Songs like Martha, Act 3: Finale "Die Herrin rastet dort" - "Hier im Grün der schatt'gen Bäume" - "Diese Stimme!" - "Ha! der Frechheit ohnegleichen!" - "Welch ein Lärmen ohnegleichen" (Tristan, Lady, Lyonel, Chorus, Plumkett, Nancy) by Friedrich von Flotow
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
Rusalka, Op. 114, B. 203 / Act 1: Song t...
131 bpm • F# Maj • 05:41 • -14.73db
3% Popularity • 29% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
3% Popularity • 29% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 / Act 3: "Thy han...
131 bpm • G min • 05:23 • -19.48db
31% Popularity • 26% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
31% Popularity • 26% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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Friedrich von Flotow
Martha · Oper in 4 Akten (1986 Digital ...
131 bpm • D Maj • 05:12 • -18.91db
1% Popularity • 50% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 50% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Carl Orff
In trutina
131 bpm • D Maj • 02:11 • -24.03db
19% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
131 bpm • F min • 03:05 • -11db
12% Popularity • 40% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 21% Positiveness
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George Frideric Handel
Semele, Act II: "Where'er You Walk"
131 bpm • A# Maj • 05:55 • -17.38db
10% Popularity • 25% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 25% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 7% Positiveness
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![Delibes : Lakmé : Act 2 The Bell Song [Lakmé] cover art](https://i.scdn.co/image/ab67616d00001e023400e891a312ae06f69d85af)
Léo Delibes
Delibes : Lakmé : Act 2 The Bell Song [...
131 bpm • G Maj • 07:42 • -25.48db
11% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
La fille du régiment: Overture
130 bpm • A# Maj • 06:40 • -16.7db
13% Popularity • 38% Danceability • 28% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
13% Popularity • 38% Danceability • 28% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
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Friedrich von Flotow
Martha, Act I: Wohlgemut, junges Blut (L...
131 bpm • D Maj • 05:04 • -17.53db
0% Popularity • 49% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 49% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Ernest Chausson
Le colibri Op.2 N°7
130 bpm • C# Maj • 03:15 • -23db
19% Popularity • 29% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
19% Popularity • 29% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
The Snow Maiden / Prologue: "S podruzham...
129 bpm • E Maj • 04:08 • -16db
11% Popularity • 38% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 38% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha, Act II: "Letzte Rose" (Lady, Lyo...
131 bpm • F Maj • 05:19 • -12db
0% Popularity • 37% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 37% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
133 bpm • C# Maj • 03:17 • -21.14db
13% Popularity • 27% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Barcarolle: Belle nuit, ô nuit d’amou...
129 bpm • D Maj • 03:58 • -21.53db
20% Popularity • 28% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Spargi d’amaro pianto
129 bpm • D# Maj • 03:41 • -18db
14% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Chor der Deutschen Oper Berlin
Der Troubadour: Seht, wie die Wolken am ...
129 bpm • G Maj • 02:54 • -17db
8% Popularity • 45% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 45% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Friedrich von Flotow
Alessandro Stradella: Act II: Raus mit d...
131 bpm • F Maj • 01:08 • -15.11db
0% Popularity • 72% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 72% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
129 bpm • C# Maj • 06:02 • -20.53db
14% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Requiem Op. 48
134 bpm • D Maj • 03:45 • -27.31db
9% Popularity • 16% Danceability • 4% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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George Frideric Handel
Handel: Giulio Cesare in Egitto, HWV 17,...
135 bpm • D# Maj • 06:45 • -18db
11% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Libiamo Ne' Lieti Calici (Brindisi) - la...
134 bpm • A# Maj • 03:04 • -13db
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
135 bpm • D Maj • 02:08 • -32.26db
26% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha, Act I: Gnaden Tristan Mickleford...
133 bpm • D Maj • 04:16 • -17.34db
0% Popularity • 46% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 46% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Igor Krutoy
Forse non fu
135 bpm • G Maj • 04:03 • -8.01db
11% Popularity • 28% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 28% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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George Frideric Handel
"Ombra mai fu" (Serse), HWV 40
135 bpm • F# Maj • 02:52 • -21.14db
19% Popularity • 18% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
19% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
19% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Chor der Staatsoper Wien
Giuseppe Verdi: Der Troubadour - Vedi! L...
127 bpm • C Maj • 02:58 • -17db
9% Popularity • 51% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 51% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Friedrich von Flotow
Wintermärchen: Overture
133 bpm • D Maj • 07:46 • -26.31db
2% Popularity • 29% Danceability • 2% Energy • 4% Liveness
61% Instrumentalness • 4% Positiveness
2% Popularity • 29% Danceability • 2% Energy • 4% Liveness
61% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: Giustino, RV 717, Act 1: "Vedr�...
126 bpm • A# min • 05:12 • -28.05db
34% Popularity • 46% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 4, Ständche...
