Songs like Marvel Not, Joseph by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
30% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
30% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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José Maurício Nunes Garcia
Missa pastoril para a noite de Natal: Ky...
84 bpm • C Maj • 02:37 • -21.75db
14% Popularity • 21% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Jakob van Berchem
O Jesu Christe
84 bpm • D# Maj • 03:13 • -22.85db
12% Popularity • 11% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Anonymous
Gloria V - In Nativitate Domini ad Missa...
84 bpm • B min • 03:31 • -29.86db
31% Popularity • 18% Danceability • 1% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
31% Popularity • 18% Danceability • 1% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
30% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Coro Solemnis
Rorate Caeli Desuper
84 bpm • F Maj • 05:32 • -24.04db
24% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
38% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
38% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Anonymous
Amazing Grace
85 bpm • A Maj • 04:16 • -21db
16% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
83 bpm • D# Maj • 02:58 • -35.07db
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Lord Of My Days
85 bpm • E min • 02:19 • -26db
12% Popularity • 21% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Domestik Municipal Choir of Ekaterinburg
It Is Truly Meet
83 bpm • G Maj • 02:26 • -17.93db
19% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
83 bpm • D Maj • 04:18 • -28.45db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Anonymous
Ave Maria
83 bpm • E Maj • 06:09 • -25.61db
13% Popularity • 13% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
13% Popularity • 13% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Wo Carstvii Tvoiem
83 bpm • D# min • 02:58 • -21.27db
17% Popularity • 26% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 14% Positiveness
17% Popularity • 26% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
83 bpm • A Maj • 03:18 • -30.44db
9% Popularity • 8% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Choir of the Monks of Chevetogne
Akathistos Hymn: Kontakion
83 bpm • B Maj • 06:17 • -22.34db
20% Popularity • 15% Danceability • 11% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 11% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Hieromonk, Jonathan
Plotiyu usnuv (In the flesh Thou didst f...
85 bpm • A min • 03:05 • -37db
14% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
14% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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KITKA Women's Vocal Ensemble
Shen Khar Venakhi
82 bpm • D Maj • 04:10 • -22.7db
21% Popularity • 17% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Hvali Dusze Moja, Gospoda
86 bpm • A# Maj • 02:00 • -18.13db
18% Popularity • 24% Danceability • 15% Energy • 12% Liveness
44% Instrumentalness • 17% Positiveness
18% Popularity • 24% Danceability • 15% Energy • 12% Liveness
44% Instrumentalness • 17% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Phos Hilaron
86 bpm • C min • 01:48 • -22.54db
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
82 bpm • A Maj • 04:02 • -18.99db
14% Popularity • 13% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Alleluia. Dies sanctificatus - In Nativi...
82 bpm • E min • 01:54 • -21.66db
32% Popularity • 32% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
32% Popularity • 32% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Hieronymos Tragodistes of Cyprus
O Great and Most Sacred Pascha
82 bpm • G min • 01:36 • -18.33db
28% Popularity • 19% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa: Pater Noster
86 bpm • G Maj • 01:22 • -23.09db
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Now Lettest Thou Thy Servant Depart in P...
82 bpm • B Maj • 01:44 • -26db
17% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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St. Cyril & Methodius Ukrainian Church Choir
The Mother of God (Ukraine)
82 bpm • C# Maj • 02:05 • -32db
35% Popularity • 8% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Anonymous
Inviolata - Sequentia in Honorem Beatae ...
86 bpm • F# Maj • 01:45 • -23.62db
27% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Cappella Romana
Small Litany and Old Kalophonic Antiphon
82 bpm • E Maj • 09:30 • -18.66db
19% Popularity • 13% Danceability • 24% Energy • 20% Liveness
9% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 24% Energy • 20% Liveness
9% Instrumentalness • 7% Positiveness
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Adam de la Halle
De ma dame vient
82 bpm • C Maj • 02:23 • -18.68db
5% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Victor Kalinnikov
Hymn To The Mother Of God (Bogoroditse D...
