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Mary May & Bobby
Songs like
Mary May & Bobby
by
Joe Purdy
Based on a tempo of (+/- 10%) and a similar genre
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Joe Purdy
Mary May & Bobby
89 bpm • F# Maj • 06:20 • -10.94db
32% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Saturday Sun
Seagull
89 bpm • D Maj • 03:56 • -11db
31% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Amber Rubarth
New York
89 bpm • C Maj • 02:51 • -18.85db
19% Popularity • 56% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Prattle On, Rick.
Lately
90 bpm • F Maj • 04:53 • -11.72db
8% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Cave Singers
Distant Sures
88 bpm • A# Maj • 03:11 • -12db
40% Popularity • 60% Danceability • 36% Energy • 16% Liveness
17% Instrumentalness • 67% Positiveness
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John Mark Nelson
Boy
90 bpm • E Maj • 03:57 • -11.45db
26% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Purdy
catarina
89 bpm • D min • 02:57 • -11.86db
16% Popularity • 46% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Iron & Wine
Belated Promise Ring
88 bpm • D Maj • 03:45 • -11.04db
33% Popularity • 56% Danceability • 51% Energy • 18% Liveness
8% Instrumentalness • 87% Positiveness
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William Fitzsimmons
Passion Play
88 bpm • G# Maj • 05:55 • -12db
31% Popularity • 31% Danceability • 51% Energy • 24% Liveness
10% Instrumentalness • 11% Positiveness
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Michael Bernard Fitzgerald
Follow
90 bpm • G Maj • 03:40 • -12.13db
9% Popularity • 51% Danceability • 38% Energy • 12% Liveness
7% Instrumentalness • 37% Positiveness
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Bruno Merz
Nine Sixteen
88 bpm • C Maj • 04:01 • -8.38db
19% Popularity • 54% Danceability • 67% Energy • 13% Liveness
5% Instrumentalness • 57% Positiveness
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Dean Fields
Half Hearted Apology
88 bpm • C min • 03:20 • -12db
10% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Purdy
Isn't Love
89 bpm • F Maj • 03:39 • -11.77db
23% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Horse Feathers
What We Become
88 bpm • C Maj • 03:52 • -10.25db
18% Popularity • 37% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
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Joe Firstman
The One That Makes You Happy
88 bpm • E Maj • 03:34 • -6db
18% Popularity • 77% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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David Ramirez
Glory
88 bpm • D Maj • 03:52 • -10.3db
12% Popularity • 60% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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100 mile house
Pick up Our Boots
88 bpm • E Maj • 03:08 • -14.15db
19% Popularity • 39% Danceability • 39% Energy • 9% Liveness
51% Instrumentalness • 33% Positiveness
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The Barr Brothers
Old Mythologies
90 bpm • A# Maj • 03:34 • -11.6db
22% Popularity • 62% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 88% Positiveness
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Joe Purdy
Brand New Set Of Wings
90 bpm • D# Maj • 05:11 • -5.59db
8% Popularity • 41% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Field Report
Decision Day
88 bpm • F Maj • 04:32 • -10.03db
12% Popularity • 53% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Matthew Ryan
Jane I Still Feel the Same
88 bpm • D Maj • 03:39 • -15.19db
23% Popularity • 40% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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David Ramirez
Don't Call Me Cryin'
90 bpm • A Maj • 03:23 • -9.53db
9% Popularity • 42% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
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Gareth Dunlop
How Far This Road Goes
88 bpm • D Maj • 03:42 • -11.83db
30% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Duhon
The Moorings
88 bpm • D# Maj • 03:26 • -7.14db
38% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Purdy
Far Away Blues
90 bpm • B Maj • 02:12 • -20.76db
27% Popularity • 49% Danceability • 18% Energy • 36% Liveness
35% Instrumentalness • 39% Positiveness
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Eddie Berman
Untamed
91 bpm • E Maj • 03:58 • -11.4db
50% Popularity • 40% Danceability • 26% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Bear's Den
Berlin
91 bpm • C# Maj • 04:29 • -14db
48% Popularity • 50% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Sam Brookes
James
87 bpm • F Maj • 03:31 • -14.68db
38% Popularity • 58% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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The Show Ponies
Sweetly
91 bpm • G Maj • 02:50 • -16.69db
31% Popularity • 62% Danceability • 20% Energy • 14% Liveness
6% Instrumentalness • 62% Positiveness
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J. Tillman
If You've Gotta Go, Go Now - Bonus Track
87 bpm • G Maj • 03:45 • -10.31db
32% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Purdy
Lovers Side Of Town
91 bpm • D# Maj • 04:42 • -11.7db
