Songs like Martha, Act 4: Finale "Hier die Buden, dort die Schenke" - "Seht, dort naht er" - "Jetzt, ihr Freunde" - "lch kann entsagen" (Chorus, Lady, Nancy, Plumkett, Lyonel) by Friedrich von Flotow
Based on a tempo of (+/- 10%) and a similar genre
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Friedrich von Flotow
Piano Concerto No. 2 in A Minor: II. Sch...
107 bpm • D Maj • 02:55 • -24.67db
2% Popularity • 37% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
2% Popularity • 37% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song of the Indian Guest
107 bpm • C Maj • 03:34 • -32.35db
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
107 bpm • G Maj • 04:31 • -29.42db
18% Popularity • 22% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Albert Ketèlbey
In A Monastery Garden
108 bpm • F Maj • 05:23 • -16.55db
17% Popularity • 17% Danceability • 23% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 23% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
22% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Joseph Haydn
String Quartet in F Major, Op. 3, No. 5,...
109 bpm • C Maj • 02:51 • -29.13db
27% Popularity • 31% Danceability • 6% Energy • 14% Liveness
48% Instrumentalness • 34% Positiveness
27% Popularity • 31% Danceability • 6% Energy • 14% Liveness
48% Instrumentalness • 34% Positiveness
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Friedrich von Flotow
Fatme, Akt II: "Neue Überraschungen"
107 bpm • G Maj • 02:34 • -17.98db
0% Popularity • 66% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 66% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Gustav Mahler
Kindertotenlieder: No. 1, Nun will die S...
105 bpm • D min • 04:52 • -17.88db
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
105 bpm • B Maj • 05:00 • -18.91db
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
20% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Giovanni Paisiello
Il barbiere di Siviglia (The Barber of S...
103 bpm • A# Maj • 04:10 • -21.84db
25% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Friedrich von Flotow
Fatme, Akt I: "Im kühlen Schatten"
105 bpm • G Maj • 01:46 • -8.99db
0% Popularity • 69% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 69% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 2: "Porg...
103 bpm • D# Maj • 03:57 • -21.41db
30% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Gioacchino Rossini
Rossini: Petite messe solennelle: I. Kyr...
103 bpm • C Maj • 03:01 • -27.01db
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Franz Schmidt
Notre Dame: Intermezzo
112 bpm • C# Maj • 04:40 • -15db
8% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Jacques Offenbach
6 Rêveries: II. Scherzo
112 bpm • A Maj • 03:32 • -25.23db
1% Popularity • 33% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
1% Popularity • 33% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
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Friedrich von Flotow
Martha, Act II: Letzte Rose (Live)
105 bpm • F Maj • 05:38 • -20.13db
0% Popularity • 34% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 34% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II Scene 10: I...
112 bpm • F Maj • 04:14 • -11db
17% Popularity • 31% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
102 bpm • B Maj • 06:55 • -31.78db
9% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Barbara Hendricks
Ave Maria (Ellen's Gesang) D.839
102 bpm • A# Maj • 06:15 • -24.42db
26% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Friedrich von Flotow
Mesta ognor
109 bpm • D# Maj • 04:56 • -14.63db
0% Popularity • 50% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 50% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Sull' Aria
112 bpm • G# Maj • 03:02 • -15.45db
20% Popularity • 26% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 26% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Franz Lehár
Ballsirenen: Walzer
101 bpm • G Maj • 07:14 • -14.53db
13% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
13% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance of the Hours
101 bpm • E Maj • 07:33 • -21db
14% Popularity • 35% Danceability • 7% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
14% Popularity • 35% Danceability • 7% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
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Hugo Alfvén
Swedish Rhapsody No. 1, Op. 19 'Midsumme...
101 bpm • D Maj • 04:40 • -18.17db
9% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
9% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus Suite No. 2: I. ...
101 bpm • C# Maj • 04:45 • -19.62db
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Friedrich von Flotow
Fatme, Akt I: "Heute singen alle"
104 bpm • G# Maj • 02:17 • -6.36db
0% Popularity • 46% Danceability • 47% Energy • 39% Liveness
5% Instrumentalness • 31% Positiveness
0% Popularity • 46% Danceability • 47% Energy • 39% Liveness
5% Instrumentalness • 31% Positiveness
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Herbert Spencer
Underneath the Stars
100 bpm • D# Maj • 03:07 • -23.64db
19% Popularity • 19% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 8% Positiveness
19% Popularity • 19% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 5 for Soprano ...