87 bpm • D min • 01:23 • -42db
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Ojcze Nasz
82 bpm • F Maj • 01:15 • -21.55db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
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The Benedictine Monks of Worth Abbey
Morning Prayer: III. Psalm 1
87 bpm • D# Maj • 02:00 • -31.78db
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Anonymous
Mandatum novum do vobis- Antífona y Sal...
82 bpm • G# min • 01:44 • -18.86db
23% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Pax Aeterna
81 bpm • G# Maj • 01:15 • -23.24db
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Jacob Clemens non Papa
Adesto dolori meo
87 bpm • A# Maj • 06:23 • -25.6db
21% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
31% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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John Dunstable
Kyrie, JD 1
81 bpm • G# min • 06:13 • -20.72db
17% Popularity • 8% Danceability • 25% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 25% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Anonymous
Veni redemptor gentium
82 bpm • C# min • 01:47 • -25.38db
30% Popularity • 34% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 34% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Popular
Introitus: Ad Te Levavi, Modo VII
81 bpm • E Maj • 03:24 • -24.02db
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Vecheri tvoeya tainïya (Of Thy mystical...
87 bpm • E Maj • 06:12 • -31.39db
15% Popularity • 9% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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The Russian State Symphony Cappella
Grant Us This O Lord
87 bpm • G# Maj • 02:07 • -24.01db
21% Popularity • 16% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Blagoslovi Dusze Moya, Gospoda
81 bpm • F Maj • 01:54 • -18.8db
32% Popularity • 32% Danceability • 16% Energy • 12% Liveness
79% Instrumentalness • 16% Positiveness
32% Popularity • 32% Danceability • 16% Energy • 12% Liveness
79% Instrumentalness • 16% Positiveness
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S. Serafimovich
Chime
81 bpm • D# Maj • 01:35 • -12.04db
8% Popularity • 18% Danceability • 45% Energy • 18% Liveness
75% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 45% Energy • 18% Liveness
75% Instrumentalness • 3% Positiveness
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Anonymous
Puer qui natus est nobis - Introitus/In ...
87 bpm • G Maj • 02:54 • -29.6db
33% Popularity • 24% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
33% Popularity • 24% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
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Monks Of The Abbey Of Notre Dame
Fiat Manus
81 bpm • E Maj • 02:37 • -19.59db
40% Popularity • 25% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
40% Popularity • 25% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Tallis
Tunes for Archbishop Parker's Psalter: N...
87 bpm • A min • 03:47 • -20.07db
16% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
16% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
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Conon de Béthune
Ahi! Amours
81 bpm • E min • 02:57 • -22db
16% Popularity • 54% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 54% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Schola Gregoriana Del Coro F. Paer
Novus annus
87 bpm • C# min • 03:02 • -22.83db
8% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Anonymous
Christe Redemptor omnium - Hymnus ad Ves...
81 bpm • C# min • 02:44 • -31.73db
35% Popularity • 19% Danceability • 1% Energy • 26% Liveness
33% Instrumentalness • 18% Positiveness
35% Popularity • 19% Danceability • 1% Energy • 26% Liveness
33% Instrumentalness • 18% Positiveness
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Yoan Kukuzel
Terirem du XIVème siècle
81 bpm • D Maj • 08:52 • -23.16db
11% Popularity • 9% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Choir of the Moscow Church
Bless the Lord, O my Soul
88 bpm • G min • 05:13 • -20.45db
21% Popularity • 12% Danceability • 19% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 12% Danceability • 19% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Во Царрствии Твоем
81 bpm • E min • 06:16 • -22.57db
23% Popularity • 20% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
23% Popularity • 20% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Chants From the Holyland- Graz Gregorian Chants School of Austri
Introitus
80 bpm • A Maj • 01:42 • -21db
28% Popularity • 16% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francesco Landini
Angelica biltà
81 bpm • A Maj • 02:11 • -28db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Anonymous
Improperium - Ofertorio (Modo VIII)
81 bpm • F# Maj • 02:40 • -22.93db
28% Popularity • 26% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Makar Ekmalian
En signe de foi
88 bpm • G Maj • 03:42 • -23.27db
10% Popularity • 18% Danceability • 12% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Men's Chamber Choir of Sofia
The Noble Joseph
80 bpm • C Maj • 02:38 • -19.31db
23% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
23% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
St. Peter St. Paul Cathedral Choir of Minsk
Blazen Muz
88 bpm • G# Maj • 04:35 • -19.73db
12% Popularity • 35% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 35% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
80 bpm • D Maj • 03:13 • -19.54db
12% Popularity • 12% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Collana Diretta da Bonifacio G. Baroffio
Missa De Angelis - E Canti Dell' Anno Li...
