Songs like Martha, Act 1: Duet "Wie das schnattert" - "Ja, seit früher Kindheit Tagen" (Plumkett, Lyonel) by Friedrich von Flotow
Based on a tempo of (+/- 10%) and a similar genre
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Friedrich von Flotow
Fackeltanz: Overture
88 bpm • D# Maj • 06:35 • -18.54db
1% Popularity • 30% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 19% Positiveness
1% Popularity • 30% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 19% Positiveness
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Giovacchino Forzano
Gianni Schicchi: Oh! Mio Babbino Caro
88 bpm • G# Maj • 02:08 • -11.68db
22% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally: Ebben? Ne andrò lontana
88 bpm • E Maj • 03:29 • -22.4db
27% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Lehár
Lippen schweigen
88 bpm • G Maj • 03:32 • -16db
21% Popularity • 25% Danceability • 14% Energy • 11% Liveness
8% Instrumentalness • 10% Positiveness
21% Popularity • 25% Danceability • 14% Energy • 11% Liveness
8% Instrumentalness • 10% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: "Au Mont Ida,...
88 bpm • F Maj • 03:54 • -13db
11% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Friedrich von Flotow
Martha / Act 3: "Ach, so fromm"
88 bpm • F Maj • 03:22 • -13.16db
15% Popularity • 30% Danceability • 22% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
15% Popularity • 30% Danceability • 22% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
36% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
36% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Leonard Bernstein
West Side Story: XIIId. Somewhere
88 bpm • E Maj • 02:37 • -19.75db
26% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
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Mario del Monaco
Nessun Dorma!
88 bpm • D Maj • 02:44 • -13db
25% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Richard Tauber
Maria, Mari
87 bpm • B min • 03:02 • -26.07db
0% Popularity • 38% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 38% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Licinio Refice
Ombra di nube
87 bpm • G# Maj • 03:23 • -21db
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
89 bpm • D# Maj • 04:14 • -25db
13% Popularity • 9% Danceability • 5% Energy • 33% Liveness
70% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 33% Liveness
70% Instrumentalness • 3% Positiveness
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Friedrich von Flotow
Martha: Act III: Quintet: Mag der Himmel...
87 bpm • G# Maj • 03:05 • -11.9db
1% Popularity • 23% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 23% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Francesco Cilea
Adriana Lecouvreur, Act I: Io son l'umil...
89 bpm • G# Maj • 03:57 • -21.97db
14% Popularity • 17% Danceability • 10% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Arr. Ru...
87 bpm • C# Maj • 04:15 • -19db
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Vogli...
87 bpm • F Maj • 08:00 • -13db
8% Popularity • 16% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, Act III Scene 3: Mil...
89 bpm • B Maj • 07:18 • -18db
23% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cecile: Sanct...
89 bpm • F Maj • 06:02 • -19db
8% Popularity • 12% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Fatme, Akt I: "Danach mit stattlichem Ge...
87 bpm • F Maj • 04:01 • -7.42db
0% Popularity • 51% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 51% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 26% Positiveness
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Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
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Ruggero Leoncavallo
Pagliacci, Act I: "Recitar! Vesti la giu...
89 bpm • E Maj • 03:35 • -19.59db
21% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
21% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
19% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 3: "Nessun dorma"...
89 bpm • D Maj • 02:54 • -17.63db
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Rusalka: Song to the Moon
89 bpm • F# Maj • 05:59 • -17.6db
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gustave Charpentier
"Depuis le jour"
87 bpm • G Maj • 05:17 • -20db
17% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha: Letzte Rose, wie magst du so ein...
89 bpm • F Maj • 03:42 • -24.18db
1% Popularity • 32% Danceability • 5% Energy • 33% Liveness
12% Instrumentalness • 6% Positiveness
1% Popularity • 32% Danceability • 5% Energy • 33% Liveness
12% Instrumentalness • 6% Positiveness
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Richard Tauber
Der singende Traum: "Du bist die Welt f�...