99 bpm • A min • 06:47 • -24.53db
19% Popularity • 14% Danceability • 5% Energy • 28% Liveness
22% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 5% Energy • 28% Liveness
22% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
116 bpm • C min • 02:52 • -23.89db
30% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
30% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Ernesto de Curtis
Ti voglio tanto bene
116 bpm • C# Maj • 03:02 • -18.57db
15% Popularity • 24% Danceability • 14% Energy • 6% Liveness
31% Instrumentalness • 11% Positiveness
15% Popularity • 24% Danceability • 14% Energy • 6% Liveness
31% Instrumentalness • 11% Positiveness
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Friedrich von Flotow
Fatme, Akt I: "Ach, du arme Fatme"
102 bpm • F Maj • 02:28 • -8.89db
0% Popularity • 47% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 47% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Chants du soir: La retraite
116 bpm • D Maj • 05:17 • -23.9db
0% Popularity • 42% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
0% Popularity • 42% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Academy of St. Martin in the Fields
Music for the Royal Firework, HWV 351, L...
116 bpm • D Maj • 05:14 • -15db
20% Popularity • 48% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
20% Popularity • 48% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Wolfgang Amadeus Mozart
Die Hochzeit des Figaro, K. 492, 3. Akt:...
118 bpm • A# Maj • 02:45 • -20db
27% Popularity • 32% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 32% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Franz Lehár
Die lustige Witwe / Act 2: Vilja-Lied
97 bpm • G Maj • 05:57 • -22.68db
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Friedrich von Flotow
Martha, Act III: Jägerin, schlau im Sin...
102 bpm • F Maj • 04:08 • -18.92db
0% Popularity • 46% Danceability • 17% Energy • 71% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 46% Danceability • 17% Energy • 71% Liveness
0% Instrumentalness • 52% Positiveness
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Jacques Offenbach
Chants du soir: Ballade du patre
117 bpm • D Maj • 09:19 • -23.1db
0% Popularity • 33% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
0% Popularity • 33% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act III - "Piange...
97 bpm • D# Maj • 07:02 • -20.72db
15% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Chor der Staatsoper Budapest
Tannhäuser: Pilgerchor
118 bpm • D# Maj • 06:23 • -17db
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Heitor Villa-Lobos
Ária (Cantilena)
119 bpm • A min • 07:03 • -17db
21% Popularity • 24% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha, Act I: Vorwärts, Bob (Live)
113 bpm • D Maj • 02:12 • -18.41db
0% Popularity • 55% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 55% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Jacques Offenbach
Chants du soir: Souvenir de bal
117 bpm • E Maj • 04:14 • -21.49db
0% Popularity • 42% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
0% Popularity • 42% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
36% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Katia Ricciarelli
A. Vucchella
96 bpm • F Maj • 02:04 • -14.24db
39% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
39% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 1, Gute...
96 bpm • C min • 05:37 • -20.44db
11% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Elgar: Pomp and Circumstance March No. 1...
119 bpm • D Maj • 06:26 • -6db
24% Popularity • 32% Danceability • 53% Energy • 9% Liveness
63% Instrumentalness • 33% Positiveness
24% Popularity • 32% Danceability • 53% Energy • 9% Liveness
63% Instrumentalness • 33% Positiveness
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Friedrich von Flotow
Fatme, Akt I: "Über alle Maßen"
102 bpm • E min • 01:32 • -4.85db
0% Popularity • 55% Danceability • 52% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 55% Danceability • 52% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
96 bpm • D Maj • 03:35 • -17db
14% Popularity • 26% Danceability • 14% Energy • 31% Liveness
79% Instrumentalness • 7% Positiveness
14% Popularity • 26% Danceability • 14% Energy • 31% Liveness
79% Instrumentalness • 7% Positiveness
► Preview
Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
10% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Bonn Classical Philharmonic
La Traviata: Prelude to Act I
120 bpm • B Maj • 03:49 • -29db
23% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Friedrich von Flotow
Tu più vaga di una stella
113 bpm • G Maj • 03:02 • -17.06db
0% Popularity • 31% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 31% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Antonín Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Chants du soir: Danse norvegienne
95 bpm • A Maj • 03:49 • -22.15db
0% Popularity • 42% Danceability • 9% Energy • 13% Liveness
71% Instrumentalness • 57% Positiveness
0% Popularity • 42% Danceability • 9% Energy • 13% Liveness
71% Instrumentalness • 57% Positiveness
► Preview
Camerata Transylvanica
Thais: Thais, Act II: Meditation
121 bpm • E min • 04:43 • -23.22db
27% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
27% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Friedrich von Flotow
Piano Concerto No. 1 in C Minor: III. Ro...