126 bpm • D Maj • 03:41 • -20.59db
8% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Les oisea...
136 bpm • G# Maj • 05:02 • -18db
12% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II: Canzonetta...
137 bpm • D Maj • 02:31 • -28db
20% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Sean Barrett
Life and Works: Rusalka (Act I: Song to ...
126 bpm • F# Maj • 05:50 • -25db
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha, Act II: Nancy! Lady! Was nun wei...
129 bpm • C Maj • 04:57 • -17.56db
0% Popularity • 44% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 44% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 35% Positiveness
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Franz von Suppé
Suppé: Leichte Kavallerie: Overture
138 bpm • A Maj • 07:06 • -19db
9% Popularity • 28% Danceability • 21% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 28% Danceability • 21% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
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Victoria de los Ángeles
Op 34, N. 2: "Auf Flügeln des Gesanges"
138 bpm • G# Maj • 02:42 • -16db
15% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
La vie parisienne / Act I: "Je suis bré...
137 bpm • F Maj • 02:48 • -15.73db
8% Popularity • 44% Danceability • 31% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
8% Popularity • 44% Danceability • 31% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 2: Scène et légen...
124 bpm • A Maj • 08:26 • -22.14db
14% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Mariettas Lied
139 bpm • A# Maj • 05:29 • -14.95db
18% Popularity • 16% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha · Oper in 4 Akten (1986 Digital ...
128 bpm • A Maj • 04:21 • -20.29db
1% Popularity • 46% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 46% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Shaw Chorale
Anvil Chorus
139 bpm • C Maj • 02:46 • -14.56db
9% Popularity • 45% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 45% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Overture (Preludio)
139 bpm • D Maj • 02:41 • -24.99db
15% Popularity • 25% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
15% Popularity • 25% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Voi Che Sapete
120 bpm • A# Maj • 02:44 • -15db
13% Popularity • 40% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 40% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Choir and Orchestra of the Budapest State Opera
Chorus Of The Hebrew Slaves (Nabucco)
142 bpm • C# Maj • 04:22 • -22db
31% Popularity • 20% Danceability • 3% Energy • 33% Liveness
24% Instrumentalness • 8% Positiveness
31% Popularity • 20% Danceability • 3% Energy • 33% Liveness
24% Instrumentalness • 8% Positiveness
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Bonn Classical Philharmonic
La Traviata: Prelude to Act I
120 bpm • B Maj • 03:49 • -29db
21% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha, Act IV: Lady! Mylady! Treuer Fre...
134 bpm • B Maj • 01:13 • -24.68db
0% Popularity • 45% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 45% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46. Incidenta...
144 bpm • E Maj • 04:04 • -21db
25% Popularity • 15% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor: Act III: Spargi d'a...
121 bpm • D# Maj • 04:14 • -16.39db
7% Popularity • 36% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
7% Popularity • 36% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
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Heitor Villa-Lobos
Ária (Cantilena)
119 bpm • A min • 07:03 • -17db
23% Popularity • 24% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
34% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
34% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
► Preview
Chor der Staatsoper Budapest
Tannhäuser: Pilgerchor
118 bpm • D# Maj • 06:23 • -17db
16% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Friedrich von Flotow
Alessandro Stradella: Overture
134 bpm • D Maj • 07:22 • -20.16db
0% Popularity • 29% Danceability • 6% Energy • 9% Liveness
64% Instrumentalness • 5% Positiveness
0% Popularity • 29% Danceability • 6% Energy • 9% Liveness
64% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Die Hochzeit des Figaro, K. 492, 3. Akt:...
118 bpm • A# Maj • 02:45 • -20db
25% Popularity • 32% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 32% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Chants du soir: Souvenir de bal
117 bpm • E Maj • 04:14 • -21.49db
0% Popularity • 42% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
0% Popularity • 42% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
► Preview
Aram Khachaturian
Adagio - Spartacus
116 bpm • G# Maj • 09:39 • -21.89db
23% Popularity • 19% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
23% Popularity • 19% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Ronald Binge
Binge: Elizabethan Serenade, "The Man in...
149 bpm • F Maj • 03:34 • -20.35db
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
► Preview
Friedrich von Flotow
Rübezahl: Overture
135 bpm • A Maj • 06:50 • -20.92db
1% Popularity • 34% Danceability • 11% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
1% Popularity • 34% Danceability • 11% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
116 bpm • C min • 02:52 • -23.89db
30% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
30% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Jacques Offenbach
Chants du soir: Ballade du patre
117 bpm • D Maj • 09:19 • -23.1db
0% Popularity • 33% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
0% Popularity • 33% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
► Preview
George Gershwin
Gershwin: Porgy and Bess: "Summertime"
153 bpm • F# min • 02:54 • -13.92db
9% Popularity • 21% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fù, "La...
