different
87 bpm • B min • 03:19 • -8db
26% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen Sondheim
Marry Me a Little
87 bpm • C Maj • 03:53 • -9.12db
32% Popularity • 31% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 31% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Rosalie Craig
Someone Is Waiting
88 bpm • B min • 02:47 • -16.12db
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sherie Rene Scott
A Miracle Would Happen / When You Come H...
86 bpm • D Maj • 05:20 • -10.39db
26% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Sheryl Lee Ralph
Only in New York
86 bpm • C# Maj • 03:40 • -12.92db
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Sondheim
Evening Primrose: Take Me to the World
86 bpm • G# Maj • 03:40 • -9db
19% Popularity • 27% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 27% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium
89 bpm • D Maj • 02:52 • -7db
37% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Stephen Sondheim
Sorry-Grateful
85 bpm • D Maj • 03:43 • -16.44db
27% Popularity • 31% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 31% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Andrew Rannells
The Games I Play
85 bpm • A Maj • 02:45 • -9db
42% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Adler
The Pajama Game: Hey There
85 bpm • F# Maj • 03:32 • -12db
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
17% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Stephen Sondheim
Not While I'm Around
89 bpm • G# Maj • 03:56 • -12.52db
27% Popularity • 38% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Norbert Leo Butz
Nobody Needs to Know
89 bpm • G# Maj • 07:00 • -16.41db
25% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Meredith Willson
Till There Was You
90 bpm • D# Maj • 02:45 • -13.23db
23% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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John Benjamin Hickey
Finale
84 bpm • G min • 04:29 • -12.32db
26% Popularity • 52% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 52% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ty Taylor
King of the World
84 bpm • C Maj • 04:16 • -11.37db
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Patina Miller
Last Midnight
91 bpm • C# Maj • 03:15 • -9.21db
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Corey Cott
Gigi
91 bpm • F Maj • 03:12 • -9.54db
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Annaleigh Ashford
The Worst Pies in London
91 bpm • F# Maj • 02:33 • -8.24db
44% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Roy Reams
Young and Healthy
91 bpm • C Maj • 02:15 • -20.47db
20% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Daniel Radcliffe
I Believe In You
91 bpm • C Maj • 03:15 • -12.56db
19% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Sondheim
Not While I'm Around
91 bpm • G Maj • 04:31 • -16.13db
15% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Katie Rose Clarke
Not a Day Goes By
83 bpm • F Maj • 02:04 • -10.22db
35% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Randy Graff
You Can Always Count on Me
91 bpm • A# Maj • 04:30 • -16.63db
19% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Natasha Richardson
Maybe This Time
83 bpm • G Maj • 03:00 • -12.88db
41% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Stephen Sondheim
A Little Night Music: Send in the Clowns
83 bpm • C# Maj • 03:27 • -19.18db
29% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Laura Osnes
Love Will Come and Find Me Again
82 bpm • D Maj • 03:02 • -8.49db
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Margo Seibert
Raining - Rocky Broadway Cast Recording
92 bpm • G Maj • 04:06 • -11db
27% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Meredith Willson
My White Knight
92 bpm • C# Maj • 03:02 • -14.94db
13% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Laura Osnes
Goodbye, Little Dream, Goodbye
92 bpm • F Maj • 02:23 • -14.26db
26% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
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Alan Cumming
Willkommen
92 bpm • F Maj • 07:31 • -9.76db
38% Popularity • 52% Danceability • 48% Energy • 96% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 52% Danceability • 48% Energy • 96% Liveness
0% Instrumentalness • 56% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Jonathan Groff
Left Behind - Original Broadway Cast Rec...
93 bpm • G Maj • 04:16 • -10.59db
37% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Sondheim
Poor Baby
93 bpm • C# Maj • 02:54 • -12.26db
23% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Natasha Richardson
Perfectly Marvelous
93 bpm • E min • 02:46 • -12.95db
31% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Sondheim
The Worst Pies in London
93 bpm • C# Maj • 02:25 • -9.71db
34% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Santino Fontana
"Loneliness Of Evening"
93 bpm • D# Maj • 01:53 • -6.63db
29% Popularity • 39% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 39% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Jack Gilford
I'm Calm
94 bpm • B min • 02:50 • -19.55db
6% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Sondheim
Company - Original Broadway Cast: Barcel...
81 bpm • C min • 03:17 • -15.91db
19% Popularity • 46% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 46% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Santino Fontana
"Do I Love You Because You're Beautiful?...
80 bpm • G Maj • 02:37 • -8.77db
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Jordan Donica
If Ever I Would Leave You
80 bpm • A# Maj • 03:40 • -11.79db
24% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Colm Wilkinson
Who Am I?
80 bpm • B Maj • 02:48 • -10.37db
38% Popularity • 39% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 39% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Stephen Sondheim
A Little Night Music: Every Day a Little...
81 bpm • B Maj • 02:28 • -13.33db
21% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Natasha Richardson
Mein Herr
80 bpm • F# Maj • 04:18 • -9.96db
34% Popularity • 46% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 46% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Mindi Dickstein
Days of Plenty
95 bpm • G# Maj • 03:26 • -9.12db
26% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jeanine Tesori
It All Comes Back (Opening)
95 bpm • F Maj • 05:05 • -12db
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sherie Rene Scott
The Next Ten Minutes
95 bpm • A Maj • 07:31 • -17.42db
28% Popularity • 30% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 30% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