87 bpm • F Maj • 03:52 • -15.94db
11% Popularity • 17% Danceability • 19% Energy • 25% Liveness
55% Instrumentalness • 9% Positiveness
11% Popularity • 17% Danceability • 19% Energy • 25% Liveness
55% Instrumentalness • 9% Positiveness
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Giacomo Puccini
La boheme: Act I: O soave fanciulla (Rod...
87 bpm • C Maj • 03:39 • -21.85db
18% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Ernesto de Curtis
Ti voglio tanto bene
87 bpm • D Maj • 03:01 • -14.71db
14% Popularity • 23% Danceability • 22% Energy • 18% Liveness
6% Instrumentalness • 13% Positiveness
14% Popularity • 23% Danceability • 22% Energy • 18% Liveness
6% Instrumentalness • 13% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Leonard Bernstein
West Side Story: V. Maria
90 bpm • D# Maj • 02:58 • -18.84db
20% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quant...
87 bpm • F# Maj • 03:46 • -17.61db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
90 bpm • A Maj • 08:37 • -20.3db
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
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Lucio Dalla
Caruso
86 bpm • F min • 05:37 • -16.01db
23% Popularity • 28% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 28% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
33% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Friedrich von Flotow
Martha (Sung in Italian)*: Martha, Act I...
86 bpm • E Maj • 03:20 • -19.05db
2% Popularity • 32% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 32% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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Alfredo Catalani
Ebben? Ne andro lontano
86 bpm • E min • 03:41 • -22db
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act II: "Un bel dì v...
86 bpm • F# Maj • 04:31 • -17.25db
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 3: "Mari...
90 bpm • C# Maj • 06:22 • -17.95db
8% Popularity • 11% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a / Act 2: "Lascia ch'io p...
90 bpm • E Maj • 05:15 • -25db
26% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Song My Mother Taught Me
86 bpm • D Maj • 02:55 • -15.2db
14% Popularity • 24% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Johann Strauss II
Schatz-Walzer, Op. 418
90 bpm • C Maj • 08:06 • -16.74db
21% Popularity • 28% Danceability • 21% Energy • 67% Liveness
81% Instrumentalness • 26% Positiveness
21% Popularity • 28% Danceability • 21% Energy • 67% Liveness
81% Instrumentalness • 26% Positiveness
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Gaetano Donizetti
Rita: "Allegro io son"
86 bpm • E Maj • 03:44 • -15.85db
2% Popularity • 40% Danceability • 20% Energy • 78% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 40% Danceability • 20% Energy • 78% Liveness
0% Instrumentalness • 30% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
18% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
18% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Jacques Offenbach
6 Rêveries: V. Les larmes
90 bpm • F Maj • 07:25 • -27.34db
0% Popularity • 11% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
0% Popularity • 11% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Gustave Charpentier
Louise, Act III: Depuis le jour
90 bpm • G Maj • 04:48 • -22.97db
7% Popularity • 23% Danceability • 8% Energy • 19% Liveness
20% Instrumentalness • 3% Positiveness
7% Popularity • 23% Danceability • 8% Energy • 19% Liveness
20% Instrumentalness • 3% Positiveness
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Friedrich von Flotow
Martha, Act II: Nancy! Julia! So warte! ...
86 bpm • A# Maj • 03:43 • -21.07db
0% Popularity • 34% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 34% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Wagner
Pilgrims' Chorus
86 bpm • D# Maj • 04:04 • -13.75db
7% Popularity • 20% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
7% Popularity • 20% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben? ... N...
86 bpm • E Maj • 04:25 • -19.11db
17% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
85 bpm • A min • 04:59 • -29.28db
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Albert Lortzing
Lortzing: Zar und Zimmermann, Act III: '...
91 bpm • D# Maj • 02:22 • -18db
15% Popularity • 44% Danceability • 13% Energy • 10% Liveness
15% Instrumentalness • 38% Positiveness
15% Popularity • 44% Danceability • 13% Energy • 10% Liveness
15% Instrumentalness • 38% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore, Act II: "Una furtiva l...
