Songs like Mass in G Major, Op. 46 (Arr. for Choir & Orchestra): III. Credo by Charles Villiers Stanford
Based on a tempo of (+/- 10%) and a similar genre
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Josef Rheinberger
Abendlied
79 bpm • F Maj • 02:54 • -20.72db
12% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Salt Lake Vocal Artists
Entreat Me Not To Leave You
79 bpm • A# min • 06:48 • -18db
23% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat in G
79 bpm • G Maj • 04:01 • -19.98db
3% Popularity • 24% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
3% Popularity • 24% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
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John Sanders
The Reproaches
79 bpm • G min • 08:50 • -25.66db
10% Popularity • 10% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Blessed Be the Man
79 bpm • D# min • 05:37 • -25.91db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Amy Beach
Peace I Leave With You
79 bpm • D# Maj • 01:48 • -25.82db
10% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Leonardo Dreams Of His Flying ...
79 bpm • D min • 08:40 • -23db
23% Popularity • 14% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Charles Villiers Stanford
Mass in G Major, Op. 46 (Arr. for Choir ...
79 bpm • D# Maj • 02:55 • -35.14db
2% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
11% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Josu Elberdin
Ave Maria, Gratia Plena
78 bpm • D Maj • 04:21 • -27.73db
10% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
26% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
26% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Magnificat | Magnificat in C
79 bpm • C Maj • 05:04 • -23.78db
7% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
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Arthur Bliss
Bliss: Royal Fanfare
80 bpm • A# Maj • 01:48 • -15.34db
9% Popularity • 8% Danceability • 18% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
9% Popularity • 8% Danceability • 18% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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John Stainer
The Crucifixion: Processional to Calvary...
80 bpm • A min • 10:00 • -22.45db
10% Popularity • 11% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Philip Stopford
Do Not Be Afraid
78 bpm • D Maj • 05:05 • -31.38db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 4. Domine Deus noster-...
80 bpm • G Maj • 02:37 • -29db
11% Popularity • 22% Danceability • 5% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IV. Gladsome Li...
78 bpm • C min • 04:11 • -28.46db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Shamus O'Brien, Op. 61 (Arr. for Voice &...
79 bpm • F min • 03:45 • -15.73db
5% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
13% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: A Boy And A Girl
80 bpm • C Maj • 04:34 • -27.43db
27% Popularity • 7% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Requiem, Op. 63: IVg. Recordare, Jesu pi...
79 bpm • E min • 02:27 • -24.97db
2% Popularity • 18% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 3% Positiveness
2% Popularity • 18% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
7% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
78 bpm • C# Maj • 04:10 • -21db
16% Popularity • 10% Danceability • 7% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Kenneth Leighton
Drop, Drop, Slow Tears
80 bpm • D min • 03:07 • -24.56db
7% Popularity • 26% Danceability • 10% Energy • 16% Liveness
98% Instrumentalness • 3% Positiveness
7% Popularity • 26% Danceability • 10% Energy • 16% Liveness
98% Instrumentalness • 3% Positiveness
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Laurence Equilbey
Sept chansons - La Blanche Neige
78 bpm • D min • 01:10 • -29.9db
17% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
17% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
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Charles Villiers Stanford
Mass in G Major, Op. 46 (Arr. for Choir ...
79 bpm • G min • 12:42 • -23.68db
2% Popularity • 8% Danceability • 7% Energy • 21% Liveness
79% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 7% Energy • 21% Liveness
79% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: V. Lord, Now Le...
78 bpm • F# Maj • 04:57 • -25.17db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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Edward Bairstow
The Lamentation
78 bpm • C min • 09:03 • -25.13db
8% Popularity • 12% Danceability • 4% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 4% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Even When He Is Silent
78 bpm • B Maj • 05:46 • -23.57db
22% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi
78 bpm • A Maj • 01:57 • -21db
28% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Charles Villiers Stanford
Symphony No. 2 in D Minor, "Elegiac": II...
78 bpm • C Maj • 09:36 • -30.52db
0% Popularity • 7% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: IV. Gladsome Light
78 bpm • A# min • 03:22 • -29.27db
8% Popularity • 14% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Dobrinka Tabakova
Alma Redemptoris Mater
80 bpm • F# min • 06:01 • -30.77db
7% Popularity • 8% Danceability • 3% Energy • 10% Liveness
27% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 3% Energy • 10% Liveness
27% Instrumentalness • 3% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
18% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
16% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Charles Villiers Stanford
Stanford: Songs of the Sea, Op. 91: No. ...