114 bpm • C min • 03:39 • -22.87db
2% Popularity • 43% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 14% Positiveness
2% Popularity • 43% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Wolfgang Amadeus Mozart
Voi Che Sapete
120 bpm • A# Maj • 02:44 • -15db
14% Popularity • 40% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 40% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Antonín Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Overture to The Barber of Seville
94 bpm • E Maj • 07:04 • -17.73db
18% Popularity • 37% Danceability • 19% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
18% Popularity • 37% Danceability • 19% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Franz Lehár
Frasquita: "Hab' ein blaues Himmelbett"
94 bpm • D Maj • 03:42 • -28.06db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Friedrich von Flotow
Martha, Act IV: Ja, was nun? (Live)
115 bpm • A# Maj • 05:49 • -21.16db
0% Popularity • 52% Danceability • 18% Energy • 68% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 52% Danceability • 18% Energy • 68% Liveness
0% Instrumentalness • 50% Positiveness
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Wolfgang Amadeus Mozart
Voi Che Sapete - from 'Le Nozze Di Figar...
122 bpm • A# Maj • 02:42 • -13.53db
27% Popularity • 38% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 38% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Carl Orff
In trutina from Carmina Burana
93 bpm • D Maj • 02:32 • -23.65db
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka, Op. 114, B. 203, Act I: Mesíck...
93 bpm • F# Maj • 06:54 • -22.13db
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Salvatore Cardillo
Catari', Catari' (Core 'ngrato)
93 bpm • D# Maj • 04:59 • -12.68db
16% Popularity • 21% Danceability • 22% Energy • 35% Liveness
3% Instrumentalness • 11% Positiveness
16% Popularity • 21% Danceability • 22% Energy • 35% Liveness
3% Instrumentalness • 11% Positiveness
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Friedrich von Flotow
Chi mi dirà di che il bicchier
115 bpm • F Maj • 02:38 • -15.49db
0% Popularity • 43% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Act 2: "Pa-Pa...
123 bpm • D Maj • 02:17 • -18.22db
16% Popularity • 52% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
16% Popularity • 52% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Nabucco: Chorus of the Hebrew Slaves, "V...
124 bpm • C# Maj • 04:59 • -16.48db
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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Friedrich von Flotow
Martha, Act III: Mag der Himmel euch ver...
116 bpm • G# Maj • 03:45 • -15.52db
0% Popularity • 34% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 34% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Tauber
Let Me Awaken Your Heart
92 bpm • B min • 03:39 • -26.47db
0% Popularity • 30% Danceability • 18% Energy • 97% Liveness
2% Instrumentalness • 46% Positiveness
0% Popularity • 30% Danceability • 18% Energy • 97% Liveness
2% Instrumentalness • 46% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
92 bpm • A# min • 05:12 • -16db
8% Popularity • 19% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
La Gazza Ladra: Overture
92 bpm • E Maj • 09:15 • -17.89db
14% Popularity • 33% Danceability • 20% Energy • 9% Liveness
70% Instrumentalness • 33% Positiveness
14% Popularity • 33% Danceability • 20% Energy • 9% Liveness
70% Instrumentalness • 33% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Friedrich von Flotow
Martha, Act III: M'appari tutt'amor (Arr...
99 bpm • F Maj • 03:05 • -19.03db
1% Popularity • 20% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
1% Popularity • 20% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sean Barrett
Life and Works: Rusalka (Act I: Song to ...
126 bpm • F# Maj • 05:50 • -25db
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Was mir behagt, ist nur die muntre Jagd,...
126 bpm • A Maj • 04:05 • -21.67db
15% Popularity • 30% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Friedrich von Flotow
Martha, Act I: Darf mit nächtig düstre...
117 bpm • G Maj • 03:31 • -19.18db
0% Popularity • 29% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 29% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Chor der Staatsoper Wien
Giuseppe Verdi: Der Troubadour - Vedi! L...
127 bpm • C Maj • 02:58 • -17db
11% Popularity • 51% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