13% Popularity • 55% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Roo Panes
Glory Days - EP Version
91 bpm • G Maj • 05:16 • -9.84db
25% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Little Chief
North Carolina
87 bpm • D Maj • 03:40 • -12.69db
21% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The New Basement Tapes
Florida Key
91 bpm • C Maj • 03:19 • -11.5db
35% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Sean Hayes
Angel
87 bpm • E Maj • 01:20 • -16.54db
20% Popularity • 77% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Horse Feathers
Why Do I Try
91 bpm • G Maj • 04:41 • -8.51db
16% Popularity • 33% Danceability • 26% Energy • 13% Liveness
16% Instrumentalness • 34% Positiveness
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Sera Cahoone
Up to Me
91 bpm • E Maj • 03:13 • -11.79db
27% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Trent Dabbs
Nobody's Stranger Anymore
86 bpm • D# Maj • 03:28 • -13.52db
29% Popularity • 45% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Matt the Electrician
Accidental Thief
92 bpm • A Maj • 03:41 • -11db
10% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Joe Purdy
Wash Away (Reprise)
86 bpm • F Maj • 03:00 • -13.94db
44% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Dan Mangan
Fool For Waiting
92 bpm • G Maj • 04:03 • -12.28db
34% Popularity • 41% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Barr Brothers
Song That I Heard
92 bpm • G# Maj • 03:57 • -12.1db
38% Popularity • 27% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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The Dirty Guv'nahs
The Benediction
86 bpm • B Maj • 03:04 • -9.21db
23% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Gregory Alan Isakov
3 a.m.
92 bpm • D Maj • 04:46 • -13.47db
46% Popularity • 45% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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Jesse Daniel Smith
You Are Made Of Stars
92 bpm • F# Maj • 03:18 • -13.73db
13% Popularity • 57% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Pug
Those Thankless Years
86 bpm • E Maj • 03:05 • -11.08db
15% Popularity • 54% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Civil Wars
My Father's Father
93 bpm • E Maj • 03:20 • -14.64db
17% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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David Ramirez
The Forgiven
93 bpm • C Maj • 03:16 • -7.22db
13% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Tall Heights
Learn Again
85 bpm • F Maj • 02:57 • -13.82db
16% Popularity • 47% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Alexi Murdoch
Some Day Soon
93 bpm • E Maj • 04:47 • -12db
42% Popularity • 59% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
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Donovan Woods
The Coldest State
85 bpm • E Maj • 02:40 • -10.59db
23% Popularity • 58% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Rathborne
Little Moment
85 bpm • E Maj • 03:10 • -13.19db
22% Popularity • 29% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Gregory Alan Isakov
garden
93 bpm • G# Maj • 03:46 • -19.61db
31% Popularity • 53% Danceability • 23% Energy • 30% Liveness
18% Instrumentalness • 33% Positiveness
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Joe Purdy
Ride Off On A Cloud
93 bpm • F# min • 03:13 • -13.3db
18% Popularity • 62% Danceability • 41% Energy • 26% Liveness
1% Instrumentalness • 52% Positiveness
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Down Like Silver
Have I Loved
85 bpm • D Maj • 03:16 • -16.74db
37% Popularity • 54% Danceability • 30% Energy • 7% Liveness
23% Instrumentalness • 27% Positiveness
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Alexi Murdoch
Towards The Sun
93 bpm • C# Maj • 04:42 • -17.59db
33% Popularity • 40% Danceability • 19% Energy • 19% Liveness
80% Instrumentalness • 18% Positiveness
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Liza Anne
Thin Ice
85 bpm • G# Maj • 03:27 • -7.62db
32% Popularity • 48% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Sera Cahoone
Deer Creek Canyon
93 bpm • A# Maj • 03:18 • -12db
31% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
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Eddie Berman
Avalon
93 bpm • D Maj • 04:04 • -11.9db
11% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Joe Purdy
Ah-La Song
94 bpm • D Maj • 06:03 • -13.44db
19% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tristan Prettyman
Perfect Storm
94 bpm • G Maj • 02:56 • -11db
33% Popularity • 76% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Alexi Murdoch
The Light (Her Hands Were Leaves)
85 bpm • F Maj • 04:50 • -16.21db
28% Popularity • 45% Danceability • 21% Energy • 18% Liveness
77% Instrumentalness • 5% Positiveness
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The Lone Bellow
Telluride
94 bpm • E Maj • 04:17 • -13db
18% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Tall Heights
Flash Boom
94 bpm • G Maj • 03:34 • -10.66db
17% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Findlay Brown
Mountain Falls for the Sea
94 bpm • D# Maj • 03:07 • -17.7db
35% Popularity • 46% Danceability • 11% Energy • 13% Liveness
