Songs like Masterpiece by Thompson Square
Based on a tempo of (+/- 10%) and a similar genre
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Kane Brown
Work
83 bpm • D Maj • 03:05 • -8.7db
40% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Runaway June
Got Me Where I Want You
83 bpm • A min • 03:14 • -7.59db
20% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Thompson Square
She's a Woman
83 bpm • C# Maj • 03:25 • -6.02db
3% Popularity • 47% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 47% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Jameson Rodgers
Ain't Really Over
83 bpm • C# Maj • 03:24 • -5.49db
26% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Carly Pearce
You Know Where To Find Me
83 bpm • F min • 03:28 • -4.43db
27% Popularity • 50% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 50% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Gracin
Front Porch Kinda Love
82 bpm • B Maj • 04:07 • -7.03db
14% Popularity • 44% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 44% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Brett Young
Let It Be Mine
82 bpm • C Maj • 03:36 • -7.04db
38% Popularity • 36% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 36% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Runaway June
Good, Bad & Ugly
82 bpm • A Maj • 03:04 • -5.75db
22% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Thompson Square
Masterpiece
83 bpm • C# Maj • 04:07 • -6db
29% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Tenille Arts
Call You Names
82 bpm • F# Maj • 03:50 • -7.47db
24% Popularity • 43% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 43% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Young
Radio and the Rain
84 bpm • G min • 03:00 • -6.6db
31% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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LANCO
Rival
82 bpm • G Maj • 03:04 • -3.63db
36% Popularity • 48% Danceability • 89% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 48% Danceability • 89% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
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Tim Hicks
The Worst Kind
84 bpm • C Maj • 03:23 • -3.31db
21% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Bryan
Like You Say You Do
84 bpm • G Maj • 03:40 • -3.34db
35% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Mitchell Tenpenny
Black Crow
82 bpm • G# Maj • 03:53 • -4db
22% Popularity • 51% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 51% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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BEXAR
Last Name
82 bpm • A# Maj • 03:52 • -7.87db
30% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kane Brown
Learning
84 bpm • G Maj • 03:22 • -7db
41% Popularity • 69% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 69% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Jackie Lee
Leave the Light On
82 bpm • E Maj • 03:13 • -4.83db
18% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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LANCO
Pick You Up
82 bpm • G# Maj • 02:56 • -6db
32% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Madeline Merlo
Unraveling
82 bpm • E Maj • 03:32 • -5db
25% Popularity • 62% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 62% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Terri Clark
Young as We Are Tonight
85 bpm • B Maj • 02:55 • -3.6db
18% Popularity • 38% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 38% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jessie James Decker
Roots And Wings
82 bpm • C# Maj • 02:41 • -5.61db
21% Popularity • 39% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 39% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Thompson Square
Breakers
85 bpm • C Maj • 03:56 • -8.38db
23% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Devin Dawson
All On Me - Acoustic Version
81 bpm • F Maj • 03:44 • -7db
30% Popularity • 61% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Brandon Elder
Ain't Going Home Tonight
85 bpm • F# Maj • 03:31 • -8.19db
12% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Levi Hummon
Cowboy Take Me Away
81 bpm • F Maj • 03:15 • -9.44db
18% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ashley McBryde
What If We Don't
81 bpm • F# Maj • 03:24 • -5.18db
34% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Granger Smith
Happens Like That (Acoustic)
81 bpm • G Maj • 02:48 • -7.52db
19% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Montgomery Gentry
Better Me
85 bpm • D Maj • 03:26 • -5.05db
33% Popularity • 51% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 51% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Kip Moore
Wish It Was Me
81 bpm • C Maj • 03:20 • -6.67db
37% Popularity • 68% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 68% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Chuck Wicks
Hold That Thought
81 bpm • F# Maj • 03:32 • -6.49db
27% Popularity • 45% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 45% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mitchell Tenpenny
Drunk Me - Acoustic
86 bpm • C Maj • 03:43 • -5.9db
36% Popularity • 55% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 55% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Carly Pearce
If My Name Was Whiskey
86 bpm • G Maj • 03:17 • -7db
41% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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David Nail
Send My Love (To Your New Lover)
81 bpm • A min • 03:30 • -8db
33% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Leaving Austin
She Can
80 bpm • G Maj • 03:17 • -4.43db
14% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Seth Ennis
Call Your Mama
86 bpm • F# Maj • 03:16 • -7.93db
38% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Brice
The Best Part Of Me
86 bpm • B Maj • 03:25 • -8.57db
39% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Hunter Hayes
This Girl
86 bpm • E Maj • 03:00 • -5db
43% Popularity • 55% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 55% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 58% Positiveness
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Brett Young
Ticket To L.A.
