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Master Hunter
Songs like
Master Hunter
by
Laura Marling
Based on a tempo of (+/- 10%) and a similar genre
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Jolie Holland
Mad Tom Of Bedlam
99 bpm • G# Maj • 02:52 • -11.66db
22% Popularity • 65% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Laura Marling
Master Hunter
99 bpm • F Maj • 03:16 • -7db
33% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bat For Lashes
Laura
99 bpm • G Maj • 04:26 • -9.33db
25% Popularity • 48% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Conor Oberst
Hundreds of Ways
99 bpm • A Maj • 04:28 • -7.12db
28% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Anaïs Mitchell
Before the Eyes of Storytelling Girls
99 bpm • A min • 03:05 • -11.19db
19% Popularity • 55% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Regina Spektor
Small Town Moon
99 bpm • A# Maj • 02:59 • -9.66db
32% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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This Is The Kit
Moonshine Freeze
98 bpm • F# min • 03:41 • -9db
39% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Jenny Owen Youngs
Porchrail
100 bpm • F# min • 01:45 • -10.71db
20% Popularity • 60% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Jolie Holland
Waiting For The Sun
98 bpm • F# min • 03:59 • -9.76db
9% Popularity • 61% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
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Little Scream
The Heron and the Fox
98 bpm • F# Maj • 05:02 • -13.44db
14% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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John Grant
Queen of Denmark
98 bpm • C Maj • 04:48 • -9.2db
34% Popularity • 38% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Devon Sproule
Keep Your Silver Shined
100 bpm • C# Maj • 03:50 • -12.84db
8% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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LUMP
Paradise
100 bpm • G Maj • 04:33 • -8.95db
20% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Emmy The Great
Dinosaur Sex
98 bpm • G Maj • 05:37 • -13.66db
8% Popularity • 43% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Marika Hackman
I'll Borrow Time
100 bpm • A Maj • 03:05 • -8db
19% Popularity • 68% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Laura Marling
Easy
100 bpm • E Maj • 03:43 • -14.03db
13% Popularity • 43% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Anaïs Mitchell
Young Man In America
98 bpm • A# min • 05:30 • -9db
25% Popularity • 61% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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She Keeps Bees
Release
98 bpm • F Maj • 02:04 • -8.92db
10% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Iron & Wine
Evening On the Ground (Lilith's Song)
98 bpm • B min • 03:04 • -8.56db
28% Popularity • 27% Danceability • 77% Energy • 11% Liveness
65% Instrumentalness • 48% Positiveness
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Clairy Browne & The Bangin' Rackettes
Yellow Bird
100 bpm • F min • 04:44 • -6.07db
10% Popularity • 49% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Elvis Perkins
All the Night Without Love
98 bpm • E min • 03:11 • -9.29db
20% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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M. Ward
Crawl After You
101 bpm • C Maj • 03:39 • -7.36db
1% Popularity • 47% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Emily Wells
Symphony 3: The Story
101 bpm • F# min • 02:52 • -10.88db
20% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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She Keeps Bees
Vulture
97 bpm • C# Maj • 03:24 • -7.74db
25% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Bat For Lashes
Trophy
97 bpm • B min • 04:00 • -8.22db
14% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Marling
When Were You Happy? (And How Long Has T...