153 bpm • D# Maj • 03:04 • -22.97db
26% Popularity • 12% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 12% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Friedrich von Flotow
Alessandro Stradella: Overture
125 bpm • D Maj • 07:44 • -20.14db
1% Popularity • 28% Danceability • 6% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
1% Popularity • 28% Danceability • 6% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
The Magic Flute, K. 620, Act II: Pa-Pa-P...
112 bpm • G Maj • 02:30 • -19db
45% Popularity • 48% Danceability • 19% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
45% Popularity • 48% Danceability • 19% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
► Preview
Franz Schmidt
Notre Dame: Intermezzo
112 bpm • C# Maj • 04:40 • -15db
7% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Chants du soir: La retraite
116 bpm • D Maj • 05:17 • -23.9db
0% Popularity • 42% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
0% Popularity • 42% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Frederick Loewe
Loewe: My fair lady: "I could have dance...
153 bpm • C Maj • 02:38 • -7db
7% Popularity • 32% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
7% Popularity • 32% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
24% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Friedrich von Flotow
Martha, Act I: Sieh nur, wie sie uns bet...
137 bpm • G Maj • 06:12 • -16.94db
0% Popularity • 54% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 54% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Wolfgang Amadeus Mozart
Sull' Aria
112 bpm • G# Maj • 03:02 • -15.45db
19% Popularity • 26% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 26% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "Heil! Heil!...
158 bpm • D# Maj • 02:47 • -17db
12% Popularity • 20% Danceability • 17% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 17% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Jacques Offenbach
6 Rêveries: II. Scherzo
112 bpm • A Maj • 03:32 • -25.23db
0% Popularity • 33% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
0% Popularity • 33% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
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Nikolai Rimsky-Korsakov
Four Songs, Op. 2: Oriental Romance
166 bpm • F# min • 03:01 • -18.83db
11% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Semele / Act 2: Oh sleep, why dost thou ...
168 bpm • D# Maj • 03:15 • -22db
17% Popularity • 21% Danceability • 6% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
17% Popularity • 21% Danceability • 6% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
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Friedrich von Flotow
Piano Concerto No. 1 in C Minor: I. Alle...
125 bpm • D# Maj • 06:06 • -17.3db
0% Popularity • 40% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
0% Popularity • 40% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II Scene 10: I...
112 bpm • F Maj • 04:14 • -11db
16% Popularity • 31% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Czech Symphony Orchestra
Gianni Schicchi: Act I - "O mio babbino ...
169 bpm • G# Maj • 02:00 • -16.5db
19% Popularity • 19% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 19% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Heather Begg
Lakmé: Sous le dome épais (Flower duet...
169 bpm • B Maj • 05:21 • -22db
22% Popularity • 20% Danceability • 12% Energy • 31% Liveness
76% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 31% Liveness
76% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 2: "Où va la jeune Indoue"...
168 bpm • D min • 08:38 • -15db
16% Popularity • 34% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 34% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Overture (Preludio)
169 bpm • D Maj • 02:58 • -18.35db
24% Popularity • 19% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
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Friedrich von Flotow
La veuve Grapin: Overture
125 bpm • D Maj • 04:01 • -20.09db
1% Popularity • 41% Danceability • 8% Energy • 7% Liveness
10% Instrumentalness • 12% Positiveness
1% Popularity • 41% Danceability • 8% Energy • 7% Liveness
10% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Fourteen Songs, Op. 34: 14. Vocalise
169 bpm • C# min • 05:38 • -25db
12% Popularity • 16% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Giovanni Pacini
Pacini: Stella di Napoli, Part I: "Ove t...
170 bpm • A# Maj • 04:29 • -14.54db
7% Popularity • 36% Danceability • 25% Energy • 13% Liveness
6% Instrumentalness • 23% Positiveness
7% Popularity • 36% Danceability • 25% Energy • 13% Liveness
6% Instrumentalness • 23% Positiveness
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Richard Heuberger
Im chambre séparée
171 bpm • D Maj • 04:03 • -20.04db
14% Popularity • 20% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Du bist die Ruh, D. 776
170 bpm • D# Maj • 05:23 • -32.01db
13% Popularity • 18% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Francesco Cilea
Cilèa: L'Arlesiana, Act 2: "È la solit...
172 bpm • A min • 04:47 • -16.06db
14% Popularity • 18% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha (opera in 4 Acts) - sung in Germa...
124 bpm • F Maj • 03:07 • -16.42db
0% Popularity • 31% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Mario del Monaco
Di quella pira
172 bpm • C Maj • 02:07 • -11db
18% Popularity • 31% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
18% Popularity • 31% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 / Act 3: "When I ...
172 bpm • F# min • 07:26 • -27db
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Edvard Grieg
Solveig's song
173 bpm • A min • 04:59 • -22db
30% Popularity • 17% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 17% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Luigi Arditi
Il bacio
173 bpm • G Maj • 03:54 • -18.53db
29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