86 bpm • A Maj • 03:29 • -6.55db
42% Popularity • 55% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 55% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Paslay
Angels In This Town
86 bpm • E min • 03:01 • -4.43db
30% Popularity • 52% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 52% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Thompson Square
You Shoulda Been There
80 bpm • A# Maj • 03:00 • -7.55db
14% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Turner
Back From Gone
80 bpm • C# Maj • 04:29 • -8.18db
36% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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John Gurney
Home With Her
80 bpm • G min • 02:59 • -8db
32% Popularity • 73% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 73% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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David Nail
Ease Your Pain
80 bpm • G# min • 02:58 • -5.19db
18% Popularity • 33% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 33% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Hyatt
My Kind Of Crazy
80 bpm • G Maj • 03:04 • -8db
14% Popularity • 52% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 52% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Casey Barnes
Set Sail
80 bpm • A# Maj • 04:22 • -6.63db
21% Popularity • 56% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 56% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Thompson Square
Kennesaw
80 bpm • F Maj • 03:38 • -4.75db
1% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Drew Baldridge
Gentle Man
80 bpm • B Maj • 03:20 • -7.44db
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ashley McBryde
Lookin' for a Buzz
79 bpm • E Maj • 03:01 • -5.62db
33% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Love and Theft
You Didn't Want Me
79 bpm • C Maj • 02:52 • -5.53db
5% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Runaway June
I Know The Way
88 bpm • E Maj • 03:08 • -5.58db
19% Popularity • 53% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 53% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Tebey
Who's Gonna Love You
79 bpm • C# Maj • 03:06 • -6db
33% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Thompson Square
Home is You
80 bpm • D Maj • 04:07 • -6.42db
12% Popularity • 56% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 56% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Phil Vassar
Second Avenue
88 bpm • D Maj • 03:20 • -3.6db
15% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Stell
I Bet Whiskey Would
88 bpm • G Maj • 03:11 • -4.74db
29% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
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Blake Shelton
The Wave
78 bpm • B Maj • 03:48 • -7.95db
27% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Cale Dodds
I Like Where This Is Going
78 bpm • D Maj • 03:05 • -3.8db
26% Popularity • 54% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 54% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Young
Olivia Mae
78 bpm • B Maj • 03:42 • -6.34db
46% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Craig Campbell
When Ends Don't Meet
78 bpm • E Maj • 03:36 • -7.5db
22% Popularity • 44% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 44% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Lindsay Ell
Criminal
77 bpm • E Maj • 03:22 • -2.85db
39% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Stell
Reason Why
78 bpm • G min • 02:58 • -4.08db
29% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Terri Clark
One Drink Ago
89 bpm • D Maj • 03:10 • -4db
31% Popularity • 54% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 54% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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LANCO
Greatest Love Story - Single Mix
77 bpm • A# Maj • 03:33 • -7.03db
39% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Brett Young
Close Enough
89 bpm • G Maj • 03:06 • -5.31db
37% Popularity • 51% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 51% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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David Nail
Sunset Carousel
77 bpm • G Maj • 03:04 • -5.54db
38% Popularity • 59% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 59% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Love and Theft
Love Wins
77 bpm • D Maj • 03:48 • -7.07db
9% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Devin Dawson
I Can't Trust Myself
77 bpm • C Maj • 03:10 • -4.34db
25% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Mitchell Tenpenny
Telling All My Secrets