101 bpm • G# Maj • 03:53 • -19.15db
25% Popularity • 60% Danceability • 14% Energy • 11% Liveness
16% Instrumentalness • 32% Positiveness
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Heartless Bastards
Low Low Low
101 bpm • B Maj • 05:03 • -8.61db
22% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jimi Goodwin
Oh! Whiskey
97 bpm • G Maj • 05:20 • -6db
18% Popularity • 24% Danceability • 84% Energy • 24% Liveness
16% Instrumentalness • 44% Positiveness
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Hurray For The Riff Raff
Ode to John and Yoko
97 bpm • D Maj • 05:52 • -9.05db
16% Popularity • 40% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Phosphorescent
A Charm / A Blade
97 bpm • D Maj • 05:20 • -6.65db
27% Popularity • 24% Danceability • 66% Energy • 4% Liveness
24% Instrumentalness • 24% Positiveness
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Elbow
Station Approach
97 bpm • C Maj • 04:22 • -6db
36% Popularity • 50% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Marling
I Was Just A Card
97 bpm • A Maj • 03:30 • -11.23db
19% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Bird
Left Handed Kisses
97 bpm • E min • 03:14 • -9.12db
46% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jolie Holland
All The Love
102 bpm • D min • 04:10 • -12.48db
9% Popularity • 64% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 26% Positiveness
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Tift Merritt
Mixtape
96 bpm • B min • 03:18 • -10db
31% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Audra Mae
The Happiest Lamb
102 bpm • A min • 02:44 • -7.42db
19% Popularity • 31% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Be Good Tanyas
Ship Out On The Sea
96 bpm • G Maj • 04:17 • -10db
37% Popularity • 54% Danceability • 47% Energy • 14% Liveness
21% Instrumentalness • 51% Positiveness
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Laura Marling
Alpha Shallows
96 bpm • D# min • 03:42 • -9.87db
33% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Regina Spektor
On the Radio
102 bpm • C Maj • 03:20 • -8db
50% Popularity • 88% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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The Kills
Goodnight Bad Morning
96 bpm • F Maj • 03:53 • -13.41db
34% Popularity • 82% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Basia Bulat
The Pilgriming Vine
96 bpm • A Maj • 04:36 • -6.29db
18% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jolie Holland
June
102 bpm • G# Maj • 02:36 • -17.69db
10% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Hurray For The Riff Raff
Is That You?
96 bpm • E min • 03:46 • -10.18db
23% Popularity • 42% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Laura Marling
The Muse
102 bpm • E min • 03:40 • -12db
19% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Laura Gibson
Hands In Pockets
95 bpm • B Maj • 03:09 • -10db
23% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sharon Van Etten
I Don't Want to Let You Down
94 bpm • A min • 04:02 • -6.86db
27% Popularity • 49% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Basia Bulat
Snakes And Ladders
95 bpm • F# min • 03:09 • -4.68db
29% Popularity • 40% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Jesca Hoop
Murder of Birds
94 bpm • G# Maj • 04:28 • -11db
18% Popularity • 47% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jolie Holland
Little Birds
103 bpm • D Maj • 04:18 • -9.87db
9% Popularity • 40% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Lianne La Havas
Forget
104 bpm • C# Maj • 03:51 • -5.47db
31% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Laura Marling
How Can I
96 bpm • D Maj • 03:21 • -15.51db
17% Popularity • 57% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Psapp
Everything Belongs to the Sun
104 bpm • A# min • 04:01 • -9.42db
10% Popularity • 74% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
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Dark Dark Dark
How It Went Down
104 bpm • C min • 04:44 • -13.82db
2% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Anaïs Mitchell
Dyin Day
94 bpm • D Maj • 03:06 • -10db
30% Popularity • 73% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Patrick Wolf
Wind in the Wires
94 bpm • E min • 03:54 • -10.65db
19% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Decemberists
Lake Song
94 bpm • D Maj • 05:52 • -8.38db
31% Popularity • 31% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Laura Marling
Sophia
96 bpm • A Maj • 04:51 • -9.73db
31% Popularity • 36% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Basia Bulat
Promise Not to Think About Love
93 bpm • D min • 02:23 • -5.74db
19% Popularity • 62% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Hurray For The Riff Raff
Too Much of a Good Thing
93 bpm • G Maj • 05:29 • -13.9db
13% Popularity • 37% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Anaïs Mitchell
Annmarie
94 bpm • C Maj • 04:11 • -10.56db
15% Popularity • 60% Danceability • 35% Energy • 9% Liveness
30% Instrumentalness • 12% Positiveness
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Jolie Holland
Do You?
105 bpm • C Maj • 04:49 • -14.43db
15% Popularity • 56% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Jenny O.
Good Love
105 bpm • E min • 04:02 • -8.68db
14% Popularity • 67% Danceability • 69% Energy • 36% Liveness
6% Instrumentalness • 94% Positiveness
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Laura Marling
Where Can I Go?