85 bpm • A# Maj • 04:12 • -13db
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Franz Lehár
Das Land des Lächelns: "Dein ist mein g...
85 bpm • C# Maj • 03:39 • -15.37db
28% Popularity • 26% Danceability • 23% Energy • 31% Liveness
55% Instrumentalness • 17% Positiveness
28% Popularity • 26% Danceability • 23% Energy • 31% Liveness
55% Instrumentalness • 17% Positiveness
► Preview
Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
► Preview
Renata Tebaldi
Tosca
85 bpm • D# Maj • 03:16 • -18.48db
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha, Act III: Die Herrin rastet dort ...
91 bpm • C Maj • 05:50 • -19.78db
0% Popularity • 42% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 42% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
César Franck
Franck / Arr. Sandré: Mass, Op. 12, FWV...
85 bpm • A Maj • 04:54 • -20db
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Leonard Bernstein
West Side Story: Somewhere
91 bpm • E Maj • 03:13 • -22.76db
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francesco Paolo Tosti
L'ultima canzone
91 bpm • D Maj • 04:34 • -22.39db
5% Popularity • 25% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
5% Popularity • 25% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Overture - Without Appla...
91 bpm • D Maj • 08:35 • -18db
18% Popularity • 30% Danceability • 19% Energy • 33% Liveness
86% Instrumentalness • 17% Positiveness
18% Popularity • 30% Danceability • 19% Energy • 33% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
21% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ernesto de Curtis
Torna a Surriento
85 bpm • E Maj • 03:59 • -15db
14% Popularity • 22% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 19% Positiveness
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Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
29% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
29% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Alfredo Catalani
La Wally / Act I: "Ebben? Ne andrò lont...
84 bpm • E Maj • 03:54 • -18db
28% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
85 bpm • D# Maj • 07:23 • -24.06db
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Act I: Regina coel...
84 bpm • G Maj • 06:15 • -16db
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
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Richard Tauber
Let Me Awaken Your Heart
92 bpm • B min • 03:39 • -26.47db
1% Popularity • 30% Danceability • 18% Energy • 97% Liveness
2% Instrumentalness • 46% Positiveness
1% Popularity • 30% Danceability • 18% Energy • 97% Liveness
2% Instrumentalness • 46% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
92 bpm • A# min • 05:12 • -16db
8% Popularity • 19% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Luck)
84 bpm • B Maj • 01:56 • -14db
16% Popularity • 21% Danceability • 28% Energy • 10% Liveness
51% Instrumentalness • 32% Positiveness
16% Popularity • 21% Danceability • 28% Energy • 10% Liveness
51% Instrumentalness • 32% Positiveness
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Giacomo Puccini
Tosca / Act II: "Vissi d'arte, vissi d'a...
92 bpm • D# Maj • 03:51 • -24.03db
20% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Turandot
84 bpm • F# Maj • 02:32 • -26.41db
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Friedrich von Flotow
Martha: Act I: Finale: Quartet: Sieh nur...
84 bpm • G Maj • 05:50 • -10.06db
0% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca / Act 3: "E lucevan le stelle"
84 bpm • B min • 03:02 • -18.79db
27% Popularity • 17% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Emmerich Kálmán
Gräfin Mariza: "Grüß mir mein Wien"
84 bpm • E Maj • 05:27 • -17.51db
12% Popularity • 18% Danceability • 15% Energy • 32% Liveness
47% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 32% Liveness
47% Instrumentalness • 9% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
84 bpm • D Maj • 03:36 • -24.06db
23% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
23% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Salvatore Cardillo
Catari', Catari' (Core 'ngrato)
93 bpm • D# Maj • 04:59 • -12.68db
15% Popularity • 21% Danceability • 22% Energy • 35% Liveness
3% Instrumentalness • 11% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 35% Liveness
3% Instrumentalness • 11% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'elisir d'amore / Act 2 - "U...
83 bpm • A# min • 04:13 • -17db
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