80 bpm • F# Maj • 06:52 • -22.19db
1% Popularity • 9% Danceability • 11% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 11% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
22% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
22% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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The Concordia Choir
Abendlied
77 bpm • C# Maj • 03:47 • -21.92db
19% Popularity • 24% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 24% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Johannes Brahms
4 Quartets, Op. 92: I. O schöne Nacht!
81 bpm • E Maj • 03:45 • -29.13db
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
A Fire of Turf, Op. 139: No. 5, Blackber...
80 bpm • C# min • 02:31 • -22.13db
1% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ola Gjeilo
Sunrise Mass: IV. Identity
81 bpm • C min • 05:59 • -24.54db
22% Popularity • 14% Danceability • 10% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 10% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
Requiem, Op. 63: VIIa. Agnus Dei –
80 bpm • A# Maj • 03:20 • -24.42db
2% Popularity • 15% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Damijan Močnik
Acclamatio
77 bpm • G Maj • 03:04 • -22.63db
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
22% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Tarik O'Regan
Threshold of Night
81 bpm • A# Maj • 06:19 • -31db
7% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
► Preview
Charles Villiers Stanford
Requiem, Op. 63: IIIa. Gradual. Requiem ...
80 bpm • D Maj • 01:35 • -33.48db
3% Popularity • 14% Danceability • 7% Energy • 40% Liveness
16% Instrumentalness • 3% Positiveness
3% Popularity • 14% Danceability • 7% Energy • 40% Liveness
16% Instrumentalness • 3% Positiveness
► Preview
Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Bern Herbolsheimer
7 Last Words: No. 7. Father, into thy ha...
81 bpm • B Maj • 05:03 • -35.68db
7% Popularity • 8% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
81 bpm • D Maj • 02:54 • -35.12db
1% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
A Fire of Turf, Op. 139: No. 7, The West...
77 bpm • F Maj • 03:55 • -20.17db
1% Popularity • 30% Danceability • 10% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
1% Popularity • 30% Danceability • 10% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
► Preview
Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Stephen Paulus
The Day Is Done
81 bpm • D Maj • 05:21 • -25.72db
7% Popularity • 9% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
81 bpm • G# Maj • 04:49 • -28db
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
30% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
Contre Qui, Rose
81 bpm • A# min • 04:10 • -35db
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Charles Villiers Stanford
Mass in G Major, Op. 46 (Arr. for Choir ...
77 bpm • F Maj • 05:06 • -33.41db
2% Popularity • 14% Danceability • 2% Energy • 8% Liveness
35% Instrumentalness • 3% Positiveness
2% Popularity • 14% Danceability • 2% Energy • 8% Liveness
35% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
13% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
17% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Herbert Howells
Like as the Hart
82 bpm • C Maj • 06:33 • -29db
15% Popularity • 8% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
18% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
18% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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Charles Villiers Stanford
Mass in G Major, Op. 46 (Arr. for Choir ...
77 bpm • G Maj • 08:08 • -23.33db
2% Popularity • 9% Danceability • 7% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 7% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Randall Thompson
Alleluia
82 bpm • D Maj • 05:20 • -26db
22% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Hymnus: Lobe den Herren, den mächtigen ...
76 bpm • G Maj • 04:18 • -22.39db
4% Popularity • 8% Danceability • 10% Energy • 22% Liveness
73% Instrumentalness • 17% Positiveness
4% Popularity • 8% Danceability • 10% Energy • 22% Liveness
73% Instrumentalness • 17% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
11% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
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Judith Hancock (organ)
Introit And Kyrie
76 bpm • A# Maj • 06:06 • -24.83db
15% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
14% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
14% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Bob Chilcott
The Lily and the Rose - SATB
76 bpm • A min • 04:08 • -25db
9% Popularity • 20% Danceability • 8% Energy • 7% Liveness
25% Instrumentalness • 14% Positiveness
9% Popularity • 20% Danceability • 8% Energy • 7% Liveness
25% Instrumentalness • 14% Positiveness
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Paul Hindemith
6 Chansons: No. 2. Un cygne
82 bpm • E min • 02:04 • -26db
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Cushendall, Op. 118: No. 3, Cushendall
76 bpm • F# Maj • 04:45 • -22.84db
3% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
God Is Our Refuge
76 bpm • G min • 01:06 • -29.35db
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sunrise Mass: Kyrie "The Spheres"
82 bpm • C# min • 04:29 • -26.89db
34% Popularity • 17% Danceability • 5% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 5% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Re...
82 bpm • G# min • 04:36 • -20db
8% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