95 bpm • G Maj • 03:40 • -13.97db
25% Popularity • 34% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 33% Positiveness
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Ed Harcourt
In My Time of Dust
93 bpm • A Maj • 04:09 • -9.97db
11% Popularity • 35% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Slow Club
In Waves
93 bpm • G min • 03:49 • -10.21db
25% Popularity • 57% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 29% Positiveness
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TORRES
Strange Hellos
106 bpm • A# min • 03:55 • -6.58db
21% Popularity • 54% Danceability • 63% Energy • 34% Liveness
6% Instrumentalness • 16% Positiveness
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Erin McKeown
Blackbirds
107 bpm • D min • 04:25 • -9.51db
27% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Elbow
Honey Sun
91 bpm • A Maj • 04:56 • -13.27db
26% Popularity • 74% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Laura Marling
Wild Once
95 bpm • F# min • 04:22 • -13db
24% Popularity • 43% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Sharon Van Etten
We Are Fine
108 bpm • C Maj • 03:49 • -9db
38% Popularity • 42% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Marika Hackman
Ophelia
108 bpm • E min • 03:33 • -12db
38% Popularity • 66% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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TORRES
Mother Earth, Father God
92 bpm • B min • 04:31 • -8.1db
11% Popularity • 36% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Slow Club
Give Me Some Peace
91 bpm • B Maj • 03:37 • -11.39db
9% Popularity • 45% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Nadine Shah
Stealing Cars
90 bpm • D Maj • 04:02 • -6.14db
32% Popularity • 38% Danceability • 62% Energy • 12% Liveness
77% Instrumentalness • 16% Positiveness
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Laura Marling
All My Rage
104 bpm • G Maj • 02:46 • -7.59db
23% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Conor Oberst
Zigzagging Toward the Light
90 bpm • E min • 04:03 • -5.97db
30% Popularity • 62% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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EmilÃana Torrini
When Fever Breaks
109 bpm • B min • 07:29 • -12.36db
15% Popularity • 73% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 23% Positiveness
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Jesca Hoop
Bed Across the Sea (Undressed)
110 bpm • A Maj • 04:06 • -13.75db
8% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Sharon Van Etten
Magic Chords
89 bpm • F min • 03:56 • -9db
24% Popularity • 28% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Dark Dark Dark
Trouble No More
110 bpm • A min • 04:41 • -6.8db
15% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Beam
Every Songbird Says
89 bpm • F# Maj • 03:23 • -11db
25% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Hurray For The Riff Raff
Fourteen Floors
110 bpm • D Maj • 04:13 • -13.08db
16% Popularity • 44% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 8% Positiveness
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Basia Bulat
The City With No Rivers
89 bpm • F min • 03:23 • -6.69db
22% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Sera Cahoone
Naked
89 bpm • A# min • 03:25 • -8.72db
10% Popularity • 60% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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LUMP
The Light - IYEARA Remix
110 bpm • F# Maj • 03:22 • -12.31db
6% Popularity • 59% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Laura Marling
Tap At My Window
93 bpm • D# Maj • 02:47 • -12db
35% Popularity • 38% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jesca Hoop
Tulip (Undressed)
89 bpm • C# Maj • 05:23 • -11.3db
21% Popularity • 54% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Florence + The Machine
Not Fade Away
89 bpm • F min • 04:02 • -5.29db
22% Popularity • 68% Danceability • 76% Energy • 6% Liveness
18% Instrumentalness • 87% Positiveness
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Caitlin Rose
Piledriver Waltz
111 bpm • C Maj • 03:54 • -9.04db
11% Popularity • 47% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Adia Victoria
Stuck In The South
111 bpm • A min • 03:07 • -8db
31% Popularity • 49% Danceability • 36% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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King Creosote
Bats In The Attic
88 bpm • G# Maj • 03:43 • -15db
37% Popularity • 46% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Laura Marling
I Was An Eagle
91 bpm • C Maj • 04:21 • -13.85db
34% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Anaïs Mitchell
Shepherd
88 bpm • C# Maj • 05:33 • -12.11db
23% Popularity • 60% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
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Sallie Ford & The Sound Outside
They Told Me
111 bpm • F Maj • 03:20 • -5.76db
18% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Low Anthem
Ticket Taker
88 bpm • F Maj • 03:08 • -12.6db
14% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Phosphorescent
I Don't Care If There's Cursing
111 bpm • F Maj • 04:55 • -9.42db
20% Popularity • 40% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Holly Throsby
Would You?
112 bpm • A min • 03:12 • -17db
6% Popularity • 61% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Laura Marling
Undine
108 bpm • E min • 03:13 • -14.26db
25% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Unthanks
Give Away Your Heart
88 bpm • G min • 03:49 • -14.61db
9% Popularity • 71% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Master Hunter