14% Instrumentalness • 48% Positiveness
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Joe Purdy
Wash Away
84 bpm • C Maj • 02:09 • -12db
34% Popularity • 61% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Gareth Dunlop
Hide and Seek
84 bpm • G min • 03:32 • -11.71db
22% Popularity • 56% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
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Stu Larsen
San Francisco
84 bpm • D Maj • 04:06 • -11db
40% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Lone Bellow
You Can Be All Kinds of Emotional
94 bpm • G Maj • 03:20 • -11.31db
25% Popularity • 46% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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David Ramirez
Telephone Lovers
95 bpm • F Maj • 03:34 • -8.91db
18% Popularity • 47% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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John Smith
Freezing Winds Of Change
95 bpm • F Maj • 03:27 • -11.53db
24% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Purdy
Paris In The Morning
84 bpm • E Maj • 04:42 • -3.09db
11% Popularity • 32% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Sean Rowe
Old Shoes
83 bpm • C Maj • 05:10 • -7.55db
17% Popularity • 41% Danceability • 44% Energy • 9% Liveness
14% Instrumentalness • 35% Positiveness
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Lucy Schwartz
When We Were Young
95 bpm • C Maj • 03:01 • -7db
33% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Nathan Reich
Sweet Isolation
83 bpm • C# Maj • 03:15 • -14.17db
19% Popularity • 52% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Tim McNary
The Other Man
95 bpm • C Maj • 03:39 • -8.94db
14% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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John Smith
To Have So Many
83 bpm • D Maj • 05:46 • -13.3db
10% Popularity • 41% Danceability • 29% Energy • 14% Liveness
2% Instrumentalness • 46% Positiveness
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Joe Purdy
surgery
84 bpm • F Maj • 02:23 • -11.67db
21% Popularity • 52% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Wilson
Free Life
95 bpm • E Maj • 04:54 • -6.77db
23% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Charlie Mars
Nothing but the Rain
83 bpm • F# Maj • 04:04 • -13.39db
25% Popularity • 43% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Lone Bellow
Teach Me to Know
83 bpm • G Maj • 03:28 • -8db
24% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Bootstraps
Haywire
83 bpm • G Maj • 04:19 • -7.39db
23% Popularity • 39% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Donovan Woods
Put On, Cologne
96 bpm • C# Maj • 02:47 • -11db
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Purdy
Ode To Sad Clown
84 bpm • F Maj • 04:14 • -6.9db
17% Popularity • 44% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Blind Pilot
The Story I Heard
96 bpm • C# Maj • 04:33 • -13db
53% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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John Craigie
Dog Eyed Girl
96 bpm • D# Maj • 04:00 • -9.62db
19% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Pug
Hymn #76
96 bpm • C# min • 03:37 • -11.04db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Parlours
I Dream of Chicago
96 bpm • G Maj • 02:59 • -7.76db
17% Popularity • 43% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Mumford & Sons
Timshel
83 bpm • F Maj • 02:53 • -9.72db
42% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Joe Purdy
he said she said
84 bpm • D Maj • 05:09 • -17.53db
11% Popularity • 51% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 44% Positiveness
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Matt Costa
Sunshine
83 bpm • D# Maj • 02:36 • -7db
45% Popularity • 69% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Darden Smith
Perfect Moment
83 bpm • F# Maj • 04:28 • -12.42db
21% Popularity • 64% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Beta Radio
Monument
96 bpm • D# Maj • 05:18 • -10.68db
19% Popularity • 24% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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A.A. Bondy
World Without End
82 bpm • D Maj • 02:31 • -15.57db
25% Popularity • 44% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Holly Throsby
Aeroplane
96 bpm • D Maj • 03:51 • -11.92db
20% Popularity • 41% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
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Joe Purdy
Abbie's Song
84 bpm • B Maj • 03:06 • -20.66db
15% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Austin Basham
On the Hunt
82 bpm • C Maj • 03:46 • -9.71db
25% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Stu Larsen
Far from Me
97 bpm • C# Maj • 03:38 • -18.34db
34% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Barr Brothers
Burn Card
97 bpm • C Maj • 04:05 • -15.64db
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
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William Fitzsimmons
Beautiful Girl
82 bpm • C Maj • 02:38 • -17.42db
41% Popularity • 44% Danceability • 17% Energy • 11% Liveness
39% Instrumentalness • 34% Positiveness
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Mary May & Bobby