80 bpm • D# Maj • 03:04 • -24.28db
22% Popularity • 28% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Anonymous
Pange Lingua Gloriosi. Himno (Modo IV)
81 bpm • D min • 02:48 • -25.83db
32% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Margaret Rizza
Sanctum Nomen
88 bpm • C Maj • 04:13 • -24.53db
12% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
► Preview
Bernat De Ventadorn
Can vei la lauzeta mover
80 bpm • C# Maj • 05:58 • -31.53db
8% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
On Flute I Play my Sad Verses
89 bpm • A# Maj • 02:25 • -17.26db
23% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Jordi Savall
Cantigas De Santa Maria - Santa Maria, S...
80 bpm • E Maj • 03:00 • -23.57db
13% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Adam de la Halle
Mout me fu grief li departir / Robin m'a...
89 bpm • G Maj • 01:01 • -19db
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
► Preview
Anonymous
Nos Auten. Introito (Modo IV) - 1980 Rem...
80 bpm • F# Maj • 02:57 • -22.43db
30% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Public Domaine
Kyrie Eleison: Iv Gregorianske Messe
89 bpm • B Maj • 01:35 • -28.12db
28% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
89 bpm • C# Maj • 05:55 • -21.72db
18% Popularity • 12% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes No. 1: Notum fecit... (2-...
79 bpm • C# Maj • 00:44 • -21db
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Ouvre Moi Les Portes Du Repentir, Pt. 1
89 bpm • F min • 02:07 • -16.07db
14% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Anonymous
Gloria XV (Modo IV)
79 bpm • E Maj • 02:16 • -23.36db
34% Popularity • 29% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 29% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Francesco Corteccia
Gloria patri
79 bpm • G Maj • 01:09 • -27.57db
32% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Monks Of The Benedictine Abbey
Vidi Aquam
79 bpm • F# Maj • 03:37 • -22db
23% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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SOFIA ORTHODOX CHOIR
Cherubic Hymn No. 4
79 bpm • A# Maj • 04:49 • -25.2db
23% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Stirps Iesse
Gloria VIII
79 bpm • A Maj • 02:22 • -22.72db
38% Popularity • 18% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 18% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Jordi Savall
O Virgo splendens (canon a 2 i a 3)
79 bpm • G min • 02:21 • -15.34db
18% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
18% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
79 bpm • A min • 06:25 • -18db
15% Popularity • 16% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 16% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Kiev Theological Academy Choir
The Lord Reigns
79 bpm • A min • 02:59 • -19db
26% Popularity • 18% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 18% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa. Agnus Dei: 11
79 bpm • G# Maj • 01:01 • -23.76db
36% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Slovak State Philharmonic Orchestra, Kosice
Les Contes D'hoffmann (The Tales Of Hoff...
79 bpm • D Maj • 02:10 • -19db
37% Popularity • 18% Danceability • 10% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
37% Popularity • 18% Danceability • 10% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Nicene Creed
79 bpm • F min • 04:08 • -24db
32% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
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Anonymous
Salve Regina
79 bpm • A# min • 03:19 • -34.09db
17% Popularity • 17% Danceability • 3% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Edinorodnij Synje
79 bpm • D# min • 02:55 • -21.67db
20% Popularity • 16% Danceability • 11% Energy • 25% Liveness
60% Instrumentalness • 5% Positiveness
20% Popularity • 16% Danceability • 11% Energy • 25% Liveness
60% Instrumentalness • 5% Positiveness
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Lege Artis Chamber Choir
Now the Heavenly Powers Deal Invisibly w...
79 bpm • C# Maj • 03:22 • -25db
16% Popularity • 12% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Stirps Iesse
Te Deum laudamus
79 bpm • A min • 06:06 • -22.65db
39% Popularity • 19% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