77 bpm • D min • 05:10 • -4.67db
30% Popularity • 71% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 71% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Brandon Ratcliff
Number in My Phone
90 bpm • D Maj • 02:53 • -4.26db
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Brian Davis
I'm All In
90 bpm • F# Maj • 03:36 • -5.97db
26% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Hyatt
Didn't Know Me
90 bpm • C Maj • 02:43 • -6.4db
30% Popularity • 51% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 51% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Kira Isabella
Little Girl
90 bpm • A# min • 03:13 • -4db
27% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Tracy Lawrence
Stars over Texas
90 bpm • D# Maj • 03:35 • -6.02db
26% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Cale Dodds
All Over
90 bpm • B Maj • 02:51 • -4.98db
25% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Hudson Moore
Just Wanna Love You
76 bpm • B Maj • 02:44 • -4.16db
24% Popularity • 25% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 25% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Tyler
Hey Mama
76 bpm • G Maj • 03:17 • -3.19db
15% Popularity • 30% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 30% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Brett Kissel
Tough People Do
76 bpm • D Maj • 03:34 • -5.8db
27% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Russell Dickerson
Low Key
76 bpm • D Maj • 03:36 • -7db
28% Popularity • 54% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 54% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Natalie Stovall
Wine or Whiskey
76 bpm • C# min • 03:26 • -6.85db
9% Popularity • 43% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 43% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Joe Stamm
First Saw You
76 bpm • E Maj • 03:52 • -6db
21% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Chase Bryant
Change Your Name
76 bpm • C# Maj • 03:54 • -5.73db
35% Popularity • 53% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 53% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Blake Shelton
Why Me
76 bpm • G Maj • 03:26 • -5.63db
32% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kip Moore
Try Again
76 bpm • D Maj • 04:03 • -7db
32% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Chandler Stephens
Can't Stop Love
76 bpm • D Maj • 03:31 • -5.53db
28% Popularity • 50% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 50% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Easton Corbin
Raising Humans
76 bpm • C Maj • 04:30 • -7.82db
24% Popularity • 50% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 50% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Thompson Square
Glass
76 bpm • C# Maj • 03:51 • -4.96db
36% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Brett Young
Left Side Of Leavin'
91 bpm • A Maj • 03:34 • -5.06db
39% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Blake Shelton
When the Wine Wears Off
76 bpm • C Maj • 02:54 • -6db
28% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Mitchell Tenpenny
I Get the Picture
91 bpm • F min • 03:32 • -4.83db
33% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jana Kramer
I've Done Love
91 bpm • D min • 03:09 • -5db
31% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Walker McGuire
Mama's Kitchen Table
75 bpm • B Maj • 03:15 • -6db
27% Popularity • 50% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Seaforth
Talk to Me
75 bpm • D Maj • 02:56 • -7db
25% Popularity • 69% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 69% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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A Thousand Horses
One Man Army
75 bpm • C Maj • 03:36 • -5.91db
18% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Blake Shelton
Beside You Babe
75 bpm • B Maj • 02:55 • -6.35db
28% Popularity • 67% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 67% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Destin Bennett
Wild And Free
75 bpm • F# Maj • 03:11 • -8.24db
27% Popularity • 53% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 53% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Gracin
Nothin' Like Us
75 bpm • A# Maj • 03:19 • -4db
24% Popularity • 53% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 53% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kane Brown
Lose It - Acoustic
92 bpm • E min • 03:03 • -5.31db
30% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Michael Carroll
Does He Know
75 bpm • B Maj • 03:40 • -6db
31% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
